We live in a residential area of a Dallas suburb that used to be a large cattle ranch with a couple of mills for grinding grain along a winding tributary of the Trinity River. Our house sits next to a greenbelt park that is the creek where the mill once sat to service the Josey Ranch. We are located on a small hill that would’ve been the bank of the mill pond back then. Hence the swamp fauna that live in our immediate environment.
We are visited yearly by mallard ducks, and sometimes Canadian geese on winter holiday. There are squadrons after squadrons of dragonflies, and the many small insects they search for and prey upon. We have the occasional coyote and families of raccoons residing under the Josey Lane bridge. Frogs and toads and seasonal mayflies… and more than our fair share of mosquitoes.
But by far, the biggest pain in the tuchus are the rats. Especially in the cold of the winter, the heat of the Texas summer, and whenever we get enough rain to wash them out of their nests in the storm drains when the rats move indoors to have sex parties in the attic, squaredances in the walls, and raids on the kitchen, especially the dog’s bowl, for extra snacking and pooping on the floor.

We are not talking about cute rats here. The mice in the Paffooney that leads off this essay are definitely not the ones that caused me to write this anti-rodentia-disgusticas rant. Those mice are actually me and my family portrayed in cartoon form. We are talking about more than fifteen roof rats and one big Norway rat, numbers that reflect only the ones we have slain so far in this pitched battle.
The fight started a couple of years ago when they first moved into the house through a hole in the roof and another one that opened when bricks fell out of the wall above the back patio door, allowing rat access to the insulation and the spaces behind the interior drywall panels. Once they were already inside, I tried to stop them first with rat poison. I had three confirmed kills that way, But then it began to seem that no matter how much poison I set out in poison traps in the attic, their numbers only increased, never diminished. In fact, I discovered they were eating the poison and enjoying it as much as they did the bait. We had created at least two generations of poison-resistant rats. They broke into a sack of poison I had on the patio and ate every morsel of it. Rats started sending me thank-you notes in the mail. (Wait a minute. That sentence may have been an exaggeration for comic effect. The thank-you turds were left in the kitchen, not the mailbox.)
We really didn’t start making headway until we discovered the right kind of trap. Snap-traps didn’t work. Every rat seems to know how to eat the bait on a snap trap without setting off the snapper. Electrocution box traps didn’t work. They simply ignored the peanut butter bait. We never caught a single rat in those traps.
But sticky traps… like flypaper for rats,,, didn’t work either… until we started placing them in the escape routes the rats used to flee from the family dog. Suddenly the traps began to fill up as Jade, our half-corgi half-rat-terrier, learned to chase them towards the traps. In the last three months, twelve more roof rats, and today’s amazingly large, eighteen-inch-from-nose-to-tail Norway rat makes thirteen caught by sticky trap. Ha-ha, Mortimer! Your days are numbered now. Don’t look at me with those skeptical black rat-eyes. I am winning the Rat War. At least for now.



























Mickey Under the Magnifying Glass
Self-reflection is a critical part of being a writer and an author. At least it is if you are a mostly-ignored and somewhat unsuccessful one. That’s really the full extent of my personal expertise on this subject.
But knowing your own personal strengths and weaknesses is the only way to continue to sharpen the blades you use to cut insightful, heartfelt stories out of your own life experiences.
For example, the thing I think is most important to know about myself is that I do have the ability to laugh at myself, even when the thing I am laughing at hurts quite a lot. A sense of humor is a life skill that people who experience depression, chronic pain, and personal trauma need in order to survive.
Robin Williams is the quintessential sad clown. He lived to the age of 61 before depression ended him. Think of how much younger he would’ve been in leaving us all behind if he hadn’t had his bright, silvery suit of comedy armor to get him through life. But that’s a downer. One of my biggest failures is that I will bluntly drop a big black bomb like that in the middle of a sensitive and heartfelt scene, or in the fourth paragraph of an essay that you found interesting enough to read.
I find I am often guilty of not knowing when to give up on something and cut my losses. But at the same time as I am contemplating ending this essay before I lose more readers than ever, I remember what makes the cardinal a personal symbol for me. Cardinals are a bright red songbird that never flies away when the winter comes. It will stupidly stay put even in snow and cold and a total lack of food, choosing to starve or freeze to death over leaving its home territory. I was like that as a teacher. After the first two miserable years, I decided to stay put in that little South Texas school district where I was underpaid and constantly abused by parents and students and even some other school personnel. I refused to leave without first proving to myself that I could do the job and be good at it. I stayed for twenty]-three years, becoming the head of the English Department, a leader of the Gifted and Talented Program, and a generally well-loved teacher of a generation of students. (I left before the grandson and granddaughter of two of the kids in my very first class were about to enter middle school.)
I guess, thinking about it critically, sometimes your weaknesses and your strengths are not only related, they are the same thing.
I have been accused of not being serious enough to be a teacher. And that has carried over to the writing of young adult fiction. Reviewers have told me that putting details about sex, violence, and dark humor in a story is not appropriate for young, middle-school-aged readers. One reviewer told me that I was practically a child pornographer, even though the book had no explicit sex scene and only talked about the subjects of love, sex, and intimacy.
But I am a believer in not shying away from subjects that kids want to know about. As a victim of a sexual assault in childhood, I found that fiction and nonfiction that discussed sexuality and morality were life-saving, and gave me the guidance I needed to recover from what my own monster encounter scarred me with. And I was able to eventually laugh at the things that had been tearing me apart. I think fiction like that, frank, honest, and clearly guiding the reader towards the right path is what is most needed in YA literature.
Again, I think my weakness for absurd and chaotic humor is both a weakness and a strength. We all need to laugh more and suffer less. And we don’t get there by avoiding our problems in life, but by fighting through them to the other side.
I am not fool enough to think I know all the answers. In fact, there are lots of things I know I don’t know anything at all about.
I don’t know what causes people to vote Republican. I don’t know if we can ever achieve a real, space-faring Buck Rodgers life. And I apparently don’t know the first thing about successfully marketing self-published books. But I know the problems are there. I see them in my magnifying glass. And I am working on them. I will get better.
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Filed under autobiography, commentary, feeling sorry for myself, humor, Mickey, monsters, writing teacher