Category Archives: Paffooney

Character Developments

If I am ever going to sound at all like an author talking about his craft, then I guess there is really no better place to start than with character development.

This is the first illustration in my work in progress, The Wizard in his Keep.

One of the most important factors in starting a new novel is how you put together the jigsaw-puzzle pieces that are the characters. I have had the characters in my head since about 1974. Daisy Brown and her two younger brothers, Johnny and little Mortie (short for Mortimer Snerdly Brown, named after his Great Grandpa Mortie and his Grand Uncle Snerdly) are the three characters that the story starts with on the night of the car accident.

Notice that the plot throws the three children above directly into a conflict right from the start. They were all in the back seat of the car. Their parents were in the front. Dad (who’s name is Brom, short for Bromley Mortimer Brown) has a bad reputation for reckless driving and being an alcoholic. He is driving. But he is sober. Mom (who’s name is Stacey Clarke Brown) is in the front passenger-side seat. Both of them are killed in the wreck. (Ironically the young man who hit them also dies, but he is the one guilty of drinking and driving on the night of the accident.) Some of those details come out in the first two chapters. Some of those details never actually come out in the course of the story. That’s the thing about characters, the author must have an idea of all the important details of their lives from early on in the creation process. But many of those details are not necessary to use in the story. You just need them so that you sound like you know them as you write about them.

Let me start by describing the development of my protagonist, Daisy Stacey Brown. She has been the protagonist of this tale since 1974. She was originally based on the younger of my two younger sisters. That is where the adventurous spirit comes from. And the slightly ditsy quality of her highly-imaginative inner monologue comes basically from my sister’s daughter who was born about 1993-ish (and the story, of course, happens in 1996, so it is based more on the present form of my niece shoe-horned into Daisy’s fifteen-year-old skinny body). Daisy is followed as the focus-character in a third-person-limited-point-of-view narrative. Here is a sample of that described in the story’s opening and filtered through Daisy’s unique brain;

The sound of the ambulance siren was raucous behind the car, like someone trying to play an AC/DC medley with a circus air-horn.  And a clown playing it who was drunk on too many pre-show hits from the gin bottle in the straw at the bottom of the lion cage.

It kinda made Daisy smile to think of that analogy.  She needed something like that to get her mind off what had happened that horrible night, a mere half an hour before.

I haven’t given any physical descriptions of Daisy in the first chapter of the story. Those things are slipped in later in nearly unnoticeable bits and drops. The fact that she has strawberry-red curly hair doesn’t get said until well after the reader sees it in the black-and-white illustration. Her skinniness, pale coloring, and awkwardness will be in descriptions that happen later in separate and isolated spots.

Far more important is the way her mind works, which I try to show rather than tell. She is one of those people who is both innocent without being ignorant, and imaginative without being merely random.

Other characters will be established too with an eye on what they are like at the beginning, and a mindfulness of what they will become as the plot changes them over time.

Johnny is a sad-sack introvert who blossoms as he overcomes problems associated with the initial tragedy. He grows as he proves to himself that he is neither a coward nor a fool.

Mortie is unflappable from beginning to end in the way small children often are. He possesses a powerful sense of wonder that overwhelms fear and sadness over his losses.

That is probably enough of an insight into how I am shaping these characters for now. If you look inside this process too closely, and compare it to my last post, I run the risk of letting you see how I may be using this story to process my own upcoming loss of a parent. The pandemic and my father’s Parkinson’s disease ironically is hitting this story with enough irony to iron out more than just the wrinkles. It may well iron me flat.

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Filed under characters, humor, illustrations, novel writing, Paffooney, work in progress, writing, writing teacher

Art Unseen in a While

WordPress has put in a new feature for finding old photos from Posts Past.

This allows me to pull from past years much more easily than the scroll-down feature I have been using. Thus, art from 2017.

This is from the Star Wars Role-playing game that we stopped playing in 2008.
the Murphy family (well, three of them anyway)
The disintegrator pistol from Catch a Falling Star
“The Wise Thaumaturge Visits Cymril”
Eventual cover art for Magical Miss Morgan
I painted this miniature lead wizard, as well as made the castle from cardboard and paper.
I also painted the buildings in the background, acrylic on plaster.
“Their Most Feared Offensive Player Could Beat Them By Herself”
All of these works of art are done by me, whether they are drawn, painted, or photographed.

This has been a look back at pictures posted in 2017, starting in December, and going back in time to January. There is at least one picture from every month.

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Filed under artwork, autobiography, humor, old art, Paffooney

Re-bubbling the Old Enthusiasm

It is getting harder and harder to climb the new day’s hill to get to the summit where I can reasonably get a good look at the road ahead. At almost-64, I can see the road ahead is far shorter and much darker than the highway stretching out behind me. It is not so much a matter of how much time I have spent on the road as it is a matter of the wear and tear the mileage has caused.

This weekend I had another depressing free-book promotion where, in five days, I only moved five books, one purchase, and four free books. I have made $0.45 as an author for the month of June.

I was recently given another bit of good advice from a successful author. He said that I shouldn’t be in such a rush to publish. He suggested taking more time with my writing. Hold on to it longer. Polish it and love it more. And now that I have reached sixteen books published on my author’s page, I have basically beaten the grim reaper in the question of whether or not he was ever going to silence me and my author’s voice. I can afford to live with the next one longer.

But the last one, A Field Guide to Fauns, practically wrote itself. It went fast from inspiration to publication simply because the writer in me was on fire and full of love and life and laughter that had to boil over into hot print exactly as quickly as it did. The additional writing time afforded me by the pandemic and quarantine didn’t hurt either. Once in print, my nudist friends loved it.

This next one has the potential to boil and brew and pop out of me in the same accelerated way as that last one did. Of course, it has been percolating inside my brain basically since the Summer of 1974. So, this is no rushed job. The Wizard in his Keep is a story of a man who tries to take the children of the sister of his childhood best friend to a place of safety when their parents are killed in a car wreck. But the only safe place he has to offer is in the world of his imagination. A world he has bizarrely made real. And that best friend comes searching for the children. And so does a predator who seeks to do them all grievous harm.

In many ways, it is a story already written.

So, I am rekindling the flame that keeps the story-pot boiling. And more of it is already cooking. And I am recovering from the cool winds of disappointment, as well as the dark stormclouds of the nearing future.

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Filed under artwork, autobiography, battling depression, commentary, humor, novel, novel plans, Paffooney

AeroQuest 4… Canto 102

Canto 102- How to Fly a Dinosaur

Things were a bit crazy on the surface of Outpost as the airless planet began preparing for the coming space battle with Admiral Tang and the Imperial Fleet.  But King Killer was certain it had to be like eating cake and ice cream down there compared to what he had to do up in orbit.

He paced back and forth in front of the ten pilots he had lined up on the flight deck of his command ship.

“You men are the cream of the crop of new pilots.  You are already designated as wing commanders.  And the ranks of ship captains and vice admirals above you are completely empty and waiting to be filled.  And yet, between the ten of you, you have already crashed twenty ships.  And you are lucky those were these bulky Triceratops cruisers.  Their Ancient tech makes them practically indestructible and easy to repair. Every pilot who has crashed a Pterosaur fighter so far, all two hundred and fifty-three of them, are dead.  And their ships are destroyed.”

All five cavemen from Don’t Go Here, and all three M’uduai from what King was calling Squidworld, and the idiot from Geogenesis, and the rockman from Dekastria nodded their stupid heads at the same time.

“Do you actually understand me?  Or do your heads just do that because you see the others do it?”

“Yes, Admiral Killer, Sir!” they chimed in unison.

“Zukkuua. Kuakuua Killer, Kua!” shouted the rockman who didn’t know Galactic English yet.

“You mean, yes, you understand me?  Or, yes, you are just imitating the others?”

“We understand you, Admiral Killer, sir!”

“Slikka ku Kikk kik?” said the rockman.  Then he appeared to be thinking about it.  “Zukkuua, Kuakuua Killer, Kua!”

“What did he say?” King asked.

“He said he understands, but wonders if you understand him?” said the caveman in the thick reading glasses.

“Teach him Galactic English, dammit!”

“Uh, yessir!  Admiral Killer, sir!”

“Okay, now, these men will be your teachers, as they are some of the finest pilots anywhere on the frontier.”

King indicated the three pilots standing behind him.

“Elvis the Cruel has more kills in battle than any other pilot I have ever heard about.  With the Pinwheel Corsairs he has killed more than nine hundred space ships and more than a thousand ground targets.”

Elvis stepped forward, gave a jaunty salute, and then said, with a cigarette stub hanging off his lip, “Thank ya, thank ya very much.”

All ten pilots clapped.

“Apache Scout has been the number-two pilot in the Lady Knights Corsair Band for fifteen years.  He was one of the most effective fighters in the First Battle of White Palm.  He also helped plan the overall battle plan for that invasion.”

The huge, well-muscled descendant of old Earth Apaches stepped forward and saluted with a stern face.

The pilots all saluted back and then clapped.

“And I hope the third trainer, Vince Niell will be the most help to you.  He started as a rookie pilot from Don’t Go Here.  He took up piloting aboard the first starship designed by Ancient technology, the Megadeath.  He has swiftly become a peerless pilot, maneuvering that ship in ways I have never seen done before.”

Vince, still wearing his mirrored sunglasses inside the spaceship’s fighter flight deck, stepped forward and saluted.

They all saluted back and clapped.

“Perhaps, Admiral Vince, you can tell us a little bit about how you learned to pilot your ship in combat?”

“Um… yeah, well, you see, sir…  um… Actually, the ship kinda taught me herself.  I kinda developed a close working relationship with my baby and she sorta does whatever I can picture in my head for her to do.”

“Wait a minute!”  King’s head was suddenly swimming in a sea of shock.  “You mean your ship is telepathic?”

“Um, yeah.  I think it’s kinda a feature of all these Ancient starships.  The Triceratops I tried out after Tron first brought them here seemed to read my mind as easily as the Megadeath does.”

King Killer hit his own forehead with his gloved fist.  Why was he just now hearing this?  He had a sudden urge to punch Dr. Hooey in the face again.  Too bad the stupid Time Knight was not present. And too bad the problem wasn’t really his fault.

“Willy!  Willy Culver!  Get out here this instant!”

The man who wasn’t supposed to survive the imprisonment on the planet Stanley came out of the tool room obediently.  King punched him in the eye and knocked him out cold.  King knew there was a good reason he had saved that man’s life.

“Okay.  You all heard Admiral Niell’s advice.  The next time you fly, think at your stupid starship until the damned thing thinks back!”   

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Filed under aliens, humor, novel, NOVEL WRITING, Paffooney, satire, science fiction

Day After Day

Posting every day keeps the imaginary writing muscles toned and renews my basic energy levels. But it also becomes a chore on certain days. Like today. The weather has got me down with arthritis woes. Typing like this is it not as easy as it should be. And when I have to labor at it to make the paragraphs flow, sometimes I just turn it all into rambling babbling. I spin my mental wheels and get nowhere.

I can use this post to tell you, however, that I have now started a new work-in-progress. I have already pounded out the first four thousand words of The Wizard in His Keep.

This is the final story in the arc of the character Milt Morgan. This story has been gestating in my brain since 1995. Though, if I am honest, it began with fantasies I had back in fifth grade. The main character, Milt Morgan, is half me and half the other Mike from our gang back in Rowan in the 1960’s. Back when Mike and Michael were sometimes good friends and sometimes the brains behind evil plans and terrible tricks. He supplied the devious know-how, and I provided the creative spark that lit the schemes on fire.

But this story is advanced to the computer age.

Milt Morgan is 50% me and 50% my best nemesis, Mike Bridges

In 1996, Milt Morgan was a 34-year-old video game designer living a double life in a high-tech, state-of-the-art computer lab. It is then that he mysteriously kidnaps the three children of his child-hood friend’s sister and takes them away to a magical world that only two people in the entire world have the keys to. Milt is the Wizard. The other Key-Master is Daniel Quilp, the Necromancer. A battle for the soul of the world must take place, and Daisy, Johnny, and Mortie Brown are a part of it.

Anyway, the words are beginning to pile up again. And again I have made something out of nothing. My book promotion is still going on until tomorrow. The link above can still get you a free e-book copy until after midnight tomorrow. And nobody, it seems, still wants my book for free. (How’s that for a pathos pitch?) We’ll see how it all ends tomorrow.

Johnny Brown in Purple Glammis (the Magical Kingdom)

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Filed under humor, magic, new projects, novel, novel plans, novel writing, Paffooney

Same Old Woes…

I am running another free-book promotion this month, once again for Recipes for Gingerbread Children. Same song, third verse. It seems no one wants this book. I can’t even give it away for free.

I suppose it might have something to do with the fact that there are nudists in the story. It’s true, the Cobble Twins are teenage girls who love to be naked. And in the story, they spend time at Grandma Gretel’s house walking around with no clothes on. And when they get their junior high friends to visit Gretel, eat her gingerbread cookies, and listen to her stories, they also try to convince their friends to get naked too. But, really, it is a part of the charm of those two characters. It is not a pornographic story, and they basically fail in promoting nudism among eighth graders.

But nudism has a slightly different meaning for Gretel Stein. She barely escaped the showers at Auschwitz. It is the hardest story she has to tell.

Sherry and Shelly Cobble

I am roundly disappointed. I have every reason to believe I am a good writer and this is a good book. But how can I get people to agree if no one is willing to read it? I have to just keep trying. The book is still free until Tuesday midnight.

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Filed under feeling sorry for myself, gingerbread, humor, novel, Paffooney, publishing

Saturday Art Day in June

It is Saturday again, and it is time to share some more artwork. I am trying to come up with a theme. But I guess I am basically going through my gallery and picking stuff at random.

I am just guessing here, but maybe I can find pictures here of daily life at home, no matter how weird that home might be.

Okay, so, really weird home life…
It is life at home… if your home is a farm.
This is life at home… if you live on a pirate ship.
Life at home… if you are circus clowns.

Maybe I don’t have a clear artistical idea of what a home life really looks like, but, after all, home is where the heart lives.

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Stories with Gingerbread

Yes, this post is a shameless promotion. But this is a good book that not enough people are reading to truly appreciate that fact. When I was a boy in the 1960’s, there really was an old German lady who lived in a small tar-papered house, all ginger-brown in color, which we all called the Gingerbread House. She really did love to give out sweets and cookies and popcorn balls to the kids in our town. And she really did love to talk to people and tell them little stories.

Grandma Gretel Stein

Her name, in real life, was Marie Jacobson. She was, in fact, a survivor of the holocaust. She had a tattoo on her right forearm that I saw only one time. Our parents told us what the tattoo meant. But there were no details ever added to the story. Mrs. Jacobson doted on the local children. She regularly gave me chocolate bars just because I held the door for her after church. But she was apparently unwilling to ever talk about World War II and Germany. We were told never to press for answers. There was, however, a rumor that she lost her family in one of the camps. And I have always been the kind that fills in the details with fiction when the truth is out of reach.

I based the character of Grandma Gretel on Mrs. Jacobson. But the facts about her secret life are, of course, from my imagination, not from the truth about Mrs. Jacobson’s real life.

Marie Jacobson cooked gingerbread cookies. I know because I ate some. But she didn’t talk to fairies or use magic spells in cooking. I know because the fairies from the Hidden Kingdom in Rowan disavowed ever talking to any slow one but me. She wasn’t Jewish, since she went to our Methodist Church. She wasn’t a nudist, either. But neither were my twin cousins who the Cobble Sisters, the nude girls in the story, are fifty percent based on. A lot of details about the kids in my book come from the lives of my students in Texas. The blond nudist twins were in my class in the early eighties. And they were only part-time nudists who talked about it more than lived it.

Miss Sherry Cobble, a happy nudist.

But the story itself is not about nudists, or Nazis, or gingerbread children coming to life through magic. The story is about how telling stories can help us to allay our fears. Telling stories can help us cope with and make meaning out of the most terrible things that have happened to us in life. And it is also a way to connect with the hearts of other people and help them to see us for who we really are. And that was the whole reason for writing this book.

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Filed under autobiography, fairies, gingerbread, humor, novel, NOVEL WRITING, Paffooney

What Is Making My Ears Bleed?

Don’t panic. I’m okay. Or if you don’t like me at all, don’t get overly happy in anticipation. I actually know why my ears keep bleeding. It is the skin on the top and sides of my ears peeling off and bleeding because of moderate-plaque psoriasis. I just like the way that title sounds. All dripping with ill omens and horror-movie anxiety. I am not becoming a zombie or anything. I just look and feel like one.

I am feeling a little bit old and pointless, what with the pandemic worsening in Texas, my father’s health deteriorating in darkly concerning ways, and the upcoming decision about whether or not I get to return to Iowa this summer. It’s definitely in doubt this year. My parents are both octogenarians and there is the risk of carrying virus anywhere near them. Not to mention the risk of death the virus presents to me. And I am feeling ill. Not with Covid 19. I have no symptoms of that. But I have a stomach virus. My psoriasis is fierce. And I do not have the physical energy to drive myself all the way to Iowa. The prospect of not being able to go home again for another year is weighing heavily on my soul. That is why I have been busy with maudlin posts about dead movie stars like yesterday’s post.

There’s a certain minimum amount of time needed for re-connection with my roots, my childhood, the people and places that gave rise to me. The picture above is one of my Great Grandmother, Nellie Hinckley. She is one of the founders of my world. A Goddess responsible for giving life to my mother’s side of the family. She passed into the World of the Remembered in 1980, when I painted this picture. Soon my parents will be joining her and my grandparents from both sides of the family in that world where everything is summed up in old photographs. And I shall surely follow soon… if not proceed them. I wonder if anyone will lift a brush to Remember me?

And yet, no matter how it turns out, I have much to get on with. I am not done telling stories. I have had little success in selling my books so far. I can barely give them away. But the work of it gives my life just enough purpose and meaning to keep me alive longer than the insurance industry, my Texas teacher retirement plan, and the mortuary companies of the world would like me to. But, I promise to continue frustrating them further.

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Filed under family, feeling sorry for myself, humor, illness, Iowa, Paffooney

AeroQuest 4… Canto 101

Today’s post starts the next novel in the series I am making out of the disastrous novel I wrote and published in 2007. Being the part of the story undergoing the most rewriting, today’s post, as many of these posts will be, is a rough draft.

Canto 101 – Rimbaud Outstation

It was, by my reckoning, early morning when we came out of jump space at a deep-space location known only to pirates and corsairs.  The spot in deep space contained no stars or planets.  Only the huge, insanely-placed interstellar truck stop known as the Arthur Rimbaud Memorial Outstation and Weapons Storehouse.

Ham was in his usual pilot seat.  Sinbadh sat next to him in the co-pilot chair.  I was standing behind him with the cabin boy Sahleck next to me waiting for everybody’s breakfast orders.  Sinbadh wasn’t cooking for a change, so we were forced to contemplate synthesized foods from the material synthesizer that were only marginally edible at best.

“Tell me, Professor Marou, why is this thing named as a memorial to Arthur Rimbaud?  And who the heck was he?”

“If I remember correctly, Ham, he was a Nineteenth Century French poet and arms dealer who lived a debauched life, died young, and may have inspired the Surrealist movement in Art and Literature.”

We were looking out the front viewing portal at the outstation itself.  It was a brightly lit, transparent diamond shape, the central sun-source, located in the apex of the top pyramid, illuminating all the space and spaceships around it.  As we neared the equatorial docking bay, we noted that a badly damaged Blackhawk Corsair was being worked on there.

“Razor Conn, maybe?” Ham asked me, turning around to eyeball me.

“Shad Blackstone, more likely.  It has been through something terrible, though,” I said in a vast understatement.  “This is one of the safe points the Blackhawks and ships of the White Duke use when they are in trouble.”

“So, ye knew about this here place from yer White Duke connection, eh, Googol me boy?” said Sinbadh in his bad fake-pirate accent.

“Naturally.”

“Can you tell me what to punch in for breakfast?” asked Sahleck plaintively.

“Banana with peanut butter sandwich, my lad,” said Sinbadh.  “In fact, one for each of us blokes here.”

The Lupin boy scampered toward the galley.

“We can’t eat that drehk.  Why did you order that?” asked Ham.

“Yes, I thought Lupins didn’t like peanut butter on anything, because it sticks to the roof of your canine mouth,” I added.

“Ah, but it be the favored food of Elvis.  And besides, the synthesizer makes everything else on the menu taste like cattle poo.”

The Leaping Shadowcat cruised slowly into the docking bay and made a soft landing on the tarmac.

“Why does the sign over the door say Pray for him?” Ham asked.

“That’s what it says on Arthur Rimbaud’s tombstone.  I assume Banzai Joe wants you to know he is French and that he can provide wine, women, song, and bullets here, just like a dissolute poet.”

Three peanut butter and banana sandwiches later, we disembarked from the Shadowcat, the three of us plus Duke Ferrari.

When we got down from the exit ramp we were met on the tarmac by Banzai Joe himself along with three serving girls who wore only ribbons in their hair and a serving tray with drinks and aperitifs on their hands.

“Wha… why are these ladies naked?” asked Ham, blushing fiercely.

“Messieur, s’il vous plait, we are French, no?  And French spacemen are Classical Worlders, yes?  Appropriate raiment, c’est nue!”  Banzai Joe was a young-looking handsome guy with an oily manner.  He was fully dressed with a leather bomber’s jacket on with a rising-sun decoration on the front.

“We are not taking our clothes off for the sake of your silly religion, sir,” said Duke Ferrari with a rather stuffy air.

“Oui.  That is fair.  We have this station far away from the Classical Worlds.  Our staff are all nude.  But most of our guests, unless drunk or gambling and losing, they are not.”

“We are on our way to Coventry, my good man,” I said, trying to give the others room to compose themselves.

“Ah, Oui.  That will mean you are needing food and drink, and probably fuel.  A good jump six, or two easy threes, I am thinking.”

“Yes, that will do quite nicely.  And we are friends of the White Duke,” I said.

“Yes, Professor Marou.  I know you.  It all comes free for the friends of the White Duke.”

“Good man!”  I patted Banzai on the shoulder in thanks.

“Umm… I don’t know how to say this, but you all are needed in a special accommodation this fine day.  There is a game afoot.”

“Oh?  Whatever do you mean by that?”

“Friends of the White Duke, you see.  You will attend, yes?”

Ham looked at me with a questioning look on his handsome young face.  But it was obvious he knew things could not be talked about openly in a place that was not a special accommodation.

“We will find out later, I suppose?” I said to Banzai.

“Oui.  We will all find out later.”

The girls passed out drinks.

“There’s a very good French restaurant on this outstation,” I said to Ham and the Duke.  Sinbadh’s Lupin ears perked up right away at that.

“Yeah,” said Ham.  “Let’s go get the taste of bananas and peanut butter out of our mouths.”

“A fine idea, bucko,” said Sinbadh.  “A very fine idea indeed!”

I had to admit, the food sounded good, and the nude girls were beginning to look very interesting as I sipped my wine.

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Filed under aliens, humor, novel, NOVEL WRITING, Paffooney, science fiction