
Art on the bedroom wall, with Christmas lights being used as a night light.
Talking to a school administrator the other day about the challenges my children and I have been facing in the last year, I had one of those experiences where you get a look at your own life through someone else’s eyes. “Wow, you have really been on a difficult journey,” he said. I just nodded in response. Financial difficulties, health problems, dealing with depression… life has been tough. But you get through things like that by being centered. Meditation tricks. Things you can do to smooth out the wrinkles and keep moving forward.
I always return in the theater of my mind to a moment in childhood where I learned a critical lesson. My life has been one of learning how to build rather than destroy. It has been about creating, not criticizing.

Electric lights have come to Toonerville, helping to light the darkness.
When I was a boy, I was a serious butterfly hunter. It started when Uncle Don gave me a dead cecropia moth that he had found in the Rowan grain elevator. It was big and beautiful and perfectly preserved. Shortly thereafter, I located another cecropia in the garage behind the house, a building that had once been a wagon shed complete with horse stalls and a hay loft. I tried to catch it with my bare hands. And by the time I had hold of it, the powder on its wings was mostly gone. The wings were broken in a couple of places, and the poor bug was ruined in terms of starting a butterfly collection.

A cecropia moth
Undeterred by tragedy, I got books about butterfly collecting at the Rowan Public Library and began teaching myself how to bug hunt. I learned where to find them, and how to net them, and how to kill and mount them.
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I discovered that my grandfather’s horse pasture had thistle patches which were natural feeding grounds for red admiral butterflies (pictured top left) and painted lady butterflies (top right). But if you wanted to catch the rarer mourning cloak butterfly (bottom picture), you had to stake out apple trees, particularly at apple blossom time, though I caught one on the ripening apples too.
But my greatest challenge as a butterfly hunter was the tiger swallowtail butterfly. They are rare. They are tricky. And one summer I dueled with one, trying with all my might to catch him. He was in my own back yard the first time I saw him. I ran to get the butterfly net, and by the time I got back, he was flitting high in the trees out of reach. I must’ve watched him for half an hour before I finally lost sight of him. About five other times I had encounters with him in the yard or in the neighborhood. I learned the hard way that some butterflies are acrobatic flyers and can actually maneuver to avoid being caught. He frustrated me.
The tiger swallowtail was the butterfly that completed my collection, and it was finished when one of my cousins caught one and gave it to me because she knew I collected them.
But then, one day, while I was sitting on a blanket under a maple tree in the back yard with my notebooks open, writing something that I no longer even recall what I wrote, the backyard tiger swallowtail visited me again. In fact, he landed on the back of my hand. I dropped the pencil I was writing with, and slowly, carefully, I turned my hand over underneath him so that he was sitting on my palm.
I could’ve easily closed my hand upon him and captured him. But I learned the lesson long before from the cecropia that catching a butterfly by hand would destroy its delicate beauty. I would knock all the yellow and black powder off his exquisite wings. I could not catch him. But I could close my hand and crush him. I would be victorious after a summer-long losing battle.
But that moment brought an end to my butterfly hunting. I let him flutter away with the August breeze. I did not crush the butterfly. It was then that I realized what beauty there was in the world, and how fragile that beauty could be. I could not keep it alive forever. But it lasted a little big longer because I chose to let it.
So, here is the lesson that keeps me whole. Even though I had the power, I did not crush the butterfly.
Milt Caniff
My 1967 Captain Action Steve Canyon action figure.
I have always been a deeply devoted fan of the Sunday funnies. And one of the reasons I read the comics religiously was the work of Milt Caniff. His comic strips, Terry and the Pirates, Male Call, and Steve Canyon set a standard for the age of action comics and adventure strips.
I read his comics in the 1960’s and 1970’s and always it was Steve Canyon. But this, of course, was not his first strip. I would discover in my college years the wonders of Terry and the Pirates. When Caniff started the strip before World War II, he set it in China, but actually knew nothing about China. So he did research. He learned about people who became oriental hereditary pirate families and organizations. He learned to draw authentic Chinese settings. His comedy relief characters, Connie and the Big Stoop, were rather racist parodies of Chinamen and were among the reasons that the original strip had to mature into his later work in Steve Canyon. But perhaps the most enduring character from the strip was the mysterious pirate leader known as the Dragon Lady.
Steve Canyon is a fascinating study in the comic arts. When he left the Terry and the Pirates strip in 1946, it went on without him. It was owned by the Chicago Tribune-New York Daily News distribution syndicate, not Caniff himself. Steve Canyon would change that. He created it and owned it himself, making Caniff one of only two or three comics artists who actually owned their own creations. Canyon started out as a civilian pilot, but enlisted in the Air Force for the Korean War and would remain in the Air Force for the remainder of the strip. Some of the characters in the strip were based on real people. His long-time friend Charlie Russhon, a former photographer and Lieutenant in the Air Force who went on to be a technical adviser for James Bond films was the model for the character Charlie Vanilla, the man with the ice cream cone. Madame Lynx was based on the femme fatale spy character played by Illona Massey in the 1949 Marx Brothers’ movie Love Happy. Caniff designed Pipper the Piper after John Kennedy and Miss Mizzou after Marilyn Monroe.
I am not the only cartoonist who was taken with the work of Milt Caniff. The effects of his ground-breaking work can be seen to influence the works of comic artists like Jack Kirby, Bob Kane, John Romita Sr., and Doug Wildey. If you are anything like the comic book nut I am, than you are impressed by that list, even more so if I listed everyone he influenced. Milt Caniff was a cartoonists’ cartoonist. He was one of the founders of the National Cartoonists’ Society and served two terms as its president in 1948 and 1949. He is also a member of the Will Eisner Comic Book Hall of Fame.
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Tagged as comic art, comic strips, Milt Caniff, Steve Canyon, Terry and the Pirates