
Back in the early 1990’s my little group of game players turned the full power of nerd obsession on the fantasy role-playing game Call of Cthulhu. It is a totally weird little game based on the novels and short stories of H. P. Lovecraft. It is a game about solving mysteries that, if successfully solved, will lead you to confrontations with all-powerful ancient evils that you cannot win against. And you keep playing until your character absorbs so many insanity points that they go completely insane. Your character then becomes a minion of demonic and irresistible evil that the next player character you roll up will have to hunt and defeat. It is not a game you ever win. You merely have to learn to survive and stay sane, things at which the game is set up to make you fail.
In 1991 the television gods took an old vampire soap opera that I had loved in the 60’s and remade it. Dark Shadows came back to life starring Ben Cross as Barnabas Collins (the Chariots of Fire guy playing the vampire role that would later have a part in the downfall of Johnny Depp.) The lead player in our group, a kid who was such a nerd that he would go one to be in the intelligence division of the Marine Corps, decided his character would have to be the vampire Barnabas Collins. He reasoned that the only way to fight big evils was to fight back with evil that had been converted back to goodness.
And his instincts were good. Barnabas and his lady love, Victoria Winters, were the only player characters not eaten by the minions of Nyarlathotep in the first adventure. And Victoria had to be raised from the dead by having Barnabas turn her into a Vampire.

Of course, the very next challenge would be from a white witch voodoo priestess from New Orleans, the Vampire hunter Sofia Jefferson. (She was an NPC, not Sofie’s player character). And she had a special potion that, given to a vampire, would restore it to normal human life.
This was a problem for Barnabas, because he really depended on his powers as a vampire and was not willing to go on without those powers. So the vampire hunter had to be avoided without killing her and putting an end to her good work fighting evil. If you can’t tell from the picture, Sofia was blind, yet could see with uncanny vision through sightless eyes.

The next player character added to survive more than one adventure borrowed Luis’s vampire idea by making his character from the movie Darkman, a Liam Neeson movie about a doctor who had burned his face off, but could become other people by wearing their cloned skin. He was the lead investigator to help solve the werewolf problem in the bayou , and took on the dark circus adventure where the foolish sideshow people were trying to make money exhibiting the captured Headless Horseman of Sleepy Hollow.

There was a lot of death and horrible murders in those game sessions, but not committed by the player characters. They had to keep good notes and draw conclusions and manage their characters’ powers and assets. Notes like these;
And so, while the game never ended to my satisfaction, the players did get the feel of acting in a horror movie and fighting on the side of goodness against evil. It was weird, but definitely worth doing.
















I am now in that period of deflation after having finished a draft of a novel. My brain is drained and mostly empty. I am left with leftover piles of stupid words and guileless thoughts that I didn’t use in the book and none of that is good fuel for thinking.



A Concert Performed For Nobody
Back in my college days in the late 70’s I came back to the dorm one night late due to research until the library closed. In the entry hall to the dorms there was a piano. I had never seen anybody playing it. But as I got there, there was a student playing it. It was my nerd friend Kip, an engineering major. It was quiet, unassuming Kip. Kip who was so quiet, in fact, that I can’t even remember his last name, or what his voice sounded like. But he was playing the piano in an empty room with nobody listening. He was playing Scott Joplin’s composition “The Entertainer”. He had his back to me, totally lost in the music. He didn’t know I was there. And I… I was transfixed. I realized he was just practicing. But he knew the music right out his head, no sheet music on the piano in front of him. And he played like the ultimate virtuoso. And the music was so good it made my soul tingle.
It occurs to me that that single moment is, for me, a metaphor for my life. It is a concert played for nobody. I am competing only with myself. I am trying to please only myself. And if anybody is listening… I mean really listening… not just looking at the pictures and moving on, I don’t know it. And that is probably how it should be. This poor player is strutting and fretting his hour upon the stage. And when the concert ends… when the concert ends…? Applause is not likely. And applause is not needed. The music exists for its own sake. And the echoes of it are the fuel that powers the universe.
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