As a novelist, certain characters, as I understand them, have to be portrayed in a certain specific way. It may be because the character is based on a real person, so those characteristics are tied to reality and changing them will impair the character’s realism. It may also be because the character has a very special function in the story, possibly a metaphorical or thematic function so a change in those particulars can derail the entire story. But portraying them in colored pencil is not nearly so arcane. Colored pencil is my own preferred medium, the one I know best how to use as an artist.

Snow Babies
These characters are not specifically people. They are created in nature when a person dies in a blizzard by freezing to death. They act like banshees in that they serve both as omens of impending death, and collectors of the spirit forms of the deceased. Snow ghosts after a manner of speaking.
They are from my novel Snow Babies and give the book its name. Of course, they are not the only snow babies that the title refers to. But they are essential to the basic theme of the story.

Brent Clarke
Brent is the leader of the Pirates. He appears in the novels Superchicken, and The Baby Werewolf, though I have another couple of stories in my head where he plays an important role as well.
Brent is an amalgam of two real people. One was a boy from my boyhood gang, and the other was a student I taught more than a decade after that. He is a farm boy, naturally outgoing and athletic, but also a bit of a bully and a bigger bit of a jerk, especially around girls.

Miss Francis “Franny” Morgan
Miss Morgan is a middle school teacher based on a real-life colleague who had a gift for reaching and teaching challenging kids, though she’s also got a bit of me in her since the major challenges she faces in the story are mostly things that happened to me, and I made her an English teacher like me instead of the Science teacher she really was. She is the main character in the novel that bears her name, Magical Miss Morgan. She is also a minor character in Superchicken, almost twenty years earlier in time. I pictured her wearing a purple paisley dress to represent her magical abilities. That magic is, of course, the ability to make stories come to life through imagination and creativity.

Sean “Cudgel” Murphy
Cudgel is “Grampy” of the Murphy Clan, living in the home of his eldest son Warren. He is basically a clown character, being an irascible, evil old man who loves his family, only ever drives his beloved Austin Hereford motor car (“the best goddam car in the whole goddam world from 1954”), and will fight for any reason or excuse at the drop of a hat.
He has already played a role in the novels The Bicycle-Wheel Genius and Snow Babies. And I hope to use him in several more. He is loosely based on several old men I have known throughout my life, but he functions mainly as a clown, a comic relief character that breaks up the tension in developing plots.
So there you have some characters that I have written about in my novels and illustrated in living colored pencil.
Seeing Through an Artist’s Eyes
It is not an easy thing to explain. Artists don’t see things using only their eyes. The brain intrudes in the process. For instance, you are welcome to interpret the picture above any way you like. But the way I see it will be nothing like what you thought this picture is about. You probably see two very different girls here. There is actually only one. I know because, as the artist who drew both parts of this picture, I actually know where the ideas came from. There is only one girl in the picture. Dilsey Murphy, in front and wearing her Carl Eller Minnesota Vikings’ jersey, is based about 33% on the older of my two sisters. On the outside she is pragmatic, no-nonsense, and focused on living a family life that is as normal as possible. But the inner Dilsey is the African leopard-princess. She dreams of going on Tarzan adventures in the movie-jungles of the mind with a handsome male hero. She is fierce, loyal, and completely independent, not even needing the hero she adventures with. In fact, she often saves him.
This picture is about the idyllic parts of my childhood. The mother figure is doing a ritual dance. She is in tune with the music of daily life. She is closely attuned also to her responsibilities of stewardship in her society. Both children are nude. I cropped this picture so that it is not rude and showing Smiling Boy’s penis. But both children are bathed in nature and sunshine, not just because I am pro-nudism personally, but because clothing covers up innocence and joy.
This one is easier to interpret. I was an ESL teacher. I had students who spoke Spanish as their first language and students who learned to speak Mandarin Chinese as their first language. It makes for a classroom that becomes a cultural mixing bowl. You have to learn how to deal with people who are very different than you,, but are benefitting from learning English together.
Every picture the artist draws or paints has its own weirdness embedded inside it. The way the artist sees it is probably never the same as how the viewer thinks about it. And that is as it should be. But as a viewer of art, it is hoped that you will at least try to think about what the artist means to say..
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Filed under artwork, colored pencil, coloring, commentary, Paffooney
Tagged as Saturday Art Day