
When you spend most of your time writing and thinking with the Sword of Damocles hanging over your head and the hourglass of your life looking more and more like the sands of time are running out, you are tempted to take the curves too fast and make extremely stupid mistakes that make your brain crash into a brick wall of stupidity. You are stuck in a stupor of stupidity that must somehow un-stupid you with downtime and do-nothing brainless activity. I won’t try to explain what I did wrong, because, after all, I am still stupid at the moment and don’t really know what I did wrong.

I bought myself a doll yesterday. I spent some of my birthday money on it. My octogenarian mother sends me birthday money every year to remind me how many years beyond sixty I have aged, especially now that, after more than twenty years spent not celebrating birthdays as a nominal Jehovah’s Witness, I am now no longer associated with prohibitions from God due to the arbitrary rules of religion. It was a stupid act based on the fact that I have been avoiding wasting money on my doll-collecting hoarding disorder for a matter of months. It could be like an alcoholic taking a drink after months of being sober. But the doll is pretty in a magical sort of way and provides me with someone else to talk to when I am brooding about being stupid.

It may seem like, since I am writing this while still stupid, that I am saying that being stupid is, by definition, a bad thing. If I am saying that, it is only because I am currently stupid.
If you look at the smiles on the faces of the gentleman with the brown cap and Scraggles the mouser, you can easily see that being happy is a simple thing. And it is the province of simple people, not complicated and extremely smart people. I can testify from hard experience that being too smart is a barrier to being simply happy. So, I benefit emotionally from being stupid this Sunday.
As to being stupid today and what caused it, well, it may have something to do with the fact that I am currently editing The Baby Werewolf, the most complex and potentially controversial novel I have ever written. Horror stories often mine and expose the author’s own traumas and fundamental fears. And I am trying to publish it as the fourth novel I have published in 2018. Is that biting off more than I can chew with my old teeth? I don’t know the answer. I am currently pretty stupid.








































A Mr. Holland Moment
Life is making music. We hum, we sing to ourselves, movie music plays in our head as the soundtrack to our daily life. At least, it does if we stop for a moment and dare to listen. We make music in many different ways. Some play guitar. Some are piano players. And some of us are only player pianos. Some of us make music by writing a themed paragraph like this one. Others make an engine sing in the automotive shop. Still others plant gardens and make flowers or tomatoes grow. I chose teaching kids to read and write. The music still swells in my ears four years after retiring.
The 1995 movie, Mr. Holland’s Opus, is about a musician who thinks he is going to write a magnificent classical orchestra opus while teaching music at a public high school to bring in money and allow him time to compose and be with his young wife as they start a new family.
But teaching is not, of course, what he thought it was. He has to learn the hard way that it is not an easy thing to open up the closed little clam shells that are the minds of students and put music in. You have to learn who they are as people first. You have to learn to care about what goes on in their lives, and how the world around them makes them feel… and react to what you have to teach. Mr. Holland has to learn to pull them into music appreciation using rock and roll and music they like to listen to, teaching them to understand the sparkles and beats and elements that make it up and can be found in all music throughout their lives. They can even begin to find those things in classical music, and appreciate why it has taken hold of our attention for centuries.
And teaching is not easy. You have to make sacrifices. Big dreams, such as a magnum opus called “An American Symphony”, have to be put on the shelf until later. You have children, and you find that parenting isn’t easy either. Mr. Holland’s son is deaf and can never actually hear the music that his father writes from the center of his soul. And the issue of the importance of what you have to teach becomes something you have to fight for. Budget cuts and lack of funding cripples teachers in every field, especially if you teach the arts. Principals don’t often appreciate the value of the life lessons you have to give. Being in high school band doesn’t get you a high paying job later.
But in the end, at the climax of the movie, the students all come back to honor Mr. Holland. They provide a public performance of his magnum opus, his life’s work. And the movie ends with a feeling that it was all worth it, because what he built was eternal, and will be there long after the last note of his music is completely forgotten. It is in the lives and loves and memories of his students, and they will pass it on.
But this post isn’t a movie review. This post is about my movie, my music. I was a teacher in the same way Mr. Holland was. I learned the same lessons about being a teacher as he did. I had the same struggles to learn to reach kids. And my Mr. Holland moment wasn’t anywhere near as big and as loud as Mr. Holland’s. His was performed on a stage in front of the whole school and alumni. His won Richard Dreyfus an Academy Award for Best Actor. But his was only fictional.
Mine was real. It happened in a portable building on the Naaman Forest High School campus. The students and the teacher in the classroom next door threw a surprise party for me. They made a lot of food to share, almost all of which I couldn’t eat because of diabetes. And they told me how much they would miss me, and that they would never forget me. And I had promised myself I would never cry about having to retire. But I broke my promise. In fact, I am crying now four years later. But they are not tears of sadness. My masterwork has now reached its last, bitter-sweet notes. The crescendos have all faded. But the music of our lives will still keep playing. And not even death can silence it completely.
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