;

It is an unusual position to be in as a kid in the school room to be the creative kid. First and foremost because you will forever be known as the weirdo, the spaceman, the egghead.
How do I know that? Because I was that kid. And I grew up to teach that kid. And now that I am retired as a teacher, I am still that kid.
If there was a problem to be solved, a picture to be drawn, a group assignment that required somebody to actually think, I was the kid that everybody wanted to be in their group or be their partner. (That time that Reggie and I blew up the test tube of copper sulfate in Mr. Wilson’s chemistry lab doesn’t count because, although I am the one who dropped it, he’s the one who heated up my fingers with the blowtorch. Honest, Mr. Wilson, it is true.) But if it was picking teams on the playground, I was the last loser to be called, even though I was pretty good at softball, pretty good at dodgeball, great at volleyball, and usually the leading scorer in soccer (of course we are talking an Iowa schoolyard in the 60’s where soccer was a sport from Mars.) And as an adult, I enjoyed teaching the creative kids more than the rest because I actually understood them when they explained what they were doing and why, and I was even able to laugh at their knit-witty jokes (yes, I am including those jokes made of yarn with that pun). Creative kids speak a language from another world. If you are creative too, you already know that. And if you aren’t creative… well, how foo-foo-metric for you.

And another unfortunate side effect of the creative life is that you make stuff. You don’t have to be seriously infected by bites from the cartoon bug or the art bug to be like that. My daughter is making a suit of armor for herself from a flat sheet of aluminum that she is pounding out by hand, painting with spray paint and painter’s tape, and edging with felt. After she’s done with it this Halloween, it will go on one of the piles of collections and models and dolls and stuffed toys and… Of course, sooner or later one of those piles is going to come to life and eat the house. There is no place left to display stuff and store stuff and keep stuff that is far enough away from potential radioactive spider bites. I have scars on my fingers from exactor knife accidents, oil paint, and acrylic paint and enamel permanently under my fingernails. Shelves full of dolls rescued and restored from Goodwill toy bins, dolls collected from sale bins at Walmart, Toys-R-Us, and Kaybee, and action figures saved even from childhood in the 60’s are taking over the house and in an uproar, demanding to be played with rather than ignored. (Didn’t know dolls can actually talk? Haven’t you learned anything from John Lasseter?)
Anyway, it is tough to go through life being excessively creative. I have art projects growing out of my ears. And book publishers are calling me because my award-winning book is not generating sales in spite of two awards, 5-star reviews, and generally good quality, but the only solutions they have cost ME money I don’t have. Oh, well, at least it isn’t boring to be me.






But Bob Keeshan, though a TV personality, was much more of a teacher than anything else. His show went on air before I was born, and I don’t remember a moment in my childhood that he wasn’t a part of it. He was like Mr. Rogers, but came into our lives even before Fred Rogers appeared on the scene. I watched the show in the mornings before school started, at a time when I walked all the way across our little Iowa farm town to get to school. He taught me important early lessons in life that were just as impactful as the math and language and social skills I was getting later in the day. Of course, I had to leave home for school before the show ended at 8:00 a,m. But just like school, watching and participating in any part of it was capable of teaching you something good.








I Hope You Dance…
When you walk to the front of the classroom and take up the big pencil in front of a group of young teens and twelve-year-olds, there is a strong pressure to learn how to sing and dance. That, of course, is a metaphor. I was always too arthritic and clunky in my movements to literally dance. But I looked out over a sea of bored and malevolence-filled eyes, slack and sometimes drooling mouths attached to hormone-fueled and creatively evil minds. And I was being paid to put ideas in their heads. Specifically boring and difficult ideas that none of them really wanted in their own personal heads. So I felt the need to learn to dance, to teach in ways that were engaging like good dance tunes, and entertaining in ways that made them want to take action, to metaphorically get up and dance along with me.
I wanted them to enjoy learning the way I did.
But the music of the teacher is not always compatible with the dance style of the individual learner. The secret behind that is, there is absolutely no way to prompt them to dance along with you until you learn about the music already playing in their stupid little heads. (And you can’t, of course ever use the word “stupid” out loud, no matter how funny or true the word is,) You have to get to know a kid before you can teach them anything.
The discordant melodies and bizarre tunes you encounter when you talk to them is like dancing in a minefield blindfolded. Some don’t have enough to eat at home and have to survive off of the nutrition-less food they get in the school cafeteria’s free-and-reduced lunch program. Some of them have never heard a single positive thing from the adults at home, enduring only endless criticism, insults, and sometimes fists. Some of them fall in love you. Some due to hormones. Some due to the fact that you treat them like a real human being. Some because they just stupidly assume that everyone dances to the same tunes they hear in their own personal head.
Some of them automatically hate you because they know that if you hear their own secret music in their own self-loathing heads, you will never accept it. They hate you because you are a teacher and teachers always hate them. Some of them, deep down, are as loathsome as they think they are.
But, if you find the right music, you can get any of them, even all of them, to dance. It might be hard to find. It might be a nearly impossible task to learn to play that music once you find it. But it can be done.
And if you get them to dance to your music, to dance along with you, I can’t think of anything more rewarding, anything more life-fulfilling. Have you ever tried it for yourself? If you are not a teacher, how about with your own children or the children related to you? Everybody should learn to dance this dance I am talking about in metaphors. At least once in your life. It is addictive. You will want to dance more. So the next time the music starts and you get the chance… I hope you’ll dance!
Leave a comment
Filed under commentary, education, kids, metaphor, Paffooney, teaching
Tagged as being a teacher