You’ve heard of the sinister 9-11 tale of the dancing Israelis? Some conspiracy theories are very concerning. You have to be concerned about whether the conspiracy theory is true and aliens from Zeta Reticuli really have been cloning Elvis, or whether the conspiracy theorist is a nut-bag like Alex Jones who simply needs to be locked up to protect him from himself.
But no conspiracy theory worries me more at the moment than one about the existence of German ninjas who advance the neo-Nazi agenda by the use of the secret martial art of der Ententanz. That’s right, they do violence to opponents (and possibly themselves) by aggressively doing the Chicken Dance.
You really have to watch the video above to truly appreciate the perfidy of Ententanz Fu. Notice how it starts with the pinching-fingers castanet attack, useful for grabbing the opponent’s nose or other sensitive protruding appendage. It is followed by the flapping elbows move that can stun the enemy by its sheer ridiculous flappiness. And then the bouncing butt attack, which can potentially paralyze the adversary by bouncing them around the room. All of this is followed by the dancing in a circle maneuver which renders the viewer unconscious with insane levels of laughter. Yes, the aggressive use of the chicken dance can literally make you laugh yourself to death.
Now, if you truly believe I am not totally serious about the dangers of ninjas doing the chicken dance in order to assassinate ordinary tax-paying citizens, I should warn you…
I mean, most people think of Ententanz Fu as merely another way German-themed tourist traps like the ones in Fredricksburg, Texas make relentless fun and ridicule targets out of clueless white people during Oktoberfest, but in reality… Yes, it is that, but it can be so much more. Take it from somebody who narrowly escaped from a chicken-dance-induced coma fairly recently, it is possible not only to die laughing from this dancing-poultry scourge, or be embarrassed to death, but you can also accidentally tie yourself up into a German pretzel… at which point, chickens will dip you in mustard and eat you.
So be warned. This is a danger not even Alex Jones on InfoWars has warned you about. (Though, if you give him enough time alone with hammers to hit himself in the head with, he may come to the same conclusions soon enough.)
Many doctors’ appointments, eye treatments, and needed exercise to combat diabetes have all conspired to fill my time to the point that I haven’t gotten publishable work done on the writing projects. So, today there is no completed Canto 10 to share on the novel-writing day. It will be called In the Home of the Leaf Witch when I do have it published.
So, today I will share some meta-data that you might be interested in if you wonder at all how a novel project proceeds in the mind of an extra-goofy writer.
Poppy’s little novella (a book between 15,000 and 25,000 words in length) was conceived as a sequel to The Necromancer’s Apprentice, which is both a parody of the story The Sorcerer’s Apprentice, the Mickey Mouse version, and a coming-of-age story about a Sylph girl named Derfentwinkle. Derfie is an enslaved servant of an evil Necromancer at the beginning of the story, sent on a suicide mission against the leaders of the good fairies in Tellosia. She ends up captured alive by an eccentric Sorcerer named Eli Tragedy. He reforms and trains her to spite the Necromancer, his old enemy.
Derfentwinkle is the main character of her story, and the sister of Poppensparkle in this story.
PoppenSparkle is a Butterfly Child. That means she is a Fairy who can fly with butterfly wings. Her sister saved her from the Necromancer, and it was discovered that she has rare magical talents that the Kingdom of Tellosia desperately needs.
The Fairies of Tellosia are tiny compared to the human beings they live around. They call humans the Slow Ones because humans are easily fooled by Fairy glammers and disguise magic.
Glittershine is one of PoppenSparkle’s teachers.
Poppy’s magical education begins as a journey on rooster-back from the Fairy Castle of Cair Tellos to the distant Castle of Cornucopia where a war is raging and several critical magical problems have to be solved.
Prinz Flute, the son and heir of the High Wizard of Tellosia, has taken over Poppy’s education.
So, if you are actually waiting impatiently for Canto 10 to drop and appear on this blog, keep an eye on us here at Catch a Falling Star. It will get published as soon as it is acceptably written and edited. And if you are not waiting for the next installment in the way readers once waited for the next chapter of Charles Dickens’ The Old Curiosity Shop, thus contradicting Mickey’s delusion that he is in any way like Dickens as an author, you can continue to glance at the pictures, ignore the text, and move on without clicking the “like” button like most readers do.
As a comic cartoonist sort of artist named Mickey, I was as a teenager obsessed with making artsy goofy books. One of those was unaccountably called Dreams of the Mastiff. These surrealistic picturations are examples from that silly Donald-Duck thing.
This page is supposed to explain the title. So I guess all of the following pages are somehow supposed to be from the nighttime brain of the dog in the nursery.
And what is this supposed to be about? My old-man memory has not a single clue.
It occurred to me long ago that both Fantasy and Science Fiction were surreal by nature. What is the story behind Black Peter? Ich weiss nicht! I do not know! Old-man memory again.
Inexplicable Sci-Fi from this little surrealist art-book-thing.
And more of the same…
Now back to cockroaches from doggy dreams…
…And mice, monkeys, and tea-drinking ladybird beetles…
…And what…? The whole world in a nutshell?
To a thing I used in two novels, Catch a Falling Star and The Baby Werewolf.
I offer no explanations or excuses for these nonsensical and unaccountable things. I am not sorry I once did them, if you want to know the truth… but I probably should be.
Yes, Mickey is thinking about the Autobiography of Mark Twain and the upcoming autobiography that James Patterson is threatening to publish. (Patterson, if you don’t recognize the name, is the very prolific author who dominates the shelves in Walmart, Target, and convenience-store book racks everywhere.) Is it an important thing for an aspiring literary pretender like Mickey to write an autobiography? Of course, not! So, that is precisely why he is thinking about it.
So, what would this threatened autobiography be about? Do you really not know what an autobiography is? Or am I just being abominably impatient and not waiting for you to provide the answer in the comments?
It would be about Mickey’s awful, terrible, horrible life. It would be about loving the St.Louis Cardinals, especially the 1960s dynasty that featured the death-ray stare of pitcher Bob Gibson, whom Mickey worshipped.
It would be about the troubled struggle to establish Mickey’s sexual identity because of the assault and traumatic amnesia he endured at age ten. And it would include his struggle to understand his attraction to certain girls. The awkward, pants-wetting episodes of extreme embarrassment included.
It would include the awkward, pants-shedding obsession with being naked in the forest that Mickey had at ages seven through nine. At least, the beginnings of that obsession. Including the read-aloud assignment Mickey heard the fourth graders read aloud when he was in third grade about Greek school being only for boys, and for at least half the day, only for naked boys. And then in fourth grade the next year, after having looked forward to reading that assignment for over a year, realizing the curriculum had been altered to save Miss M the embarrassment of reading that aloud again as she did the previous year.
It would include doing farm work, teaching Mickey the kind of pragmatic problem solving you have to know and apply to farm work if you are the grandson and nephew of actively-farming farmers.
And it would have to include lots of juvenile pipe dreams about cartooning, being an animator, or being a comic-book artist.
That kind of Mickey-Mouse enthusiasm for Woody-Woodpecker characters would be the “Terrible” part of the working title of this autobiography.
And there would also be a long part that is the teacher part. This would be the part that most makes this autobiography into slapstick comedy… and slap-student comedy that is swiftly followed by fire-teacher comedy… but that would be fiction, that makes it no longer strictly an autobiography.
And once the endlessly-droning teacher-time stories are done, it would move into the retirement years in which Mickey yields to the delusion that just because you have become a published author with 21 books published, one of them by a publisher that is an imprint of Penguin Books, you are not necessarily assumed to be a successful writer.
And of course, it would come to an end with Mickey retrieving his obsession with nudity that was really a life-long thing that would transform him into a nudist at an advanced age… marking, perhaps, the onset of his angry, misguided old-coot years. Ah, the horror… the horror…
Yes, in this time of elderly people making irreversible bad decisions, like Trump running for President, Mickey becoming a nudist, and Joe Biden trying to accurately remember stuff from the ’70s… the 1870s, writing a literary autobiography might be the most impossibly idiotic decision of all. But once Mickey’s old coot brain gets infected with such an idea, something truly horrible will ensue.
This Saturday Art Day is about whatever danged pictures I whimsically decide to show you. I am not proud of them all. I am too focused on being a better artist. But today you take what you can get.
As a general rule, I kinda like stupid people. Being around them makes me feel smarter than I probably really am.
But as a general rule, you should not argue with stupid people.
You cannot win the argument.
If you hire a debate judge to score your argument, and you technically trounce your stupid-person opponent according to the judge’s score card, the stupid opponent will lay a stupid insult based on nothing on you. The stupid people in the audience will cheer and whoop. The stupid person you argued with will declare himself the winner and take a victory lap.
You cannot win the argument. The stupid people outnumber the rest of us.
This is not a stupid person. He just plays one as Governor of Florida. He promotes all the stupid things stupid people love to see promoted because stupid people will love him for punishing the things and people the stupid people hate. That makes him an evil person who takes advantage of stupid people.
Stupid people have simple, one-way hearts. If they love you for some stupid reason, or some smart reason that’s simple enough to understand, they will basically love you fiercely for life. But if someone convinces them you are worthy of their stupid hatred, say for being a socialist, a Muslim, an opinionated and educated woman, black or Hispanic, they will definitely hate you until either you die or they die. And some of them will gladly help you die.
So, the secret is, to get them to love you rather than hate you. They can love a black or Hispanic person if they see them as a black or Hispanic friend that proves they are not a racist. They can love a socialist if you never use the word socialist and instead point out that taxpayer money should benefit the good people like them who actually pay the taxes, rather than solely benefitting the wealthy elite. Not being an opinionated and educated independent woman, I cannot tell you how to avoid stupid people hating you for being one. You should ask one how they do it. But not Hillary Clinton. She obviously doesn’t know.
This is not a stupid person. He just plays one on television. He is a smarmy bad actor who does evil things and convinces stupid people to vote stupidly because he’s rich and smart and you will be just like him if only you adopt his way of thinking that favors rich people over everybody else. (Join me in knowing the Dark Side of the Force, for it is more powerful. And if you stand by me, as the Sith apprentice of Darth Ted, you will know power and wealth beyond your wildest dreams.) (Except you won’t because he won’t let you.)
If you try to argue with a stupid person that he or she shouldn’t like Darth Ted because he takes advantage of them, you will only force them to stupidly like him more. But if you point out that Darth Ted has betrayed some other stupid person that the stupid person loves, they will stupidly join you in your stupid hatred of stupid Ted. (Of course, we have already established that stupid Ted is not really stupid, so, to pull it off, you have to lie and pretend… which makes you the same as Stupid Darth Ted, which is a stupid thing for you to do. You really can’t win arguing about evil Darth Ted.)
But there is always the hope that science will invent a cure for being stupid. It will probably be green and bubbly with a hint of lime flavor. It will probably be addictive. And it will probably mechanize your brain with Artificially Intelligent smart-people juice that will make you evolve into something that is no longer human. And that, too, would be a stupid thing for you to do.
Never argue with a stupid person. It is a stupid thing to do. You cannot win. But even though you can’t win an argument with them, stupid people are mostly everyone you know. All people are stupid at least some of the time. Even Stephen Hawking, Albert Einstein, and Elon Musk. Elon can be especially stupid on Twitter and he’s still alive to demonstrate how stupid he can be. So, don’t give up on stupid people. Just don’t argue with them.
This beautiful song, an operatic aria by Puccini, is from the comic opera Gianni Schicchi. But, more important than that is what the song actually means in context.
In the opera, Gianni Schicchi is a con man intent on swindling a family out of their inheritance and knowing all along that he will be destined to go to hell when he dies. The family is gathered for the reading of the rich man’s will, which is, because this is a comic opera, lost for the time being. Their main concern is for the money, which rumor has it has all been willed to the church. But one among them is actually worthy of inheriting the money, Rinuccio the son of the rich man’s cousin. And, as luck would have it, as it always does in comedies, Rinuccio is the one who, during the manic and desperate search for the will, actually finds it. And assuming he comes out well in the will, he secures a promise from his mother that if he inherits money, he can marry Schicchi’s beautiful daughter Laurretta whom he truly loves.
But when he reads the will, he is devastated. The money all goes to a monastery. He begs Schicchi to help him convince the family that he should marry Laurretta anyway. This Gianni Schicchi tries and finds it harder than turning water into wine. So Schicchi is about to give up when Lauretta finally speaks up for herself through the song,
O Mio Babbino Caro (My Beloved Father)
At this point Schicchi is moved by the beautiful song and even more beautiful love his daughter has surprised him with. He not only agrees to help, but executes a bizarre plan, hiding the rich man’s body and pretending to be him come back to life to rewrite the will. Now the will favors Rinuccio, and over the protests of the family, he inherits the money and marries his true love, Schicchi’s daughter. The opera ends with Schicchi singing his case to the audience, telling them in song that going to hell is worth it to aid true love.
And this, then, is the truth of O Mio Babbino Caro.
Love, expressed through the surprise of hidden talent suddenly revealed, is the most persuasive argument there is.
Whether it is the love in the music suddenly discovered in the overwhelming voice of a little girl like Jackie Evancho or Amira Willighagen, or the late great Maria Callas who also sang the role, or even the singer of Puccini’s greatest work who is yet to perform it and make silly old men like me weep for beauty’s sake, the song is the most persuasive argument there is in favor of true love.
That is a thing I desperately want to capture in the novel I am writing now, Sing Sad Songs. Love expressed in music. Love that reverses loss. Love that heals all things. And Love that moves all people. The love that is masterfully sung in O Mio Babbino Caro.
That book is now published and available on Amazon.
After years of being stored away, I discovered that my mother had hidden a hoard of my old artworks in the upstairs closet in Grandma Aldrich’s house (now my parents’ house).
This oil painting was done on an old saw blade at the request of my Grandpa Aldrich. He wanted a farm painting on it, like the one he’d seen in a restaurant during a fishing trip in Minnesota. I chose as the subject Sally the pig. Sally was a hairlip piglet that had to be bottle fed and raised in a box by the stove until later in life she became a favorite pet. Believe it or not, pigs are smarter than the family dog. She became a pig you could ride. And Grandma had taken a precious old photo of my mother and Uncle Larry riding the pig. I used that photo to make this painting. It was also the painting I wanted to find on this trip to Iowa. Searching for it led to finding all the others.
These two are among the earliest paintings I did. They were both done on canvases that I stretched over the frame myself in high school art class. The purple one is a scene from Shakespeare’s Midsummer Night’s Dream. The blue one doesn’t have a title, but you can see what it is. It is an ancient shibboleth water monster lurking under a dock, fishing for young boys to eat.
This drawing was done on the front porch in the house in Rowan. It would be years before mom framed it. It is another example of what I could do as a high school kid. In fact, I composed it from art-class sketches I did my senior year in school.
The Boy in the Barn was painted on the remains of an old chalkboard that my sisters, brother, and I had used in grade school.
Grandma Aldrich asked for this picture to hang over the sofa in the farmhouse living room. It stayed there for many years.
Great Grandma Hinckley passed away in 1980. I created this portrait from a combination of photos and memory. It was too good. It was never hung anywhere because it always made her daughter, my Grandma Aldrich, tear up.
This pencil drawing won a blue ribbon at the Wright County Fair in the late 70’s.
This picture is called First Years are Hard Years. It was painted in 1982 after my first year of teaching at the junior high school in Cotulla, Texas. I painted mostly the good kids. The girl on the lower right would later go on to become a teacher for our school district. I can’t claim to be the one who inspired her, but she did make straight A’s in my class.
This is called Beauty. It is done in oil crayon on canvas. I did it for my mother to hang in the hallway in the house in Taylor, Texas.
So, it turns out, I unearthed art treasures by searching for the one painting.
Prince Flute’s rooster riders made a mad dash for Castle Cornucopia. They all knew that their presence was desperately needed. But more than ever was their presence required since Poppy’s new spell provided an answer to the war problem that the Fairies never had before. Bad guys could be changed into allies by magic. And once having a taste of life as a Sylph or an Elf, the Gobbuluns definitely preferred to stay in their new bodies on the side of the Fairies.
“We promise to fight hard for the Cornucopians,” said the Elf, the fastest learner of Fairy English. “There is no going back for us. And even if we have to fight and kill our former friends, they are such low and horrid creatures that we will not shed a tear over them.”
“Not ebben for me wifey!” added one of the Sylphs. “She be too uglee and stoopid for keepin’.”
They all rounded the final turn, and Castle Cornucopia was laid out before them. It was, of course, actually a Slow One’s barn with Fairy ramparts and towers added to all the wooden walls, but disguised by magical glammers that made the barn appear to be a normal functioning palace for milk cows.
But the truly unbelievable part was the fact that the entire defense force, instead of manning the fortified walls and ramparts, were out in the middle of the field to the east of the castle, surrounded by a sea of raging green Gobbuluns and enemies from the Unseely Court.
“What’s this? Why is Lancelot attacking rather than defending the castle?” Prinz Flute was shocked.
“He be mad, dat one!” called out Schtinker.
“We have to help them survive. That is the entire defense force of the castle about to be slain!” cried Tod.
“No, no, no…!” called out Glittershine.
Flute turned to Poppy and put a hand on each of her arms. “Can you polymorph a really large number of Gobbuluns into Fairies?”
“I… I don’t know. That takes an immense amount of power. It will completely exhaust me, and I doubt I can change enough of them to make a difference.”
“Can you try, please? As many as you can, on the side closest to the castle so the encircled army has a way to escape.”
“I will do the best I can…”
PoppenSparkle gathered all the energy her tired body could hold. It wasn’t enough because she hadn’t absorbed enough sunshine since she had changed the four from the abandoned barn. But it would change a few dozen completely. She crackled with the summoned charge of energy, and then carefully spied out the area of fighting Gobbuluns she meant to target.
The power left her fingertips as soon as she uttered the trigger word and formed into a lightning bolt before becoming the transformational cloud over the writhing Gobbulun bodies. They twisted and morphed as if they were made of clay and became mostly naked and poorly armed Sylphs, Elves, and Butterfly Children.
“Men of Cornucopia! Follow me back to the castle!” shouted Prinz Flute, dashing forward to toss fireballs with his wand into the crowds of green Wartoles that hadn’t been touched by the polymorphing cloud.
“No! Hold your ground men! We will be covered in glory this day, even if we all die.” Lancelot seemed outraged at Flute trying to take command.
“Look at all these new Fey Children on our side, Lord! We now have a chance to hold the castle. Why should we still go through with the plan to sacrifice ourselves? We don’t have to die now! And you will not die in any case.” The Rascal was obviously defying his master. But it was effective. The Sylphs under Lancelot’s command broke ranks, fighting only to protect their escaping brethren. The mass of Fairy warriors flooded back towards the castle, carrying Flute’s rooster riders and all the newly made Fairies with them.
At the castle gate, Lord Lancelot, King Mouse, and Prinz Flute all pulled up short of it to shout at each other.
“How dare you countermand my battle plan?” roared Lancelot.
Prinz Flute, taken aback, quickly replied, “How dare you try to get everyone killed in spite of the fact that I provided you with a means to survive the day, and possibly win the war?”
King Mouse was a Pixie, of the kind that take on the partial form of woodland creatures. His head and paws and tail were all very mouse-like, while his body was very hunman-shaped and capable of wearing a suit of Fairy armor.
“I know your status as Tellosian Hero means you outrank me, Lord Lancelot, but as King of Cornucopia, I side with Prinz Flute on the question of whether today is the day we all die or not.”
“Well, we can’t exactly reform the troops and attack again now. But I would rather take the fight to them than hole up for a siege and defensive last stand.”
Prinz Flute seemed to be actively trying to calm himself. Poppy appreciated how calm he could make himself in dire situations. “You must come in and listen to the new plans I have formulated. I have made a breakthrough in magical research that might win the day for us without fighting battles against foes that outnumber us.”
Angry as Lancelot still seemed, he nodded his assent.
The Rascal ran up to him to make a report on the retreat into the castle.
Lord Lancelot eyed him coldly. “I have no time for disobedient underlings. Rascal, you are dismissed from my service.”
Crestfallen, the boy turned and walked back into the castle without making a report.
“Now that we have more men to defend the walls with,” said King Mouse, “let’s retire to the throne room and discuss further strategy.
Flute signalled to Poppy, calling her to him. “You have saved the day yet again, PoppenSparkle.”
“I only did the magic. You made it happen.”
“You look exhausted, little one.”
She smiled. She was actually taller than Flute, but not about to contradict him. He put his arm around her to guide her.
Lord Lancelot stood in the gateway, looking at the stupidly confused horde of Gobbuluns. He finally turned and entered too so that the gate could be shut and barred.
Trying and making mistakes is how we learn. Trial and error built empires, created revolutions, and changed the very nature of reality. How do I know this? I tried. I failed. I tried again.
If I am not satisfied with the way things are, I must take steps to change the way things are.
Small steps at first.
But bigger things come along in time.
For today, I try again to get the tall grass cut in the yard. I walk the dog. I plan what I am going to do about the sorry state of air conditioning in the house. Every problem has a solution if only you can find it.
Right now, the world around me is direly concerned with mass shootings and how to control them. Especially after Uvalde lost 19 kids and two teachers to bullets from an AR-15.
Gun laws would help. But a Republican-controlled government refuses to regulate them sensibly.
Voting the morons and the evil, corrupt bastards out of office would be a good start. Men like Representative Louie Gohmert, Senator Ted Cruz, Governor Greg Abbot, and Lieutenant Governor Dan Patrick, one moron and three bastards, have to no longer be in control. And voting in good, capable people like Beto O’Rourke would help. But too many idiots, fools, racists, and evil people have the privilege of voting, while minorities and people of good conscience face increased barriers to voting.
My privileged white friends and relatives I knew well in my school years long ago, have developed powerfully potent hate glands from listening to racist fears and hate-filled propaganda from FOX News and various elected leaders who’ve duped them into buying the bull-puckie.
So, what do I do about it?
Remind them who they used to be. Remind them they don’t want school children to die from bullets in their classroom on the next-to-last day of school anymore than I do. Remind them that I am a friend and a relative of some of them who will continue to listen, continue to care, and continue to point out where they are allowing their preferences to become prejudices and their fears to foster cruelty to certain groups of “others.”
Even though I have been retired for eight years now, I am still a teacher. I believe every kid and every adult who was once a kid has value and needs to be treated as an equal and worthy individual. I also believe in responsibility, and holding people responsible, but not in punishing someone for failing to live up to a responsibility… rather, letting them pick themselves up to try again to do it better.
Never Argue With Stupid People
As a general rule, I kinda like stupid people. Being around them makes me feel smarter than I probably really am.
But as a general rule, you should not argue with stupid people.
You cannot win the argument.
If you hire a debate judge to score your argument, and you technically trounce your stupid-person opponent according to the judge’s score card, the stupid opponent will lay a stupid insult based on nothing on you. The stupid people in the audience will cheer and whoop. The stupid person you argued with will declare himself the winner and take a victory lap.
You cannot win the argument. The stupid people outnumber the rest of us.
Stupid people have simple, one-way hearts. If they love you for some stupid reason, or some smart reason that’s simple enough to understand, they will basically love you fiercely for life. But if someone convinces them you are worthy of their stupid hatred, say for being a socialist, a Muslim, an opinionated and educated woman, black or Hispanic, they will definitely hate you until either you die or they die. And some of them will gladly help you die.
So, the secret is, to get them to love you rather than hate you. They can love a black or Hispanic person if they see them as a black or Hispanic friend that proves they are not a racist. They can love a socialist if you never use the word socialist and instead point out that taxpayer money should benefit the good people like them who actually pay the taxes, rather than solely benefitting the wealthy elite. Not being an opinionated and educated independent woman, I cannot tell you how to avoid stupid people hating you for being one. You should ask one how they do it. But not Hillary Clinton. She obviously doesn’t know.
If you try to argue with a stupid person that he or she shouldn’t like Darth Ted because he takes advantage of them, you will only force them to stupidly like him more. But if you point out that Darth Ted has betrayed some other stupid person that the stupid person loves, they will stupidly join you in your stupid hatred of stupid Ted. (Of course, we have already established that stupid Ted is not really stupid, so, to pull it off, you have to lie and pretend… which makes you the same as Stupid Darth Ted, which is a stupid thing for you to do. You really can’t win arguing about evil Darth Ted.)
But there is always the hope that science will invent a cure for being stupid. It will probably be green and bubbly with a hint of lime flavor. It will probably be addictive. And it will probably mechanize your brain with Artificially Intelligent smart-people juice that will make you evolve into something that is no longer human. And that, too, would be a stupid thing for you to do.
Never argue with a stupid person. It is a stupid thing to do. You cannot win. But even though you can’t win an argument with them, stupid people are mostly everyone you know. All people are stupid at least some of the time. Even Stephen Hawking, Albert Einstein, and Elon Musk. Elon can be especially stupid on Twitter and he’s still alive to demonstrate how stupid he can be. So, don’t give up on stupid people. Just don’t argue with them.
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