Category Archives: humor

The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Filed under artists I admire, artwork, cartoon review, cartoons, comic book heroes, goofiness, humor, illustrations

Art Self-Edited

I have been working at illustration and drawing for the majority of my life, but it took computer technology and digital photography to allow me to maximize the use of my abilities.  Let me go through a couple of case in points.

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The Red-Haired Girl picture is a good example of what I can do.  I originally drew the picture to illustrate a Charlie Brown poem.   Here is the poem if you don’t remember it.  (A convenient excuse to re-post something and fill this post with words already written.)

Little Red-Haired Girl

You never told her that you loved her, Charlie Brown

That little red-haired girl, so cute, so nice

You only looked and looked from afar

You never told her that you loved her, Charlie Brown

You could’ve held her hand

You could’ve walked her home from school

You never told her that you loved her, Charlie Brown

She never got your Valentine

At least, you forgot to sign your name

You never told her that you loved her, Charlie Brown

No hope of marriage now, nor children for old age

Happily ever after has now long gone

You never told her that you loved her, Charlie Brown

Now every love poem is a sad poem

And the world is blue and down

You never told her that you loved her…

You never told her that you loved her…

You never told her that you loved her, Charlie Brown.

You may not see what I did without looking at the two pictures very closely.  The better, more brightly-lit photo is not the answer.  I originally created the Red-Haired Girl as a Charley-Brown-y creation complete with a bigger than natural head, a Charley-Brown head.10305044_602428713227020_8427155857664240183_n

I have ulterior motives for my evil cartoon manipulations.  I like this image I have created very much, in fact, one might say that I have fallen in love with it just a bit…  Pygmalion-like.  I wanted to use the image to illustrate Anita Jones, a character from my book Superchicken.  Anita is the fictional re-imagining of a girl that I had a deep and abiding crush on (possibly still existing today, though she is now a grandmother in real life.)  She is literally my little red-haired girl.  So what did I do?  Look closely.  I lovingly shrank her head.  Yes, like the headhunters of old, I used the paint program on my computer to shrink it, re-attach it, and make it more human-like.  Realistic proportions, though only a very slight change by actual percentages, make a realistic difference in how real the viewer perceives her to be.

I know you probably think I am full of goofy-gas to make such claims.  If you don’t see the difference in the first example, perhaps you will see it here.  Compare these two David Copperfield pictures carefully.  Look at Little Emily’s head.

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You don’t have to believe me, but it does make a difference.

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Monster Movies

I am fascinated by the darker alleyways in the city of human thought.  I love monster movies, those love-story tragedies where the monster is us with one or more of our basic flaws pumped up to the absolute maximum.  We are all capable of becoming a monster.  There are consequences to every hurtful thing we have ever thought or ever said to other people, especially the people we love.

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The monster movies I love most are the old black and whites from Universal Studios.  But I can also seriously enjoy the monsters of Hammer Films, and even the more recent remakes of Frankenstein, The Mummy, and their silly sequels.  I am fascinated by the Creature from the Black Lagoon because it is the story of a total outsider who is so different he can’t really communicate with the others he meets.  All he can do is grab the one that attracts him and strike out at those who cause him pain.  It occurs to me that I am him when having an argument with my wife.  Sometimes I am too intelligent and culturally different to talk to her and be understood.  She gets mad at me and lashes out at me because when I am trying to make peace she thinks I am somehow making fun of her.  How do you convince someone of anything if they always think your heartfelt apology is actually sarcasm?  How do you share what’s in your heart if they are always looking for double meaning in everything you say?

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But other people can change into monsters too.  I am not the only one.  People who are bitter about how their life seems to have turned out can strike out at others like the Mummy.  Wrapped in restrictive wrappings of what they think should have been, and denied the eternal rest of satisfaction  over the way the past treated them, they attack with intent to injure, even just with hurtful words, because their past sins have animated them with a need to change the past, though the time is long past when they should’ve let their bitterness simply die away.

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And we might all of us fall into the trap of Victor Frankenstein’s monster, who never asked to be made.  He finds life to be an unmanageable nightmare with others constantly assaulting him with the pitchforks and torches of their fear and rejection.

13076_998843660144998_6984648371609353495_n But the thing about monster movies… at least the good ones, is that you can watch it to the end and see the monster defeated.  We realize in the end that the monster never really wins.  He can defeat the monstrous qualities within himself and stop himself.  Or the antidote to what ails him is discovered (as Luke did with Darth Vader).  Or we can see him put to his justifiable end and remember that if we should see those qualities within ourselves, we should do something about it so that we do not suffer the same fate.  Or, better yet, we can learn to laugh at the monstrosity that is every-day life.  Humor is a panacea for most of life’s ills.

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A bust of Herman Munster

 

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Filed under autobiography, humor, monsters, satire, surrealism, Uncategorized

The Haunted Toy Store… Canto 11

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Canto 11 – The Safe House

“Where do you expect me to go in this world that isn’t even in my… time?”

Molly looked at her with those creepily lifelike glass eyes.  “There was a place I could safely go when I was alive.  Let’s go there.”

Brittany was in a fog as the doll guided her down one street and then onto another.  They kept going past all those clunky-looking old-time cars with lumpy and rounded body parts, like out of a black-and-white gangster movie.  The ladies all wore dresses with big shoulders and puffy sleeves.  The men were mostly older and mostly all wearing those old-time hats like Indiana Jones or something… “fedora” was the word stuck in Brittany’s mind.

“This house!  This is Dora McMaster’s house.”  The doll pointed at an old Victorian-style house with a rounded, tower-like structure on the left side of the front of the house.  The whole thing was painted slate gray with black trim.

Brittany knocked at the door, rapping half-heartedly with her knuckles.

The door opened, and a woman with a bee-hive hairdo and reading glasses answered the door.

“Oh, hello.  How can I…?”  The woman swallowed audibly as she saw the doll.

“Is something wrong?” Brittany asked.

The woman held her right hand in front of her mouth.  “That’s Molly’s doll…  But it can’t be.  I haven’t even finished painting the face of it yet.”

“You… you made this doll?”

“No!  That isn’t possible.  Come in… I’ll show you why.”

Brittany followed the woman into her home.  Through the entryway and into a sitting room where there were hundreds of porcelain dolls, only half of them finished.  In the center of the room on a worktable stood the hairless head and upper torso of the very doll that Brittany held in her arms.

“This is the doll I was making for poor little Molly.  It is a portrait of her.  I made it myself, and shared the design with no one, although I do have the mold for the head in the basement next to my porcelain kiln.”

“You’re a doll-maker?”

“Yes, and if you have stolen one of my designs, I am not happy about it.”

“You have to tell her lies to make sense of it,” said the doll.  “She will never understand otherwise.”

“I can’t lie…” said Brittany aloud.

“I should hope not.”

“You obviously made this doll.  It looks like my own daughter Hannah, which is why I bought it.  She somehow must look exactly like your Molly.”

“Well, if that’s the truth, then that doll must have my mark on it.  Show me the back of her neck.”

Brittany handed her the doll.

Mrs. McMaster’s eyes bulged as she spotted her own signature in blue porcelain glaze at the base of the doll’s neck where the ball joint fit neatly into the neck socket.

“I apparently did make this doll.  Did you come here to buy new clothes for it?”

“I don’t want any new clothes,” said the doll to Brittany.  “I prefer to be nude since the fire.”

“I don’t really have any money right now.”  That, at least, was not a lie.  “But I would like to learn more about this Molly who looks like my Hannah.”

“Oh, of course.  But, may I ask…?  Where did you get this doll?  I don’t remember making it or selling it to you.”

“Um, Aunt Phillia’s?”

“Oh, that explains a lot.  That old devil’s toy store never sells anything that I didn’t give them for free.  I still don’t remember making one for anyone whose daughter looks so much like poor Molly Beeman.”

“Tell me more about Molly…”

“Ah, the poor little thing…  She would come around here looking so lost and forlorn after her daddy died in the North Africa campaign.  The Germans killed him with artillery.  He was in Tunisia with the 1st Armored Division.  Molly’s mother took it too hard and went off the deep end…”  Dora’s eyes filled with tears.  She suddenly seemed to have lost the ability to talk.

“Something terrible happened?  A fire perhaps?”

“I could have saved Molly if I had known…  Oh, she could’ve lived here with me…  Such a precious little thing.”

Dora was openly weeping now.  Brittany put a hand on her shoulder.

“Molly died in a fire?”

“Yes.  Her mother burned their house down with Molly in it… on purpose.”  Brittany hugged Dora as the doll maker wept.

“Did the mother die too?”

“Not in the fire.  They called it murder.  She was hanged before the month was out.” Brittany’s stomach felt cold as the truth sunk in.  The porcelain doll seemed to be cuddling against Mrs. McMaster’s shoulder as the poor woman wept.  Was this thing of porcelain also a thing of evil?  What did it want?  And what was it doing to them?  Brittany intended to learn.

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Filed under ghost stories, horror writing, humor, novel, NOVEL WRITING, Paffooney, Uncategorized

Hidden Kingdom… Chapter 2 Complete

Here is the link to the complete Chapter 1https://catchafallingstarbook.net/2018/11/24/hidden-kingdom-chapter-1-complete/

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Filed under comic strips, fairies, Hidden Kingdom, humor, Paffooney

Total Picture Time

This is not going to be your usual yearbook picture day, is it?.
Unusual choice for what to wear on picture day
Better dressed, but… You mean to tell me this is a teacher?
Cute smile, Blueberry.
Which second grade class are you in, Ronny? Who’s your teacher?
Were these yearbook photos actually taken in the school cafeteria?
So, you must be the Science Teacher, eh, Mr. Purrdy?
Tim, it would be nice if you could smile before the photographer takes the picture.
So, Wally, you must be in Mrs. Nelson’s Art Class this period, right?

Now, that’s a picture done right, Ruben. Good job!

What subject do you teach, Mr. Enstein? Frank, take the cancer stick out of your mouth.
Is that a teacher pose, Mr. Beyer?
Why do so many teachers want to be pictured smoking in the yearbook, Mr. Dogg?
Don’t we already have your yearbook picture, Michael?
Rita, that’s an interesting t-shirt, but it feels like it is staring at me.
Um, are you smiling yet, Murky?

I honestly don’t want to take pictures for this yearbook again next year.

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Filed under humor, Paffooney

Up and Down, Round and Round

The world goes from bad to worse,

And is it time to rent a hearse?

Or shall we ride the merry-go-round,

And let it take us up and down?

And shall we fear the screaming ducks?

Who watch us use their firetrucks?

To put out fires that they have set,

In swimming pools that should be wet?

Or should we run on small bare feet?

And hide ourselves in fields of wheat?

To quake and shake in our underwear,

At every passing Russian bear?,

We are not on an island

And we are not alone in the sand.

Coconut cream pie is tasty,

But nothing but that is hasty,

And living on hasty ain’t grand,

And deprivation is not what we planned.

I know this poem’s pretty awful,

But invading other lands isn’t lawful,

And riding on the merry-go-round ride,

Leaves the riders with no place to hide.

And you have to pay your pennies for the chance,

To go up and down in a trance.

I do, in fact, realize that this is bad poetry written by a pretty poor poet. But, as you can plainly see, I am not very pretty… and not poor now that my bankruptcy is paid off. (Having nothing, but not being in debt makes me richer than Trump.) But life in 2022 is no more poetic written in putrid prose either.

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Filed under feeling sorry for myself, humor, poetry

Truth in Advertising… the Mickey Version

Here’s the thing… Mickey is to the art of advertising as Cassandra in the Iliad is to prophecy.

Cassandra, you may remember from the last time you read the Iliad in the original Greek, was gifted with true prophecy. What she foresaw was destined to come true. Unfortunately, she was cursed to never be believed by any she told the prophecy to.

Similarly, Mickey can tell a good story, full of imaginative storylines and compelling plots and themes. But anytime he launches an ad, here, on Twitter, Facebook, or elsewhere, it will not be seen, or, if seen, not responded to.

Case in point; I worked at reformatting, illustrating, and improving the following e-book. I set it up for a free-book promotion. Only four people bought one for free, and only one was brave enough to read and review it.

So, I will try again, but for money. It’s cheap.

Of course, I know that this has been a terrible weather week for Texas, and most of the nation. Reading a book about aliens is probably not the foremost thing on people’s minds. I can usually count on Twitter nudists to give my free books a boost even when there are no nudist characters or nudist ideas in the novel. But Friday is the day when Twitter nudists usually say, “Howdy!” to each other on Twitter, and I gave away none on Friday and only one on Saturday. This book has some nudism going on at one point on the apocalyptic hellscape planet in the story, but that is mostly a matter of naked aliens and plants. So, I can’t give copies of this book away to anybody, not even to fellow nudists.

Catch a Falling Star is the book that Stardusters and Space Lizards is a sequel to.

It is the story of the Telleron invasion of the Earth, landing in a small town in Iowa, invading in invisibility cloaking devices, and failing to even be noticed by most people in town.

The e-book is $3.99 on Amazon, so it is not as good a value as the free one.

This book is about fleeing aliens arriving by accident at a dying planet. It is a planet experiencing biosphere collapse just as Earth will probably do in the near future. And the alien characters, most of them tadpoles (Telleron children) take active steps to try to save the new planet so they, too, might have a place to live.

Anyway, buy the book. It’s cheap.

But since Mickey the advertiser is like Cassandra, I have to say the opposite. Don’t buy this book. It is awful. You will not love it. You will not think all your friends need to read it too.

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Filed under aliens, humor, novel, Paffooney, publishing

Into the Spring

The weather, amazingly, is more than fifty degrees Fahrenheit better than it was a week ago today in Texas.

The sun is now out.

Shall I compare thee to a Summer’s day...?”

‘Of course not. It is not Sonnet 18 out there.

It… “art NOT more lovely and more temperate.”

And William Shakespeare is just a pen name.

But I saw a pair of Robins in the park while walking the dog.

And I don’t mean Robin Williams and Robin Hood.

I mean the red-breasted birds that herald the arrival of Spring.

Though it is not Spring. And I have trouble sitting here and writing this due to painful hemorrhoids.

Still, it seems like something new is starting.

It has now been an entire three years since the start of the pandemic. More than a million people have died. Including my cousin Karen and my high school friend Tim.

It is definitely time for something new, something better, to begin.

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Filed under artwork, autobiography, birds, commentary, healing, humor, Paffooney

The Sardonic Solliloquy

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The homeless man wandered onto center stage just as the spotlight went on.  He shaded his old eyes against the brightness and looked outward into the dark  theater.  It was probably some kind of mistake.

“Oh, so now it’s my turn to talk, eh?”

There was no response.

“Well, if you’re expecting something funny to come out of my mouth, good luck with that.  More than half of what I say that makes people laugh is the result of depression, ill health, and just plain ignorant stupidity.  And the other half of it is not meant to be funny, but is because I don’t always understand what I am saying.”

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There was an embarrassed chuckle somewhere in the darkness.

“I mean, you can’t expect too much from me. I’m a bum.  I have no money.  I have no job.  Not having any work to be bothered with is kinda good.  But the other thing kinda sucks.

And all the great comedians that used to stand on this stage and try to save the world through humor are dead now.  It’s true.  Robin Williams died recently.  George Carlin, Bill Hicks, Richard Pryor, and Bill Cosby are all long gone.”

There was some nervous laughter in the theater.

“Oh, I know, Cosby only thinks he’s dead.  But he kinda killed the character delivering the wisdom in the form of observational comedy, didn’t he.”

 

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“But most of them old boys tried to come up here and tell you the truth.  And the truth was so absolutely unexpectedly wacky and way out of bounds that you just had to laugh.  And the more wicked the humor, the more you just laughed.  You didn’t do anything about the problems they talked about.  But you sure did laugh.”

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“It seems like the more they told you the truth and the more you just laughed about it, the more old and bitter they got.  Sardonic?  You know that word?  Not sardines, fools, but sardonic.   Bitterly humorous and sadly funny.  Seems like a lot of them old boys got more and more bitter, more and more depressed up to the end.  More and more sardonic.”

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“I mean,  Carlin was calling you stupid right to your face at the end.  And you just laughed it off.”

The theater had grown eerily silent.

“But it ain’t all bad, is it?  I mean, at least you all can still laugh.  Only smart people get the jokes.  The ones Carlin moaned about were laughing because everybody else was laughing.  Those weren’t the ones we were talking to.  There’s still life out there somewhere.  Maybe intelligent life.  Maybe aliens ain’t located any intelligent life on Earth yet, but they’re still trying, ain’t they?”

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“You shoulda listened more carefully to what they were saying.  Life and love and laughter were bound up in their words.”

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“So I guess what I’m really saying is… just because I happened to get a rare chance to say it to you all… learn to listen better.  The voices are quiet now.  But the words are still there. And laughing at them is still a good thing.  But remember, you need to hear them too.”

The theater suddenly filled with the roar of a standing ovation.  The old man bowed.  And this was ironic because… the theater had always been empty.  No one at all was there now.

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Filed under comedians, humor, insight, poetry, quotes, strange and wonderful ideas about life, surrealism, Uncategorized, wisdom, word games