Category Archives: cartoons

Quackatoonity (Religion Where Ducks are Always Watching)

Yes, the universe was not formed in a big bang. It hatched from an egg. And God is the Ultimate Mallard.

Anatidaephobia (pronounced anna-tidy-phobia) is a pervasive and irrational fear that you are being watched by a duck. A person with this rare phobia fears that somehow, somewhere a duck is watching their every move.

This phobia about being watched by a duck may seem like a strange basis for forming a new religion. But I may have had an epiphany as a child when a goose at Deer Farm Zoo stuck his neck, head, and beak of retribution out through a hole in his chicken-wire cage and nearly nipped me in my five-year-old neck. That epiphany led to recurring nightmares about being chased by a duck with large white teeth that looked like he had bad human dentures in his bill.

This I tended to interpret as a sign that I was facing a big decision about what I would attempt to do with my young life, and would do it wrong.

Ducks in the farmyard, you see, are temperamental, often impulsive, and randomly violent. They will punish you for sins you did not know you were committing.

So, in this Quackatoon faith in judgmental ducks who are constantly watching our every move, thought, and deed, we should be taking Saint Donald Duck as our role-model and guide. When we see sin and wrongness in the world we are watching, we must dissolve in incoherent rage. Point your finger. Shout things that no one understands. Get the world’s attention. Confuse them completely. And get them to wonder what they did to make you so rage-filled and dangerously aggravated.

Then, hopefully, they will realize their sin and immediately mend their ways. Or at least, rearrange their feathers.

Or we can rely on the incompetent vengeful wrath of Saint Daffy Duck to see the unrighteousness in the rabbits of the world around us, posting Rabbit Season signs everywhere, and getting his duckbill blown off via the shotgun of a nearby Elmer who has been tricked into thinking ducks are rabbits.

Well, that might not be the most efficient prosecution of God’s will on Earth. But at least it will leave us laughing. And who can sin who is laughing that hard?

At this point in trying to establish this new religion, I should probably be talking about financial matters. Where you can send donations to the Church of Perpetual Quackers? Will there be t-shirts with religious slogans like, “You’re Driving Me Quackers!?” Do we still bring deviled eggs to church socials?

But I can’t talk about that right now… a duck is probably watching.

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Filed under birds, cartoons, goofiness, humor, Paffooney, religion

If You are the Villain

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Filed under artwork, cartoons, humor, Paffooney, villains

A New Day Art Day

So, how do you follow up a thing like starting a new religion like Quackatoonity? Should you follow it up?

I mean, this is Art Day. And I need a theme for Art Day. How about, “Art with no ducks in it?” Well, Ducks are always watching from somewhere. So, I guess that’s a no-go.

Of course, I could always try to prove the “toon” part is real. I am a cartoonist. I do do cartoons. (Haha! He said, “doodoo!” Shows you the level of humor he will sink to.)

This cartoon is a bit creepy and definitely surreal. This was done more than a decade before I even met my wife. But the two boys seem to be four years apart in age, just like my real-life sons. They do not, however, have visible horns on their heads. This is supposed to be surreal, not photographic.

So, there’s a weird cartoon story for today’s Art Day post on a New Day. And nowhere in sight will you find a duck in it… OH, NO! THERE’S A DUCK IN IT!!! How does Donald do that?

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The Secret Identity of Super-Mickey

Cartoon villains take note; Super-Mickey’s secret identity is Filbert Hazelnut. I make that revelation without worry. After all, Mickey is not really me. So, if the Messmaster, Badnose the Clown, or Daniel Quilp are going to try to apply the Mickian version of Kryptonite, not laughing at the jokes, in order to slay Super-Mickey, Filbert is immune to that. I am too for that matter. If you are a school teacher who uses humor in the classroom, you soon learn that only the smartest kids actually understand the jokes, and half of them are just too cool to laugh when the teacher wants them to. (Although they will tell you years later that they still use concrete details in their writing because you said that if you routinely whack the reader in the head with verifiable concrete examples, they will be totally stunned enough to believe you know what you are writing about. That was, you must understand, a concrete detail I just whacked you with to help you remember what it is, not to make you laugh… even though it was a joke… but you are permitted to laugh if you want to.)

The basic point of this essay is Mickey is not really me. I never went by that name as a kid.

I was always called Michael, sometimes Mike (though they were usually talking about the Other Mike when anybody said Mike in school back then… circa 1963 to 1969). In high school I was given the nickname Superchicken after the Saturday Morning cartoon on the George of the Jungle Show. In college I was given the rhyming nickname Spike by my college freshman roommate because he ludicrously thought I was the opposite of a Spike, like calling a huge football player Tiny Tim, or a midget Big Bad John.

When I started teaching school, they called me Gilligan because I was thin and they wanted to pretend I was a hopeless stumbling fool (Which I was at times my first two years, just as all beginner teachers are.) My classroom became known as Gilligan’s Island on the day in third period when I made the comment, “Gilligan is lucky enough to be the only really eligible bachelor on the same island with Ginger the movie star and cute little Mary Ann. I would find out later that same day that three eighth grade girls in that very class had huge crushes on me and were fighting over which one was Mary Ann and which one was Ginger and, unsurprisingly, which one was the other girl.

And, of course, Rudolfo Hernandez tried to get everybody to call me Batman because I bought a used Ford Torino with fins on the back. But to promote the nickname, Rudy came to class wearing a Halloween Batman mask and afterwords had to learn to live with being called Battyman himself. (I wish i could take credit for calling him that first, but I am sure I did not. I distinctly remember it coming from a girl in his class that made fun of him for every stupid thing he did because she apparently adored him. I just reinforced it about a thousand times.)

Mickey is a name that I have only ever been called by me myself. It was a name I signed some of my cartoons with (using The Little Fool, Le Petit Fou, Leah Cim Reyeb, and Dr. Seebreez on the rest.) It also became the name I use to refer to myself on this blog when I talk about myself in the third person like a crazy person.

I have given myself other pseudo-pen-names in my writing. Googol Marou, as the only first-person narrator of the AeroQuest series, speaks with my voice as the primary storyteller in the tale. In Norwall, the fictionalized version of Rowan, Iowa in most of my other books, Branch McMillan, the writer-character, is actually me. (Like Charles Dickens switched his initials to write the semi-autobiographical David Copperfield, I created that one by switching the M and the B.

Of course, the many me-characters in my fiction books are also basically me. Superchicken is me. Milt Morgan is a combination of me and the Other Mike. Brent Clarke is the football-player me combined with two other football teammates. Certain parts of Todd Niland’s story are really about things that happened to me, and things I was afraid of at his age.

In some ways Tim Kellogg and Dorin Dobbs are me too, though both of those characters are actually based on my eldest son. It is possible, I suppose, that you could consider my actual son to be a me-character too, as people do live on through their own children.

But, while Mickey might be me more than I care to admit, Super-Mickey’s secret identity is definitely Filbert Hazelnut.

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Filed under autobiography, cartoons, humor, novel writing, Paffooney

Cartoonity

“My name is Michael Beyer, and I am an amateur cartoonist.”

“Hi, Michael!” says the entire group of CA group-therapy participants.

(CA stands for Cartoonists Anonymous.)

Doofy Fuddbugg

“I have to admit, I am guilty of giving in to the urge to draw cartoons. I know how it can fill lives with slapstick pain and derisive laughter, and I give in to the urge anyway.”

“So, what did you draw that you have to be ashamed of now?” asked one mad-eyed cartoonist with a pencil lodged behind each of his large ears.

“I made a very unfortunate video to post on YouTube that was supposed to be How-to-draw Cartooning. But everything went wrong. You couldn’t see my drawings in the video. It was not adequately lit. I look like a doofus (which probably can’t be cured) in the video. And instead of thinking twice or editing it, I posted it anyway.”

“Wow!” said a rather ugly cartoonist lady, “that is really bad. You have a seriously bad case of cartoonity.”

“Cartoonity?” I responded stupidly.

“The condition of needing love for your cartoons so bad that you will risk anything to make people look at them and like them,” said the wise group therapist (who looked an awful lot like Chuck Jones, though I am fairly sure Chuck Jones is now dead).

“Yes, I suppose that’s about the size of the problem,” I said. “I have been posting pages from my graphic novel, Hidden Kingdom, and I really haven’t seen more than one comment about it. Do people actually read cartoons and comics nowadays? Or is it just me that gets ignored?”

“You have to focus on how much you love drawing and doing it just for that reason, and nothing beyond that,” said the wise therapist. “Cartooning should be done for its own sake, and nothing more than that. Craving attention and approval for it can get seriously infected and become a bad case of cartoonititis. How do you think I dealt with it when I was still alive?”

At that point, my eyes popped out of my head in disbelief and my lower jaw fell all the way to the floor. Could he really be…?

And so I must end today’s blog post since it is hard to keep typing when your eyeballs are rolling around on the floor.

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Filed under artwork, autobiography, cartoons, cartoony Paffooney, feeling sorry for myself, humor, Paffooney

Dreams of the Mastiff

As a comic cartoonist sort of artist named Mickey, I was as a teenager obsessed with making artsy goofy books. One of those was unaccountably called Dreams of the Mastiff. These surrealistic picturations are examples from that silly Donald-Duck thing.

This page is supposed to explain the title. So I guess all of the following pages are somehow supposed to be from the nighttime brain of the dog in the nursery.

And what is this supposed to be about? My old-man memory has not a single clue.

It occurred to me long ago that both Fantasy and Science Fiction were surreal by nature. What is the story behind Black Peter? Ich weiss nicht! I do not know! Old-man memory again.

Inexplicable Sci-Fi from this little surrealist art-book-thing.

And more of the same…

Now back to cockroaches from doggy dreams…

…And mice, monkeys, and tea-drinking ladybird beetles…

…And what…? The whole world in a nutshell?

To a thing I used in two novels, Catch a Falling Star and The Baby Werewolf.

I offer no explanations or excuses for these nonsensical and unaccountable things. I am not sorry I once did them, if you want to know the truth… but I probably should be.

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Filed under artwork, autobiography, cartoons, humor, Paffooney, strange and wonderful ideas about life, surrealism

Lazy Sunday Silliness

mr8kecd

Imagination is always the place I go in times of trouble.  I have a part of my silly old brain devoted to dancing the cartoon dance of the dundering doofus.  It has to be there that I flee to and hide because problems and mistakes and guilt and pessimism are constantly building un-funny tiger-traps of gloom for me to rot at the bottom of.  You combat the darkness with bright light.  You combat hatred with love.  You combat unhappiness with silly cartoonish imaginings.  Well… maybe you don’t.  But I do.

calvin-and-hobbes

When reading the Sunday funnies in the newspaper on lazy Sunday afternoons, I spent years admiring Bill Watterson’s Calvin and Hobbes for its artistry and imaginative humor, believing it was about a kid who actually had a pet talking tiger.  I didn’t get the notion that Hobbes was actually a toy tiger for the longest time.  That’s because it was basically the story of my own boyhood.  I had a stuffed tiger when I was small. He talked.  He went on adventures with me.  And he talked me into breaking stuff and getting into trouble with Mom and Dad. It was absolutely realistic to me.

Dinosaurs

I have always lived in my imagination.  Few people see the world the way I view it.  I have at least four imaginary children to go along with the three that everybody insists are real.  There’s Radasha, the boy faun, my novel characters Tim Kellogg and Valerie Clarke, and the ghost dog that lurks around the house, especially at night.  That plus Dorin, Henry, and the Princess (the three fake names that I use in this blog for my three real children).

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Have you noticed how Watterson’s water-color backgrounds fade into white nothingness the way daydreams do?  Calvin and Hobbes were always a cartoon about turning the unreal into the real, turning ideas upside down and looking at them through the filter-glasses of Spaceman Spiff.

Spaceman-Spiff

Unique and wonderful solutions to life’s problems can come about that way.  I mean, I can’t actually use a bloggular raygun to vaporize city pool inspectors, but I can put ideas together in unusual ways to overcome challenges.  I almost got the pool running again by problem-solving and repairing cracks myself.

 

So, I am now facing the tasks of working out a chapter 13 bankruptcy and having a swimming pool removed.  The Princess will need to be driven to and from school each day.  I will need to help Henry find another after-school job.  And the cool thing is, my imaginary friends will all be along for the ride.  Thank you, Calvin.  Thank you, Hobbes.  You made it all possible.  So, please, keep dancing the dance of the dundering doofus.

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Filed under artists I admire, autobiography, cartoons, feeling sorry for myself, humor, imagination, strange and wonderful ideas about life

Portraits in Pen and Ink

Simple, clean lines and basic, well-defined shapes go together in black and white.  They are in the basic nature of being a cartoonist.  You translate what you see into line drawings where a few simple lines become a complex and meaningful image.

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My one-legged Batman is an exercise in  foreshortening and trying to burst through the two-dimensional confines of the page to grab the viewer.  I learned this trick from comic book artist Jim Lee.

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His sidekick is rendered as a static portrait where the computer monitor in front of him lights up Robin’s intense and thoughtful face.

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She was an excellent teacher and former nun… she was a mentor to me, taught me a lot about life and love and great beauty.  How do you adequately portray the wisdom and the patience in those highly magnified eyes?  I drew from memory only.  She never considered herself beautiful.  But she was.  And it hurts not to be able to capture it correctly.

Not every portrait is literal.  Sometimes you exaggerate facial characteristics and behavioral quirks are emphasized to create humor in the portrait.

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When I was first married I did a double portrait of us as a knight and his lady fair.  I know, I know… it is so sickeningly sweet that it punches me right in the diabetes.  But, hey, it doesn’t really look like me anyway.   It is more of a portrait of Porky Pig in glasses and hair.

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There is an art to pen and ink that cuts right to the heart of who you are and who you want to be.  Simple lines in black and white… there is no more incisive tool for putting my goofy old mind down on paper.

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Why We Doo

I remember when Scooby Doo, Where Are You? premiered on Saturday Morning Cartoons in 1969. I was thirteen and in the 7th grade. I had been six during the Cuban Missile Crisis of 1962, seven when Kennedy was assassinated in 1963, ten when I was sexually assaulted in 1966, and still twelve when Neil Armstrong walked on the Moon in the Summer of 1969. I was obsessed with monsters, horror comics, 20,000 Leagues Under the Sea, and the Pirates threatening Jim Hawkins in Treasure Island. I knew what fear was. And I was mad to find ways to combat the monsters I feared.

Don’t get me wrong. I was under no illusions that Fred, Daphne, Velma, Norville “Shaggy” Rogers and Scooby Doo were the answer to all my fears as viable heroes and heroines. They were goofballs, all of them, based on the characters I vaguely remembered from The Many Loves of Dobie Gillis. I was aware that Shaggy was just Maynard Krebs in cartoon form (the hippie character portrayed by Gilligan’s Island actor Bob Denver.)

One of the critical things about the show for me was the fact that there was a rational explanation for the monsters. They were men in masks, special effects and projector tricks, or remote-controlled mechanical things.

And the way you overcame them and saved the day was by having Shaggy and Scooby act as bait, cause the traps to get sprung at the wrong time, and then fall on the villains, trapping them under the butt of the talking dog.

Villains and horror could be overcome by laughing at them. They were more likely to be clowns than carnivores. And even if they were carnivores, the teeth were not real.

There was a universal truth in that. Danger and horror and fear were easier to handle when you could laugh in spite of those things.

And to top it all off, those meddling kids and their stupid talking dog were with me my whole life. Those cartoons got remade and spun off so many times that my kids learned to love them as much as I did. And those four meddling kids and that talking dog are still making new stories even now.

Give us your creepiest or goofiest smile, guys!

And that is why we do the Doo!

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Filed under autobiography, cartoon review, cartoons, commentary, humor, monsters, Uncategorized

Sunday Silly Artistical Posts

I like to dig through old piles of artwork I have done to re-purpose things and mash things together to make weird art salad.

Xeribeth the Sorceress and her parrot Herkimer

I used to play a Dungeons-and-Dragons-like game called Talislanta with groups of adolescent boys, most of whom had previously been my students in middle school. It was a weird world where weird things made artistical challenges for me that taught me to be a better and more imaginative artist.

Xeribeth was a member of an almost-human race that had yellow skin and wore colorful face tattoos. She also had to be somewhat alluring to trick adolescent boys into undertaking dangerous and possibly suicidal adventures (meaning characters who only lived on paper might die and have to be re-rolled with dungeon dice.)

Zoric, being a green Cymrillian wizard, gave me numerous opportunities to create Kermit-the-frog-colored portraits. And he was a player character, so his greed and penchant for unwise actions decided on in the heat of battle (like turning himself into a fish-man while adventuring in the waterless desert) didn’t come from me.

Playing those games gave me training as a story-teller as well.

My efforts to see color with gradually worsening color-blindness led me to create eye-bashing color compositions that attempt to portray realistically things and feelings that can’t possibly be physically real. Thus I gradually became, over time, a surrealist (a juxtaposer of unlike and jarring things to deliver a visionary picture of reality) (How’s that for surrealistic gobbeldegook in definition form?)

Rabbit castles are the obvious answer

I often solve the problems of my life by drawing something and making cartoonish comments with serious consequences.

Little people and Slow Ones like us have different problems but share the same world.

Ultimately, it boils down to the fact that the world on the inside of me is decidedly different than the world on the outside of me. But I have to live in both. And I can do that by drawing my colored-pencil Paffooney stuff, posting it, and writing about it on a silly Sunday.

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