Category Archives: humor

The Necromancer’s Apprentice… Canto 1

Derfentwinkle’s Sick Ride

It was not the kind of ride in the country that I really wanted to take.  The skeleton walked with a really random sort of limp-and-jerky motion that pitched me regularly out of my seat in the skull. 

“Kackenfurchtbar, can’t you control these stupid bones better than this?” I asked the little moron severed demon-head.

“Derfentwinkle, you expect too much!  All I am is a head.  I have to control this entire skeleton with phantom muscles made out of what little demon telekinesis I have left in my broken little skull.”

“Kronomarke put you under my control and this pile of loosely connected bones is what you are supposed to be in control of.”

“I am doing the skunky best I flipping can!”

I know, I know… You did hear that right.  One of the few actual spells the dorky necromancer taught me was how to turn demon swearwords into euphemisms.  My name is actually Derfentwinkle.  I am a two-and-a-half-inch tall Sylph, six-slow-one-years old, but all the Fey children tend to age two years for every one year a human child would age.  So, I am a girl Sylph on the verge of becoming a Sylvan woman.

After the last jolt, I picked myself up and sat back on the pile of dandelion blossoms that I used as a seat to look out on the cornfield we were trying to navigate through.  The left eye socket of the empty human skull had a hole through the back that Kronomarke had carved out to serve as a pilot’s window.  Being a severed head, Kack needed to see out of the skeleton through my eyes.

“All I can see is corn,” Kack complained.

“Well, you don’t want me to make you walk out on the gravel road, do you?”

“Kronomarke says that the last apprentice did that and got blown to pieces by a slow-one farm hand with a shottygun.  That doesn’t sound like a good thing that we might want to happen to us.”

“Shottygun?”

“It’s like a slow-one magic wand.  It throws lots of high-speed pebbles at you at very high speed.”

“Did the apprentice survive that?”

“Why do you think the master had to kidnap you?”

“Slow ones are not used to seeing walking skeletons, are they?”

“No, definitely not.”

“Look, we are coming out of the cornfield.  Straight ahead is the slow-one village named Norwall.” I pointed as I said it, but the gesture meant nothing to the stupid severed head.

“Good, good.  We have almost reached Cair Tellos.  It is built into the willow tree on the north side of town.”

“But that thing straight ahead that we have to cross is the Shiggway Drei.”

“Don’t use the gobbellun name for it.  Call it Highway Three in English,” Kack said smugly.

“Right.  When we cross the thing the zoomdahs ride on… er, the cars drive on… we will be seen by everyone.  Including farm hands with shottyguns.”

“But the reason we are walking in an animated human skeleton is that it scares humans as well as the Fey children.  We will scare them out of our path.”

At that moment, the walking skeleton we were trying to steer into the human village stumbled into the fence around the cornfield.  The fence was made with two strands of barbed wire along the top.

The skull was pitched forward at such an angle that I was nearly vaulted out of the eyehole.  “Pull us back a bit, Kack.  We’re getting tangled in the barbed wire.”

“Isn’t it called bobbed wire?” 

“Only by the dumbest slow-ones I’ve seen.  They have to be the dumbest ones if I know English gooder than they do.”

Kack used his magical mind-strings to pull the puppet skeleton upright again.  But as we climbed over the fence, the barbs in the wire pulled at the ghost-flesh and ligaments that held the bones together.  A lower leg popped off, and Kack had to make the skeleton hop on one leg bone as it reached down, retrieved the leg, and popped it back on the dismembered knee joint.

Then we stumbled across the pavement, hurrying the last twenty yards because a big, big truck zoomdah came roaring at us from the west.

Lurching into town and spinning over another fence, we found ourselves in a field of soybeans.  We stumbled on towards the abandoned school yard where the willow tree stood.

Two human boys, each towering at least four feet in the air, were playing a ball-tossing game on the old ball-tossing field. 

“Ah!  The zombie apocalypse has started!” cried one slow-one.

“Bobby, that’s just a skeleton, like the one that killed you in the Swords and Sorcerer’s game last night.  They are only six-hit-point monsters.  We could kill it with our baseball bat.”

I was personally very alarmed.  I did not know that slow ones had any control-bat spells.  And I had never heard of the species known as a baseball bat.

“No!  Let’s go get your brother and his squirrel rifle.  Zombies are dangerous!”

“We’re doomed now, aren’t we?” I asked Kack.

“Probably.  You should’ve worn that armor the necromancer gave you.”

“Nonsense!  I’m a Sylph, not an Elf.  Sylphs are meant by the god Pan to be naked.  Especially the female ones.”  I know they only gave me the armor to protect me, but I wasn’t feeling like wearing anything at the moment that I wasn’t willing to die in.

“Well, turn towards the willow tree.  If we must die, let’s go out fighting.”

We turned the skeleton towards the tree with the fairy castle in it. We started to run.  We were doomed.

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The Surprise of Sudden Glowing Reviews

I returned from my trip to Iowa to attend my mother’s funeral to find a Twitter friend has given me a few glowing reviews on books I was not expecting to earn any reviews at all with.

Gerardo Cisneros is a nudist from Twitter who not only reads and enjoys my nudist-related stories, but my other books, including YA novels as well.

Gerardo Cisneros-S.@gcs_nudista Nudist since 1996, founding and former Board Member of the Federación Nudista de México, A.C.; AANR member since 2000. #NormalisingNaturism#NormalizingNaturism

He retweets my Twitter blatherings and promotions and does a lot to help promote my work. The review on Catch a Falling Star was really unexpected. That book, still under contract with I-Universe, is over-priced even in e-book form. Gerardo does a better job of promoting my work than the I-Universe publicists that I had to pay for their work ever did.

Amazingly he even read these two books in their proper sequence, a thing no one else has ever done despite a few of my books having sequels and companion books.

He even read and reviewed the messy first novel I ever completed while still being a teacher in deep South Texas.

Horatio T. Dogg, Super Sleuth is the novella I most recently published.

I write novels because it allows me to deal with the deepest, darkest things in my life. I have trauma as a sexual assault victim from my childhood. I have lost loved ones. I have been a long-time teacher of middle-school-aged kids. Some of whom I grew to love deeply with only the most proper of teacher-child connections possible. I have lost some kids that I loved to violence, accidents, suicide, and one to AIDS. I have been on the dark doorstep of suicidal thoughts more than once myself. I have been broke and broken and bankrupt and mortified. And all of that makes me write novels with humor, imagination, poignance, and love. I have labored hard to turn darkness into light.

And it all becomes worth it when I connect with a reader and give them something of myself that brings a smile to their face. Or a truly heartfelt tear to their eye, because that can be a beautiful, artful thing too.

Gerardo CIsneros, Ted Bun, and other Twitter nudists have done more to fulfill my purpose in life than even my other literary Twitter friends and publishing acquaintances. I am blessed with wonderful readers.

https://www.amazon.com/Michael-Beyer/e/B00DL1X14C/ref=dp_byline_cont_pop_ebooks_1

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Horatio T. Dogg… It’s Finished!

The book I have been using as a demonstration of my writing process, showing you the second edit of each chapter at one chapter per week, is now finished. It is also published and available on Amazon.

The book is a novella, meaning it is only about 15,000 words. I have not shown you the last few chapters on Tuesdays, but if you have been reading every chapter in order, it isn’t too much to expect to charge you 99 cents to get the whole thing from Amazon, is it? Not everything in life is free. At least, not in my experience.

The next Tuesday offer will be The Necromancer’s Apprentice, either another novella, or a short comic fantasy novel.

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Islands of Identity

Island Girl2z

Who am I?

Why do I do the things that I do?

No man is an island.  John Donne the English poet stated that.  And Ernest Hemingway quoted it… and wove it into his stories as a major theme… and proceeded to try to disprove it.  We need other people.  I married an island girl from the island of Luzon in the Philippines.  She may have actually needed me too, though she will never admit it.

Gilligans Island

When I was a young junior high school teacher in the early eighties, they called me Mr. Gilligan.  My classroom was known as Gilligan’s Island.  This came about because a goofball student in the very first class on the very first day said, “You look like Gilligan’s Island!”  By which he meant I reminded him of Bob Denver, the actor that played Gilligan.  But as he said it, he was actually accusing me of being an island.  And no man is an island.  Thank you, Fabian, you were sorta dumb, but I loved you for it.

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You see, being Gilligan on Gilligan’s Island was not a bad thing to be.  It was who I was as a teacher.  Nerdy, awkward, telling stories about when I was young, and my doofy friends like Skinny Mulligan.  Being a teacher gave me an identity.  And Gilligan was stranded on the Island with two beautiful single women, Mary Ann and Ginger.  Not a bad thing to be.  And I loved teaching and telling stories to kids who would later be the doofy students in new stories.

But we go through life searching for who we are and why we are here.  Now that I am retired, and no longer a teacher… who am I now?  We never really find the answer.  Answers change over time.  And so do I.

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Danny Kaye

Archive photo from the Los Angeles Times

Archive photo from the Los Angeles Times

My childhood was shaped by television events like the annual showing of The Wizard of Oz and classic movies on Friday nights when I was allowed to stay up past my bedtime to watch the whole thing.  I have told you before how much I loved the comedy of Red Skelton.  Another comedian who shaped who I am through his wondrously manic movie performances was Danny Kaye.

One of those Friday movie classics that really struck home was the wonderful, kid-friendly movie Hans Christian Andersen.

1952 movie poster from Wikipedia

1952 movie poster from Wikipedia

The movie was about a storyteller from a previous century and embroidered his biographical story with his famous children’s stories in the form of songs.  And Danny Kaye could trip through multi-syllabic, fast-paced musical numbers like no other rubber-faced clown I have ever seen.   I wanted to be such a story-teller from a very early age.  I even wanted to write the kind of stories that could be made into songs.  Let me show you a few of the bits that amazed me and killed me with laughter.

This song from the Inspector General was doubly engaging because the corrupt businessmen were trying to poison the character Danny played with the wine he was supposed to drink during the drinking song.

The_Five_Pennies

The movies Danny Kaye was in were mostly about the musical comedy.  But sometimes they were just about the music.  He appeared in musicals like White Christmas with Bing Crosby and stage musicals like Lady in the Dark which won him awards on Broadway.  He made movies about music like The Five Pennies and A Song is Born.  He always said he couldn’t read music, but he demonstrated perfect pitch and scored a number one hit with The Woody Woodpecker Song recorded for the animated cartoons of Walter Lantz.  How cool is that?

And you already know that The Wizard of Oz is my favorite movie of all time.  In 1964 Danny became the host for CBS’s annual showing of the film.  He was able to do funny songs that made you snort your hot cocoa through your nose from laughing, and he could also do beautiful ballads like these.

I will always take the opportunity to watch a Danny Kaye movie one more time, whether it comes on YouTube or a Netflix oldie or a $5 DVD from the bin at the front of the Walmart Superstore.  And I will always think of him in his role as Hans Christian Anderson.

Oh, and he was a very funny comedian too when he wasn’t singing, as in The Court Jester and The Secret Life of Walter Mitty.

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Tellerons from Outer Space

Yes, green men from outer space are among us. The thing is, they are invisible (and more than likely fictional too.) They have amphibian ancestors. They have sucker tips on their fingers and toes. And they can disintegrate you with their ray guns.

Of course you can learn more about these aliens and the amusing threat they are trying to pose in the novel Catch a Falling Star. Of course, of course, the greedy publisher of that book still has it insanely over-priced. You would be better served by getting a free copy of the sequel Stardusters and Space Lizards, available now in Kindle e-book form for free from September 24, TODAY, until midnight September 28.

The patent for this alien technology actually belongs to the ruling council of the Telleron Star Empire.

There are many things that make the fin-headed, amphibianoid Tellerons dangerous. Their dangerous technology includes the highly lethal Skortch Ray which disintegrates the target, dissolving sub-atomic bonds between molecules and turning people, things, and insane attack-poodles into piles of molecular dust. They also have personal cloaking devices that allow them to move around our planet invisibly.

But the most volatile and dangerous factor about these space men is that their species, heedless for centuries of the dangers of inbreeding, are now almost totally incompetent.

The two Tellerons in this spaceographic depiction are standing near a Galtorrian Space Lizard girl.

Being incompetent and totally failing to invade and conquer a small town in Iowa, let alone the rest of the planet, they flee back towards possible safety at a potential home-world. But, being incompetent, they accidentally end up at the planetary system of the Galtorrian Space Lizards, a highly treacherous race of cannibalistic saurian humanoids. And even worse, they find themselves in a situation where they either have to successfully invade and conquer a world far ,more dangerous than Earth or resign themselves to being nothing more than space-lizard food.

Brekka and Menolly, female Telleron tadpoles, demonstrate their love of Mickey Mouse Club music by dancing, something totally learned by watching Earther TV.

Although the Tellerons could not conquer the Earth, they did benefit from their visit there. They learned another way of life from Earther television programs. They learned to love music and dancing. They even learned that children are useful for other things besides being a supplemental food supply.

Now, you may think that invisible Tellerons infiltrating our society is not as big a problem as I am saying it is… well, based on what I have told you, that is probably true, They are more clownish than even we are.,, except for Boris Johnson. But Telleron-invasion awareness is important never-the-less.

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The “Nudist Notions” Effect

I never actually planned to become a representative of Naturism and Nudism on the internet. It just sort of happened. I am now a writer of naturist fiction. Not all of my books feature nudism. But apparently enough of them do to qualify me to get positive attention from nudists on Twitter and nudist readers looking for good books that also include them.

The books I have written and published that include nudist characters and nudist plot points are;

Superchicken

Recipes for Gingerbread Children

The Baby Werewolf

The Boy… Forever

A Field Guide to Fauns

There are also some stories and mentions of my own history of being a sexual assault victim that encountered naturism and nudism by accident and gradually found psychic healing by reading about nudism, talking about naturism with actual nudists, and late in life trying social nudism for myself in my two books of autobiographical essays, Laughing Blue and Mickey’s Rememberries.

That is really the sum total of nudism in my 20 published books. A Field Guide to Fauns is the only book that is completely about nudism. Most of my other books are comic adventures featuring middle school kids from a small town in Iowa.

And being a writer of naturist fiction, books with naked people in them, is something of a mixed blessing. Being a Young Adult novelist, a genre often confused with “children’s books.” you get scrutinized by all sorts of prudes, activists, and judgmental people that assume kids younger than 18 should never read about or think about people not wearing clothes. I have gotten a couple of blistering reviews that suggest that what I write about, especially involving characters with improper motives toward naked people and nudists, makes me suspect as a potential child molester or corrupter of youth. Evil characters with evil intentions and imperfect characters that make questionable choices obviously means there is something wrong with the author. He can’t be simply writing fiction, right?

And that is the very reason I waited to publish some of these stories until after I had left teaching. I always try to write truth from the heart. But that leaves you naked even when you are not being a nudist or writing about naked people. As a child-victim of a sexual assault I have gone through periods of my life where I blamed myself for what happened to me, feared that I was doomed to become a child predator because so many of them, when caught, are revealed to have been victims themselves, and I even considered suicide to be a possible solution at one point. But I dealt with it by becoming a teacher, actively trying to protect adolescents from potential abusers, counseling them and teaching them. Never touching anyone inappropriately. Often not even allowing myself inappropriate thoughts. In fiction you can actually tell your own truth and facilitate healing even when you are basically telling the world lies to make that be truth.

I also know from some of the more enlightened reviewers that many readers do understand what I am trying to tell them in my stories. I am surprised sometimes at how deeply some of them are touched by the sensitive parts of my work and amused by the parts that are intended to be funny.

I have gotten many looks from WordPress viewers and Google users because I draw naked people and use the word “nudes” as a category and tag. They come looking for erotica or porn, and not finding any, move on.

But, in August, I started getting numerous hits on a nudism article called, “Nudist Notions.” (https://catchafallingstarbook.net/2017/11/08/nudist-notions/) which skyrocketed views as high as 388 in a single day. It became my most-viewed post ever and made August 2021 my top month ever on WordPress. That post even has first place so far today, a month later, with 20 views when last I checked. Of course, all of these thousands of views had no corresponding likes. I wondered about that. Then someone suggested that it might’ve been posted and viewed on Reddit. Or possibly Instagram. I am aware of two former students who read my blogs when posted on Facebook. They are a couple (either married or soon-to-be married, I don’t remember which,) who both got a kick out of me becoming a nudist after I retired and stopped being their teacher. They were both at my retirement party in the classroom, and both have Instagram accounts.

And, who knows? Now that my students apparently know my naked truth, the twin girls who used to tell me about going to nude beaches in Mexico and Texas may actually recognize themselves in the Cobble Sisters, the nudist characters in Recipes for Gingerbread Children, and sue me for writing about them, even though there is very little about the fictional characters that resembles them in any way that is actionable.

In a final note, I finished my novella, Horatio T. Dogg : Super Sleuth last night. It is headed for publication soon. And it doesn’t have a single naked person in it who is not a dog, rat, or chicken.

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Short and Sweet

No, I am not talking about a midget girlfriend today.

I am talking about brevity.

Some of the best writing gets directly to the point.

You have to know how to say exactly what you want to say.

Then say it.

Like, “Tootie is a Cutie.”

And once said, the point made is…

Sheer poetry.

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For the Love of Korngold

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When I was in Cow College at Iowa State University I spent most of my study time listening to KLYF Radio in Des Moines.  They would eventually transform into an easy-listening music station, but the time I truly lived a K-LYFe was when they played classical music.  And it was there that I first fell deeply in love with the Saturday Matinee stylings of  Erich Wolfgang Korngold, the first incarnation of John Williams of Star Wars fame.  Yes, movie music.  Classical movie music.  And it seemed, mostly movie music for Errol Flynn movies.

 

 

 

My sister was always a lover of Errol Flynn movies, and when KGLO TV Channel 3 would play one on the Saturday Movie Matinee in the early afternoon, we would have to watch it, the whole thing, no matter how many times we were repeating the same four movies.  Nancy would memorize the lines from the Olivia deHavilland love scenes.  I would memorize the sword fight scenes with Errol and Evil Basil Rathbone (Good Basil was Sherlock Holmes, and we had to watch those too.)  Early evenings on those Saturdays were all about playing pirate and Captain Blood adventures.  Or better yet, Robin Hood.

 

 

 

But the music of adventure was by the composer Erich Wolfgang Korngold.  He did the sound tracks for Captain Blood, Robin Hood, and the Sea Hawk.

I sincerely love the corny old movie matinee music because it was not only genius-level mood music and story-telling in a classical music instrumental masterpiece, but because even now it takes me back to the boy I was at twelve years old, playing pirate on Grandpa Aldrich’s farm.   Making Robin Hood bows out of thin tree branches and arrows out of dried ragweed stalks.  Sword fighting to the death with sticks with my cousin Bob, who was always Basil Rathbone in my mind. while I’m sure I was Basil Rathbone in his mind.

To be honest, there is much more to Korngold than I have relentlessly gushed about here like a hopeless nerdling fan-boy in the throws of a geeky movie passion.  He was a musical child prodigy like Mozart.  He wrote a ballet called Der Schneemann (the Snow Man) when he was only eleven, and became the talk of the town in Vienna, Austria in 1908.  He became the conductor of the Hamburg Opera by 1921.  He wrote some very fine classical music in the 20’s that still rings through orchestra halls to this day before coming to America in the early 30’s with film director Max Reinhardt.  He scored his first film in 1935, adding music to Reinhardt’s Midsummer Night’s Dream.  He was fortunate to escape Europe just as the Nazis were coming to power in Germany, and also at the right time to team up with new movie star sensation, Errol Flynn.  He won his first Oscar for the musical score of the movie Anthony Adverse in 1936 and he won his second for The Adventures of Robin Hood in 1938.  He died in 1957, a year after I was born.  But I promise, I didn’t kill him.  I was in college in the 1970’s when his music underwent a revival, complete with renewed popularity.

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His music was pure gold to listen to in the fields of corn in Iowa in the 1970’s.  It was just as good as that last pun was terrible.  So, in other words, really, really, spectacularly good.  It was the music that scored my childhood fantasy adventures.

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Filed under artists I admire, autobiography, classical music, heroes, humor, review of music, strange and wonderful ideas about life

Harvey Comic Books


“Joker”, a harlequin jack-in-the-box logo for Harvey

When I was a kid old enough to begin to see and interact with the real world in the tragic and magical 1960s, the first comic books available to me, long before my parents would allow me to pick up and buy Spiderman and Batman and (shudder) comics with monsters in them, were the kid-friendly comics of the Harvey Brothers.

Now, you have to understand that Harvey Comics had been around since the 1940s and made their money on characters licensed first from the Brookwood Publications company that Alfred Harvey bought out in 1941 to provide the building, equipment, and publishing personnel to start producing comic books.

Robert B. Harvey and Leon Harvey joined the company to help produce titles they now owned the rights to like Black Cat, the Shield, Shock Gibson, and Captain Freedom.

…………………………………………Of course, most of those characters didn’t last very long. Black Cat was the only title still being published by Harvey in the 1950s.

They would go on to license characters from Famous Studios, the animated cartoon works of Max Fleischer and his brother Dave. That’s when the kid- friendly, parent-approved comic books of Fleischer creations like Casper the Friendly Ghost opened up the world of comic books to seven-year-old Mickey circa 1963.

In spite of this cover art, Casper rarely wore clothing.

Now, it is probably obvious that there are many ways that Harvey Comics influenced me as a storyteller later in life. It goes without saying that my dedication to childish humor in stories derives from this comic-book source. The cuteness of characters is another necessity of comic storytelling gleaned from these ripe fields of baby faces. And stories advanced by magical means and absurd sidetracks also come from here. But did you ever notice that Casper and the other ghosts all perform in the nude? Yes, I think my childhood longing to be a nudist began with Casper’s naked adventures. But unlike Casper, my urges along those lines were suppressed and repressed by parents and society as a whole. So watching Casper and Spooky and Pearl (Spooky’s goilfriend) romp naked through comic book hijinks were a sublimated substitution for that childhood desire. (Sure, none of them had genitals, but it wasn’t about that.)

…………………………………………….Of course, there were many other Harvey characters to enjoy that actually did wear clothes. I was particularly fond of Hot Stuff because he made such an art out of burning things and being a bad kid and roasting the backsides of fools and hypocrites with his trident. And he only ever wore a fireproof diaper, so he was almost a nudist too.

There were many other characters licensed by Harvey as well, including Felix the Cat, Little Audrey, Baby Huey, and the characters from Walter Lance Studios like Woody Woodpecker, Andy Panda, and Chilly Willy.

Dell would later take over the comic book rights to Walter Lantz Studios creations.

So, now you know the true story of how my innocent childhood was warped and woven and corrupted by the characters of Harvey Comics.

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