On the mantel
Of our home hearth
Sit the objects
That give life worth
A candle lighting
The dark of earth
A cup once painted
With paint and mirth
A Snoopy plaque
Announcing birth
And ceramic doll
Smiling o’er the hearth.
Category Archives: Paffooney
Hidden Kingdom… Chapter 2 Complete
Here is the link to the complete Chapter 1https://catchafallingstarbook.net/2018/11/24/hidden-kingdom-chapter-1-complete/
Filed under comic strips, fairies, Hidden Kingdom, humor, Paffooney
AeroQuest 5… Canto 151
Canto 151 – Harlequins
Smoky Hardretter and the synthezoid Sorcerer 27 stood over the operating table with a Mechanoid stretched out upon it. Mechanoids, of course, are deceased humanoids that have been reanimated by robotic implants and electronic reconstruction to make of them what are basically cyborgs, except for the fact that they have not merely been enhanced while still alive, they have been dug up out of graves and zombified by the Mechanoid-making process.
“This body in life was one of the best Imperial Guardsmen we ever had. He defended three different Triumvirs while he was alive. He had 500 clones that also served as guardsmen.” Smoky looked questioningly at Sorcerer after explaining the guardsman.
“This body will be perfect for our needs. He has been put through the tissue-regeneration protocols that I set up as an automated process?” Sorcerer grinned, something previous Sorcerers were not capable of doing.
“The nanobots are transforming the flesh now. It seems he is growing huge muscles as we watch.”
“Oh, yes. He will be an unbeatable warrior. He is not only going to be more powerful and more agile than any existing Mechanoid, but he will also be unkillable. His flesh is natural armor and quickly repairs itself when he is wounded. He will also be nearly impossible to hit because of his agility and camouflage.”
“Camouflage? He’s dressed in multicolored clown clothes!”
“That’s also why he’s called a Harlequin. He’s acrobatic enough to dodge bullets and plasma streams. And his combat dress produces strobing and flashing colored lights that will make targeting nearly impossible when the energy dampers are working at full power.”
“So, he will be like an acrobat? Flipping through the air to avoid being shot while firing his weapons from midair?”
“Now you’ve got the core idea,” said Sorcerer. “He will be capable of putting on a real show of power. And imagine how effective an entire squad of these troopers performing in unison will be.”
“I am impressed,” Smoky said.
The Mechanoid suddenly sat up. His face mask, obscuring the skull-like corpse head underneath, was a grinning, white clown mask.
“I can’t believe I’m alive again. What are your commands, Lord Hardretter?”
Smoky smiled contentedly. “I think we need to run some tests.”
Filed under aliens, humor, novel, NOVEL WRITING, Paffooney, satire, science fiction
In Defense of Corny Jokes
It will probably be clear that I am writing this post because I am currently reading 1941 daily strips from Al Capp’s Li’l Abner.
But I am definitely going to talk about corny jokes, not cheesy jokes, because I grew up in Iowa, not Wisconsin.
And, yes, that is example number one.
There is a certain way of telling a joke or tall tale that is unique to the farmyard. And it does not contain chicken poop, but rather, corn.
Of course, as you can see by this corn-colored definition of what corny means according to Collins Online Dictionary, the word is supposed to be an insult to corniness in jokery. That doesn’t sit well with the people of Iowa, where the tall corn grows. We are also obvious, sentimental, and not at all original. And we are proud of it. 
To tell a corny joke right, you have to set a simple scene, and make it clear what happened, and give the audience a simple cue for when to laugh.
For instance, there was the time that Cudgel Murphy had a cat problem with his car, the 1954 Austin Hereford that he has driven since dinosaurs walked the earth. It seems there was this time in 1988 when he kept having engine trouble. The engine would sputter and cough and die, and when Cudgel opened it, he would find a half-eaten dead pigeon or other random bird carcass gumming up the works. He couldn’t for the life of him figure out how dead birds were getting into his car engine. But his grandson Danny happened to see the neighbor’s big tabby tomcat carrying a pigeon he had killed under the front of Grampy’s car, apparently enjoying a fowl meal in the dark with a nice warm engine to lay the food on. Sure enough, when they checked the engine later, there was the half-eaten dead bird laying across one end of the fan belt.
So Cudgel set up a vigil, assigning times for himself, Danny, and his younger grandson Mike to watch for signs of that damned cat taking another bird under the hood of the Austin. With only two day’s worth of watching under their belts, Mike came running into the Murphy kitchen with the news.
“Grampy! I seen that damned cat taking a dead bird under your car! He’s in there right now!”
So Cudgel rushed out, turned the engine on, and stomped on the gas.
There were some worrisome thumps and bangs under the hood, and then the cat shot out from under the front of the car spewing howls and cat curses all the way up the nearest tree.
Cudgel laughed hard and finally caught his breath to say, “How about that, Mike? I’ll bet James Bond doesn’t have a car that can shoot angry cats out the front!”
Now, before you chastise me for enjoying cruelty to cats, I hope you will remember that Cudgel Murphy is a fictional character, and I am merely illustrating the idea behind corny jokes. And, besides, that cat really had it coming to him.
Filed under goofy thoughts, humor, Iowa, Paffooney, satire, Uncategorized, writing humor
Being Excessively Creative
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It is an unusual position to be in as a kid in the school room to be the creative kid. First and foremost because you will forever be known as the weirdo, the spaceman, the egghead.
How do I know that? Because I was that kid. And I grew up to teach that kid. And now that I am retired as a teacher, I am still that kid.
If there was a problem to be solved, a picture to be drawn, a group assignment that required somebody to actually think, I was the kid that everybody wanted to be in their group or be their partner. (That time that Reggie and I blew up the test tube of copper sulfate in Mr. Wilson’s chemistry lab doesn’t count because, although I am the one who dropped it, he’s the one who heated up my fingers with the blowtorch. Honest, Mr. Wilson, it is true.) But if it was picking teams on the playground, I was the last loser to be called, even though I was pretty good at softball, pretty good at dodgeball, great at volleyball, and usually the leading scorer in soccer (of course we are talking an Iowa schoolyard in the 60’s where soccer was a sport from Mars.) And as an adult, I enjoyed teaching the creative kids more than the rest because I actually understood them when they explained what they were doing and why, and I was even able to laugh at their knit-witty jokes (yes, I am including those jokes made of yarn with that pun). Creative kids speak a language from another world. If you are creative too, you already know that. And if you aren’t creative… well, how foo-foo-metric for you.
And another unfortunate side effect of the creative life is that you make stuff. You don’t have to be seriously infected by bites from the cartoon bug or the art bug to be like that. My daughter is making a suit of armor for herself from a flat sheet of aluminum that she is pounding out by hand, painting with spray paint and painter’s tape, and edging with felt. After she’s done with it this Halloween, it will go on one of the piles of collections and models and dolls and stuffed toys and… Of course, sooner or later one of those piles is going to come to life and eat the house. There is no place left to display stuff and store stuff and keep stuff that is far enough away from potential radioactive spider bites. I have scars on my fingers from exactor knife accidents, oil paint, and acrylic paint and enamel permanently under my fingernails. Shelves full of dolls rescued and restored from Goodwill toy bins, dolls collected from sale bins at Walmart, Toys-R-Us, and Kaybee, and action figures saved even from childhood in the 60’s are taking over the house and in an uproar, demanding to be played with rather than ignored. (Didn’t know dolls can actually talk? Haven’t you learned anything from John Lasseter?)
Anyway, it is tough to go through life being excessively creative. I have art projects growing out of my ears. And book publishers are calling me because my award-winning book is not generating sales in spite of two awards, 5-star reviews, and generally good quality, but the only solutions they have cost ME money I don’t have. Oh, well, at least it isn’t boring to be me.
The Creature I Have Become
I identify as a humorist, writer, cartoonist, and certified fool (Yes, I have a certificate from the Children’s Writer Institute that proves I once foolishly believed I could learn how to make money as a writer). But my current novel project is a horror novel, The Baby Werewolf, which I twice before tried to turn into a completed rough draft novel. This time I followed through to the bitter end. I published it on Amazon.
Torrie Brownfield, hypertrichosis sufferer and possible werewolf.
In order to reign in the goofiness enough to deal with the issues in this novel, I have been doing a lot of horror reading. I have also undertaken the reading of a very good author examination of the life of Edgar Allen Poe.
Poe’s life was highly instructive. You may not have realized this, but most of the giants of American Literature prior to and contemporary with Poe did not make most of their money as writers. Emerson was a clergyman. Nathaniel Hawthorne worked as a customs clerk. Poe, the first to try to make a living solely on work as a writer, editor, critic, and poet, was subjected to the horrors of poverty, illness, and want. His wife was chronically tubercular and ill. He never made the money he was obviously worth as a creator of popular horror fiction, poetry, critical essays about other authors, and as an editor for profitable magazines of the day. Other people made loads of money from his work. Poe, not so much.
It is instructive to a writer like me who can’t seem to land any sort of income from my own creations. There is no demand because there is no recognition of my work. I have come close, having my work praised by editors and fellow authors, and being a finalist in novel writing contests twice. The goal is good writing. I will probably never see a return on my investment in my lifetime. My children may not acquire anything by it unless one of them really devotes a lot of effort to it. Like Poe with his drinking problem, chronic depression, and ill wife, I face physical limitations and poor health, grinding financial issues, and family factors that make it near impossible to put marketing effort into my literary career.
And this novel is a hard journey for me. I was sexually assaulted by an older boy when I was ten. A lot of the fears outlined and elucidated in this particular story leap right out of that iron cage in my psyche where they have been contained for fifty years. Fear of nakedness. Fear of sex. Fear of being attacked. Fear of the secret motivations in others. Fear of the dark. And, most of all, fear of what fear can make me become. Fear of being a monster.
But I have not become any of the dark and terrible things that fear can make me into. Instead, I became a school teacher, and mentor to many. I became a family man, a father of three children. I became a nudist, hopefully not a dark and terrible thing in itself. I became Mickey.
This novel will become my Halloween free-book promotion later this month. Probably next weekend rather than Halloween.
Small Town Inspirations
I grew up in a small rural town in North Central Iowa. It was a place that was, according to census, home to 275 people. That apparently counted the squirrels. (And I should say, the squirrels were definitely squirrelly. They not only ate nuts, they became a nut.) It was a good place to grow up in the 60’s and 70’s. But in many ways, it was a boring place.
Yes, there were beautiful farmer’s daughters to lust after and pine for and be humiliated by. There was a gentle, supportive country culture where Roy Rogers was a hero and some of the best music came on Saturdays on Hee Haw where there was a lot of pickin’ and grinnin’ going on. There were high school football games on Friday nights, good movies at the movie theaters in Belmond and Clarion, and occasional hay rides for the 4-H Club and various school-related events like Homecoming.
I lived in a world where I was related to half the people in the county, and I knew at least half of the other half. People told stories about other people, some of them incredibly mean-spirited, some of them mildly mean, and some of them, though not many, that were actually good and actually true. I learned about telling good stories from my Grandpa Aldrich who could tell a fascinating tale of Dolly who owned the part of town called locally “Dollyville” and included the run-down vacant structure the kids all called the Ghost House. He also told about Dolly’s husband, Shorty the dwarf, who was such a mean drunk and went on epic temper tirades that often ended only when Dolly hospitalized him with a box on the ear. (Rumor had it that there were bricks in the box.)
And I realized that through story-telling, the world became whatever you said that it was. I could change the parts of life I didn’t love so much by lying… er, rather, by telling a good story about them. And if people heard and liked the stories enough, they began to believe and see life more the way I saw it myself. A good story could alter reality and make life better. I used this power constantly as a child.
There were invisible aliens invading Iowa constantly when I was a boy. Dragons lived in the woods at Bingham Park, and there were tiny little fairy people everywhere, in the back yard under the bushes, in the attic of the house, and building cities in the branches of neglected willow trees.
I reached out to the world around me as an artist, a cartoonist, and a story-teller and plucked details and colors and wild imaginings like apples to bake the apple pie that would much later in my life feed the novels and colored-pencil pictures that would make up my inner life. The novels I have written and the drawings I have made have all come from being a small town boy who dreamed big and lived more in stories than in the humdrum everyday world.
The Encounter
Life, like a good Dungeons and Dragons game, is basically controlled by rolling the dice of random encounters. Even if there is a great over-arching plan for this reality in the brain of the Great Dungeon Master in the Sky, it is constantly altered by the roll of celestial dice and ultimate random chance.
Thusly, I managed a D & D encounter in the middle of the night last night.
I generally have a sleeping skill of only +1. That means, that if sleeping is a simple skill, I can add my +1 to the roll and only have to get a 6 or higher on a twenty-sided dice. At 3:10 a.m. I rolled a 3. I had to get up and wander bleary-eyed to the bathroom, a -2 for terrain effects to successfully to make it to the bathroom and pee through a prostate that is swollen to the size of a grapefruit, most often a difficult task, requiring a 15 on a twenty-sided dice. I got lucky. I rolled a 19. Then, on the way back to bed, the dog rolled a natural 20 on her get-the-master’s-attention roll and let me know she had to go to the bathroom too.
I have to tell you at this point, that since I am trying to be more of a nudist, I seriously considered taking her out naked (by which I mean me, not her). Dressing up in the middle of the night can be daunting. And no one was going to see in the dark of the park at 3:15 a.m. But I thought it probably wasn’t a good idea to go adventuring without armor in the darkness, so I at least put on shoes and a magic +4 bathrobe.
So, we went out to let the dog poop in the park, a thing she can do profusely on a roll of 3 or higher. We got it accomplished with little fuss. Oh, there was some complaining and growling, but the dog managed to ignore me when I did it. Then we had to find our way safely back to the house, and bed…. but we had a random encounter roll that didn’t go in our favor. I am always on the lookout in the dark for aliens or black-eyed children or even the onset of the zombie apocalypse. But what I got was the monster from under the bridge.
One of the denizens of the city suburbs that most enjoys the nightlife in the city and thrives even though it isn’t human is the horrorific creature known as a raccoon. She’s a sow that I have seen a number of times before at night. She lives under the bridge in the park and often has three or four cubs trailing behind her in the spring. And she has nothing but contempt for humans with dogs. She immediately launched into her fear-based hiss attack. And coming from a possibly seven-foot tall monster sitting atop the pool fence and hissing in the night, it seized the initiative with a very effective attack. She rolled an 18. The attack succeeded.
I tried the ever-popular pee-your-pants defense, but failed, rolling a 2. The reservoir was previously emptied, and I wasn’t wearing pants. The dog bolted for the kitchen door and dragged me with her. Her magic bark attack wasn’t even tried. We were in the house before my heart skipped its third beat.
Surviving the encounter in this way is probably good for the heart. It beat really hard for a bit and got thoroughly exercised. But I went back to bed and reflected on the fact that random encounters like that are entirely dependent on the roll of the dice.
Filed under Dungeons and Dragons, horror movie, monsters, Paffooney, photo paffoonies
Wielding the Big Pencil
The guy holding the big pencil used to be me. I know you are thinking, “But, Mickey, you are not a rabbit!” Well, that’s true, but it is also true that the whole thing is a metaphor, and metaphorically I was always Reluctant Rabbit, pedagogue… teacher… the holder of the big pencil. It is a writing teacher thing. The best way to teach kids to write is to have them write. And the best way to show them what you mean when you tell them to write is to write yourself. You learn to read better by reading a lot. You learn to write better by writing a lot, reading what you wrote, and reading what other people wrote, especially if those other people were holding the big pencil in front of the class.
I was recently reminded by people who know me that once I held the big pencil in the front of the class. They both asked me, “Really? You were a teacher?”
I suppose it is hard to believe when once you’ve gotten to know me, at least a little bit. I don’t strike people as the sour-faced, anal-retentive English-teacher type. I smile and laugh too much for that. They can’t believe that someone like me could ever teach.
But over the years, I got rather good at holding the big pencil. I learned, first of all, that anyone can be a good teacher. You only have to be competent in the subject area you are trying to teach, and open to learning something new about teaching every single day for the rest of your life.
Here’s something you have to learn about teaching to be any good at it; Discipline is not about making kids behave. You can shout, stamp your feet, and hit them with a ruler and you will never get them to do what you want to them do. It has to be about limiting the choices they have for what they will do. Yes, one of those choices is to be removed from the classroom to go have fun sitting in the uncomfortable chair next to the assistant principal in charge of discipline’s desk, but the good teacher knows you should emphasize that they can either sit like a lump and imitate a rock, or they can participate in the activities presented. And in my classroom, activities led to jokes and laughing and trying new stuff… some of it hard, but most of it easy. Kids don’t end up having a hard time making the right choice.
Here’s something else you absolutely have to learn to be any good at it; You have to like kids. Not just the well-behaved teacher-pleasers, but also the class clown who’s too smart to sit still for stuff he already knows, the shrinking violet who is a wonderfully complex well of deep thoughts who is only a little bit too scared to actually speak in class and share her thoughts, and the dark snarky demon who is quietly plotting the next outburst that will make your life a living hell so he or she can spend time with their old and dear friend, the chair in the assistant principal’s office. If you don’t like them, you can’t teach them, and driving dynamite trucks in war zones is an easier job. It pays better too.
I often try to picture Donald Trump teaching English to seventh graders. What a slapstick comedy that would be. The man doesn’t know anything. He is always angry. And he hates everybody except his daughter Ivanka. My fourth period class wouldn’t merely eat him alive, they would skeletonize him faster than a school of piranhas could ever hope to match. And it might be entertaining to watch (assuming it was metaphorical, not literal).
And I sincerely wish I could hold the big pencil in front of class again. It was the act that defined who I was and what purpose I had in life. But it isn’t gone since I was forced by ill health to retire. I held the big pencil for over two thousand students in the course of thirty-one years. And I will always hold the big pencil in their memories of it. It is a sort of immortality for teachers.
Catch a Falling Star 
Ghostly Reflections
So, I am probably the last stupid goomer who should be writing this post. But I do have a lot to say on the subject that will more than fill a 500-word essay.
At my age and level of poor health, I think about ghosts a lot because I may soon be one. In fact, my 2014 novel, Snow Babies has ghosts in it. And some of the characters in it freeze to death and become snow ghosts. But it doesn’t work like that in real-world science. My ghosts are all basically metaphorical and really are more about people and people’s perception of life, love, and each other.
Ghosts really only live in the mind. They are merely memories, un-expectedly recalled people, pains, and moments of pandemonium.
I have recently been watching the new Netflix series The Haunting of Hill House. It creeps me out because it latches on to the idea that ghosts haunt us through the revisitation in our minds of old trauma, old mistakes, old regrets… We are never truly safe from ghosts, no matter how far under the covers we go in our beds, deep in the dark and haunted night. Ghosts are always right there with us because they only live inside us.
I am haunted by ghosts of my own. Besides the ghost dog that mysteriously wanders about our house at night and is seen only out of the corners of our eyes, there is the ghost of the sexual assault I endured at the age of ten by a fifteen-year-old neighbor. That ghost haunts me still, though my attacker has died. I still can’t name him. Not because I fear he can rise up out of the grave to hurt me again, but because of what revealing what he did, and how it would injure his innocent family members who are still alive and still known to my family, will cause more hurt than healing. That is a ghost who will never go away. And he infects my fiction to the point that he is the secret villain of the novel I am now working on. In fact, the next four novels in a row are influenced by him.
But my ghost stories are not horror stories.
I write humorous stories that use ghosts as metaphors, to represent ideas, not to scare the reader. In a true horror story, there has to be that lurking feeling of foreboding, that sense that, no matter what you do, or what the main character you identify with does, things probably won’t turn out all right. Stephen King is a master of that. H.P. Lovecraft is even better.
But as for me, I firmly believe in the power of laughter, and that love can settle all old ghosts back in their graves. I have forgiven the man who sexually tortured me and nearly destroyed me as a child. And I have vowed never to reveal his name to protect those he loved as well as those I love. If he hurt anyone else, they have remained silent for a lifetime too. And I have never been afraid of the ghost dog in our house. He has made me jump in the night more than once, but I don’t fear him. If he were real, he would be the ghost of a beloved pet and a former protector of the house. And besides, he is probably all in my stupid old head thanks to nearly blind eyes when I do not have my glasses on.
I don’t believe in ghosts.
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