
Don’t get me wrong, I’m still fairly sure that life on Planet Earth is doomed to extinction by global warming and the acidification of the oceans. The Koch Brothers and Exxon decided back in the 1970s that short-term profits were more important than the continued existence of their own children and grandchildren. Hatred, Greed, and Narcissus are still the animating angels behind everything this human world stands for.
The naked truth behind this post is that the good guys actually held off the minions of the three evil angels. Election deniers for the most part not only lost a majority of their races but also conceded, the act that the Orange President refused to do, thus breaking a sacred tradition that really does prevent violence during transitions of power.
I fully expected a week ago to have all the gains of the election of 2020 wiped out. I thought radical Repulsivecans would take over both the House and the Senate. Impeachments of Joe Biden would begin. Trumpalump would be headed back to the Siege Perilous known as the Presidency. A fascist dictatorship would replace democracy. This sunshiny outlook exists among other reasonably smart people who are not me.
But the good guys held back the Red Wave that everyone anticipated. The good guys still hold control of the Senate. And if they lose the House, it won’t be by much. And the ballots are still being counted on that narrow victory, no matter which way it goes.
So, some very important things could still happen in the near future.
We might still be able to fight climate catastrophe and preserve life on Earth.
We might move towards a fairer, more progressive tax system that takes away from the wealthy who can afford it and lifts the tax burdens on the poor and middle class.
We might finally, after a long drought, fully fund public schools in a fair and research-based way. Education would be more engaging, useful, and free. And we would benefit from living in a society where we are not commonly surrounded by stupid people.
It would be nice, for once, to hold onto the good things placed in our hands for more than just a couple of years. We will go through all of this again in two years. We may well be under Repulsivecan’s hands again under President Ron DeSaniflush next time. We may be in another recession or even a depression. But I’m a pessimist on purpose. I now, briefly, get to celebrate being wrong about this last election. And I am happy.






























Winsor McCay
One work of comic strip art stands alone as having earned the artist, Winsor McCay, a full-fledged exhibition at the Metropolitan Museum of Art in New York City. Little Nemo in Slumberland is a one-of-a-kind achievement in fantasy art.
Winsor McCay lived from his birth in Michigan in 1869 to his finale in Brooklyn in 1934. In that time he created volumes full of his fine-art pages of full-page color newspaper cartoons, most in the four-color process.
As a boy, he pursued art from very early on, before he was twenty creating paintings turned into advertising and circus posters. He spent his early manhood doing amazingly detailed half-page political cartoons built around the editorials of Arthur Brisbane, He then became a staff artist for the Cincinnati Times Star Newspaper, illustrating fires, accidents, meetings, and notable events. He worked in the newspaper business with American artists like Winslow Homer and Frederick Remington who also developed their art skills through newspaper illustration. He moved into newspaper comics with numerous series strips that included Dreams of the Rarebit Fiend and Little Nemo in Slumberland. And he followed that massive amount of work up by becoming the “Father of the Animated Cartoon” with Gertie the Dinosaur, with whom he toured the US giving public performances as illustrated in the silent film below;
The truly amazing thing about his great volume of work was the intricate detail of every single panel and page. It represents a fantastic amount of work hours poured into the creation of art with an intense love of drawing. You can see in the many pages of Little Nemo how great he was as a draftsman, doing architectural renderings that rivaled any gifted architect. His fantasy artwork rendered the totally unbelievable and the creatively absurd in ways that made them completely believable.
I bought my copy of Nostalgia Press’s Little Nemo collection in the middle 70’s and have studied it more than the Bible in the intervening years. Winsor McCay taught me many art tricks and design flourishes that I still copy and steal to this very day.
No amount of negative criticism could ever change my faith in the talents of McCay. But since I have never seen a harsh word written against him, I have to think that problem will never come up.
My only regret is that the wonders of Winsor McCay, being over a hundred years old, will not be appreciated by a more modern generation to whom these glorious cartoon artworks are not generally available.
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Tagged as Little Nemo in Slumberland, Winsor McCay