Category Archives: commentary

May 3, 2020 · 9:29 pm

Hard Truths Learned the Hard Way

Farmer, truck driver, registered nurse, school teacher, and many more are professionals who deserve more respect and compensation than they ever get. The pandemic has in many ways underlined and reintroduced us to the truth of their value. Jobs like these are not often recognized as being life-or-death in nature the way fireman, policeman, doctor, and paramedic obviously are, but we are in a situation now that proves that they are.

Teachers are much more than mere babysitters. You can tell by figuring out how much you would actually owe them if you paid them the same amount per child and per hour as you do a babysitter. Some teachers have to supervise thirty children per hour for six hours per day. That works out to 180 kids per day. If you paid them only two dollars an hour for each kid, a price no competent babysitter would ever work for, they would still bring home $66,000 per year, a wage that would top any yearly wage I ever brought home by more than $10,000. And a teacher does a lot more than manage classrooms for six hours a day. I would list all those other things in this essay, but it would come out far too long for the purpose of this one paragraph.

As a teacher working with kids under the age of 18, and as a writer of YA novels for kids under 18, I have come to see the hard truth of one stark and horrifying fact. All kids face hard things in their life. Some have divorced parents. Some are abused, sexually, emotionally, psychologically, physically, or any combination, including all of those. Many kids have substance- abuse problems. Many kids battle crippling depression. Depression even kills far too many of them. Most kids live in fear of school shooters, gang shootings, bullying, beatings, and other kinds of violence that specifically targets them. I remember one boy who attended my classes while living out of a paper bag under a bridge. And despite all these terrible things, most kids turn out good and kind and capable of loving others. In fact, the hard truth is, they turn out good BECAUSE of what they have lived through. You will find this same correlation throughout human history. In truth, most of the heinous and evil villains in history come from families where they were mostly protected from hardships. They often turn to evil because the first time they face these things after having been coddled, spoiled, and protected, they are not prepared to deal with them and see themselves only as a victim, no matter how badly they react.

In this essay I have probably not told you anything you don’t already know. In fact, you probably ;agree with most of it. But times like these make you think about what hard lessons you have learned because you have endured hard things.

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Filed under commentary, insight, kids, Paffooney, philosophy

April 29, 2020 · 7:39 pm

From an Alternative Point of View

These are not my two sons. The picture was drawn fifteen and ninteen years before they were born. Yet they were my two sons in the cartoon story this picture was lifted from.

Am I literally able to fortell the future? Of course not. But as an overly-sensitive artistical type one could argue that there is evidence in my art and writings that my reality now was at least partially embedded in my consciousness many years ago.

And truthfully, looking at the truth of things based on empirical evidence is what this point-of-view post is all about. We cannot always rely on the traditional concepts of good and evil as they have been taught to us. Sometimes you have to look at how the evidence stacks up properly, and just plain intuit a new way of seeing the whole picture. Yes, this is a portrait of a fifteen-year-old former student of mine. And she was definitely evil and difficult to deal with. But she went into nursing after high school. She works in the ER where her decisive ways and ferocious insistence on having things work out in her favor because that’s the way the established rules say it must be done turn into positive qualities that are probably saving lives in a Texas hospital as we speak. It is all in how you perceive the truth of a situation and then apply it.

Comedy, of course, depends greatly on rearranging your point of view. If you are going to make a joke about something, you have to re-mix and un-match the details in ways that still make a sort of sense to the reader or the hearer of the joke. I have taught at schools like Dudwhittler’s. If you are a teacher, you recognize that that school bus carries not only that which is funny, but also that which is very true. The teacher driving the bus is a tin man who easily rusts and cries too much, thus rusting further, but you can see he has earned his heart, even if he has to drive the bus on top of teaching so he will have enough money to buy food.

But probably the most anticipated thing from a new perspective that you were expecting since reading the title is a new perspective on the Coronavirus shut-down and economic depression. That alternative take is simply this… the pandemic, though extremely hard and painful, is a good thing that happened at the right time.

I am willing to say this, even though the way the virus has been mishandled in this country is going to very likely be the death of me, because there are benefits that we simply don’t recognize without a thorough punch to the gut and another to loose teeth.

It is a good thing because it will make it harder for Herr Fuhrer Pumpkinhead to win the next election, and he will probably take a number of corrupt Republicans down to the bottom of the sea with him.

It is a good thing because it is proving to us that we can survive on less and still make our way out of the bad situation.

It is a good thing because kids get extra time off from school, and probably also the chance to spend more time with the people who really teach them things we need them to know… like parents, grandparents on Zoom, teachers who don’t fear distance-learning technology, and trolls on the internet (Yes, I know that last one is risky and mainly learning the hard way, but it is also true from before the virus hit).

It is a good thing because the air is cleaner. And we have proven that we can make radical adjustments when it is a matter of life and death. And the environmental crisis is actually a matter of life and death.

So, now I’ve had my twisted say about my pretzel-minded perspective. And so you can now trash it, or possibly learn to like pretzels.

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Filed under angry rant, commentary, feeling sorry for myself, goofy thoughts, grumpiness, humor, Paffooney, satire

April 20, 2020 · 8:51 pm

Vonnegut

My experience of the works of Kurt Vonnegut is limited to the reading of three books; Cat’s Cradle, Breakfast of Champions, and Slaughterhouse Five. But it was enough to make me love him and use him as a shaper of my soul.

I deeply apologize for the fact that even though he only wrote 14 books and a bunch of short stories, I have not read everything I could get my hands on by Kurt. Three novels and one short story (Harrison Bergeron) is not really enough to compare to the many, many things that I have read by Mark Twain, Terry Pratchett, Louis L’Amour, and Michael Crichton. I can’t begin to count how many books of each of those four I have read and reread. But it is enough that I read those three novels and have a lifelong regret of never buying and reading Slapstick when I had the chance. Vonnegut writes black humor. The ideas are painful, and burn away flesh from your personal body of being. And at the same time, you cannot help but laugh at the pure, clean, horrifying truths his ridiculous stories reveal.

If, in the course of telling a story, you can put the sublime, the ridiculous, and the horrendous side by side, and make the reader see how they actually fit together, then you can write like Vonnegut.

Let me give you three quick and dirty book reports of the Vonnegut I have read in the order I have read them;

I read Cat’s Cradle in college. I was young and idealistic at the time, foolishly convinced I could be a great writer and cartoonist who could use my work to change mankind for the better.

In the book, Dr. Felix Hoenikker (a fictionalized co-creator of the atomic bomb) is obsessively re-stacking cannonballs in the town square in pursuit of a new way to align water molecules that will yield ice that does not melt at room temperature. Much as he did with the A-bomb, Hoenikker invents a world-ending science-thing without any thought for the possible consequences. The narrator of the novel is trying to write a humanizing biography of the scientist, and comes to observe the inevitable destruction of the whole world when the oceans freeze into Ice-9, the un-meltable ice crystal. Before the world ends, the narrator spends time on the fictional Carribean island of San Lorenzo where he learns the fictional religion known as Bokononism, and learns to make love to a beautiful woman by pressing bare feet together sole to sole. It is a nihilistic picture of what humans are really like more savagely bleak than any portrayal Monte Python’s Flying Circus ever did on TV.

Needless to say, my ideals were eventually shattered and my faith in the world shaken.

I read Breakfast of Champions after I had been teaching long enough to buy my own house, be newly married, and a father to one son. It was probably the worst time of life to be reading a book so cynical, yet true.

In this story, the author Kilgore Trout, much published but mostly unknown, is headed to Midland City to deliver a keynote address at an arts festival. Dwayne Hoover is a wealthy business man who owns a lot of Midland City real-estate. Trout gives Hoover a book (supposedly a message from the creator of the universe) to read that suggests that all people (except for the reader of the book… meaning Hoover) are machines with no free will. Hoover takes the message to heart and tries to set the machines free by breaking them, beating up his son, his lover, and nine other people before being taken into custody.

The book contains devastating themes of suicide, free will, and social and economic cruelty. It makes you sincerely reflect on your own cog-in-the-machine reality.

Slaughterhouse Five is a book I bought and read when I missed my chance to buy Slapstick and needed something to take home from HalfPrice Books to make me feel better about what I missed. (Of the five books I had intended to buy that day, none were still on the shelves in spite of the fact that they had been there the week before.) It was fortuitous. This proved to be the best novel I had ever read by Vonnegut.

Like most of his work, the story of Billy Pilgrim is a fractured mosaic of small story pieces not presented in chronological order. It details Billy’s safe, ordinary marriage to a wife who gives him two children, but it is ironically cluttered with death, accidents, being stalked by an assassin, and being kidnapped by aliens. It also details his experiences in World War II where he is captured by the Germans, held prisoner in Dresden, kept in an underground slaughterhouse, and ironically survives the fire-bombing of Dresden by the Allies. Further, it details his time as a zoo exhibit on the alien planet of Tralfamadore.

It explores the themes of depression, post-traumatic-stress disorder, and anti-war sentiment. Vonnegut himself was a prisoner of war in Dresden during the fire-bombing, so real-life experiences fill the book with gravitas that it might not otherwise possess. Whether the author was ever kidnapped by aliens or not, I cannot say.

But Kurt Vonnegut’s desire to be a writer and portray himself as a writer in the character of Kilgore Trout, and even as himself in his work, has an awful lot to do with my desire to be a writer myself. Dark, pithy wisdom is his thing. But that wisdom, having been wrung from the darkness is all the more brightly lit because of that wringing. It is hard to read, but not hard to love.

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Filed under aliens, book reports, commentary, humor, reading, writing humor

Tagged as Kurt Vonnegut

April 16, 2020 · 5:37 pm

Self-Reflection

Every writer, whether he or she writes fiction or non-fiction, is really writing about themselves. The product originates within the self. So, that self has to gaze into the mirror from time to time.

So, the question for today is, who, or possibly what, is Mickey?

I have been posting stuff every day for a few years now, and in that time, I have been much-visited on WordPress. Maybe not much-read, but then, you cannot actually tell if somebody read it or not. Most probably look only at the pictures. And, since I am also an artist of sorts, that can also be a good thing. Though, just like most artists, my nude studies are more popular than the pieces I value the most. But unless the looker makes a comment or leaves a “like”, you really have no idea if they read or understood any of the words I wrote. And you have no idea what they feel about the art. Maybe they just happened to click on one of ;my nudes while surfing for porn.

I rarely get below 50 views of something in my blog every day. The last three days were 86 views, 124 views yesterday, and 88 views already today. My blog has definitely picked up pace over the length of the coronavirus quarantine. But no definable reason seems obvious. Some of my posts are polished work, but Robin is right when he says today’s post is merely fishing with the process, which is true almost every day.

As a person I am quirky and filled with flaws, pearls of wisdom that result from clam-like dealing with flaws, strange metaphors that shine the pearls, and obsessions like the one I have with nudism that leaves me properly dressed for diving for pearls.

I have demonstrated throughout my life that I have an interest in and experience with nudism, though not the boldness to parade my naked self before the world outside of the writing that I do. I also spent most of my bachelorhood dating reading teachers and teachers’ aides, finally settling down and marrying another English teacher. I completed a thirty-one year career as an English teacher, which means I spent a lot of time teaching writing and reading to kids who were ages 12 to 18. Twenty-four of those years were spent in the middle school monkey house. And all of that led to being so mentally damaged after all that I wasn’t good for much beyond becoming a writer of YA novels or possibly subbing for other mentally-damaged teachers in middle schools around our house.

A real telling feature of what I have become is the fact that most of the characters I write about in my fiction are somehow a reflection of me. Milt Morgan, seen to the left, is illustrated here with a picture of me as a ten-year-old wearing a purple derby. Yes, I was that kind of geeky nerd.

And most of the plots are based around things that happened to me as a child, a youth, or a young teacher. Many of the events in the stories actually happened to me, though the telling and retelling of them are largely twisted around and reshaped. And I am aware of all the fairies, aliens, werewolves, and clowns that inhabit my stories. Though I would argue that they were real too in an imaginative and metaphorical way.

So, here now is a finished post of Mickey staring into the metaphorical mirror and trying in vain to define the real Michael, an impossible, but not unworthy task.

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Filed under artwork, autobiography, commentary, humor, imagination, insight, inspiration, Paffooney, writing teacher

April 10, 2020 · 6:00 pm

What Will We Become?

What we are undergoing right now is actually a part of the process of Evolution. You know, that evil science-lie that the devil created to distract us from the incessant worship of God Almighty. Or as non-fundamentalist Christians who don’t read the Bible as a book of Science might think of it, the theory that Charles Darwin created to explain the observed factual evidence of how living things change over time to fit into new environments and new circumstances. That heretical idea that has been promoted by such heretics as highly trained biologists, environmentalists, geneticists, and other scientists qualified to test and re-shape science-based theories that come about through experiment, recording new observations, correlating new data to old data, and changing the theories to fit the new paradigm, which will also be re-examined and adjusted through the Scientific Method.

Yes, Duck-people! We are all going to turn into Duck-people when the pandemic is over. Amorous and risque Duck-people who don’t wear pants.

But it should be obvious enough to anyone who doesn’t think like Trumpkins and evangelicals do, that the survivors of the Coronavirus Pandemic will have to evolve when the plague is through with us. For one thing, we may have to evolve beyond handshakes. For another, we have to stop thinking of the human race as “Us and Them” and start treating each other as if we were all the same, had the same human rights, and had the same basic value to society. Now that I have thought about it a bit more, I’m not sure we can say that it would be a good thing to turn into Duck-people. That might be a bad move if the next pandemic is another bird flu. But we can’t help but evolve into a species that has developed natural resistance to Covid 19. Natural selection will see to that. Though, you should keep in mind that all natural selection isn’t based on just physically getting ill and not dying of the viral infection. Behavioral adaptations are a part of evolution too. Many will survive because of social distancing, hand-washing, and mask-wearing. I personally hope to be among those.

I really doubt that we will need to evolve the way Johnny did in this old illustration. But I am fairly certain we need to continue to evolve in matters of “Loving thy neighbor”. We have to get out from under the life-shorting notions that profits are more important than people’s lives. We have to do away with a system where power is given to those with the most money rather than those with the most moral character and depth of understanding.

Modern middle school classrooms have already evolved into this. But maybe they need to evolve further still.

Now, obviously, this was all written as a humor-post, because that’s what I do. But that doesn’t mean my ideas are all hair-brained… or even hare-brained. Yes, the rabbit pictured above is supposed to be me. You are welcome to argue with me, but I believe most of what I have said here is not only funny and weird… but true.

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Filed under commentary, feeling sorry for myself, humor, illness, metaphor, Paffooney

Tagged as the Pandemic

April 9, 2020 · 5:22 pm

Snarks and Snags

I am really not fond of people telling me how to live my life and what I should be doing differently. Especially when the thrower of verbal stones lives in houses made of metaphorical glass.

This particular angry-old-coot rant was inspired by the bitter old octogenarian in the park sitting on a park bench trying to catch coronavirus. She watched me as I walked my female dog. Then, when Jade squatted to pee and expel a couple of gallons of canine message-juice for the benefit of male dogs sniffing grass everywhere, the angry old crone points at the wet spot and hollers, “Pick it up!”

I shrugged and showed her my handful of poo-plucking plastic. “I didn’t bring a sponge!” I quipped back at her.

“Pick it up!” she screeched.

“It’s PEE!” I coot-howled without profanity.

The dippy old cat lady didn’t understand the difference between how male dogs pee (hind leg pointed skyward) and how female dogs do it (back legs carefully folded out of the way like a dainty lady and back end pressed to the ground}. Either that, or she was just so far gone in her senile viciousness that she really desired me to scrape up all the urine-soaked mud from under the grass.

I am aware that tempers are sparked to life by the flint and steel of crisis management, and these are dark times under the threat of death-viruses in Texas public parks.

And somebody is out there telling us what to do (I won’t mentioned the names of any current Presidents of the United States going to war in orange warpaint to make tons of money off of Hydroxychloroquine made by a company partially owned by an orange-faced moron criminal) in ways that may get us killed by the pandemic just so he can restart the economy early enough to get re-elected and stay out of prison.

Okay… enough angry ranting by dog-walking crazy old coots today. i managed not to get in any fist-fights with cranky old cat ladies today, a feat I should be proud of because she would’ve beaten me to death with her multi-footed cane. And I didn’t mention the moron criminal’s actual name today, so the NSA should leave me unharmed too.

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Filed under angry rant, commentary, feeling sorry for myself, humor, Paffooney

March 30, 2020 · 5:11 pm

Nutzy Nuts

Things are not what they seem. Life throws curve balls across the plate ninety percent of the time. Fastballs are rare. And fastballs you can hit are even rarer. But if Life is pitching, who is the batter? Does it change the metaphor and who you are rooting for if the batter is Death?

If you think this means that I am planning on dying because of the Coronavirus pandemic, well, you would be right. Of course, I am always planning for death with every dark thing that bounces down the hopscotch squares of the immediate future. That’s what it means to be a pessimist. No matter what bad thing we are talking about, it will not take ME by surprise. And if I think everything is going to kill me, sooner or later I have to be right… though, hopefully, much later.

I keep seeing things that aren’t there. Childlike faces keep looking at me from the top of the stairs, but when I focus my attention there, they disappear. And I know there are no children in the house anymore since my youngest is now legally an adult. And the chimpanzee that peeked at me from behind the couch in the family room was definitely not there. I swear, it looked exactly like Roddy McDowell from the Planet of the Apes movies, whom I know for a fact to be deceased. So, obviously, it has to be Roddy McDowell’s monkey-ghost. I believe I may have mentioned before that there is a ghost dog in our house. I often catch glimpses of its tail rounding the corner ahead of me when my own dog is definitely behind me. And I am sure I shared the facts before that Parkinson’s sufferers often see partial visions of people and faces (and apparently dogs) that aren’t really there, and that my father suffers from Parkinson’s Disease. So, obviously it is my father and not me that is seeing these things… He’s just using my eyeballs to do it with.

But… and this is absolutely true even if it starts with a butt… the best way to deal with scary possibilities is to laugh at them. Jokes, satire, mockery, and ludicrous hilarity expressed in big words are the proper things to use against the fearful things you cannot change. So, this essay is nothing but a can of mixed nutz. Nutzy nuts. And fortunately, peanut allergies are one incurable and possibly fatal disease I don’t have. One of the few.

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Filed under commentary, feeling sorry for myself, goofy thoughts, humor, Paffooney, satire, wordplay

March 27, 2020 · 9:26 pm

Living in the Upside Down

Well, I have now paid property taxes for 2019, exhausting all the money I have earned by substitute teaching this school year. I am not broke exactly, but all the money I still have is now already spent. There are more days in almost every month than I have funds to actually pay for them. I am not broke, but I am breaking.

And Washington is debating giving us money to help us make it through trying times. But I don’t anticipate “us” actually includes “me”. “Us” is mostly a matter of rich folks when they use that word in Washington.

But I have been busy. I continue to write away on A Field Guide to Fauns which is basically a book about naked people… specifically about sad naked people and the happy naked people who try to cheer them up. It is about nudists in a nudist park in Texas, I have also been walking the dog, which means bagging poop and yanking on the leash whenever she wants to run out in front of cars and Bubba-trucks and get squished under Bubba’s tires. And I have been talking by phone with relatives in Iowa and Missouri.

The Princess and I, while delivering the tax payment to the drop-box, noticed that Braums’ Ice Cream store had their dining room open for a number of patrons. Most of the food businesses are doing drive-up orders only. But, apparently, somebody has to feed the stupid people of Texas. After all, how else are they gonna spread viruses and kill off all those danged kale-eating liberals and old people?

You have to get rid of us somehow, right? And that “us” definitely includes me, even though I hate kale.

But there is no “normal life” anymore. Was there ever any? I am legitimately asking. I was a teacher my whole life, so I had to get used to “abnormal” and “chaotic” long ago.

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Filed under commentary, feeling sorry for myself, humor, illness, Paffooney

March 15, 2020 · 7:36 pm

Sunday with Salvador

Today I am waxing on about the wonderful, mad, mad, mad genius of surrealist art, Salvador Dali. He was born in 1904 and died in 1989. And that’s really about all that I want to tell you about the physical parameters of his boundlessly creative life. He was alive in this world until I was already thirty-three. So, I got to see him on television and watch video biographies of him and his incredible artwork. Ones that included interviews. And if I get into his public persona, that will eat up the rest of his essay. Instead, I need to talk about his art, and how it modifies and magnifies what I am meant to be.

His most famous painting is the one that most clearly burned the image of melting clocks into our collective memory. He claimed, and others pretend to see it too, that it is a reaction to Einstein’s Theory of Relativity. But when I look at it with the melting mask of Dali himself in the center, I see the artist’s perception of time in the spaces within which creativity moves. Time melts and has no meaning when you are painting and writing from an endless roiling flow of new ideas and notions. Time becomes as irrelevant in that context as the ants on the pocket-watch or the dead tree from which one deflated clock-skin hangs, There is no past or future, only the creative now.

And in that creative now, the artist sees himself. But if you look too closely, the self vanishes into the picture, the currently considered, fascinating work of art.

You see the boy with the hoop and wearing a sailor suit? That symbol, he always claimed, was his lost brother, the one who died before he was born. The one whose death made his parents decide to have another child. Without that brother, Salvador would probably never have been existing at all.

And do you see the disappearing bust of Voltaire? Or when you look closely at the slave market in the background, is it simply no longer there? Things that disappear… things that become other things… tricks of perception, the fooling of the viewer’s eye… These are what the artist actually wants you to see. Not the well-portrayed physical reality, but the ghost of the shadow of an idea that’s hard to define.

And then there is the idea of war. Two world wars that took place in the prime-time of his painterly life.

Life does crazy things to the sensitive, suffering artist, and it shows in his work if not in his public personality.

Metamorphosis of Narcissus 1937 Salvador Dali 1904-1989 Purchased 1979 http://www.tate.org.uk/art/work/T02343

And consider the artist’s notion of birth and life and death. Narcissus suffers for the sin of love of himself. He becomes petrified with age, a narcissus flower growing from his head, now an egg, the symbol of birth and rebirth.

Detail from “the Madonna of Port Lligat”

And here is an exploded portrait of his beloved wife Gala.

All the elements float eternally in the air.

And you can see inside each thing.

Inside the home is the wife and mother.

Inside the mother is the child.

Inside the child is the loaf of bread that keeps him alive.

Does the bread, then, stand in for God himself?

Dali and his work is not simple. It is deeply, incongruously complex. But that is surrealism. That is how it works. Without getting into other complex symbols and such Dali-esque puzzles like burning giraffes, eggs, and Venus De Milo with bureau drawers in her torso, that is how Salvador spends his Sunday with me. An artist beyond time and space, long dead, but still speaking to me. And teaching me beautiful, untold things and stories of things.

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Filed under art criticism, artists I admire, artwork, autobiography, commentary, surrealism

Tagged as Salvador Dali

March 1, 2020 · 7:13 pm

A Fatal Case of Hope

I have been avoiding talking about politics for more than a year even though it is a rich source of potential comedy material. The idiot-criminal President continues to bumble and blather and make money and do crimes he automatically gets away with in spite of the law. It’s easy to jape him and make jokes, but he black-heartedly continues to do things that benefit him and devastate me and the issues I care about.

This is Skye Johnson , the newest illustration for my newest novel, ***A Field Guide to Fauns.***

After the South Carolina primary, Bernie Sanders and Joe Biden are now clearly the two leading candidates and most likely to become the Democratic Nominee. I will vote for either one. In fact, if Bloomberg steals it by out-spending everybody else, I’ll even vote for him. Donald Trump is the death of everything I care about in life. His position on health care, the environment, education, the arts, and on and on… is poisonous to my way of life. I may not live to see him defeated in the election. But I hope to last just long enough to be able to vote against the !#$%#%%,

In the meantime, I have forced myself to go back to work in the classroom, the thing that was killing me in 2014. And I have so far avoided the flu and death while making enough money to solve my immediate financial woes. I put in an extra day this last month beyond what I reasonably thought I could survive. And I am feeling good about that, even though I am still unable to afford the health care I need, and still feel awful on a daily basis.

So, do the good things in my near future still outweigh the bad on the scales of my continued existence? I think they do.

My work in progress, for which I am marshaling my ability to draw fauns, and I am using this blog post to show you illustrations for it, is about life at a nudist park where the family in the story is dealing with the after-effects of child abuse, divorce, and alienation of family members. It is about issues boiling in the stew-pot of my own personal experience. And about how love can ultimately overcome those issues.

I sincerely hope that Trump gets dumped in November. If he wins, and if I am still alive, that misfortune will seal my fate. I will not survive beyond it.

But if you can’t control your fate, and if the airplane is crashing, you might as well enjoy the ride down to the ground. I am doing a novel now that imagines life as a full-time nudist. My family will never accept it in real life, and my skin flakes off with psoriasis almost as badly as a leper, so I will never live that life. But you can do things in fiction that fly far above the limits of your real-life wings.

If I can keep up the work pace as a substitute teacher, I will actually have enough money to get by. That will be a welcome relief. And I might reach a level of life that approximates what I had before 2012… With a bunch of novels in print that didn’t exist before that year. No future fatality will overcome me. I exist here in my words. And words and pictures are my hope and dreams.