
Canto 108 – The Lost Child
Things had been chaotic in and around Outpost for an Earth-time week. Tron and Maggie were both dragging from one conference and administrative nightmare to the next.
Elvis and King Killer found them sagging in their seats at the conference table in the Outpost control center.
“Boss, it’s not that bad. Nobody died in a training accident today,” said Elvis the Cruel.
“Really?” said Tron with a snort. “Two of those Triceratops starship-thingies locked horns and tore the bridge section off of one of them.”
“But nobody died,” reaffirmed King.
“Well, that’s something,” said Maggie, blowing a stray red hair out of her eyes.
“The problem with those things is that they have a mind of their own. It’s hard enough to learn starship combat from complete scratch like these maroonies and alien squid-men have to, without having to learn to accept interference from your own starship at the same time.” King had offered the same complaint a hundred times already, but it didn’t hurt for Tron to hear it again.
At that moment, Artran, the adult version, wandered into the conference room having heard everything that was said.
“You know these things are shaped like dinosaurs for a reason, right?” Artran asked with a grin.
“Yeah. A Flintstones reason,” griped King.
“If they were actual living riding beasts, you would have to learn to ride them differently. You can’t control them so much as you have to guide them. Think of it like leading them with a tug on the reins.” Artran’s reasoning was actually quite eye-opening. The starships shaped like dinosaurs were created by an artificial alien intelligence that came to them by way of the inscrutable Ancients. It was a superior race that created them from the highest level of technology that living beings had ever known. If they acted and reacted in contrary ways, it had to be because the lesser beings flying them didn’t understand their ways.
“How did you get so wise since you were a little boy just a couple of months ago?” Maggie asked her son who had suddenly become a man, seemingly overnight.
“Spent the last twenty years in the past with the Star Nomads, exploring unknown space and learning more than I ever could’ve learned from tutor robots on Outpost.”
Actual tears flowed down Maggie’s cheeks. “I miss the little boy you were. I feel like your Nomads have robbed me of precious time with my young son.”
“I don’t regret the things I have learned,” Artran said sympathetically. “And soon you will have another little boy to play mommy with.”
“Really? How do you know it will be a boy?”
“Star Nomads travel in ways that bend time. I have seen Starchart in my past and your future. He’s a great kid.”
“Really? I won’t lose him the same way I lost you?”
“I guarantee it, Mom. And you haven’t lost me. I’m here now. And I will help you win the upcoming war.”
“So, what are we supposed to be doing differently with these dinosaur-shaped starships?” King scoffed with a note of resignation in his voice.
“Train them to let their Triceratops riding beasts run like a herd. In life, herds of horned herbivores would stampede together at the enemy as a way to overwhelm and trample their tormentors. Herds of bison once did the same thing. If there were enough time, I’d take you back in time to show you.”
Tron grinned. “And I’d go with you too. But I have the idea already from what you have told us. King, can you train them to do what Artran is suggesting?”
“With starships?”
“Maybe you start thinking of them as riding beasts.”
“Yeah. I could definitely do that. But I have never flown a bison before, or anything like that.”
That made everybody laugh. But King had a sense in the pit of his old stomach that the Lost Boy maybe had just solved a major training problem.





























The Essayist
I have been working on compiling good essays from this blog into book form. It is becoming a sort of obsession. The problem is, I am likely running out of time. My health is getting worse in the middle of a pandemic that is killing thousands of people just like me. I have been having problems with passing out during the midmornings repeatedly for several days in a row. I fear I may be headed towards heart failure or a stroke. And if it comes down to an ambulance ride, I can’t afford it, and I will not economically survive it. And all the intensive care units around here in North Texas are swamped with COVID patients. It is important for me to finish and publish this book of essays. It is part of me as a writer that I simply must leave behind.
“Why are essays important?” you may ask. And here’s where I would normally insert a joke answer. I try hard not to take myself too seriously. It is the only way I can deal with what has been a very serious life. And at the point in my essay book where I will insert this essay, I will not need to review what those things are that are so serious. (Being a teacher and shaping young minds. Being a sexual assault survivor. Helping teenagers to live through suicidal depressions. I know, I know, I should’ve resisted the urge to list them.)
But I have spent a lifetime teaching kids to write four-and-five-paragraph essays. And I am also a serious reader of essays. I have read and thoroughly studied Loren Eiseley’s The Invisible Pyramid, Henry David Thoreau’s Walden, Collected Essays by H.L. Mencken, selected essays by James Thurber, Life as I Find It: A Treasury of Mark Twain, Charles Lamb’s Essays of Elia, and parts of John Ruskin’s The Stones of Venice. I also thoroughly loved and used as a teacher All I Really Need to Know I Learned in Kindergarten by Robert Fulghum. So, I do not claim without reason that I do know something about how to write an essay. (Although you are welcome to disagree based on numerous bits of evidence in this goofy blog,)
At this point I am obligated to define for you what I believe an essay should be and what its potential uses are. An essay, simply put, is a pile of a fool’s best thinking put down on paper in prose rather than being distilled down into lines of poetry or embroidered and expanded with lies to make it into fiction. At its best it can open reader’s mental eyes and change societies, if not the entire world. At its worst it can incite violence, stir hatreds, and generally muck everything up. My essays land somewhere between, in the realm of mildly-amusing purple paisley prose that can really waste your time.
An essay, because it is based on truthful observations, can rip away the costumes and masks that authors put on to write fiction and make that educated fool of an author metaphorically naked in front of the reader. After blogging like this since 2013, I admit to having no real secrets left that I have not at least mentioned in my blog somewhere. I am less naked when being a sometime-nudist than I am in the sentences and paragraphs of these essays.
Now that I have thoroughly convinced you that you made a big mistake by reading this far through my essay compilation, I will reveal the fact that I have put this essay somewhere closer to the end of the book rather than near the beginning. Like all essayists, I am a fool (hopefully in the Shakespearean wise-fool sense), but I am not stupid. So I won’t laugh at you for falling for my tricks, but I can’t promise not to be at least a little bit amused. But time is short. So, on to the next essay!
Leave a comment
Filed under commentary, humor, insight, new projects, Paffooney, writing, writing teacher