I am now closing in on the publication of The Baby Werewolf, a novel whose story began with a nightmare in 1978. It was a dream I had about being a monster. I woke up in a cold sweat and realized, to my complete horror, that I had been repressing the memory of being sexually assaulted for twelve years, the thing that almost brought me to suicide in 1973 and that I couldn’t put into words when I talked to counselors and ministers and friends who tried to keep me alive without even knowing that that was what the dark black words were about.
I don’t normally write horror stories. Yes, it is true, a character of some sort dies at the end of practically every novel I have ever written, but those are comedies. I am sort of the anti-Shakespeare in that sense. The Bard wrote comedies that ended with weddings and tragedies that end in death. So, since my comedies all seem to end in death, I guess if I ever write a tragedy, it will have to end with a wedding.
But writing this horror story is no joke for me, though I admit to using humor in it liberally. It is a necessary act of confession and redemption for me to put all those dark and terrible feelings into words.
The main theme of the story is coming to grips with feeling like you are a monster when it is actually someone else’s fault that you feel that way. Torrie, the main character, is not the real werewolf of the story. He is merely a boy with hypertrichosis, the werewolf-hair disorder. He has been made to feel like a monster because of the psychological and physical abuse heaped upon him by the real werewolf of the story, an unhappy child pornographer and abuser who is enabled by other adults who should know better and who should not be so easily fooled. The basis of the tale is the suffering I myself experienced as a child victim.
It is not easy to write a story like this, draining pain from scars on my own soul to paint a portrait of something that still terrifies me to this day, even though I am more than sixty years old and my abuser is now dead. But as I continue to reread and edit this book, I can’t help but feel like it has been worth the pain and the striving. No one else in the entire world may ever want to read this book, but I am proud of it. It allowed me to put a silver bullet in the heart of a werewolf who has been chasing me for fifty-two years. And that’s how the monster movie in my head is supposed to end, with the monster dead, even though I know the possibility of more monsters in the darkness still exists.
Well, of course, it is not as simple as that. I created a cover for it. But it is not proofread and formatted and I have to give it time to cool down, being fresh out of the oven, before I read it over again, make adjustments, and publish it. And I have two other novel drafts that haven’t yet reached the published state of being. So, I better put off dying for just a bit. Any clown can tell you that giving birth to a novel that you have been composing for 4o years and writing down for six months takes a lot out of you. And you have to stop and take a breath. At least one. Before you forge ahead with the next one. I do have Recipes for Gingerbread Children already formatted and I am working through the final edit. I am still in poor health yet and could drop dead at any moment. My computer is all funky from some sort of virus, hopefully not computer flu… or computer black death. So, I am still in a mad rush to beat an unknown deadline beyond which I am really dead.
But Bob Keeshan, though a TV personality, was much more of a teacher than anything else. His show went on air before I was born, and I don’t remember a moment in my childhood that he wasn’t a part of it. He was like Mr. Rogers, but came into our lives even before Fred Rogers appeared on the scene. I watched the show in the mornings before school started, at a time when I walked all the way across our little Iowa farm town to get to school. He taught me important early lessons in life that were just as impactful as the math and language and social skills I was getting later in the day. Of course, I had to leave home for school before the show ended at 8:00 a,m. But just like school, watching and participating in any part of it was capable of teaching you something good.
The worst experience I got from this summer’s food delivery came at the hands of a fellow school teacher. I had to deliver faculty lunch to an elementary school in the last week of summer school classes. It was a large lunch with two bags of burgers and a tray loaded with drinks in flimsy cardboard cups. It was a short drive from the restaurant to the school. But when I got there, it was a school with many entrances and kids playing on two different sides of the building. I went to the door I thought the Uber navigator was directing me to. I knocked. When I got no answer, I called the lady who ordered everything. I told her I was at the west door. She told me that I had to find the main door on the south side of the building. So I managed to juggle the two sacks and the easily spillable drinks to three different doors on the south side, all locked. I called again and was told I must have the wrong building, so I went to the school building across the street and found an office building with only kindergarten and daycare kids present. I called again.
Catch a Falling Star 
If I’m Being Honest…
If I’m being honest, I am a liar. And that is not really a paradox, because I don’t always lie. In fact, I often lie in order to reveal a deeper truth. (I know, I know… rationalizations are simply another kind of lie.) I lie because I used to be a school teacher. You know that teachers have to be liars because you can’t say to a parent, “Your kid is ugly and stupid, and I have documented proof.” You especially can’t say that if it really is provable. Instead, you have to tell the lie that any kid can learn and do and be anything they want if only they are willing to work hard enough. And you have to tell that lie often enough that the kid, the parent, and even you, the teacher, believe it to the point that it becomes true.
And now that I am retired and not telling the school teacher’s lie any longer, I have become a novelist, and I have now made it my business to make up fiction stories and compile lies into book form. And though the people or characters are based loosely on real people I have known, they are really only a narrative trick to make the reader think about and possibly accept as truth the themes my writing puts forward.
(Boy! I sure am an ugly old hairy nut-job, ain’t I? = a lie in question form.)
But if I’m being honest today, there are a few things I need to say truthfully, straight out without irony or falsehood or exaggeration. Let me offer these truths.
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Filed under autobiography, commentary, education, goofy thoughts, humor, lying, Paffooney, strange and wonderful ideas about life, teaching, telling lies
Tagged as lying, teaching, writing fiction