
Art on the bedroom wall, with Christmas lights being used as a night light.
Talking to a school administrator the other day about the challenges my children and I have been facing in the last year, I had one of those experiences where you get a look at your own life through someone else’s eyes. “Wow, you have really been on a difficult journey,” he said. I just nodded in response. Financial difficulties, health problems, dealing with depression… life has been tough. But you get through things like that by being centered. Meditation tricks. Things you can do to smooth out the wrinkles and keep moving forward.
I always return in the theater of my mind to a moment in childhood where I learned a critical lesson. My life has been one of learning how to build rather than destroy. It has been about creating, not criticizing.

Electric lights have come to Toonerville, helping to light the darkness.
When I was a boy, I was a serious butterfly hunter. It started when Uncle Don gave me a dead cecropia moth that he had found in the Rowan grain elevator. It was big and beautiful and perfectly preserved. Shortly thereafter, I located another cecropia in the garage behind the house, a building that had once been a wagon shed complete with horse stalls and a hay loft. I tried to catch it with my bare hands. And by the time I had hold of it, the powder on its wings was mostly gone. The wings were broken in a couple of places, and the poor bug was ruined in terms of starting a butterfly collection.

A cecropia moth
Undeterred by tragedy, I got books about butterfly collecting at the Rowan Public Library and began teaching myself how to bug hunt. I learned where to find them, and how to net them, and how to kill and mount them.
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I discovered that my grandfather’s horse pasture had thistle patches which were natural feeding grounds for red admiral butterflies (pictured top left) and painted lady butterflies (top right). But if you wanted to catch the rarer mourning cloak butterfly (bottom picture), you had to stake out apple trees, particularly at apple blossom time, though I caught one on the ripening apples too.
But my greatest challenge as a butterfly hunter was the tiger swallowtail butterfly. They are rare. They are tricky. And one summer I dueled with one, trying with all my might to catch him. He was in my own back yard the first time I saw him. I ran to get the butterfly net, and by the time I got back, he was flitting high in the trees out of reach. I must’ve watched him for half an hour before I finally lost sight of him. About five other times I had encounters with him in the yard or in the neighborhood. I learned the hard way that some butterflies are acrobatic flyers and can actually maneuver to avoid being caught. He frustrated me.
The tiger swallowtail was the butterfly that completed my collection, and it was finished when one of my cousins caught one and gave it to me because she knew I collected them.
But then, one day, while I was sitting on a blanket under a maple tree in the back yard with my notebooks open, writing something that I no longer even recall what I wrote, the backyard tiger swallowtail visited me again. In fact, he landed on the back of my hand. I dropped the pencil I was writing with, and slowly, carefully, I turned my hand over underneath him so that he was sitting on my palm.
I could’ve easily closed my hand upon him and captured him. But I learned the lesson long before from the cecropia that catching a butterfly by hand would destroy its delicate beauty. I would knock all the yellow and black powder off his exquisite wings. I could not catch him. But I could close my hand and crush him. I would be victorious after a summer-long losing battle.
But that moment brought an end to my butterfly hunting. I let him flutter away with the August breeze. I did not crush the butterfly. It was then that I realized what beauty there was in the world, and how fragile that beauty could be. I could not keep it alive forever. But it lasted a little big longer because I chose to let it.
So, here is the lesson that keeps me whole. Even though I had the power, I did not crush the butterfly.
Self-Reflection
Every writer, whether he or she writes fiction or non-fiction, is really writing about themselves. The product originates within the self. So, that self has to gaze into the mirror from time to time.
So, the question for today is, who, or possibly what, is Mickey?
I have been posting stuff every day for a few years now, and in that time, I have been much-visited on WordPress. Maybe not much-read, but then, you cannot actually tell if somebody read it or not. Most probably look only at the pictures. And, since I am also an artist of sorts, that can also be a good thing. Though, just like most artists, my nude studies are more popular than the pieces I value the most. But unless the looker makes a comment or leaves a “like”, you really have no idea if they read or understood any of the words I wrote. And you have no idea what they feel about the art. Maybe they just happened to click on one of my nudes while surfing for porn.
I rarely get below 50 views of something in my blog every day. The last three days were 86 views, 124 views yesterday, and 88 views already today. My blog has definitely picked up pace over the length of the coronavirus quarantine. But no definable reason seems obvious. Some of my posts are polished work, but Robin is right when he says today’s post is merely fishing with the process, which is true almost every day.
As a person I am quirky and filled with flaws, pearls of wisdom that result from clam-like dealing with flaws, strange metaphors that shine the pearls, and obsessions like the one I have with nudism that leaves me properly dressed for diving for pearls.
I have demonstrated throughout my life that I have an interest in and experience with nudism, though not the boldness to parade my naked self before the world outside of the writing that I do. I also spent most of my bachelorhood dating reading teachers and teachers’ aides, finally settling down and marrying another English teacher. I completed a thirty-one year career as an English teacher, which means I spent a lot of time teaching writing and reading to kids who were ages 12 to 18. Twenty-four of those years were spent in the middle school monkey house. And all of that led to being so mentally damaged that I wasn’t good for much beyond becoming a writer of YA novels or possibly subbing for other mentally-damaged teachers in middle schools around our house.
A real telling feature of what I have become is the fact that most of the characters I write about in my fiction are somehow a reflection of me. Milt Morgan, seen to the left, is illustrated here with a picture of me as a ten-year-old wearing a purple derby. Yes, I was that kind of geeky nerd.
And most of the plots are based around things that happened to me as a child, a youth, or a young teacher. Many of the events in the stories actually happened to me, though the telling and retelling of them are largely twisted around and reshaped. And I am aware of all the fairies, aliens, werewolves, and clowns that inhabit my stories. Though I would argue that they were real too in an imaginative and metaphorical way.
So, here now is a finished post of Mickey staring into the metaphorical mirror and trying in vain to define the real Michael, an impossible, but not unworthy task.
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