Category Archives: Paffooney

Being Prosaic

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I admit it.  I am prosaic.  I think in sentences.  I speak in paragraphs.  I write in 5-paragraph essays.  I should stop with the repetition of forms and the parallel structures, because that could easily be seen as poetic and defeat my argument in this post.  I write prose.  Simple.  Direct.  Declarative.  But those last three are sentence fragments.  Does that fit the model of prose?  How about asking a question in the middle of a paragraph full of statements?  Is that all simple enough to be truly prosaic?

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Prose is focused on the everyday tasks of writing.  It seems like the world thinks that the mechanical delivery of information in words and sentences should be boring, should be functional, should be simple and easy to understand.

I don’t mean to be pulling your reader’s mind in two directions at once, however.  I need to stop confusing you with my onslaught of sentences full of contradictory and complex ideas.  I should be more clear, more direct, and more to the point.

So here is my thesis, finally clearly stated; The magic of writing prose, it turns out, makes you the opposite of prosaic.

20160705_214055Ah, irony again!  It ends up being anything but simple.  You can write in simple, adjective-and-adverb-free sentences as Hemingway did, and still manage to convey deeply complicated and thoughtful ideas.  One might even suggest that you can create poetic ideas in mere prose, dripping with layers of emotion, conflict, theme, and deeper implied meaning.  You can also write prose in the intensely descriptive and convoluted style of a Charles Dickens with many complex sentences and pages-long paragraphs of detail, using comic juxtapositions of things, artfully revealing character development, and idiosyncratic dialogue all for comedic effect.  Prose is a powerful and infinitely variable tool for creating meaning in words.  Even when it is in the form of Mickian purple paisley prose that employs extra-wiggly sentence structure, pretzel-twisted ideas, and hyperbolically big words.

Simply stated; I am a writer of prose.  I am too dumb about what makes something poetry to really write anything but prose.  But I do know how to make a word-pile like this one that might just accidentally make you think a little more deeply about your writing… that is, if you didn’t give up on reading this three paragraphs ago.  I find it useful to examine in writing how I go about writing and what I can do with it.  I try to push the boundaries in directions they haven’t been pushed before.  And hopefully, I learn something from every new essay I write.  What I learned here is that I am prosaic.  And that is not always a bad thing.

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Scary Uber Stories

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After driving for 45 minutes today, I discovered that I had earned only $4.16.  And this after having the air conditioning give out once, having the engine overheat twice, and having to change which direction I searched for building number 210 three times before I found the guy’s second-floor apartment and delivered his 40 chicken nuggets and two large orders of McDonald’s fries.  Normally when it takes that long to deliver food over more than 10 miles of city driving you make more for the effort.  But they don’t start paying you until you pick up the food, and from home to Ronald’s place in Irving, Texas was easily eight of the ten miles.

Really scary story, huh?

But that’s what Uber driving is like.  It is benign sort of slavery where you use your own car and gas money, your own car insurance to protect you from Texas Bubbas in Chevy pickups, and your own wits to survive and deliver hot food in the punishing Texas summer heat.

meethxx234569The worst experience I got from this summer’s food delivery came at the hands of a fellow school teacher.  I had to deliver faculty lunch to an elementary school in the last week of summer school classes.  It was a large lunch with two bags of burgers and a tray loaded with drinks in flimsy cardboard cups.  It was a short drive from the restaurant to the school.  But when I got there, it was a school with many entrances and kids playing on two different sides of the building.  I went to the door I thought the Uber navigator was directing me to.  I knocked.  When I got no answer, I called the lady who ordered everything.  I told her I was at the west door.  She told me that I had to find the main door on the south side of the building.  So I managed to juggle the two sacks and the easily spillable drinks to three different doors on the south side, all locked.  I called again and was told I must have the wrong building, so I went to the school building across the street and found an office building with only kindergarten and daycare kids present.  I called again.

“How can you mess it up so badly?  Our food will be cold and we have no time left to eat it.  And you are at the wrong building!  None of the other Uber drivers had this much trouble.”

So, after having been called an idiot, I quickly found a playground guardian to ask and was directed to the proper door on the NORTH side of the building.  I apologized and delivered the food.  She made complaints to Uber and told them that my behavior was unprofessional and the food was late.  So my job as an Uber driver was briefly in jeopardy.  I called the Uber driver masters and offered to refund my four-dollar fee to the customer to make amends.  They told me they appreciated the sentiment, but they NEVER give the money back.  So I went home grumbling, dripping gallons of sweat, four dollars richer and an hour’s worth of misery wiser.

I hope you appreciate that I waited four weeks to write this horror story.  It was the only way I could write it without profanity or bad words.

 

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Political Pessimism

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I get tired of being the one whose blood is constantly sucked by vampires.  And I am not talking about actual blood so much as money I need to live.  Every time I turn around another corporate vampire is sticking a fang or a needle into my bank account to exsanguinate it more.  I owe more money than I can pay to the IRS.  I owe a huge gob of money to hospitals for the last two hospitalizations that struck my family.  And these are blood suckings that occurred after I went bankrupt at the end of 2017.  Why do I have these woes from things sucking on my neck?  Well, one thing that is staring me right in the face is how the current government, run by Republicans, is enabling corporate vampires who pump the economic blood out of middle class and working poor people like me and feed it into the gaping bloody maws of ever-engorging CEO’s,  fatbat investors, and wealthy one-percenters.

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You are not going to believe this, but I found an article that says Mitch McConnell is directly descended from Dracula.  You can see it for yourself at this link. So let me expand on this with a list of dire predictions for our economic health and wellbeing generated from my blood-deprived pessimist’s brain.

  • Even though it looks like the Trumpula Administration is about to implode from chaos overload due to porn stars and betrayals by lawyers, it is a very long-lived undead thing and will continue to survive.
  • Republicans will continue to suck trillions of dollars of our economic blood because they will win in a large way due to legal gerrymandering, voter suppression, and Russian assistance by hacking.  The minions of the vampire lords are many.  And at least a third of the American population is zombified to the point that no evil act committed by Trumpula will make them vote against him.
  • Midwestern farmers will all be driven out of business by Trumpula’s tariffs and trade wars with all their most important market countries.
  • The bread basket of the world will be turned into a toxic goo factory by Monsanto (noted vampire brand for GMO-based mind-controlling food substitutes).
  • We will all become mindless zombies and happily vote Trumpula into the presidency for life in 2020.
  • And then the whole world will gradually cook itself through un-combatted global warming into a lifeless orb fit only for the undead.

So there you have my rosy outlook on not only my economic future but that of everybody who is not currently a billionaire blood-sucking corporate vampire.  I say “rosy” only because red is the color of blood which is draining away from my bank account at this very moment.  I know it is an over-exaggerated conspiracy theory worthy of Alex Jones at his top-of-the-lungs shoutiest, but if Trumpula could become president, then any possible horror show could soon be coming to life.

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Getting Back to the Writing in my Heart

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I successfully prepared for the possible death of my beloved laptop, and that foresight managed to save a lot of the art and written work that was stored there.  What is lost to me because I ran out of time to back everything up is not beyond my ability to retrieve it.  I not only backed up files on thumb drives in triplicate, I managed to send copies of my completed manuscripts to both of my sisters as well as my oldest son.  I have been almost paranoid about preserving my creations.

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And the reason for that is not because of the onset of mental illness, or obsessive compulsive disorder, although those are probably both factors, but because the most valuable possession I have acquired in my life is the story I have to tell.

The novel I am working on now is going to be the most powerful and complex that I have yet done.  I am confident that it will also be the best I have done.  I wrote what I believe are good novels before this one. I like to think that if people bother to actually read Catch a Falling Star, Snow Babies, The Bicycle-Wheel Genius, and The Baby Werewolf, they will think so too.  Editors have told me that my work is as good or better than some of the good books published by Random House and Penguin Books, and they know from having worked for those publishing houses.  And I waited to write this one because Sing Sad Songs is so good that I had to learn the skills necessary to write it before I tried to get the story down on paper.

Francois the singing boy is based on a real-life student whom I loved and taught and eventually lost tragically.  His talent changed the world for me, even if it didn’t last long enough to change the worlds of so many more people that he could’ve touched had he lived even a little longer.  And I am the only person who can possibly tell this important story.

I made myself cry for ten minutes by writing that last paragraph.  But don’t be sad for me.  Remember, I am a humorist.  I take the tragedies I have known and try to weave it into stuff that makes you laugh twice as much as it makes you cry.  You know, that stuff we loosely refer to as comedy.  And that’s what this story is about, laughing at everything in life except for those few things that make you have to cry.  Writing is about expressing feelings and describing how conflict is navigated in order to find the love or the love lost on the other side of conflict that is what the world is really about.

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I know this all sounds like hyperbole… bragging even.  I probably will never pull off the actual creation of the monster, certainly not without consequences, torches and pitchforks, and such…  But it is the reason for all the labor, the back-up plans and paranoia, and the notion that I just might’ve reached the level of skill necessary to bring it all to life.

And I am writing again.  Not even the death of a computer has been able to stop me.

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Filed under artwork, clowns, goofy thoughts, humor, novel plans, NOVEL WRITING, Paffooney, writing humor

D&D Saturdays

In honor of all the years I spent playing dungeon master on Saturday afternoons, I am posting pictures to keep the posting of D&D stuff on Saturdays as a tradition.  I really am a bit too achy and ill to post any old orc and ogre stories today.

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Unicorn Doodle… um, Doodlecorn?

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I like to doodle and draw as I watch TV.  This I did while watching the Iowa State Championship Games for high school girls’ softball.  I  guess I had unicorns on the brain.

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Aeroquest… Canto 31

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Canto 31 – Gaijin

      In Japanese the name Gaijin means “foreigner” or “gringo”.  It denotes a barbarian who is too close to nature to truly ever understand the ways of the celestial culture of the dragons.  It was an appropriate name for the planet.  All who came there, even the dolphins and whales, were foreigners and off-worlders.  The true culture was a secret deeply embedded in the planet itself.

Dr. Naylund Smith was an immortal.  He had lived on 17th Century Earth and been among the first explorers to leave the planet in space craft stolen from the invading Tellerons.  He had met the original Sylvani, and loved them as a people.  He used his vast knowledge and medical skill to help them evolve into the people they were now.  He and his young daughter, Sara, were standing outside the Celestial City of Kiro as the spacecraft Megadeath touched down on the plains outside the Dragon Wall.  They watched the sleek war machine settle gracefully to the soil where no starship had been for nearly 800 years.  It was with a mixture of emotions that he watched it.  He knew that the ship carried what his daughter needed most.  He also knew that it would bring an end to the peace and unspoiled beauty of the world of Gaijin.

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“Daddy, are they bad men?” asked eight-year-old Sara.  Her blond hair fell golden and beautiful over one eye.  Her little-girl body was nearly lost in the graceful white silk kimono she wore.

“No, Sweet One.  They are good.”

“Why are you so sad, then?”

“Because they bring the White Spider back to us.  Things will change here.  The Gaijin I love will be no more.”

“The White Spider from the stories?  That should be exciting, shouldn’t it?”

“Perhaps.”

The little girl put her soft hand into the gnarled old turkey claw that was Naylund’s hand.  He was comforted by the gesture.

The starship touched down in sight of the Dragon Gate.  The town was surrounded by an ornately carved wall that was shaped like a dragon’s body.  The only entrance was through the Dragon Gate, the open mouth of an ornately carved Celestial Dragon.  The city was secured behind the energy barrier created by the Sylvani Technology in the wall itself.  Naylund would have to escort whoever was inside the space ship through the Dragon Gate, because he did not wish them to run afoul of either the Gate Guards or the ancient energies of the wall itself.  Only those with proper chi, like himself, could pass through unchallenged.

He walked out to meet them.

The first down the starship’s exit ramp was obviously an Earther by heritage.  His skin was pink like Naylund and Sarah’s skin, not yellow or orange like the Gaijinese.  The boy that followed the man in the fedora hat, though, was a Nebulon, blue-skinned and yellow-haired.  The boy looked Naylund directly in the eye, and revealed himself as a telepath by doing so.  Naylund was not a Psion himself, but had come to know them because Sarah was a telepath, born of a Psion mother who died mysteriously during the birth.

“So,” said Naylund, extending a hand in a gesture of welcome, “welcome to the planet, Gaijin, Honored White Spider.”

“Why do you call me that?” asked the sharp-eyed man in the fedora hat.  “I am Ged Aero.  I am here because a Psion told me to come.  I don’t know you.  Why do you call me by that name that I’ve been hearing so much lately?”

“I hate to be the one to break it to you, Ged Aero, but by stepping out of that starship, you have fulfilled an 800-year-old prophecy.  The people here will hail you as a god reborn.  You are like Jesus Christ to them.  You are here to teach them, and lead them out of their millennium of isolation.”

“Perhaps you are mistaken.  What if I am not the White Spider you seek?”

Naylund laughed.  “Shan’s Prophecy tells how you would speak those very words when you arrived here.  The people would not follow a White Spider that never doubted himself and acted without reserve.  Those are the qualities of a Black Spider.  We have too many of them all ready.”

Ged looked the old man in the eye.  Naylund could see something there he had never seen before.  This man was a different sort of Psion.  He was a changer, one who could change himself, and by doing so, change the worlds around him.

“Exactly who are you, old man?” asked Ged.

“I am Naylund-sensei.  Naylund Charles Smith, Doctor, Adventurer, and Scholar.  I am from Earth, but from long, long ago.  Ged-kun, I will help you in your new role as leader of this planet.   I pray that you will learn to love it as I do.”

“Naylund-sensei?” said the little blue boy, “who is this lovely girl?”

Naylund looked at the bright-eyed boy.  He was a handsome child with the beautiful powder-blue skin of a superior race of beings.  Naylund felt attraction to him immediately, though he had no idea yet why.

“This is my daughter, Sara Smith.  I pray that you both will learn to love her too, just as I do.”

 

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Aeroquest… Adagio 7

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Adagio 7 – The Planet of the White Spider

      The planet Gaijin would prove to be the closest thing to home for Ged Aero since he and his brother left the planet Questor.  It was a singularly beautiful world.  A water world orbiting the star known as the Old Yellow Man.  It had sixteen continents all roughly the size of India on old Earth.  The ample oceans of the world teamed with sea life.  Like many places where the Ancients left their imprint, there was a substantial population of Cetaceans; dolphins, porpoises, and whales that were genetically identical to those of Earth.  The most common form, the Emerald Dolphins, had a language and a sort of non-tool-using culture based on the sharing of stories, songs, religion, and poetry.  They interacted with the native humanoids very little.  It is a shame that the dolphins didn’t care to be the dominant life form on the planet.  Their way of life was far less disease-like and virulent than the that of the eventual dominators.

The Gaijinese were themselves an artificially melded race.  They once had been purely a race called the Sylvani, inhabitants of the star lanes since before the memory of any living race.  They had been willowy humanoids with long, silky white hair and lemon yellow skin.  They were very intelligent and relatively long-lived, reaching ages of 500 Earth years and up.   Such racial goodness is supposed to be a star marked on the celestial score-card of existence. They had, however, run afoul of another pre-Earther space-faring race called the Tellerons.  The Tellerons of the planet Telleri were green-skinned amphibian humanoids, hairless, and possessing a single shark-like fin sprouting from the apex of their skulls.  They would do their best to undo Sylvani goodness.  The Tellerons had conquered and enslaved the gentle Sylvani before they met the first Earthers in space.  It is probable that most of the Telleron technology that Earthers stole in turn in order to become a space-faring race was originally created by the noble Sylvani.  The Tellerons, however, used the technology to colonize and conquer rather than study other worlds.  It seemed only fair in the long run that they would be displaced from their dominance of the Orion Spur by the combination of the primate Earthers and the reptilian Galtorrians who were both worse and more violently ruthless.

When humans conquered the star lanes held by the Telleron Star Empire, the suddenly freed Sylvani disappeared from known space.  On the idyllic world of Gaijin, Japanese Earthers and Sylvani met and fell in love with each other’s complex and poetic cultures developed separately.  The dually settled world of Gaijin eventually evolved into one culture made of equal parts of both.  Because the two races were entirely compatible, the people themselves changed from two races into only one.  They became very Japanese-ritual-oriented and very yellow in color.

So it was when Ged Aero dropped out of interstellar space into the unspoiled star system of the Old Yellow Man, he found a complex and peaceful world that had long awaited his coming to reach outward for greatness.

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A Boy Named Tim

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Timothy Allen Kellogg is a fictional character who has lived in my fictional world since 1976 when he first appeared in an illustration I created at my desk in my college dorm room.

Tim is a main character in Catch a Falling Star, The Bicycle-Wheel Genius, and Magical Miss Morgan.  He will likely be written into a few more as well.

One could make a good case that he has become the fictional avatar of my eldest son.  He is the son of an English Teacher who has always been a me-character.  Lawrence “Rance” Kellogg is a character created during my college days as a crucial part of my own fictionalized life story.  But if Tim is my son in fictional form, you have to realize also that the character existed nineteen years before my son was a reality.  So there is some kind of magical evolution going on here.

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I must also acknowledge that Tim, being a major character, also voices many of the things that have always been issues in my mind.  He has to deal with the loss that comes when a best friend moves away.  He has to deal with the revelation that there really are transgender people and he actually knows one.  He has to deal with having an over-large imagination and being smarter than almost everyone else he knows.

But I can absolutely, and with a clear conscience, declare that Tim is NOT a me-character.  He has a girlfriend whom he has a never-ending unspoken crush on.  I never had that when I was a boy (at least I would never admit it to you if I did).   So, there is reason for me to try to seriously understand this fictional character, who he is, where he comes from, and the ideas he represents.  I am not the only writer I know who creates characters that he or she comes to treat as real people.  I hold imaginary conversations with Tim constantly, trying to learn more about him, how he feels about things, and the judgments he makes about the essential truths of life.

So now I have to end this essay, not because I am really finished talking about Tim, but because he tells me I have told you too much already, and he doesn’t want me talking about him any more today.

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In Defense of Corny Jokes

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It will probably be clear that I am writing this post because I am currently reading 1941 daily strips from Al Capp’s Li’l Abner.

But I am definitely going to talk about corny jokes, not cheesy jokes, because I grew up in Iowa, not Wisconsin.

And, yes, that is example number one.

There is a certain way of telling a joke or tall tale that is unique to the farmyard.   And it does not contain chicken poop, but rather, corn.

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Of course, as you can see by this corn-colored definition of what corny means according to Collins Online Dictionary, the word is supposed to be an insult to corniness in jokery.  That doesn’t sit well with the people of Iowa, where the tall corn grows.  We are also obvious, sentimental, and not at all original.  And we are proud of it.  Corny360_2017-06-19-17-17-44-339

To tell a corny joke right, you have to set a simple scene, and make it clear what happened, and give the audience a simple cue for when to laugh.

For instance, there was the time that Cudgel Murphy had a cat problem with his car, the 1954 Austin Hereford that he has driven since dinosaurs walked the earth.  It seems there was this time in 1988 when he kept having engine trouble.  The engine would sputter and cough and die, and when Cudgel opened it, he would find a half-eaten dead pigeon or other random bird carcass gumming up the works.  He couldn’t for the life of him figure out how dead birds were getting into his car engine.  But his grandson Danny happened to see the neighbor’s big tabby tomcat carrying a pigeon he had killed under the front of Grampy’s car, apparently enjoying a fowl meal in the dark with a nice warm engine to lay the food on.  Sure enough, when they checked the engine later, there was the half-eaten dead bird laying across one end of the fan belt.

So Cudgel set up a vigil, assigning times for himself, Danny, and his younger grandson Mike to watch for signs of that damned cat taking another bird under the hood of the Austin. With only two day’s worth of watching under their belts, Mike came running into the Murphy kitchen with the news.

“Grampy!  I seen that damned cat taking a dead bird under your car!  He’s in there right now!”

So Cudgel rushed out, turned the engine on, and stomped on the gas.

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There were some worrisome thumps and bangs under the hood, and then the cat shot out from under the front of the car spewing howls and cat curses all the way up the nearest tree.

Cudgel laughed hard and finally caught his breath to say, “How about that, Mike?  I’ll bet James Bond doesn’t have a car that can shoot angry cats out the front!”

Now, before you chastise me for enjoying cruelty to cats, I hope you will remember that Cudgel Murphy is a fictional character, and I am merely illustrating the idea behind corny jokes.  And, besides, that cat really had it coming to him.

 

 

 

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