“Lately Mickey hasn’t been doing much of any writing on his work in progress. I, a professional Professor of knowing practically everything and knowing most of it wrongly, am here to give the hopeless goofy guy some much needed advice. Of course, I shall offer that advice incognatively… err, incontranatively… err… anonymously because Disney enjoys suing schoolteachers and other criminals who misuse their intellectual property.”
“But I can’t help myself when it comes to giving opinions on stuff that ain’t really my business but fascistinates… err, fusstinates… err… highly interests me. So, here goes.”
“Write about something Over the Rainbow. I mean your imagination is really garganteelian… err… gigantickingly… err… really pretty big. You can make up something being about made-up worlds, witches who fly around in soap bubbles and other such nonsensical things. Maybe talking scarecrows and heartless metal guys and really big kitty cats… make a story with something beautiful and imaginative, though maybe not as beautiful as that Judy Garland chick… she was really georgeous… err… magnifical… err… really hot-looking! But she is so old she is dead now. So, you can’t put her in the film version of what you write.”
“Or you could write something extra creepy. Something totally like the Addams Family. You’ve got a talent for writing stuff that seems extra morbeedious… err… mackahbreebrious… err… extra spooky. You can turn peoples’ stomachs inside out and make them feel all gooey in their courageousness because of weird evilness and dark happenstances… err… murderiferous scenarios… err scary stuff. It helps that you can be funny here and there when you scare us. You can be totally spooky-ooky in your stories and sometimes you make us sharpen wooden stakes and make necklaces of garlic. Do an Uncle Fester shtick. Of course, Jackie Coogan is so old he is dead now, so you can’t use him in your film version.”
“Or there is always the absolutely romantical… like a story about a three hour cruise where funny guys get shipwrecked on a desserted island with girls that wear bikinis where you don’t see the cutie’s belly button. And “desserted” is the right word because the dessert is actually coconut-cream pie. But you are good at writing about faskinating… err… interesstrial… err… attention-requiring young women and really dorky guys and how they can fit together like puzzle pieces that you don’t even have to use scissors to make them fit together. Romantical comedy is a thing you can do too. So, we don’t even need to talk about Dawn Wells who played Mary Ann. You couldn’t cast her in the movie version because you’re still sad about Covid having taken her away in 2020.”
“But anyway, you got no excuses now, Mickey! You know you can write It’s just getting anybody to read the danged thing you can’t do. So, write something!!!”














































Something Unexpected
I finished up a final proofread and formatting project on the novel I am re-publishing on Amazon, Magical Miss Morgan.
And, you know what? The story made me cry again. An unbroken record. It is about the fifteenth time I read through it. And every single time, the little three-inch-tall fairy is killed again, and I can’t keep my eyes dry.
He’s not even based on a real person as so many of my characters are. It’s not like it is someone I know and love. It’s a fairy. Not even remotely real. And I’m the one who decided he had to die in the story because because good comedy stories always end with at least one main character dying… Don’t they? It’s a rule derived from Robert Altman movies.
But I can’t help feeling things about the characters in my stories. I don’t love them all. I hate some of them. But, they’re the ones you are supposed to hate. They are villians, bad guys, characters based on real people who hurt me in real life.
It’s not just my stories that make me feel. I have read Dickens’ A Tale of Two Cities twice, and both times Sydney Carton made me cry. I read Dickens’ Old Curiosity Shop only once. And Little Nell made me cry so hard I could never reread that book. And there’s Simon in The Lord of the Flies, and, of course, the old Yeller dog in Old Yeller by Fred Gipson… I’m a sucker for heroic deaths and tragic losses. They touch and twist my little blue heart.
But I cried for the fifteenth time, and I survived it. I will probably cry again if I read it again. That is what life is like. That is what fiction is for. To make me think and feel and… love.
Magical Miss Morgan is now back in print.
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