Category Archives: humor

AeroQuest 4… Canto 102

Canto 102- How to Fly a Dinosaur

Things were a bit crazy on the surface of Outpost as the airless planet began preparing for the coming space battle with Admiral Tang and the Imperial Fleet.  But King Killer was certain it had to be like eating cake and ice cream down there compared to what he had to do up in orbit.

He paced back and forth in front of the ten pilots he had lined up on the flight deck of his command ship.

“You men are the cream of the crop of new pilots.  You are already designated as wing commanders.  And the ranks of ship captains and vice admirals above you are completely empty and waiting to be filled.  And yet, between the ten of you, you have already crashed twenty ships.  And you are lucky those were these bulky Triceratops cruisers.  Their Ancient tech makes them practically indestructible and easy to repair. Every pilot who has crashed a Pterosaur fighter so far, all two hundred and fifty-three of them, are dead.  And their ships are destroyed.”

All five cavemen from Don’t Go Here, and all three M’uduai from what King was calling Squidworld, and the idiot from Geogenesis, and the rockman from Dekastria nodded their stupid heads at the same time.

“Do you actually understand me?  Or do your heads just do that because you see the others do it?”

“Yes, Admiral Killer, Sir!” they chimed in unison.

“Zukkuua. Kuakuua Killer, Kua!” shouted the rockman who didn’t know Galactic English yet.

“You mean, yes, you understand me?  Or, yes, you are just imitating the others?”

“We understand you, Admiral Killer, sir!”

“Slikka ku Kikk kik?” said the rockman.  Then he appeared to be thinking about it.  “Zukkuua, Kuakuua Killer, Kua!”

“What did he say?” King asked.

“He said he understands, but wonders if you understand him?” said the caveman in the thick reading glasses.

“Teach him Galactic English, dammit!”

“Uh, yessir!  Admiral Killer, sir!”

“Okay, now, these men will be your teachers, as they are some of the finest pilots anywhere on the frontier.”

King indicated the three pilots standing behind him.

“Elvis the Cruel has more kills in battle than any other pilot I have ever heard about.  With the Pinwheel Corsairs he has killed more than nine hundred space ships and more than a thousand ground targets.”

Elvis stepped forward, gave a jaunty salute, and then said, with a cigarette stub hanging off his lip, “Thank ya, thank ya very much.”

All ten pilots clapped.

“Apache Scout has been the number-two pilot in the Lady Knights Corsair Band for fifteen years.  He was one of the most effective fighters in the First Battle of White Palm.  He also helped plan the overall battle plan for that invasion.”

The huge, well-muscled descendant of old Earth Apaches stepped forward and saluted with a stern face.

The pilots all saluted back and then clapped.

“And I hope the third trainer, Vince Niell will be the most help to you.  He started as a rookie pilot from Don’t Go Here.  He took up piloting aboard the first starship designed by Ancient technology, the Megadeath.  He has swiftly become a peerless pilot, maneuvering that ship in ways I have never seen done before.”

Vince, still wearing his mirrored sunglasses inside the spaceship’s fighter flight deck, stepped forward and saluted.

They all saluted back and clapped.

“Perhaps, Admiral Vince, you can tell us a little bit about how you learned to pilot your ship in combat?”

“Um… yeah, well, you see, sir…  um… Actually, the ship kinda taught me herself.  I kinda developed a close working relationship with my baby and she sorta does whatever I can picture in my head for her to do.”

“Wait a minute!”  King’s head was suddenly swimming in a sea of shock.  “You mean your ship is telepathic?”

“Um, yeah.  I think it’s kinda a feature of all these Ancient starships.  The Triceratops I tried out after Tron first brought them here seemed to read my mind as easily as the Megadeath does.”

King Killer hit his own forehead with his gloved fist.  Why was he just now hearing this?  He had a sudden urge to punch Dr. Hooey in the face again.  Too bad the stupid Time Knight was not present. And too bad the problem wasn’t really his fault.

“Willy!  Willy Culver!  Get out here this instant!”

The man who wasn’t supposed to survive the imprisonment on the planet Stanley came out of the tool room obediently.  King punched him in the eye and knocked him out cold.  King knew there was a good reason he had saved that man’s life.

“Okay.  You all heard Admiral Niell’s advice.  The next time you fly, think at your stupid starship until the damned thing thinks back!”   

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Filed under aliens, humor, novel, NOVEL WRITING, Paffooney, satire, science fiction

Day After Day

Posting every day keeps the imaginary writing muscles toned and renews my basic energy levels. But it also becomes a chore on certain days. Like today. The weather has got me down with arthritis woes. Typing like this is it not as easy as it should be. And when I have to labor at it to make the paragraphs flow, sometimes I just turn it all into rambling babbling. I spin my mental wheels and get nowhere.

I can use this post to tell you, however, that I have now started a new work-in-progress. I have already pounded out the first four thousand words of The Wizard in His Keep.

This is the final story in the arc of the character Milt Morgan. This story has been gestating in my brain since 1995. Though, if I am honest, it began with fantasies I had back in fifth grade. The main character, Milt Morgan, is half me and half the other Mike from our gang back in Rowan in the 1960’s. Back when Mike and Michael were sometimes good friends and sometimes the brains behind evil plans and terrible tricks. He supplied the devious know-how, and I provided the creative spark that lit the schemes on fire.

But this story is advanced to the computer age.

Milt Morgan is 50% me and 50% my best nemesis, Mike Bridges

In 1996, Milt Morgan was a 34-year-old video game designer living a double life in a high-tech, state-of-the-art computer lab. It is then that he mysteriously kidnaps the three children of his child-hood friend’s sister and takes them away to a magical world that only two people in the entire world have the keys to. Milt is the Wizard. The other Key-Master is Daniel Quilp, the Necromancer. A battle for the soul of the world must take place, and Daisy, Johnny, and Mortie Brown are a part of it.

Anyway, the words are beginning to pile up again. And again I have made something out of nothing. My book promotion is still going on until tomorrow. The link above can still get you a free e-book copy until after midnight tomorrow. And nobody, it seems, still wants my book for free. (How’s that for a pathos pitch?) We’ll see how it all ends tomorrow.

Johnny Brown in Purple Glammis (the Magical Kingdom)

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Filed under humor, magic, new projects, novel, novel plans, novel writing, Paffooney

Same Old Woes…

I am running another free-book promotion this month, once again for Recipes for Gingerbread Children. Same song, third verse. It seems no one wants this book. I can’t even give it away for free.

I suppose it might have something to do with the fact that there are nudists in the story. It’s true, the Cobble Twins are teenage girls who love to be naked. And in the story, they spend time at Grandma Gretel’s house walking around with no clothes on. And when they get their junior high friends to visit Gretel, eat her gingerbread cookies, and listen to her stories, they also try to convince their friends to get naked too. But, really, it is a part of the charm of those two characters. It is not a pornographic story, and they basically fail in promoting nudism among eighth graders.

But nudism has a slightly different meaning for Gretel Stein. She barely escaped the showers at Auschwitz. It is the hardest story she has to tell.

Sherry and Shelly Cobble

I am roundly disappointed. I have every reason to believe I am a good writer and this is a good book. But how can I get people to agree if no one is willing to read it? I have to just keep trying. The book is still free until Tuesday midnight.

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Saturday Art Day in June

It is Saturday again, and it is time to share some more artwork. I am trying to come up with a theme. But I guess I am basically going through my gallery and picking stuff at random.

I am just guessing here, but maybe I can find pictures here of daily life at home, no matter how weird that home might be.

Okay, so, really weird home life…
It is life at home… if your home is a farm.
This is life at home… if you live on a pirate ship.
Life at home… if you are circus clowns.

Maybe I don’t have a clear artistical idea of what a home life really looks like, but, after all, home is where the heart lives.

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Stories with Gingerbread

Yes, this post is a shameless promotion. But this is a good book that not enough people are reading to truly appreciate that fact. When I was a boy in the 1960’s, there really was an old German lady who lived in a small tar-papered house, all ginger-brown in color, which we all called the Gingerbread House. She really did love to give out sweets and cookies and popcorn balls to the kids in our town. And she really did love to talk to people and tell them little stories.

Grandma Gretel Stein

Her name, in real life, was Marie Jacobson. She was, in fact, a survivor of the holocaust. She had a tattoo on her right forearm that I saw only one time. Our parents told us what the tattoo meant. But there were no details ever added to the story. Mrs. Jacobson doted on the local children. She regularly gave me chocolate bars just because I held the door for her after church. But she was apparently unwilling to ever talk about World War II and Germany. We were told never to press for answers. There was, however, a rumor that she lost her family in one of the camps. And I have always been the kind that fills in the details with fiction when the truth is out of reach.

I based the character of Grandma Gretel on Mrs. Jacobson. But the facts about her secret life are, of course, from my imagination, not from the truth about Mrs. Jacobson’s real life.

Marie Jacobson cooked gingerbread cookies. I know because I ate some. But she didn’t talk to fairies or use magic spells in cooking. I know because the fairies from the Hidden Kingdom in Rowan disavowed ever talking to any slow one but me. She wasn’t Jewish, since she went to our Methodist Church. She wasn’t a nudist, either. But neither were my twin cousins who the Cobble Sisters, the nude girls in the story, are fifty percent based on. A lot of details about the kids in my book come from the lives of my students in Texas. The blond nudist twins were in my class in the early eighties. And they were only part-time nudists who talked about it more than lived it.

Miss Sherry Cobble, a happy nudist.

But the story itself is not about nudists, or Nazis, or gingerbread children coming to life through magic. The story is about how telling stories can help us to allay our fears. Telling stories can help us cope with and make meaning out of the most terrible things that have happened to us in life. And it is also a way to connect with the hearts of other people and help them to see us for who we really are. And that was the whole reason for writing this book.

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Filed under autobiography, fairies, gingerbread, humor, novel, NOVEL WRITING, Paffooney

What Is Making My Ears Bleed?

Don’t panic. I’m okay. Or if you don’t like me at all, don’t get overly happy in anticipation. I actually know why my ears keep bleeding. It is the skin on the top and sides of my ears peeling off and bleeding because of moderate-plaque psoriasis. I just like the way that title sounds. All dripping with ill omens and horror-movie anxiety. I am not becoming a zombie or anything. I just look and feel like one.

I am feeling a little bit old and pointless, what with the pandemic worsening in Texas, my father’s health deteriorating in darkly concerning ways, and the upcoming decision about whether or not I get to return to Iowa this summer. It’s definitely in doubt this year. My parents are both octogenarians and there is the risk of carrying virus anywhere near them. Not to mention the risk of death the virus presents to me. And I am feeling ill. Not with Covid 19. I have no symptoms of that. But I have a stomach virus. My psoriasis is fierce. And I do not have the physical energy to drive myself all the way to Iowa. The prospect of not being able to go home again for another year is weighing heavily on my soul. That is why I have been busy with maudlin posts about dead movie stars like yesterday’s post.

There’s a certain minimum amount of time needed for re-connection with my roots, my childhood, the people and places that gave rise to me. The picture above is one of my Great Grandmother, Nellie Hinckley. She is one of the founders of my world. A Goddess responsible for giving life to my mother’s side of the family. She passed into the World of the Remembered in 1980, when I painted this picture. Soon my parents will be joining her and my grandparents from both sides of the family in that world where everything is summed up in old photographs. And I shall surely follow soon… if not proceed them. I wonder if anyone will lift a brush to Remember me?

And yet, no matter how it turns out, I have much to get on with. I am not done telling stories. I have had little success in selling my books so far. I can barely give them away. But the work of it gives my life just enough purpose and meaning to keep me alive longer than the insurance industry, my Texas teacher retirement plan, and the mortuary companies of the world would like me to. But, I promise to continue frustrating them further.

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Filed under family, feeling sorry for myself, humor, illness, Iowa, Paffooney

AeroQuest 4… Canto 101

Today’s post starts the next novel in the series I am making out of the disastrous novel I wrote and published in 2007. Being the part of the story undergoing the most rewriting, today’s post, as many of these posts will be, is a rough draft.

Canto 101 – Rimbaud Outstation

It was, by my reckoning, early morning when we came out of jump space at a deep-space location known only to pirates and corsairs.  The spot in deep space contained no stars or planets.  Only the huge, insanely-placed interstellar truck stop known as the Arthur Rimbaud Memorial Outstation and Weapons Storehouse.

Ham was in his usual pilot seat.  Sinbadh sat next to him in the co-pilot chair.  I was standing behind him with the cabin boy Sahleck next to me waiting for everybody’s breakfast orders.  Sinbadh wasn’t cooking for a change, so we were forced to contemplate synthesized foods from the material synthesizer that were only marginally edible at best.

“Tell me, Professor Marou, why is this thing named as a memorial to Arthur Rimbaud?  And who the heck was he?”

“If I remember correctly, Ham, he was a Nineteenth Century French poet and arms dealer who lived a debauched life, died young, and may have inspired the Surrealist movement in Art and Literature.”

We were looking out the front viewing portal at the outstation itself.  It was a brightly lit, transparent diamond shape, the central sun-source, located in the apex of the top pyramid, illuminating all the space and spaceships around it.  As we neared the equatorial docking bay, we noted that a badly damaged Blackhawk Corsair was being worked on there.

“Razor Conn, maybe?” Ham asked me, turning around to eyeball me.

“Shad Blackstone, more likely.  It has been through something terrible, though,” I said in a vast understatement.  “This is one of the safe points the Blackhawks and ships of the White Duke use when they are in trouble.”

“So, ye knew about this here place from yer White Duke connection, eh, Googol me boy?” said Sinbadh in his bad fake-pirate accent.

“Naturally.”

“Can you tell me what to punch in for breakfast?” asked Sahleck plaintively.

“Banana with peanut butter sandwich, my lad,” said Sinbadh.  “In fact, one for each of us blokes here.”

The Lupin boy scampered toward the galley.

“We can’t eat that drehk.  Why did you order that?” asked Ham.

“Yes, I thought Lupins didn’t like peanut butter on anything, because it sticks to the roof of your canine mouth,” I added.

“Ah, but it be the favored food of Elvis.  And besides, the synthesizer makes everything else on the menu taste like cattle poo.”

The Leaping Shadowcat cruised slowly into the docking bay and made a soft landing on the tarmac.

“Why does the sign over the door say Pray for him?” Ham asked.

“That’s what it says on Arthur Rimbaud’s tombstone.  I assume Banzai Joe wants you to know he is French and that he can provide wine, women, song, and bullets here, just like a dissolute poet.”

Three peanut butter and banana sandwiches later, we disembarked from the Shadowcat, the three of us plus Duke Ferrari.

When we got down from the exit ramp we were met on the tarmac by Banzai Joe himself along with three serving girls who wore only ribbons in their hair and a serving tray with drinks and aperitifs on their hands.

“Wha… why are these ladies naked?” asked Ham, blushing fiercely.

“Messieur, s’il vous plait, we are French, no?  And French spacemen are Classical Worlders, yes?  Appropriate raiment, c’est nue!”  Banzai Joe was a young-looking handsome guy with an oily manner.  He was fully dressed with a leather bomber’s jacket on with a rising-sun decoration on the front.

“We are not taking our clothes off for the sake of your silly religion, sir,” said Duke Ferrari with a rather stuffy air.

“Oui.  That is fair.  We have this station far away from the Classical Worlds.  Our staff are all nude.  But most of our guests, unless drunk or gambling and losing, they are not.”

“We are on our way to Coventry, my good man,” I said, trying to give the others room to compose themselves.

“Ah, Oui.  That will mean you are needing food and drink, and probably fuel.  A good jump six, or two easy threes, I am thinking.”

“Yes, that will do quite nicely.  And we are friends of the White Duke,” I said.

“Yes, Professor Marou.  I know you.  It all comes free for the friends of the White Duke.”

“Good man!”  I patted Banzai on the shoulder in thanks.

“Umm… I don’t know how to say this, but you all are needed in a special accommodation this fine day.  There is a game afoot.”

“Oh?  Whatever do you mean by that?”

“Friends of the White Duke, you see.  You will attend, yes?”

Ham looked at me with a questioning look on his handsome young face.  But it was obvious he knew things could not be talked about openly in a place that was not a special accommodation.

“We will find out later, I suppose?” I said to Banzai.

“Oui.  We will all find out later.”

The girls passed out drinks.

“There’s a very good French restaurant on this outstation,” I said to Ham and the Duke.  Sinbadh’s Lupin ears perked up right away at that.

“Yeah,” said Ham.  “Let’s go get the taste of bananas and peanut butter out of our mouths.”

“A fine idea, bucko,” said Sinbadh.  “A very fine idea indeed!”

I had to admit, the food sounded good, and the nude girls were beginning to look very interesting as I sipped my wine.

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Filed under aliens, humor, novel, NOVEL WRITING, Paffooney, science fiction

Space Laughs

When I was in college, I met and fell in love with the Hitchhiker’s Guide to the Galaxy series by Douglas Adams. I also read, in close conjunction with that book and its sequels, Frank Herbert’s Dune series. I vowed then that I would combine these two different kinds of science fiction to write my own big-book epic. At that time it was called The Dream-Flood and it was basically the story of Astro-nut Robin (inspired by Robin Hood) and his band of Merry Mutant Space Freaks. It was a jumble of bad jokes and weird science and not worth keeping. But some of the characters I created managed to stow away in my stupid head to come back into my writing whenever the opportunity came.

When I became a public school teacher in South Texas, I fell deeply in love with game-mastering for Dungeons and Dragons games with high school boys who had once been in my middle school English classes. Of course, after three years of that, the Southern Baptists in town decided that D&D was Satanic and full of demons, so I had to stop that story-telling nonsense or be driven out of town. So, enough of that. I was not leaving teaching. I was also not stopping story-telling. I switched from playing with wizards and warriors to a game called Traveller from Game Designers Workshop. Spacemen and laser-rifles.

Games inevitably were subject to the whims and humors of the players. And the players were teenage boys of the mega-nerd variety. So, they would blow planets up for laughs. They would make jokes out of serious events and turn side adventures and subplots into the main story.

It was gold for science-fiction humor.

The result of all of this was that when I lost a teaching job and had an unplanned year off, I wrote the novel AeroQuest. It was a novelization of the basic story of that Traveller game. It was a terrible novel. But I got it published without paying a dime with a terrible publisher, the criminals at Publish America. Once that terrible contract expired, and I had become a better writer, I began rewriting and illustrating it to become five terrible novels.

As of yesterday, the first three of those five are now published.

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Filed under aliens, artwork, humor, illustrations, novel, novel plans, Paffooney, publishing, science fiction

Sci-Fi Saturday Art Day

I have done it. I have committed the reprehensible act of writing a third rewrite-book from the most terrible novel I ever wrote into a series of books that will turn your hair blue and make chickens everywhere fart rose petals. Wait! Can that actually happen? Of course it can. In science fiction, everything and anything is possible. So, I now include a whole mess of illustrations I have poured into the making of these three books.

A Nebulon space ninja with psionic powers.
A half-lizard, half-human female teenage space ninja who can use telekinesis
A space epic requires lots of aliens of different kinds.
Lots of space ships are also necessary, like this Triceratops Cruiser.
Tiki Astro is a robot trying to become a real boy.
Some stories need an anti-hero. Trav thinks he’s an auntie-hero.
Here’s what the next book in the series will probably look like.
Ged is one of the Aero Brothers.
Ham is the other Aero Brother

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Raise Your Hand Please, Children!

This illustration from my classroom rules poster hung in my classroom for most of a decade.

Rule #2 : Raise your hand to talk or leave your seat!

That rule was one of the two classroom rules broken most often in my classroom. The other was Rule #3 : Be respectful to everyone. Fortunately #2 was a rule that could be enforced without immediate detention, or a trip to the principal, or a call to the parents… Or being buried in the sand up to your neck so ants could eat your head. (And I almost never had to use that last option on #3 either.)

Kids in a classroom, especially the middle school ones between 12 and 15, are never going to be completely quiet in the classroom for the entire 45 to 55 minutes. And, truthfully, you don’t want them to be.

You see, no kid I ever taught learned only by sitting and listening. And I found that kids who actually learned from the talking teacher were rare, weird birds indeed.

If a question needs to be answered for a kid to learn something, the answer must never come from the teacher’s mouth. If the teacher says the answer, no matter what source it came from, it has only passed through the teacher’s brain. And no kid in the classroom got even a glimmering ghost of a learning sparkle going off in their own personal brain where the learning must take place.

As an example;

Fabian Castellano comes waddling in the classroom door at the beginning of 2nd Period 7th Grade English.

“Hey, Mr. B, are aliens real?” he shouts before even sitting down, let alone raising his hand.”

“What’s Rule #2, Fab?” A puzzled look briefly crosses his pudgy face. Then he grins and throws up one fat little arm.

“Yes, Fab?”

“My cousin Rodrigo from Laredo said a flying saucer landed in his back yard, and a little green guy hopped out and said, “Hi, Roddy! I am called the Great Gazoo. And I have orders to make you king of the world for three days so you can learn important lessons about how your world really works.” And then he said… something I forget…” and then Fabian takes a deep breath. “So, are aliens real?”

“Are you talking about your cousin, Roddy Lopez? The one they call Liar Lopez?”

“Yeah, that’s him.”

“And has he ever told you a lie before?”

“Like when he told me that if I stuck jelly beans in my ears, the 6th Grade girls would all tell me I’m sweet and they want to kiss me? Yeah.”

“And does he ever watch a cartoon called The Flintstones? Where there’s a little green alien named Gazoo who makes wishes come true?”

“Yeah, probably.”

“So, is anything Roddy tells you proof that aliens are real?”

“No, probably not.”

So, here you see the lesson in logical reasoning going on in the student’s head, not the teacher’s head. This is what is known as the Socratic Method.

So, Rule #2 is not really about keeping classrooms quiet and discussions orderly. It is entirely about enforcing the teacher’s will upon the classroom, suggesting strongly to the students that the teacher is totally in charge of behavior in the classroom, a thing that is not even remotely true, unless the teacher gets them to believe it by endlessly repeating the rule.

But you do have to talk to kids as a teacher. How else would I know anything about the infamous Liar Lopez and his love of cartoons? How else am I going to teach anything at all to a chubby vato loco like Fabian?

You gotta make the evil little hyperactive monkey heads raise those hands!

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