Category Archives: Paffooney

Spinning Wheels of Thought

Picture borrowed from; https://www.townsends.us/products/colonial-spinning-wheel-sp378-p-874

I start today with nothing in my head to write about. I guess I can say that with regularity most days of the writing week. Sundays in particular are filled with no useful ideas of any kind. But I have a certain talent for spinning. As Rumpelstiltskin had a talent for spinning straw into gold, I take the simple threads of ideas leaking out of my ears and spin them into yarns that become whole stories-full of something to say. And it is not something out of mere nothing. There is magic in spinning wheels. They take something ordinary and incomplete, and turn it into substantial threads useful for further weaving.

Of course the spinning wheel is just a metaphor here for the craft of writing. And it is a craft, requiring definable skills that go well beyond merely knowing some words and how to spell them.

My own original illustration.

The first skill is, of course, idea generation. You have to come up with the central notion to concoct the potion. In this case today, that is, of course, the metaphor of using the writing process as a spinning wheel for turning straw into gold. But once that is wound onto the spindle, you begin to spin yarn only if you follow the correct procedure. Structuring the essay or story is the next critical skill.

Since this is a didactic essay about the writing process I opened it with a strong lead that defined the purpose of the essay and explained the central metaphor. Then I proceeded to break down the basic skills for writing an essay with orderly explanations of them, laced with distracting images to keep you from dying of boredom while reading this, a very real danger that may actually have killed a large number of the students in my writing classes over the years (although they still appeared to be alive on the outside).

My mother’s spinning wheel, used to make threads for use in porcelain doll-making, and as a prop for displaying dolls.

As I proceed through the essay, I am stopping constantly to revise and edit, makeing sure to correct errors and grammar, as well as spending fifteen minutes searching for the picture of my mother’s spinning wheel used directly above. Notice, too, I deliberately left the spelling-error typo of “making” to emphasize the idea that revising and proof-reading are two different things that often occur at the same time, though they are very different skills.

And as I reach the conclusion, it may be obvious that my spinning wheel of thought today spun out some pure gold. Or, more likely, it may have spun out useless and boring drehk. Or boring average stuff. But I used the spinning wheel correctly regardless of your opinion of the sparkle of my gold.

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Filed under humor, insight, Paffooney, strange and wonderful ideas about life, teaching, Uncategorized, writing, writing teacher

The Haunted Toy Store… Canto 23

Canto 23 – Confessional

Stan stumbled into the bedroom.  He wasn’t sure how he was going to explain it all to Bonita.  Especially since the Vodka was making it difficult to walk, let alone talk.

She was sprawled out on the top of the bedspread, it was still tucked in and made up with her usual attention to tight corners.  She was still dressed.  Her head, propped up against the pillows, was wide awake, and she had definitely been crying.

“Bone, honey, um…”  He stood at the foot of the bed, swaying and shifting his weight from one leg to the other.

“Stan, you’ve been drinking.”

“It’s Maria… um, ah… it ain’t actually… um, going well…”

“But you’ve been trying harder than before… I’ve seen it.  You two are working together instead of fighting.”

“Yeah, but, I have something to tell you…”

“Yeah… but, first… I have something I gotta tell you.”

“Oh, um… the doctor’s visit?”

“Yeah.  The report came back.”

“Oh, no!  You mean…?”

“Remission is over.  The cancer is back.”

Stan pressed the palm of his hand against his forehead.  How could he…  now?  Maria was…

“You gotta promise me about Maria.  She’s gonna need you more than ever now.”

“You know I will…”  The room was swirling a bit.  He sank to catch himself on the corner of the foot of her bed.  There was suddenly no way he could tell her now.  “How long do you have?”

“Days, weeks, months… not years.”

“You know they told us that before.  Then the chemo started doing its damn job.”

“Yeah, but not this time.  It’s spreading faster than ever this time.  Promise me you will love her like she’s your own daughter.”

“Don’t be so quick to give up.  We both still need you.”

“We don’t have any more options.  It’s still there in my lungs.  We can’t afford more treatment, and Doc Jimenez says it wouldn’t help if we could.”

Stan started to cry.  The alcohol… and the bad news… both sets of bad news.   But mostly the alcohol…

“Promise me you’ll love her, and you’ll take care of her.”

 There was nothing more to say.  “You know I will.”

He gathered her limp and exhausted form up in his arms.  Drunkenly.  And they both wept together.

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Filed under ghost stories, horror writing, humor, novel, NOVEL WRITING, Paffooney

The Gift

At birth, we are given an allotment…

A number of days unknown to spend…

And no control over the factors of our existence…

The color of our skin…

The amount of intelligence in our stupid little heads…

The family we are born into…

The state of the world when we are born…

And then we have to spend what we were given…

Wisely… Stupidly… Generously… Selfishly…

We do have a choice about what we do with what we were given…

And the rhyme scheme… Or lack of one…

And the rhythm… Or the lack of one…

And what the poem is meant to mean…

To look back upon…

With pride…

Or shame and horror…

When the last line is complete.

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Filed under Paffooney, poetry

Mickian Art…70’s Style

Most of my novel stories have lived in my head since the 1970’s. I began recording the ideas in a notebook that I called the libretto. I drew illustrations to solidify the characters and some of the plot elements in my mind. But the basic natures of the characters and the style of my artwork grew from these original artistical notations.

I got better at art over time. And the characters benefited from my teaching experience in that I was able to depict numerous characters with nuances and details gained from students and other people I hadn’t met yet when I drew these pictures. Dorin Dobbs, for instance, is based in large part on my eldest son, who wouldn’t be born for another 18 years when I drew these pictures (He’s the yellow-haired boy in both of the first two pictures.)

Francois, the singing sad clown from my book Sing Sad Songs, is based on a student from the 80’s who was actually Spanish speaking and of Mexican-American descent.

I drew this picture of him in 1976.

I taught the boy in 1983.

I wrote and published the book in 2018.

The inter-dimensional traveler, the Man-Cat, is an idea from a story I have not written yet, and probably never will.

Disney-Michael Stewart and his gang of Milk-Lovers is another story I haven’t written yet, and though more likely, is still probably a novel I will never get to.

Invisible Captain Dettbarn and Francois ended up in separate stories from this picture. The other three boys in the picture were babies or not yet born when their stories happen.

So, today was a chance to look at and re-evaluate the past. All of these drawings were done in the 1970’s. All I did was scan them with a good scanner and crop them a little to make them better compositions. And they allow me to keep track of where my mind has already been, that I might successfully chart the future of where it is going.

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Filed under artwork, autobiography, humor, old art, Paffooney

The Joys of Editing Yourself

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I am now in the final phase of publishing The Bicycle-Wheel Genius.  I am merely waiting for Amazon to object to whatever ridiculously minute formatting error I may still have going.  And I once again had to publish without benefit of a beta reader or an editor of any kind.  You learn things about yourself that you really don’t want to know.

What I have learned;

  • I can’t depend on my wife to be a beta reader and comment on my work.  She tried once and told me, “Your writing is like dog poop.  It is full of weird stuff, smells bad, and is impossible to get off your shoe once you step in it.”  To be honest, I ironed out that metaphor just a bit.  She was actually quibbling about my proofreading style and basically ignored all the content of the story.  That’s the way English teachers are about prose.
  • I can too easily fall into the habit of introducing characters on a fashion model runway.  The first time the character enters the narrative I tend to give a head to toe rundown of how they look, what they are wearing, and how they have done their hair.  I know better than that, but I still do it.
  • I… use… ellipsis… marks… toooo… much…!
  • My creative spellings tend to drive the spellchecker insane.  In this novel I had trouble over the spellings of blogwopping, interbwap, and dillywhacking.  To be fair two of those words are from the language of the Tellerons, a space-faring race of frog people who happen to ineptly invade the earth.  (Oh, and the other is a euphemism  used by young boys for something very private.  Don’t tell anybody about that one.)
  •  Time travel plots can be laboriously difficult to follow through mobius-strip-like  contortions of time, space, and history.
  • Sometimes my jokes are not funny.  Seriously… that can be a problem.
  • And my characters often act on weird impulses and do things for no rhyme or reason… or rhythm either for that matter… see what I mean about ellipsis marks?  Of course, one can always explain that that is exactly how people really are.  I myself never do that.  There is always a rhyme to be snatched from the ether in the very nick of time… randomly.
  • And at the end of the novel, when I am tying up the loose ends of the plot in a Gordian Knot, I have strings left over.  Maybe enough to knit a shirt with.  So I end up picking them up and starting another novel with them.
  • It is basically heck to be a divergent thinker.  You try to make a list of things, and by the time you get to number 9, you have forgotten what the list was about, and you even forgot to number things, so you have to go back to the first one and count.  Now what was I talking about?

Oh, yeah.  I edited the book all by myself.  And now it’s done.  Time to start a new novel and make all the same mistakes over again.

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Filed under commentary, feeling sorry for myself, foolishness, humor, novel, novel plans, NOVEL WRITING, Paffooney, work in progress, writing

Flying the Magic Flying Carpet

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There are many ways to fly.  Airplanes, bird wings, hot air balloons, bubble-gum-blowing goldfish… well, maybe I am really talking about flying by imagination.  The more my six incurable diseases and old age limit my movement, my ability to get out of bed and do things, the more I rely on reading, writing, and the movie in my head to go places I want to be.

Wings of Imagination

Sometimes the wings I use to fly come from other writers.  I get the flight feathers I need not only from books, but also from YouTube videos, movies, and television shows.

This magic carpet ride in video form is by the thoughtful creative thinker Will Schoder.  In it he carefully explains how Mister Rogers used the persuasion techniques of Logos, Ethos, and Pathos to talk to elephants and convinced a congressman intent on cutting the budget to actually give Public Television more money for educational programming.  This is a video full of warmth and grace and lovingly crafted magic flight feathers that anybody can use to soar across new skies and blue skies and higher skies than before.  I hope you will watch it more than once like I did, to see how beautifully the central explanation spreads its wings and gives us ideas that can keep us aloft in the realm of ideas.

Magic Carpet Ride 5

It is important to stay in the air of fresh ideas and new thinking.  The magic carpet ride that takes you there is the product of vivid imagination, cogent thinking, and the accurate connection of idea to better idea.  So instead of falling from the sunlit sky into the darkness that so easily consumes us on the ground, keep imagining, keep dreaming, and keep flying.  You won’t regret having learned to fly.

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Filed under battling depression, commentary, dreaming, humor, imagination, insight, inspiration, metaphor, Paffooney, philosophy, strange and wonderful ideas about life

The Way Mickey’s Mind Works

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If you’ve read any of the crap that Mickey wrote about before in this goofy blog, you probably already suspect that Mickey’s mind does not work like a normal mind.  The road map above is just one indicator of the weirdness of the wiring that propels Mickey on the yellow brick road to Oz and back.  He just isn’t a normal thinker.

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But having a few bats in the old belfry doesn’t prevent the man from having a plan.  If you read all of Mickey’s hometown novels, you will discover he hasn’t written them in time order.  Main characters in my 2016 novel weren’t even born yet in my 2017 books.  If you look at them in chronological order rather than the order written, you will see characters growing and changing over time.  A shy kid in one novel grows into a werewolf hunter in the next.  A girl who loses her father to suicide in a novel not yet completed, learns how to love again in another novel.

Multiple Mickian stories are totally infected with fairies.  The magic little buggers are harder to get rid of than mosquitoes and are far and away more dangerous.  And there are disturbing levels of science-fiction-ness radiating through all of the stories.  How dare he think like that?  In undulating spirals instead of straight lines!  He doesn’t even use complete sentences all the time. And they used to let that odd bird teach English to middle school kids.

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But there is a method to his utter madness.  He started with the simpler stories of growing up and learning about the terrors of kissing girls when you are only twelve.  And then he moved on into the darker realms of dealing with death and loss of love, the tragedy of finding true love and losing it again almost as soon as you recognize its reality.  Simple moves on to complex.  Order is restored with imagination, only to be broken down again and then restored yet again,.

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And, of course, we always listen to Mr. Gaiman.  He is a powerful wizard after all.  The Sandman and creator of good dreams.  So Mickey will completely ignore the fact that nobody reads his books no matter what he does or says.  And he will write another story.

Francois spotlight

It is called Sing Sad Songs, and it is the most complex and difficult story that Mickey has ever written.  And it will be glorious.  It also rips Mickey’s heart out.  And I will put that ripped-out heart back in place and make Mickey keep writing it, no matter how many times I have to wash, rinse, and repeat. The continued work is called Fools and Their Toys.  It solves the murder mystery begun in Sing Sad Songs. This re-post of an updated statement of goals is the very spell that will make that magic happen.  So, weird little head-map in hand, here we go on the writer’s journey once again and further along the trail.

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The Haunted Toy Store… Canto 22

Canto 22 – The Puppets on the Wall

The puppets in the workshop were all hung up by the strings on the workshop wall.  There was a triple row of pegs to hang them from and they were basically all there.  All hanging from strings and all in their bare wooden forms without costumes or wigs.

Shandra woke up with a start.  She shook her wooden head awake.  Sawdust flew out of her ears.

“Mark!  Mark?  Are you here too?”

“Yeah.  To your left.”

Shandra turned her wooden head to see Mark smiling at her.

“You been awake for long?”

“No, Shandra.  You woke me up by calling my name.”

She would’ve smiled back at him, but her face was made of wood and was fixed in a frown.

Below them both and to the right they heard a female voice crying.  It was weeping softly.

“Who is that down there?”  Shandra roared.

“That’s the Gingerbread Witch you burned up on stage,” said the mouse puppet directly on Shandra’s right.

Shandra glared at the mouse.  It turned its little gray head away.

“So, what you cryin’ about down there, Wicked Witch?”  Shandra growled.

“You burned me,” replied a shaky little voice.

“But it weren’t real… was it?”

“Everything that happens on that stage is real.  Mr. Mephisto controls reality.  How you think we all got to be puppets?” said the mouse angrily.

“I was just a runaway girl whose parents never looked for her.  Mr. Mephisto promised to find a foster home for me when my punishment as a puppet is done,” sobbed the witch puppet.  “Now, when he puts me back in my real body, I will probably be horribly burned all over my body.”

Shandra’s little wooden tummy immediately turned to ice… well, it felt like that anyway.

“I didn’t know…” Shandra started to say.  But then she got angry.  “Why didn’t you defend your little timid self, then?”

“I couldn’t.  You are so forceful and scary.”

“Wait a minute,” said Mark, “you are saying all the puppets here are being punished for something?”

“Yeah.  Running away from home is a sin that the Devil punishes.”

“I was a runaway too,” said the mouse.

“I ain’t no sinner,” growled Shandra.

Mr. Mephisto was suddenly there laughing.  “You burned poor little Dierdre here.  You put a hit out on Poppa Dark.  You are definitely a puppet for a reason, little girl.”

“I’m gonna run away from here,” declared Shandra.

“You can’t.  Your arms and legs only work on stage,” said Mephisto.

“You wouldn’t leave me here alone?” asked Mark meekly.

“No, of course not.  What did Mark do wrong, by the way, Devil Man?”

“He ran away from loving parents to be with you, an evil influence.”

“So, we are in Hell, then?”

“No.  More like purgatory.  But for a reason.  The angels in Hell are fallen angels, but still angels made by God.”

“Are you sending me to a home all burned?” whined the witch.

“You came here in 1925, Diedre.  You are 103 years old now.”

“But you control reality, Devil Man,” Shandra said.  “You could put her back as a child… and not all burned up, either.”

“That’s right.  I could.”  Mr. Mephisto grinned.

“So, why are we really here?” Shandra asked.

“Because God is a just god.  Some will earn redemption.  And some will get the punishment they deserve.”

“And what if we don’t believe in God?” Shandra growled.

“Well, whatever…  He definitely believes in you.  For good or ill.”

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Filed under ghost stories, horror writing, humor, novel, NOVEL WRITING, Paffooney

Why Do You Think That? (Part One)

I believe myself capable of rational thought.  It is that irrational and over-emotional conclusion that leads me to write a self-reflective post full of over-blown thinking about thinking like this one.

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The little Midwestern town of Rowan, Iowa, the place where I grew up, is probably the center of my soul and biggest reason for why I am who I am.

I was a public school teacher for 31 years.  It really seems more like 131 years for all the kids I got to know and lessons I got to teach.  I have lots and lots of experience on which to draw for the drawing of conclusions about education.  Here is a conclusion I drew (literally);

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All kids are good kids.

I can hear the debate from the teachers’ lounge already.  “What kind of an idiot thinks something as stupid as that?”  “It’s true that there are a lot of good kids, but what about Psycho Melvin or Rebel Maria?”  “Some kids are stupid.  I have test data to prove it.”

But I not only believe all kids are good, I think all people are good, even the bad ones.  I have large numbers of memories filed away of times I got to the bottom of problems with kids acting out in class.  Invariably the reasons for their bad behaviors would either make me laugh, or make me cry.  Edwin rammed the drinking fountain with his head because he was socially inept and starved for attention from the other kids.  El Goofy could make his whole head turn bright purple on command because it made the girls squeal and laugh and he had learned to manipulate facial muscles to make it happen because he liked the result.  Lucy yelled at me in front of the whole class because she was thinking about committing suicide like her mother had before her, and she needed me to stop her.  (I don’t use these kids’ real names for some very good reasons, but rest assured, Lucy made it to adulthood.)  (Sorry, I had to stop at this point and cry for 15 minutes again.) My experiences as a teacher have basically taught me that all people need love, and all people are worthy of love.  Someone even loved Adolf Hitler.

There are really two kinds of teachers.  There is the kind who teaches because they love kids and will literally sacrifice anything to benefit them.  The Sandy Hook incident proved that those teachers exist in every school.  There is also the kind who hate kids with a passion and believe themselves to be experts at classroom discipline.  Don’t get me wrong, teachers like that mold young people into upstanding citizens or championship-winning football or basketball players on a regular basis.  But they do it by polishing out the flaws in kids through punishment and rigorous efforts to remove every flaw because they actually detest the flaws in themselves that they see mirrored in students.  I could never be that kind of teacher myself, but I know they are just as necessary as the other kind. After all, all people are good people, even the bad ones.

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Doctor Doom really doesn’t like to be around me.  Still, he’s a good person too, even though he’s fictional.

After more than 500 words worth of this nonsense, and I realize I still have a lot more to say about this goofy topic, I must draw to a close.  And I know I haven’t convinced anyone of anything yet.  But let me threaten you with the prospect that I will pursue this topic again sooner than you would like.  I just can’t seem to stop thinking about why I think what I think, and why I am always thinking.

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Filed under education, goofy thoughts, high school, humor, insight, Paffooney, strange and wonderful ideas about life, teaching

Critiques in Color

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I recently posted about being synesthetic and discovering how I am different from normal people.  Here is the post if you are interested..   Then I discovered that Kanye West is also synesthetic as he gushed some southern-fried crappie-doo about how wonderful he is as an artist because he sees the colors of his music.  Well, now I don’t want that mental affliction any more.  I don’t wish to be anything like him.  Of course, it has to be incurable, doesn’t it.

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Now I am wasting today’s post on another metacognative thinking-about-thinking style of paragraph pile when I could be rhapsodizing about the humor of Dave Barry or the wisdom of Robert Fulghum, the author of

All I Really Need to Know I Learned in Kindergarten.

Here it is on Amazon.

I could be shamelessly promoting the work of artists whose works I love instead of examining the random filing cabinets in the back rooms of my stupid old head.  But I can’t because I now need to explain myself to myself again.  Self doubt and self examination are features of being an artist.  We reach a point where we have to think about how we do what we do, because if you don’t know where the magic comes from, you might not be able to call on it the next time you need it.

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I am a self-taught artist.  I have had art classes in high school and college, but never professional art training.  I know how to manipulate the rule of thirds, directional composition, movement, perspective, and lots of other artsy-craftsy techniques, but it is all a matter of trial and error and an instinct for repeating what works.  I have had a good deal more professional training as a writer.  But I do that mostly by instinct as well.  Trained instinct.  I have reached a point where my art is very complex and detailed.  And I don’t mean to suggest there are no flaws.  In fact, I am capable enough to see huge, glaring mistakes that really skew my original intent and make me feel hopelessly incompetent.  But others who see it and don’t know the inner workings of the process can look past those mistakes and not even see them.  Given enough time to look at my own work with new eyes, I am able to see at least some of what they see.

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Now that I have totally wasted 500-plus words on goofy talking-to-myself, what have I really accomplished beyond boring you to death?  What’s that you say?  You are not dead yet?  Well, that’s probably only because you looked at the pictures and didn’t read any of my sugar-noodle brain-scrapings in loosely paragraph-like form.  And if you did read this awful post by a colorblind artist who doubts his own abilities, you probably didn’t learn anything from it.  But that’s not the point.  The point is, I care about doing this, and I need to do it right.  And I managed to learn something… how to ramble and meander and make something that is either a hot mess… or something that vaguely resembles self-reflective art.

 

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Filed under art criticism, artwork, autobiography, colored pencil, coloring, feeling sorry for myself, humor, magic, Paffooney, strange and wonderful ideas about life, Uncategorized