This is the updated version of that last post. I have written more books. I have published more books. And I have gotten more people to read and like my work since 2018.
Here is a better idea how things currently stand;
And of course, I left out the book I was using to copy the list from, The Wizard in his Keep.
So, now I stand revealed as the published author, hard-working writer, and total fool that I am.
And here’s a link to the book I forgot. Only a dollar if you’re interested.
With the conclusion of Stardusters and Space Lizards, I have now completed a novel nine times. The seven titles above are the ones I am actually proud of having written. I am beginning to feel like a novelist.
I should point out that I don’t claim to be a professional novelist. I have spent a lot more money than I have earned by writing. But I am not a hobbyist. After teaching ended as the career that defined my life, writing became my life’s work. I am trying to become a published novelist. But “published” is becoming an increasingly complex idea.
Catch a Falling Star is published and available through Amazon, Barnes and Noble, and I-Universe, the actual publisher. I-Universe is an Indie publisher, but connected to Penguin Books, and so owned by one of the big five. Aeroquest is published by Publish America, but I could’ve copied from the encyclopedia and they would’ve bound it into a book form. I am embarrassed to even own up to having written it. Snow Babies was a contest finalist manuscript and supposed to be published by PDMI Publishing LLC, but that publisher folded after the editing was done and so it never found its way into print. Magical Miss Morgan is currently with Page Publishing, a vanity press operation that already collected their fees and don’t seem to be publishing my work. I am looking into the process of suing in case they don’t come through on a process that is already a year overdue. And I am determined to see the rest of my books in print if that is in any way possible. Who knows? Someday somebody may actually read and like my books… by which I mean somebody that I haven’t paid to read it. The last one I paid to read one wrote the review on somebody else’s book by mistake and then corrected the error by writing a fudged book report on the back cover blurb. My luck as an author is reminiscent of Vincent Van Gogh’s luck as a painter.
My life is a book. I am still writing it. And I will never let go the pen while I still have life enough to hold it in my hands..
Back in the early 1990’s my little group of game players turned the full power of nerd obsession on the fantasy role-playing game Call of Cthulhu. It is a totally weird little game based on the novels and short stories of H. P. Lovecraft. It is a game about solving mysteries that, if successfully solved, will lead you to confrontations with all-powerful ancient evils that you cannot win against. And you keep playing until your character absorbs so many insanity points that they go completely insane. Your character then becomes a minion of demonic and irresistible evil that the next player character you roll up will have to hunt and defeat. It is not a game you ever win. You merely have to learn to survive and stay sane, things at which the game is set up to make you fail.
In 1991 the television gods took an old vampire soap opera that I had loved in the 60’s and remade it. Dark Shadows came back to life starring Ben Cross as Barnabas Collins (the Chariots of Fire guy playing the vampire role that would later have a part in the downfall of Johnny Depp.) The lead player in our group, a kid who was such a nerd that he would go one to be in the intelligence division of the Marine Corps, decided his character would have to be the vampire Barnabas Collins. He reasoned that the only way to fight big evils was to fight back with evil that had been converted back to goodness.
And his instincts were good. Barnabas and his lady love, Victoria Winters, were the only player characters not eaten by the minions of Nyarlathotep in the first adventure. And Victoria had to be raised from the dead by having Barnabas turn her into a Vampire.
Of course, the very next challenge would be from a white witch voodoo priestess from New Orleans, the Vampire hunter Sofia Jefferson. (She was an NPC, not Sofie’s player character). And she had a special potion that, given to a vampire, would restore it to normal human life.
This was a problem for Barnabas, because he really depended on his powers as a vampire and was not willing to go on without those powers. So the vampire hunter had to be avoided without killing her and putting an end to her good work fighting evil. If you can’t tell from the picture, Sofia was blind, yet could see with uncanny vision through sightless eyes.
The next player character added to survive more than one adventure borrowed Luis’s vampire idea by making his character from the movie Darkman, a Liam Neeson movie about a doctor who had burned his face off, but could become other people by wearing their cloned skin. He was the lead investigator to help solve the werewolf problem in the bayou , and took on the dark circus adventure where the foolish sideshow people were trying to make money exhibiting the captured Headless Horseman of Sleepy Hollow.
There was a lot of death and horrible murders in those game sessions, but not committed by the player characters. They had to keep good notes and draw conclusions and manage their characters’ powers and assets. Notes like these;
And so, while the game never ended to my satisfaction, the players did get the feel of acting in a horror movie and fighting on the side of goodness against evil. It was weird, but definitely worth doing.
Self-reflection is a critical part of being a writer and an author. At least it is if you are a mostly-ignored and somewhat unsuccessful one. That’s really the full extent of my personal expertise on this subject.
But knowing your own personal strengths and weaknesses is the only way to continue to sharpen the blades you use to cut insightful, heartfelt stories out of your own life experiences.
For example, the thing I think is most important to know about myself is that I do have the ability to laugh at myself, even when the thing I am laughing at hurts quite a lot. A sense of humor is a life skill that people who experience depression, chronic pain, and personal trauma need in order to survive.
Robin Williams is the quintessential sad clown. He lived to the age of 61 before depression ended him. Think of how much younger he would’ve been in leaving us all behind if he hadn’t had his bright, silvery suit of comedy armor to get him through life. But that’s a downer. One of my biggest failures is that I will bluntly drop a big black bomb like that in the middle of a sensitive and heartfelt scene, or in the fourth paragraph of an essay that you found interesting enough to read.
I find I am often guilty of not knowing when to give up on something and cut my losses. But at the same time as I am contemplating ending this essay before I lose more readers than ever, I remember what makes the cardinal a personal symbol for me. Cardinals are a bright red songbird that never flies away when the winter comes. It will stupidly stay put even in snow and cold and a total lack of food, choosing to starve or freeze to death over leaving its home territory. I was like that as a teacher. After the first two miserable years, I decided to stay put in that little South Texas school district where I was underpaid and constantly abused by parents and students and even some other school personnel. I refused to leave without first proving to myself that I could do the job and be good at it. I stayed for twenty]-three years, becoming the head of the English Department, a leader of the Gifted and Talented Program, and a generally well-loved teacher of a generation of students. (I left before the grandson and granddaughter of two of the kids in my very first class were about to enter middle school.)
I guess, thinking about it critically, sometimes your weaknesses and your strengths are not only related, they are the same thing.
I have been accused of not being serious enough to be a teacher. And that has carried over to the writing of young adult fiction. Reviewers have told me that putting details about sex, violence, and dark humor in a story is not appropriate for young, middle-school-aged readers. One reviewer told me that I was practically a child pornographer, even though the book had no explicit sex scene and only talked about the subjects of love, sex, and intimacy.
But I am a believer in not shying away from subjects that kids want to know about. As a victim of a sexual assault in childhood, I found that fiction and nonfiction that discussed sexuality and morality were life-saving, and gave me the guidance I needed to recover from what my own monster encounter scarred me with. And I was able to eventually laugh at the things that had been tearing me apart. I think fiction like that, frank, honest, and clearly guiding the reader towards the right path is what is most needed in YA literature.
Again, I think my weakness for absurd and chaotic humor is both a weakness and a strength. We all need to laugh more and suffer less. And we don’t get there by avoiding our problems in life, but by fighting through them to the other side.
I am not fool enough to think I know all the answers. In fact, there are lots of things I know I don’t know anything at all about.
I don’t know what causes people to vote Republican. I don’t know if we can ever achieve a real, space-faring Buck Rodgers life. And I apparently don’t know the first thing about successfully marketing self-published books. But I know the problems are there. I see them in my magnifying glass. And I am working on them. I will get better.
Me back in the days when I actually knew what I was doing.
Today’s Art Day post is about using pen and ink to tell at least a part of a story. Narrative can indeed occur in black and white images.After a lifetime of studying the works of other pen and ink masters, I can copy many styles and I make as much of it a part of my own style as possible.I know I probably draw nude figures too often. I get unfollowed by prudes and pious people on Twitter practically every day.And nudes can attract the wrong sorts of followers too. But they usually don’t follow very long when they begin to notice my drawings never contain what they are actually looking for.I am not a racist. I do identify with rabbit people, but I recognize that wolves are people too. And you have to appreciate diversity as a strength of humanity. Otherwise rabbit people would be persecuted too.Some of my art contains portraits of people I have known.And sometimes it is the illustration of characters in one of my books that help me recognize who those characters really are based on. “Hello, Sofie.”And sometimes the story the picture tells is funny.And sometimes it is simply silly.Sometimes it is a story we all know already.And sometimes the story is entirely original and new.
My path in life has never been straight, never arrived at the destinations I was originally shooting for.
Sometimes you wake up and find a new path spreading out before you.
My dreams were once to go to the Air Force Academy and learn to fly planes.
But bad arches in my feet, poor eyesight in my left eye, and nagging difficulties with allergies turned that dream on its head. I was physically ground-bound, and able to fly only in my dreams.
And then I went to Cow College, Iowa State University, to be an English Major. I was good at drawing. I had endless story-plots bursting out of my fevered comic-book lover’s brain. And I was determined to be a story-teller and comic book artist. But arthritis crept into my hands and slowed the drawing down, my confidence dried up. I realized I was a graduated English major with no chance at ever finding a job just reading books.
So, I went to the University of Iowa, the Hawkeyes, and got myself a remedial Master of the Art of Teaching degree and a teaching certificate. And this time the door actually opened… to a life of a pedagogue. I got to perform my act six times a day in front of a hostile audience for the next 31 out of 33 years, with two years off for bad principal behavior, and time spent being a sub for every kind of teacher that there was. I got to teach everything from autistic special education to P.E. teacher to Librarian to Orchestra teacher.
Some days I was the worst teacher that ever lived. But most days I was a pretty good teacher. And I never let a bad day pass without learning something from it. And I learned to use my drawing ability on chalk boards and bulletin boards and dry-erase boards and overhead projectors. And I learned to be a good story-teller, whether it was by reading aloud or re-telling stories that were mostly factual from history, and funny stories from my own experiences. I became a fascinating nearly-human bean that could keep the attention of even ADHD twelve-year-olds for as much as twenty minutes. A good trick, that.
And when the time came to give it up, I did not go gentle into that good night. I had a miserable last year in 2013-2014 because my health was so poor. I lost money from excessive absences since I had the flu three times that year and had a son spend a week in the hospital. I retired that May and thought my life was over.
And then the real nonsense started.
I published the original AeroQuest in 2007. Then in 2012 I added Catch a Falling Star, published with I-Universe/ Penguin Books.
Once I retired, I published Magical Miss Morgan with Page Publishing. Then, disgusted with traditional publishers whom I paid more money than I ever earned from, I began self-publishing with Amazon.
Snow Babies followed, with Stardusters and Space Lizards after that.
The Bicycle-Wheel Genius,Recipes for Gingerbread Chidren, The Baby Werewolf, Sing Sad Songs, and Fools and Their Toys followed that (in order).
Then I doubled down on writing more than one story at a time.
I began rewriting AeroQuest, publishing 1,2, and 3 as of this writing.
I wrote the prequel to Snow Babies, When the Captain Came Calling. I also wrote The Boy… Forever, the sequel to The Baby Werewolf.
Most recently I have published A Field Guide to Fauns, a novel where all the main characters are nudists. And I completed a book of essays from this blog, which I call Laughing Blue.
And then I began working even harder to get my books read and reviewed.
I have gotten more five-star reviews than any other level.
My current work-in-progress is The Wizard in His Keep. It currently stands at 30,000 words out of a probable 40,000.
How much more I can get done now until my life has ended remains to be seen. But I keep on trudging on the path into the future, not knowing where it will go next… and not really worrying about it.
You may have looked at the name of my website here on WordPress and wondered, “Why in the heck has that fool Mickey called this thing he writes Catch a Falling Star?”
The answer is, he named it after the first good published novel he wrote at the insistence of the I-Universe Publishing’s marketing adviser. Very poor reason for doing anything, that.
But, the secondary reason is because of where that title came from. Look at the first stanza of this poem by John Donne.
So, now, you are justified in asking, “What nonsense is this? That doesn’t have any coherent meaning, does it?”
And you would be right. These are impossible things that I am being ordered to do by a very religious cleric in the Anglican Church who was originally a Catholic, but, in the time of Henry VIII Catholicism was made illegal, and he wrote this poem about not being able to find an honest woman in his drunken, wasted youth anyway. He is ordering me here to not only “catch a falling star” (and catching a meteorite with your bare hands has rather hot consequences), but also to have sex with a semi-poisonous plant, explain why we can’t go backwards in time, determine whether and why God might’ve given Satan goat feet, listen to probably-nonexistent humanoid creatures singing, find a way to avoid anybody ever looking at me with envy and then doing something to me because of it, and, most importantly, find a place where the wind blows in a way that fills your head with facts that actually makes you smarter.
Challenge accepted!
It is exactly what I wanted to write about. Impossible things actually being accomplished. Finding the meaning behind alien beings from outer space developing an intense love of I Love Lucy television broadcasts and Mickey Mouse Club music. Discovering why intensely shy people need to embrace social nudity. Defining who is actually a werewolf and who is not, uncovering who and what real monsters are. Singing songs so sad that it magically makes people fall in love with you. Talking to clowns in your dreams and getting real answers to the meaning of life, love, and laughter.
Catching falling stars is the stupid idea that this wacky, idiotic little blog is about. It is what I write about constantly. You have to kill me to get me to stop. So, there is your fair warning. Read on at your own peril.
Yes, it is very possible that my imagination was galvanized in childhood by TV.
It seems to me that NBC had even more power over me than the other two networks. We could get CBS and ABC on our black-and-white TV. But the only NBC affiliate in Iowa was not able to be received in our little town. We had to go to Grandma’s house in Mason City where Grandma had a color TV.
Wow! Color!
Of course, it used to be referred to as the “Boob Tube” because psychologists and people who mattered kept saying that TV makes you stupid. Which, naturally, has a grain of truth to it because you don’t watch TV actively. You sit there and passively let the stories, commercials, and propaganda about sugary breakfast cereals flow in one ear, poison your brain, and then flow out the other ear leaving only water-logged thinking-muscles behind them.
The Saturday Matinees on CBS provided my youthful imagination with science fiction, fantasy, and heroes of all kinds.
I taught myself to draw cartoon characters based on the animated shows I watched on TV. I not only copied Mickey, for obvious reasons, but also Donald and Daffy Ducks, Space Ghost, Jonny Quest, Yogi Bear, and the Herculoids.
And Batman! With Adam West and Burt Ward and Cesar Romero as the Joker. Bam! Boff! Sock! Pow! Bright colors, goofy Riddler plots, and really bad jokes that were so bad they made you laugh.
And I loved monster movies. Not horror movies really. I never loved Freddy Krueger or Jason. But the Wolfman? Frankenstein’s Monster? Bela Lugosi’s Dracula? The Creature from the Black Lagoon? My inspirations!
And, of course, Disney on Sunday nights. The Wonderful World of Disney in living color.
This particular Iowa trip has me thinking hard about mortality and the cold harsh wind that blows toward us from the future. My cousin’s only son lost his battle with depression, and his family finally came to terms with the loss. But the sadness is past. The responsibilities of the living is what remains.
I was born while Eisenhower was President. I was alive and aware when Kennedy was assassinated and when men first walked on the moon. I was teaching in a classroom when the first teacher in space was killed on the exploding space shuttle. And I was also in the classroom when the twin towers fell on 9-11. It is an important part of the responsibilities I have for being alive to keep that past alive too.
My mother’s knickknack shelf.
The reason we collect and care about little extraneous things like porcelain eggs, angels, fine blue china plates, and the California Raisins singing I Heard It Through the Grapevine is because those little, otherwise unimportant things connect us to memories of important times and places and people. We keep old photographs around, many of them black and white, for the same reasons.
The fiction I write is not contemporary. It is mostly historical fiction. It is set in a recent past where the Beatles and the Eagles provided the sound track to our lives. It does not cross the border into the 21st Century. The part of my writing that is not about the past is science fiction set in the far future, entirely in the universe of my imagination. It is my duty to connect the past to the future.
And I share that duty with everyone who is alive. My great grandparents and grandparents are now gone from this world. But their horse-and-buggy memories about life on the farm before electric lights and cars… with humorous outhouse stories thrown in for comic relief… are in me too. I am steeped in the past in so many ways… And I must not fail to pass that finely brewed essence on to my children and anyone young who will listen. It is a grave responsibility. And it is possible to reach the grave without having fulfilled that important purpose.
In times of great sadness and loss we must think about how life goes on. There has to be a will to carry on and deliver the past to the future. Every story-teller carries that burden, whether in large or small packages. And there is no guarantee that tomorrow will even arrive. So here is my duty for the day. One more window has been opened.
Mickey Under the Magnifying Glass
Self-reflection is a critical part of being a writer and an author. At least it is if you are a mostly-ignored and somewhat unsuccessful one. That’s really the full extent of my personal expertise on this subject.
But knowing your own personal strengths and weaknesses is the only way to continue to sharpen the blades you use to cut insightful, heartfelt stories out of your own life experiences.
For example, the thing I think is most important to know about myself is that I do have the ability to laugh at myself, even when the thing I am laughing at hurts quite a lot. A sense of humor is a life skill that people who experience depression, chronic pain, and personal trauma need in order to survive.
Robin Williams is the quintessential sad clown. He lived to the age of 61 before depression ended him. Think of how much younger he would’ve been in leaving us all behind if he hadn’t had his bright, silvery suit of comedy armor to get him through life. But that’s a downer. One of my biggest failures is that I will bluntly drop a big black bomb like that in the middle of a sensitive and heartfelt scene, or in the fourth paragraph of an essay that you found interesting enough to read.
I find I am often guilty of not knowing when to give up on something and cut my losses. But at the same time as I am contemplating ending this essay before I lose more readers than ever, I remember what makes the cardinal a personal symbol for me. Cardinals are a bright red songbird that never flies away when the winter comes. It will stupidly stay put even in snow and cold and a total lack of food, choosing to starve or freeze to death over leaving its home territory. I was like that as a teacher. After the first two miserable years, I decided to stay put in that little South Texas school district where I was underpaid and constantly abused by parents and students and even some other school personnel. I refused to leave without first proving to myself that I could do the job and be good at it. I stayed for twenty]-three years, becoming the head of the English Department, a leader of the Gifted and Talented Program, and a generally well-loved teacher of a generation of students. (I left before the grandson and granddaughter of two of the kids in my very first class were about to enter middle school.)
I guess, thinking about it critically, sometimes your weaknesses and your strengths are not only related, they are the same thing.
I have been accused of not being serious enough to be a teacher. And that has carried over to the writing of young adult fiction. Reviewers have told me that putting details about sex, violence, and dark humor in a story is not appropriate for young, middle-school-aged readers. One reviewer told me that I was practically a child pornographer, even though the book had no explicit sex scene and only talked about the subjects of love, sex, and intimacy.
But I am a believer in not shying away from subjects that kids want to know about. As a victim of a sexual assault in childhood, I found that fiction and nonfiction that discussed sexuality and morality were life-saving, and gave me the guidance I needed to recover from what my own monster encounter scarred me with. And I was able to eventually laugh at the things that had been tearing me apart. I think fiction like that, frank, honest, and clearly guiding the reader towards the right path is what is most needed in YA literature.
Again, I think my weakness for absurd and chaotic humor is both a weakness and a strength. We all need to laugh more and suffer less. And we don’t get there by avoiding our problems in life, but by fighting through them to the other side.
I am not fool enough to think I know all the answers. In fact, there are lots of things I know I don’t know anything at all about.
I don’t know what causes people to vote Republican. I don’t know if we can ever achieve a real, space-faring Buck Rodgers life. And I apparently don’t know the first thing about successfully marketing self-published books. But I know the problems are there. I see them in my magnifying glass. And I am working on them. I will get better.
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Filed under autobiography, commentary, feeling sorry for myself, humor, Mickey, monsters, writing teacher