Category Archives: strange and wonderful ideas about life

Illustrating in Novel Ways

I have just finished a novel project that I worked on for a year, from Spring of 2016 to Spring of 2017.  And part of my personal project procedure involves using drawings to help me visualize the characters in the story and begin to view them as real people, even when they most certainly aren’t real.  I even have this derfy Mickian idea that Paffoonies (those picture ideas that are inseparably fused to words) are essential to Mickian fiction.  (Mickian fiction= another frighteningly goofy idea that needs to go unexplained.)

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The book, Recipes for Gingerbread Children is about an old woman, a German immigrant and Holocaust survivor, who comes to a small Iowa town with a gift for story-telling and a gift for baking things, especially gingerbread cookies.

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Grandma Gretel Stein, seen in the Paffooney on the left, is the main character of the story.  She tells stories, mostly fairy tales, that have lessons about being true and faithful even in the face of great evil.  The fairy in her hand is General Tuffaney Swift, an immortal Storybook fairy who leads the army of the local fairy kingdom called Tellosia.    Gretel believes he is real  Honestly, she gets so into story-telling that her fairy friends seem absolutely real to her.  And who is to say that there aren’t little magical people living in a hidden kingdom among the cornfields in Iowa?  Gretel convinced me that they were real.  She even has a hand in making new fairies by the baking of gingerbread.  She gets a magical recipe from the fairy Erlking, a wise and magical being, and uses it to create living gingerbread boys and gingerbread girls.

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The gingerbread girl on the right is Anneliese, named after Gretel’s own daughter and decorated with frosting, food coloring, and gumdrops by the favorite story listener who constantly listens to Gretel’s stories and helps bake Gretel’s gingerbread, Sherry Cobble.

Sherry is a beautiful young eighth grade girl who reminds Gretel of her long-lost daughter.  Sherry has a twin sister named Shelly and they are identical twins, but Sherry not only looks like Anneliese once did, she acts like her with the same confidence and enthusiasm for life that Anneliese once had before the war.

Sherry and Shelly are both part of the Cobble family, who have a reputation locally as wacky-pants loonies because they believe firmly in being nudists and engaging in nature completely naked while not actually wearing any wacky pants.  I haven’t done any actual pictures of Sherry  in the nude, but if you look carefully at the first picture of her above and see clothing, then you are seeing things that are not there.  Yep, the girl bakes and decorates gingerbread men in the buff, wearing her pale pink birthday suit, even when the weather outside in Iowa makes that nonsensical.

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So by now you can probably draw several conclusions about me as both a novelist and an illustrator.  #1, There is definitely something a little bit off about me.  #2, I haven’t said anything yet about this book having dead Nazis and a werewolf in it, even though I rarely talk about this book without throwing those things in somewhere.  #3, Number 2 is actually taken care of in a backhanded way if you are reading this whole list carefully.  #4,  This story is probably about things that really aren’t just gingerbread recipes.  #5, You should congratulate yourself if you read this far in this post.  You have unusual amounts of patience and curiosity, and an extremely high tolerance for levels of goofy that put actual Goofy to shame.

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Filed under goofy thoughts, humor, novel, NOVEL WRITING, nudes, Paffooney, strange and wonderful ideas about life, writing, writing humor

The Sardonic Solliloquy

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The homeless man wandered onto center stage just as the spotlight went on.  He shaded his old eyes against the brightness and looked outward into the dark  theater.  It was probably some kind of mistake.

“Oh, so now it’s my turn to talk, eh?”

There was no response.

“Well, if you’re expecting something funny to come out of my mouth, good luck with that.  More than half of what I say that makes people laugh is the result of depression, ill health, and just plain ignorant stupidity.  And the other half of it is not meant to be funny, but is because I don’t always understand what I am saying.”

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There was an embarrassed chuckle somewhere in the darkness.

“I mean, you can’t expect too much from me. I’m a bum.  I have no money.  I have no job.  Not having any work to be bothered with is kinda good.  But the other thing kinda sucks.

And all the great comedians that used to stand on this stage and try to save the world through humor are dead now.  It’s true.  Robin Williams died recently.  George Carlin, Bill Hicks, Richard Pryor, and Bill Cosby are all long gone.”

There was some nervous laughter in the theater.

“Oh, I know, Cosby only thinks he’s dead.  But he kinda killed the character delivering the wisdom in the form of observational comedy, didn’t he.”

 

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“But most of them old boys tried to come up here and tell you the truth.  And the truth was so absolutely unexpectedly wacky and way out of bounds that you just had to laugh.  And the more wicked the humor, the more you just laughed.  You didn’t do anything about the problems they talked about.  But you sure did laugh.”

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“It seems like the more they told you the truth and the more you just laughed about it, the more old and bitter they got.  Sardonic?  You know that word?  Not sardines, fools, but sardonic.   Bitterly humorous and sadly funny.  Seems like a lot of them old boys got more and more bitter, more and more depressed up to the end.  More and more sardonic.”

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“I mean,  Carlin was calling you stupid right to your face at the end.  And you just laughed it off.”

The theater had grown eerily silent.

“But it ain’t all bad, is it?  I mean, at least you all can still laugh.  Only smart people get the jokes.  The ones Carlin moaned about were laughing because everybody else was laughing.  Those weren’t the ones we were talking to.  There’s still life out there somewhere.  Maybe intelligent life.  Maybe aliens ain’t located any intelligent life on Earth yet, but they’re still trying, ain’t they?”

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“You shoulda listened more carefully to what they were saying.  Life and love and laughter were bound up in their words.”

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“So I guess what I’m really saying is… just because I happened to get a rare chance to say it to you all… learn to listen better.  The voices are quiet now.  But the words are still there. And laughing at them is still a good thing.  But remember, you need to hear them too.”

The theater suddenly filled with the roar of a standing ovation.  The old man bowed.  And this was ironic because… the theater had always been empty.  No one at all was there now.

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Filed under comedians, humor, insight, poetry, quotes, strange and wonderful ideas about life, surrealism, Uncategorized, wisdom, word games

Silly Sunday Stuff

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I made a choice, long about 1980 or so.  And I have not regretted that choice.  I became a teacher instead of the writer/artist I thought I wanted to be.  And the more I look back on it now, if I had gone the writer route back then, I could’ve eventually become an author like Terry Brooks who wrote the Shannara books.  I might’ve even been as good as R.A. Salvatore whose fantasy adventure stories have reached the best seller list.  Back then, in the 1980’s I could’ve eventually broke into the business and been successful.  Even as late as when Frank McCourt broke onto the literary scene with his memoir, Angela’s Ashes in 1996, I might’ve been able to transition from teacher to writer the way he did.  But I chose to keep going with a teaching career that enthralled me.

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Publishing and the literary scene is changing now.  And it is no longer possible for someone like me to break into the big time.  I am an author who has come aboard a sinking ship.

But I have stories to tell.  They have lived inside me for more than thirty years.  And I am scrambling now to get them told before my crappy old body completely betrays me and makes the chance go away.  I will get them told… even if no one ever listens.

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And there are some advantages to doing it the way I have done it.  It is, and always has been, about the people in my life.  My wife, my children, my students, my co-workers, my cousins by the dozens, my little town in Iowa…  they are the people in my stories.  My stories are true to life, even if they have werewolves and fairies and living gingerbread men and nudists in them.  I live in a cartoon world of metaphor and surrealism, after all.  I would not have had the depth of character-understanding in my stories without my experiences as a teacher.  And I really don’t have to worry about the whole marketing thing any more.  I am not on that treadmill.  I do not have to be aware of what the market is looking for.  If my writing ever turns a profit, I won’t live long enough to see it anyway.  And that has never been what it is all about.

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I can do anything I please with my stories.  They belong to me.  I do not owe the world anything.  What I give you now in this blog and in my books, is given for love, not profit.  I can even write a pointless blog post about Sunday blather and illustrate it with Tintin drawings by Herge. And you can’t stop me.  And, hopefully… you don’t even want to.

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Filed under autobiography, feeling sorry for myself, humor, NOVEL WRITING, publishing, strange and wonderful ideas about life, writing, writing humor

A Bit of Naked Truth

As a nudist… well, I am not a very good spokesman for nudism, because I rarely get to be nude… and never really socially. I have seen a lot of nude people in my life. My own children, my nieces and nephews… I have at various times seen all but one of them naked. I have actually changed a lot of diapers, though that has been pretty much a long time ago. I have been around naked nudists a number of times. And I even spent an afternoon at a nudist camp one time. But this isn’t about being a nudist… even a never-nude nudist. It is about the morality of drawing nude people.

A new nude not posted before.

I enjoy drawing the nude human form. Man, woman, or child… nudes are beautiful to contemplate. But in our generally sexually repressive society, child nudes are a touchy subject. A lot of people who want to tell you what is wrong with your life and what to correct about yourself believe nudity is always about sexuality. And here’s a bit of naked truth about nudity… I am a victim of a sexual assault when I was a mere boy. Not an assault that provided any sexual gratification to me. I was sexually tortured and caused pain, both physically, and long-lastingly psychologically. It interferes with the entirety of my psycho-sexual development. I have never touched a niece or a nephew when they were naked, except when changing them as babies. I have trouble touching my own children, nude or not, as a result of what my attacker did to me. I have missed out on a humongous number of hugs and caresses, and maybe even kisses. My love life has always been a challenge, and it makes me approach child-nudity with great caution and trepidation.

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The thing I have learned about the nudes I draw and paint, especially the child nudes, is that the pictures, no matter how innocent in concept, have a dark edge. They are not evidence of any sexual misconduct on my part. Considering the facts of my own life, I am determined to never be any kind of threat to any child. In fact, they are safer with me than with most other people. I know what can actually happen if you do not guard against it.

That is not the way some people will see them, though. I have been accused of being too fond of young boys before. But no kid who ever spent time with me as a mentor, dungeon master, or friend would fail to contradict that. Several did contradict that. I am provably not a homosexual, let alone a child predator threatening to boys. But this picture of Fernando Faun is not evidence of anything anyway. The actual model wore swim trunks in the photo I made it from. Only the face is Fernando’s, and I definitely changed his race and skin-color. And if anything at all can be learned about this picture, it is that, in truth, it is more a picture of me than it was of Fernando. It is about enjoyment of the naked part of being a boy, a zest for life and sensuality, that I painted because the fact of it was denied to me. I never got the chance to be like that anywhere but in my imaginary world where this painting is actually set.

I really can’t claim, though, that young girls would be as safe around me as boys are. I would never actually touch one, or even intentionally make her feel uncomfortable if I could help it. I could not promise, though, that my old brain would be completely free of all lustful thoughts.

But the whole point I am trying to make is that we are naked in more ways than just the physical. There is a need to be naked more. And by that I mean, we need to shine lights on our inner selves, to show the world who we truly are. I should not hide myself or my work from the sight of others. Letting you see these naked pictures, and at the same time, talking about my naked fears, is a kind of naked honesty that helps me to talk about what happened to me once upon a time. And it helps me heal. Repressing such things does harm to the soul.

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How Computers Actually Work

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This is how computers actually work.  I swear that it is true.  I know, I know… I have on occasion stretched the truth just a bit… like down the block and around the corner where I tied it around a lamp post.  But in my defense, I write fiction.  This is not fiction.  This is a narrative of actual experiences that I managed to live through and learn from.

You see, as I was working on my writing, I underwent a plethora of computer malfunctions that made me really, really mad.  I took my rubber stress ball and threw it at the far wall.  It bounced back directly into my left temple, making me see stars, and then, apparently, summoning a genii.  He was standing there grinning at me.

“How can I be of service, master?” he said with magical sparkles in his white teeth.

“Oh, I just wish I could see inside the computer to know why it does these terrible things to me every time I press a key.”

“Your wish is my command, master.”  He poofed me in a pink and blue cloud of genii magic, and suddenly I was tiny and digital, able to walk inside my computer and take a look.”

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“What makes you the most mad, master?” the genii, whose name I learned was Computus, asked me.

“When it deletes stuff for no apparent reason…” I began.

“Ahh!  You need to see the Desert of the Deletion Dervishes.”

So he took me to a digital field of file flowers, where all the files that contained my best saved work were growing peacefully.  There were all the maniacal digital dervishes on digital horses, busy slashing the stems of my file flowers with their digital scimitars.

“Aagh!  No!” I cried.  “Why are they deleting my stuff?”

“Oh, do not worry.  They are focusing on the files you use most and deleting only those.  They are very efficient in carrying out their orders.”

“And who gives them these orders?”

“Why you do, sir.  When you give the computer orders from a drop down menu, you are rarely clicking on the order you intended to.  And “Save” is close enough to “Delete” to make our work simple.”

“And why do I keep having new windows opening up randomly where I don’t want them to?”

“Ah, the Public Pool of Pop-up Peris!  Let us go see that too!”

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So he poofed me into a pit of electrical fire filled with electrical fire beings who were busy crafting evil pop-up windows to plague me.

“So, these creatures are filling my screen with ads for hemorrhoid creams and Asian dating sites?”

“Yes, and surveys about why you love President Trump and thought Obama was terrible.”

“And why when I click on the X’s to get rid of them, do two more appear?”

“Oh that’s simple.  They purposefully make the X’s so tiny and the surrounding area so sensitive that if you don’t hit the exact center of the X precisely, then it knows you want to see two more ads chosen specifically for you by the mind-reading genii.”

“But the ads are always the opposite of what I actually want to see!”

“Well, of course they are.  Computer genii are the kind made entirely of fire.  We call them Efrits, and they are the most powerful evil jinn we have available.”

So then I awoke with a painful knot on my forehead and a new understanding of why this post was so difficult to write.   The computer treats me so evilly because that is precisely what it was designed to do.

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Talking to Nobody

I entered the classroom silently. Death doesn’t have to make any sound when it enters a room, but I remember many times when I entered a classroom in a fully enraged-lion roar. Probably too many times.

This time it was a small lesson to a small class. Little Mickey, ten years old, was sitting there in a front-row desk. He was wearing that stupid purple derby hat that he always wore in his imagination. And he was wearing nothing else besides.

I gave him that old death-eye stare of disapproval. He grinned and shrugged. “Hey, I like to write about nudists, okay? They tell the truth more than most people.”

I simply nodded.

Sitting the next row over, in the front seat also, middle-aged Mickey was slumped in his seat like the cynical, world-weary teacher-thing he actually was. I nodded disapprovingly at him too. “I know, I know,” he said. “My time is running out. I have to get started on my writing plan for real this time. My stories will never get written if I don’t.”

The third seat in the third row contained Old Coot Mickey with his wrinkled clothes, his long Gandalf-hair, and his frizzy author’s beard. He grinned his goofy grin at me and nodded at me cheekily. “I’ve got fourteen novels written and published now. Taint my fault that nobody ever reads ’em. They are mostly good stories, too.”

I rolled my eyes at the dark ceiling.

On the chalkboard I wrote out. Today’s Lesson Is

“I know! I know!” shouted little Mickey, naked except for his purple hat. “The next novel is A Field Guide to Fauns. It is all about nudists in a nudist camp. I am definitely down with that!”

“Is that really a good idea, though?” asked middle-aged Mickey. “I think I was meant to be a writer of Young Adult novels, like the ones I taught so often in class. I know how those books are structured. I know their themes and development inside and out. I know how to write that stuff.”

“But the little naked guy has it right. You have ta be truthful in novels, even as you tell your danged lies.” Old Coot Mickey made his point by punctuating it with a wrinkled hand thumping on the top of his desk. “You have written novels with characters forcing other characters to make porn films in The Baby Werewolf, and sexual assault of a child in Fools and Their Toys, and lots of naked folks, and betrayal and death… All of that is the kinda stuff kids really want ta read. And them stories don’t glorify that stuff neither. Stories can help fight agin that stuff.”

“Remember, that stuff is hard to write about because I actually went through some of that stuff in my own life. It’s possible for even a fiction book to be just too real for a YA novel.” Middle-aged Mickey had entered fighting mode with his fists on his hips.

“But the underlying truth is why you had to write those stories to begin with. You have truth to tell… But in fiction form,” argued little Mickey.

“And horrible experiences turn into beautiful survival stories and heroes’ journeys with time and thoughtfulness and art,” said Old Coot Mickey.

I agreed with all three of me. I nodded and smiled.

“But you are Death, aren’t you?” asked middle-aged Mickey.

“And you’ve come to take away at least Old Coot Mickey!” declared little Mickey.

“You’ve got me all wrong,” I answered all three of me. “I am not Death. I am Nobody.

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For the Love of Korngold

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When I was in Cow College at Iowa State University I spent most of my study time listening to KLYF Radio in Des Moines.  They would eventually transform into an easy-listening music station, but the time I truly lived a K-LYFe was when they played classical music.  And it was there that I first fell deeply in love with the Saturday Matinee stylings of  Erich Wolfgang Korngold, the first incarnation of John Williams of Star Wars fame.  Yes, movie music.  Classical movie music.  And it seemed, mostly movie music for Errol Flynn movies.

 

 

 

My sister was always a lover of Errol Flynn movies, and when KGLO TV Channel 3 would play one on the Saturday Movie Matinee in the early afternoon, we would have to watch it, the whole thing, no matter how many times we were repeating the same four movies.  Nancy would memorize the lines from the Olivia deHavilland love scenes.  I would memorize the sword fight scenes with Errol and Evil Basil Rathbone (Good Basil was Sherlock Holmes, and we had to watch those too.)  Early evenings on those Saturdays were all about playing pirate and Captain Blood adventures.  Or better yet, Robin Hood.

 

 

 

But the music of adventure was by the composer Erich Wolfgang Korngold.  He did the sound tracks for Captain Blood, Robin Hood, and the Sea Hawk.

I sincerely love the corny old movie matinee music because it was not only genius-level mood music and story-telling in a classical music instrumental masterpiece, but because even now it takes me back to the boy I was at twelve years old, playing pirate on Grandpa Aldrich’s farm.   Making Robin Hood bows out of thin tree branches and arrows out of dried ragweed stalks.  Sword fighting to the death with sticks with my cousin Bob, who was always Basil Rathbone in my mind. while I’m sure I was Basil Rathbone in his mind.

To be honest, there is much more to Korngold than I have relentlessly gushed about here like a hopeless nerdling fan-boy in the throws of a geeky movie passion.  He was a musical child prodigy like Mozart.  He wrote a ballet called Der Schneemann (the Snow Man) when he was only eleven, and became the talk of the town in Vienna, Austria in 1908.  He became the conductor of the Hamburg Opera by 1921.  He wrote some very fine classical music in the 20’s that still rings through orchestra halls to this day before coming to America in the early 30’s with film director Max Reinhardt.  He scored his first film in 1935, adding music to Reinhardt’s Midsummer Night’s Dream.  He was fortunate to escape Europe just as the Nazis were coming to power in Germany, and also at the right time to team up with new movie star sensation, Errol Flynn.  He won his first Oscar for the musical score of the movie Anthony Adverse in 1936 and he won his second for The Adventures of Robin Hood in 1938.  He died in 1957, a year after I was born.  But I promise, I didn’t kill him.  I was in college in the 1970’s when his music underwent a revival, complete with renewed popularity.

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His music was pure gold to listen to in the fields of corn in Iowa in the 1970’s.  It was just as good as that last pun was terrible.  So, in other words, really, really, spectacularly good.  It was the music that scored my childhood fantasy adventures.

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Filed under artists I admire, autobiography, classical music, heroes, humor, review of music, strange and wonderful ideas about life

Mickey Viewed From the Inside

Yes, this post is a self-examination.  Not the kind you see Donald Trump enacting every weekend, where he says any crappy thing that occurs to his craptastical very good brain to cover what he doesn’t want us to believe about the truth on Twitter, basically for the purpose of continuing to say he is great and we are poop.   I do not like myself the way Trump likes himself.  I am an old bag of gas that is in pain most of the time, in poor health, and the subject of endless persecution from Bank of America and other money-grubbing machines that are convinced any money I might accidentally have really belongs to them.  But this is not a complain-about-crap fest either.

This is a self-examination that attempts to honestly examine where I am in my quest for wisdom and my affliction with being a writer.

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If I am being honest about the type of writer I really am, I guess I am most like the Weird Recluse in the bottom corner.  I can’t claim to be as good as Kafka or Dickinson, but I am definitely better than some of the crap that gets published and marketed as young adult literature.  The business of publishing is more interested in how many books they can sell, rather than literary merit or good writing.  Some of the crap that is out there and being made into bad movies (which I have not seen because I don’t go to movies that don’t pass the fiction-source smell test) is actually a form of brain poison that will mold young people into sexual predators and professional poop makers.  And people will take poison happily if it has been deviously marketed well.  So far, in the money test, I have made only $16.43 dollars as an author (plus whatever I have made from I-Universe that doesn’t cut a check until it reaches at least $25 dollars).  Nobody is buying my books because nobody has read them.  I have sold a few copies to friends and relatives.  Some of those books are just sitting on a shelf somewhere unread.  I have a couple of 5-star reviews on Amazon, and that is it.  I will die in the near future not having known any measurable success from my books at all.

I have entered novels in writing contests and done well enough to make it into the final round of judging twice.  I have not, however, made a big enough splash that anyone really noticed.  I have paid reviewers to review my books online.  One of those charged me money, and then reviewed a book with the same title by a different author, a book which was nothing like my book, and then, when forced to correct their error, only read the blurb on the back of the book to write the oopsie-I-goofed-last-time review.  They were not worth the money I paid them, money that Bank of America could’ve sued me for instead.

The only thing I have done successfully as a writer is, I think, this goofy blog.  By writing every day, I have managed to give myself considerable practice at connecting with readers.  I have practiced writing humor and written some laughable stuff.  I have plumbed my soul for new writing ideas, and found a creative artesian well bubbling up with new ideas daily.  I can regularly manufacture inspiration.  I am never truly without an idea to write about.  Even when I write a post about not having an idea to write about, I am lying.  Of course, I am a fiction writer, so telling lies is what I do best.  I am also a humorist, so that means I can also tell the truth when I have to, because the best humor is the kind where you surprise the reader with a thing that is weirdly true.  Like just now.

So, somewhere ages and ages hence, I hope there will be a trove of old books in a cellar somewhere that will include one of mine.  And some future kid will pick it up, read it, and laugh.  The golden quality of that laughter is the only treasure I have really been searching for.  It is the reason I write.  It is the reason I continue to be Mickey.

Since I wrote this blog post originally, I have added a few books published on Amazon.  You can find information about this random noveliciousness here at this page in my blog.  Click on this linkie thingie here.

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Filed under autobiography, feeling sorry for myself, foolishness, forgiveness, humor, Paffooney, philosophy, publishing, self pity, self portrait, strange and wonderful ideas about life, writing humor

If I Thunk It, Then Wrote It, I Will Leave It In There

One good thing about being a humorist is, if somebody calls you out for an error you made in your writing, you can always say, “Well, it’s a joke, isn’t it?”  Errors are for serious gobbos and anal-retentive editors.  I live with happy accidents.  It is a way of life dictated in the Bob Ross Bible.

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Yeah, I know it’s supposed to be “oops” not “OPPS”, but after all, this isn’t even a list I made up myself.  I stole the whole thing from another writer on Twitter.

You have no idea what a cornucopia of ravings from knit-wit twit-tweets Twitter really is.

Oh, you waste time time on Twitter too too?

Then you know already.

Twitter makes you want to shout at your computer, and has so many Trump-tweets and conservative blather-bombs on it, that it can seriously impair your editing skills.

So I look elsewhere and elsewhen to sharpen my critical English-teacher eye.

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Yes, the illustrator of that meme doesn’t get the blame for the content.  I wrote that violation of the sacredness of classic literature myself.  I think we should thank God for the fact that neither Charles Darwin nor Dr. Seuss decided to act on evil impulses.  The world is a better place for their decision on how to use their genius, and how to edit themselves.

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So, this is me writing today’s post about editing as a writer, and failing miserably to edit my own self.  I got the pictures from Twitter and edited them myself.  Or failed to edit them properly, as the case is more likely to prove.  But however I may have twisted stuff and changed stuff and made up new words, editing is essential.  It makes the whole world better.  Now let’s consider editing the White House for a bit, shall we?

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Something Unexpected

I finished up a final proofread and formatting project on the novel I am re-publishing on Amazon, Magical Miss Morgan.

And, you know what? The story made me cry again. An unbroken record. It is about the fifteenth time I read through it. And every single time, the little three-inch-tall fairy is killed again, and I can’t keep my eyes dry.

He’s not even based on a real person as so many of my characters are. It’s not like it is someone I know and love. It’s a fairy. Not even remotely real. And I’m the one who decided he had to die in the story because because good comedy stories always end with at least one main character dying… Don’t they? It’s a rule derived from Robert Altman movies.

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But I can’t help feeling things about the characters in my stories. I don’t love them all. I hate some of them. But, they’re the ones you are supposed to hate. They are villians, bad guys, characters based on real people who hurt me in real life.

Silkie and Donner are fairies.

It’s not just my stories that make me feel. I have read Dickens’ A Tale of Two Cities twice, and both times Sydney Carton made me cry. I read Dickens’ Old Curiosity Shop only once. And Little Nell made me cry so hard I could never reread that book. And there’s Simon in The Lord of the Flies, and, of course, the old Yeller dog in Old Yeller by Fred Gipson… I’m a sucker for heroic deaths and tragic losses. They touch and twist my little blue heart.

Miss Francis Morgan, school teacher

But I cried for the fifteenth time, and I survived it. I will probably cry again if I read it again. That is what life is like. That is what fiction is for. To make me think and feel and… love.

Magical Miss Morgan is now back in print.

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