Category Archives: Paffooney

Idiot Mickey’s Writing Guide

The best writing advice Idiot Mickey can give is… don’t take writing advice from idiots!

Honestly, I am in no position to give out sage advice on having a writing career. Of course I was a writing teacher for more than three decades. I know how to help you pass the Texas State Writing Test, as long as you are taking the version of the test from more than six years ago. I am an author who has won a couple of awards and published seventeen novels and a book of essays and has an eighteenth novel almost ready to publish. But I have not yet earned more than a hundred dollars total over my entire writing career. Still, I can discuss the principles I use to help me mindlessly pursue my fictional career as an author.

1. Always keep writing.

There is no substitute for practice. Whether you are telling a story full of lies, writing bad poetry, or making an essay filled with mindless talkie-talkie, the more you do it, the better you get at it.

2. Write what excites the brat in your brain.

I always write with only one reader in mind, twelve-year-old me. That was two years after I was sexually assaulted, a year before the first man walked on the moon, and four years before my first kiss and the slapping I got for not going about it right.

I know there are other people who will eventually read it. But the messages in my writing are always the ones I needed to hear after I knew how terrible the world could be, but before I knew everything I needed to know to deal with it.

3. I’ve made peace with the fact that I don’t write for money.

I am not a hobbyist. I do, in fact, need to write to live. But I write to satisfy spiritual needs and leave my words behind me like breadcrumbs for whatever Hansel and Gretel are following, hoping to learn from me and avoid the witches while eating at least the frosting from the gingerbread houses they encounter along the way.

I pay the mortgage and buy food with the pension I earned as a teacher, at least until the Republican overlords of Texas decide that retired teachers are basically parasites getting fat off the money that rightfully belongs to stock brokers and businessmen who earned it away from me by having super-rich daddies and mommies. I don’t write for money. I write for the frosting from witch-houses. Oh, and for book reviews.

4. I try all the tricks I learn from reading good books.

Dracula by Bram Stoker is an epistolary novel. That means the story is told through letters, notes, and journal entries. So, I wrote one. The Boy… Forever is a book about a kids’ gang battling an undead Chinese dragon in human form. I based the style of writing the novel on that idea stolen from Bram Stoker.

The Adventures of Huckleberry Finn is a picaresque novel. It follows the adventures of Huck Finn, the picaro, as he drifts from one adventure to the next. I wrote one of those too. In Superchicken, Edward-Andrew Campbell, more commonly known by his superhero nickname, is the picaro who goes from one episode where he has to prove his bravery to the next where he has to prove it all again.

I could give you more examples of that, but I need to move on to the next butterfly of being a writer and finish this goofy advice column.

5. And Finally… I constantly reread my own writing and fix it when I find any of those things that i know to be bad writing.

As a writing teacher I have seen all kinds of terrifically terrible mistakes. Run-on sentences. Sentence fragments. Weasel words. Paragraphs with no bones, and hence, no structure. Using archaic words like “hence.” Suddenly changing to tiny red letters for no apparent reason… As you can see, it takes a while to get rid of superfluous meta-foolferfollies.

Anyway that’s Idiot Mickey’s idiotic advice about a career as a writer. Don’t believe any of it… Unless you really want to.

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Filed under humor, Paffooney, writing teacher

Surreal Self-Portraits

What you see is basically me.

It is said by somebody who wasn’t basically me that any time an artist draws a picture of someone, or paints a picture of someone, or twizzles a twizzle-snoot of someone… they are basically making a picture of themselves.

So, this Paffooney that I paffooned of a purple mouse in a Don Martin-esque style, is supposed to be Mickey the cartoonist. And Mickey is supposedly, basically me.

And here I am as Muck Man, the superhero. It is me because the super power he has is his horrible, non-adorable, and unrelenting stench. The horrible smell of him renders villains and bad people unconscious or worse… sometimes straight to the hearse. And using his olfactory assaults on evil as a way to make something terrible into something with a -someness of awe, makes him indubitably, indelibly basically me.

“Long Ago It Might Have Been”

And here is a picture of a boy who might’ve been my son if only I had been given enough good sense to fall in love with that first blond young lady who first had thoughts about making babies with me. I didn’t. I’m stupid. And now she has only girls. That makes it a picture too of basically me.

And this little not-me was me all along, and as the boy who sees colors, it’s really not wrong. Synesthetic they call it in a name that’s not long, but is resoundingly deep like the words of a song.

And you might argue this one and say that it’s true… “This one is too pretty to be a picture of you.” But you would be wrong on this basis, you see…

The monster inside me is basically me

And here I am all magic and purple, and I just blew the rhyme again, so this isn’t another danged verse. I drew this picture of Milt Morgan from an old school picture of me.

I often say the character in the stories is based on the Other Mike, the other boy I grew up with who was named Mike in my little home town.

But he thought like me, he acted a lot like me. He even looked like me, at least a little bit. So, if I am portraying him, I am depicting basically me.

And this is the naked me, as a nudist back in childhood in Rowan, Iowa, which I never was… not like this… but still am. Because I am a writer. And writers always write about their naked selves, showing the whole world what saner and more prudish people keep secret. If they were truly smart and wanted to keep their secrets to themselves, artists would never draw or paint or write about or twizzle about themselves. In fact, they would make no art at all.

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Time and Destiny

He sat down to write something for the day. He rolled a fresh sheet of typing paper into the typewriter. Then he sat back to look at it. It was a totally horrifying stretch of cold, blank nothingness. There was nothing there. It left him feeling completely and hopelessly alone.

How do you connect with that person who is going to pick up and read the final copy of this thing once it is finished? His brain hurt thinking about it.

He knew that he needed to get started. And he wanted to start with something colorful.

So, he typed a word; RED.

“Well, that’s a start, at least…” he said, talking foolishly to the inanimate typewriter. “But what do I really mean by saying RED?”

Well, of course, red means emotional things, anger, love, shed blood, tomato sauce on Chicago-style pizza…

…But how do you make an actual idea out of that? It needs to be stretched some and pulled a lot. Bent out of shape, maybe even smashed by a hammer.

The typewriter became concerned and alarmed at the mention of the hammer.

But the writer was only thinking about the hammer. And the typewriter didn’t read minds. Heck, it wasn’t even electric yet. It was a typewriter that the writer’s grandmother bought in the 1940s. And writer loved it because it reminded him of her. And it reminded him of her letting him type his very first story on it when he was six years old. He wrote a story about a skeleton chasing a dog. And when the skeleton caught up to the dog, the dog ate him. Because he was bones. It was a short story. Very short. Less than a page. Because grandma only had one page of typing paper left on her desk.

And the story wasn’t red. So, why was he even thinking about it now?

Well, it was read. By his grandmother. And she laughed.

And he hadn’t thought about it until right now. But it was the moment he knew he wanted to be a writer some day.

And, so… Right now… This very moment… He realized… The real story is ready to begin,

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Filed under humor, irony, Paffooney, surrealism, writing, writing humor

Divining Rods, Ouija Boards, and Making Up My Own Danged Mind

How do you foretell the future? Simply put, you don’t. But if you approach each new day, each new week, or each new set of circumstances without a plan and a rough idea of the near future, you are even more of a hopeless fool than Mickey is.

While it is true that a crystal-ball connection to the future would be really handy for figuring out what to do next with our little lives, it is also provably true that crystal balls, Ouija boards, and divining rods don’t actually work. Statistically even the best users of these fortune-telling devices are no better at foretelling the future than are well-informed guessers.

Ghosts are not provably real. You cannot actually talk to them. Not even in a graveyard at midnight with a dead cat to throw at the devil.

Oh, and that reminds me, the devil is not provably real either.

But I admit to talking to the dead.

My Grandma Beyer was one of the wisest people I knew in my childhood. She advised my Dad who was her son. She was a guide for the Beyer side of the family. And I talk to her a lot when I have a tough decision to make.

In 2017 I irrationally made a commitment to write for a nudist website. The article assigned was to go to a nudist park or resort and write about my first-time experience there. Of course, getting my wife to go along with her RV camper was out of the question. She was a Jehovah’s Witness in good standing then, and was sure that nakedness in a group was a terrible sin. But I had known nudists back in the 1980s when a previous girlfriend’s sister was living in a clothing-optional apartment complex in Austin, Texas. We visited there a number of weekends. I never actually stayed there or got nude while visiting. I saw naked people there, male, female, and children. And after my eyes popped out on the first visit, I picked them up, put them back in, and learned a lot about nudists while at the same time turning down all invitations… which I could do because my parents were living nearby, and I could stay with them and keep all my clothes on. But the nudist website assignment weighed heavily on me. Grandma Beyer had been the one that threatened to spank me before I was supposed to take a bath at her house because I wanted to run around the house naked rather than get in the tub with my sister. I was five at the time, not in high school… honest. So, she was the one I consulted when it came time to decide if I would actually go to a nudist park and be naked in front of other people just because I had made a commitment to a writing assignment.

Of course, she had been among the no-longer-living for fifteen years when I asked her about it.

The thing is, however, that I knew my grandmother well enough to know what she would say as I basically discussed it with her memory rather than her ghost. I even saw what facial expressions she used as she explained that it was more important to keep my word than it was to be a little bit embarrassed. And besides, it was not like I was going to an orgy or anything. Nudists are merely ordinary people who are dedicated to the belief that getting your vitamin D directly from the sun without any clothes between you and nature was good for you.

So, I made the visit, got naked, and wrote the article, as well as articles on this blog that were used on other nudist websites as well. It is how I came to be a member of the nudist writing community on Twitter. And that has helped me promote my books whether there were nudists in them or not.

Even with consulting a Ouija Board you are not really talking to ghosts. You get an answer from somebody with their fingers on the piece of plastic that picks the letters and is accessing their unconscious mind, or even their conscious mind if they are a bit of a dershenbugle (a word which doesn’t mean anything at all, just like the answer they picked.)

I often use a coin-flip to make decisions, adding an element of total chance to the decision I am making. (I admit, that’s how the decision to accept the writing assignment from the nudist blog was made.) If either answer to the question being asked is acceptable, but one causes a bit of anxiety, I flip a coin. Not just one coin. I throw three. Yes is three heads. No is three tails. Ten straight no decisions is indication not to decide at that time. In truth, this only works for me because it forces me to take an arbitrary amount of time to think about the decision. And often, I toss three heads when I have already decided to say no. And then I go with no.

So, divining the future is silly superstition, and I don’t do superstition. But that is not to say I don’t try to divine the obstacles ahead and prepare for them. And what looks like Mickey being an idiot about consulting coins or other signs, is really only Mickey being only slightly an idiot as he makes up his own danged mind.

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Rememberries

Yes,

I am stupidly planning to do it again. A book of essays like I did before, but now with fewer of my best essays to choose from. So, essays with fewer calories, but also less nutrition. Laughing Blue was a success from the point of view of what I wrote it for. I know people generally don’t read essays for fun.

But I write them for fun. And for better health. Healthy thinking is as necessary as a proper diet.

You see, I am definitely not in good health. I retired from my job as a school teacher six years ago because of poor health. It was a job I truly loved and defined me as a human bean (by which I mean a human being, but with a careful balance of protein and carbohydrates.) Being retired is more restful. But you reach a point where doing nothing leads to sitting and rotting. I find I need the extra vitamin C you get from cooking essays with a lot of berries in them. Specifically rememberries.

Okay, I know that is a rather dumb food pun. But the vitamin C is still there to boost my immune system and make me feel better. Vitamin C for Comedy… Clarity… Creativity… and Cartoons.

So, let’s start with a berry from the 1960s. Let’s start with Moonberries.

I was twelve years old when the Apollo Program landed Neil Armstrong, Buzz Aldrin, and the LEM Eagle on the Moon at Tranquility Base. I was very much a child of the Space Age. I had a model kit of the Apollo 11 from Revell, all the pieces in white plastic. The tiny struts on the Lunar Expeditionary Module were maddeningly breakable, and even would warp under the dissolving power of Testor’s airplane glue. I spent hours with sticky fingers putting that together in December of 1968 and January of 1969. I was twelve, in the middle of my wonder years, and totally obsessed with the flavor of the whole Moonberry experience.

For several years through Gemini and then Apollo we watched the story unfold on our old black-and-white Motorola television set. All of it narrated by Walter Cronkite and Wally Schirra. All of it… space walks, docking maneuvers, orbit reports, a special Christmas message from Apollo 8, splashdowns bringing home heroes like Jim Lovell, Frank Borman, and Bill Anders… the man who had spoken the words;

“For all the people on Earth, the crew of Apollo 8 has a message we would like to send you.”

“In the beginning God created the heaven and the earth.

“And the earth was without form, and void; and darkness was upon the face of the deep.

“And the spirit of God moved upon the face of the waters. And God said, ‘Let there be light’: and there was light.

“And God saw the light, that it was good: and God divided the light from the darkness.”

And then that late, late night when we all stayed up on July 20, 1969… And we knew they could fail and never come home again… We learned that with Grissom, White, and Chaffee on Apollo 1… That horrible fire… The somber funeral parade on TV that called to mind JFK and what befell him after he started the dream…

But no, we heard those words, “The Eagle has landed.”

And then later, “One small step for man… One giant leap for mankind.”

And then I knew it. For me, real life had finally begun.

I promise, there are more rememberries to come, and some might even be nutritious.

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Pictures In My Head

I do draw some pictures from models, photos, or other illustrations… but fantastical things that you can’t find a model for are what occur most often in my stupid head.

I was back in a classroom yesterday as a sub. 6th graders. It did look an awful lot like this, but I was holding another teacher’s giant pencil.
This is the ski-jump on Valwood Parkway in Farmer’s Branch. I merely changed the railroad tracks into a stream.
I taught all three of these kids when they were thirteen, but one in ’81, one in ’92, and one in ’94. Oh, and not on Mars.
No models were used in this picture, though I did know several blue children.
Done without a model, unless you believe 3″ tall fairies are a real thing.
No werewolf girls posed topless for this picture.
This classroom photo was entirely in my stupid old head, not in a school gymnasium full of snow.
Even the mountains in the background were drawn directly from my mind’s eye.
A lot of what I draw is merely emotional flim-floogery and provides a look inside of me that makes a portrait of me drawn even more naked and vulnerable than if I drew myself nude.

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Strawberry Fields

This foolish essay about berries that mean love to me is only partly inspired by the Beatles song, “Strawberry Fields Forever.” That’s because, of course, their song was only about meditating. In the lyrics they take you to the “Strawberry Fields where nothing is real… but it’s nothing to get hung up about…” They are talking about a blissful place of no worries where we all need to go. And then staying there forever.

This, of course, I could never do. Worrying about the future is tattooed on my behavioral imperatives in the dark part of my stupid old brain. And while I often found that place of no worries, and lingered there for a bit, I found you could never really get anything done if you stayed in that state of strawberry fields forever.

But don’t get me wrong, strawberries are a critical part of every healthy mental diet.

You see, my meditations on strawberries when I was a child of eight, nine, and ten centered on the strawberry patch at Great Grandma Hinckley’s place.

She was, as I incorrectly recall, slightly older than Jesus when I was that age. By that I mean, though she seemed museum-quality ancient to me, I had derived wisdom about life, love, and laughter from her before Sunday School taught me any of those things said in Jesus’s words.

And I was given the task of mowing her lawn in the little plot of land surrounding her little, tiny house in the Northern part of Rowan where I also lived and grew and celebrated Christmas and Halloween and Easter and the 4th of July. And though I was doing it because she was so old, I never even once thought she was too old and frail to do it herself. Grandma Hinckley’s willpower was a force of nature that could even quell tornados… well, I thought so anyway when I was eight. And she gave me a dollar every time I did the lawnmowing.

But there were other things she wanted done, and other things she wanted to teach me. There was the garden out back with the strawberry patch next to it. She wanted me to help with keeping the weeds and the saw grass and the creeping Charlie from overrunning the strawberries and choking them to death. (Creeping Charlie wasn’t an evil neighbor, by the way. He was a little round-leafed weed that grew so profusely that it prevented other plants from getting any sunlight on their own leaves, causing a withering, yellowing death by sunlight deprivation. I took my trowel to them and treated them like murderers. I showed them no mercy.)

And Grandma always reminded me not to be selfish and eat the very berries I was tending in the garden. She taught me that eating green strawberries (which are actually more yellow than green, but you know what I mean) was bad because they could give you a belly ache, a fact that that I proved to myself more than once (because eight-year-olds are stupid and learn slowly.) She also taught me that it is better to wait until you have enough strawberries to make a pie, or better yet, strawberry shortcake with whipped cream. She taught me that delayed gratification was more rewarding in the long run than being greedy in the short run and spoiling everything for everybody.

She always gave me a few of the ripe strawberries every time I helped her with them, even if I had eaten a few in the garden without permission. Strawberries were the fruit of true love. I know this because it says so in the strawberry picture. Even though I probably never figured out what true love really means.

My Great Grandma Nellie Hinckley was the foundation stone that my mother’s side of the family was built on. She was the rock that held us steadily in place during the thunderstorms, and the matriarch of the entire clan of Hinckleys and Aldriches and Beyers and other cousins by the dozens and grandchildren and great grandchildren and even great great grandchildren. I painted the picture of her in 1980 when she passed away. I gave it to my Grandma Aldrich, her second-eldest daughter. It spent three decades in Grandma’s upstairs closet because looking at it made Grandma too sad to be so long without her. The great grandchild in the picture with her is now a grandmother herself (though no one who has seen this picture knows who it is supposed to be because I painted her solely from memory and got it all wrong.) But Grandma Hinckley taught me what true love means. And true love has everything to do with how you go about taking care of the strawberry patch.

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Filed under artwork, autobiography, commentary, family, health, humor, mental health, Paffooney, philosophy, strange and wonderful ideas about life

What’s the Real Reason?

What’s the real reason behind the choices I make as an artist? For instance, why didn’t I do this photo of the artwork over again when the wind warped the bottom left corner. That answer is simple. I was taking this picture with natural sunlight. And once the wind started messing up my pictures, it only got worse. This was the first and best of five attempts. And, while it doesn’t show up here, I did several photo-shop manipulations of this picture, including shrinking the girl’s head. The original was done from a couple of models I got consent from when I worked at a daycare center in Iowa City where I went to college. The boy was eight years old in the summer of 1980. The girl was six, but I used a photo of a girl I went to second grade with, so the head was also eight. They represent David Copperfield and Emily, Pegotty’s niece from the Dickens novel. I had to read the book for my Master’s Exam which I took instead of writing a thesis. The picture is about how I saw myself and my world in that timeless novel.

This picture won a blue ribbon in the art competition at the Wright County Fair in 1979. It is a colored-pencil cartoon situation right out of a Jay Ward, Dudley Do-Right cartoon. I used a picture from a Canadian travel ad for the Mountie. The Indian sidekick is a modified version of Little Beaver, Red Ryder’s sidekick. The villain and the girl were basically Snidely Whiplash and Nell from the Dudley Do-Right cartoons, but made to look slightly more realistic… but only very slightly.

Actually, I lied a bit about the blue ribbon. I got the purple Grand Champion ribbon for this picture. I had entered it solely because two years before I saw how easy it would be to win a purple ribbon looking at the pictures that won it, and I wanted to win the purple ribbon. Sorry I lied, but the real reason for this picture is that I wanted to win that ribbon.

This painting, from the 1990s, was an attempt to make sofa art to sell in my sister-in-law’s home décor store. So, the real reason for this painting’s existence is greed. But since I ended up putting so many hours into it that I couldn’t justify selling it for twenty dollars in a store that went out of business because nobody ever shopped there, I got far more value out of it by keeping it and enjoying it myself. It was inspired by numerous paintings of Native Americans done by white people on display in Love’s Travel Stops across Texas in the 1990s.

This picture, “That Night in Saqqara,” is about youth versus age, thinking about death, immortality, and being afraid of any or all of it. The model for the Mummy is Boris Karloff who was so nice to pose for a production still from his movie that I could draw him long after he was actually dead. The boy was a seventh-grader in 1983 who did not actually pose for this without a shirt on or with an actual Ankh life-symbol around his neck. The Pharaoh in the tomb-mural in the background was from National Geographic Magazine, and I think was supposed to be Tutankhamun, but I could be wrong. I am old and I mix up lots of things I once clearly knew. That’s what mummified brains have to be like, apparently.

The reason I had to create this artwork was because I was increasingly falling victim to illness, especially arthritis, and I was constantly thinking about what it would be like to die alone, entombed in a two-bedroom apartment on North Stewart Street in Cotulla, Texas. This was well before I met and married my wife, who is now my wife of 25 years.

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More Illustrating AeroQuest

I am nearing the completion of the rewrite of part two of AeroQuest. Part of that is getting all the illustrations I want to include done. So, here are a few more that I have been working on.

For those who might be wondering, AeroQuest 1 and AeroQuest 2 are comic science fiction, and I have chosen to rewrite them with lots of illustrations since it is a work of fiction that I might’ve done as a graphic novel if only I didn’t have arthritis in my hands.

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Filed under artwork, comic book heroes, humor, illustrations, novel, novel writing, Paffooney, satire, science fiction

Illustrating AeroQuest

As I am editing and rewriting my first published novel to turn it into a novel series of at least four books, I have been enjoying rounding up and editing old artwork to illustrate it. I have been taking advantage of the fact that you can, after a fashion, plug illustrations into the manuscript and have it come through as acceptably good in the final Amazon publication.

The story comes from adventure logs of a space-fantasy role-playing game called Traveller. I played the game with small handfuls of high school kids whose player characters are now the main characters of the story (after modifications and considerable censorship.

The illustrations, a lot of them, are drawings of the characters that I did in pen and ink back in the 1980’s.

We went through multiple generations of player characters, some of whom were practically immortal, and others that died horrible deaths after a few episodes.

Most of the acting in the RPG was done for humor’s sake, and so my Sci-Fi tale turns out to be more of comedy than anything else.

Amanda is Ged’s daughter, though the player was not related to Ged’s player.

Rescuing the novel from the sorry state it was in from being an awkward first attempt at publishing done with a publisher that later had to be sued and put on trial for fraud has been an interesting and rewarding experience. These stories will never be among my best works, but they were definitely a learning experience. And rewriting them is a learning experience itself, living the story all over again with significant changes.

The places are the same, but as a satire, they had to be re-named in many instances as the planet’s names and their make-up were copied from other books and movies. But they were rewritten by the players themselves as everything was turned into comedy and farce. Hence, the planet Mongo ruled by Emperor Ming, became the planet Mingo ruled by Emperor Mong. These are obvious references that are re-named in ways that give us a laugh or a wince.

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I doubt it is obvious by just looking at these drawings, but by reducing their size, the line drawings are improved to a high degree.

Illustrating AeroQuest has been fun. Maybe, at some point, it will even prove profitable. But ultimately, it is definitely a thing worth doing.

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Filed under comic book heroes, heroes, humor, illustrations, novel writing, Paffooney