There are probably too many things on my mind today. Examine the map for yourself.







My daughter the Princess graduated on this weekend in 2020. That is probably what has my head swirling.
There are probably too many things on my mind today. Examine the map for yourself.







My daughter the Princess graduated on this weekend in 2020. That is probably what has my head swirling.

What does it mean to be fundamentally Mickey?
Whew! What a hard question to answer.
Mickey is a nickname, a cartoonist’s pen name, a wererat from Tellosia, the secret kingdom of fairies hidden in a willow tree in Rowan, Iowa, called Norwall in Mickey’s Hometown Novels.

Mickey is a cartoon mouse with purple fur who talks too much in writing and not enough in real life.
The difference between a John Green, author of The Fault in Our Stars, and a Mickey is that John Green became a recognizable personality on YouTube before becoming a published novelist. And he is younger with more opportunity to go and do what an author has to go and do to market a best-selling novel. Mickey markets worst-selling novels. But their writing styles and writing goals are remarkably similar. (Do you feel the urge to argue that point? You may have to buy and read a worst-selling novel or two to prove me wrong.)

Mickey thinks of himself as a nudist. He plans to revisit a nudist park this Saturday if his body doesn’t fail him again and prevents him from making that long drive. He essentially makes himself spiritually naked by revealing all his inner secrets and emotions by writing them all in this blog and his silly books. Some readers find that the naked people in his stories wreck their enjoyment of the books. But those readers generally have bad things in their imaginations that don’t necessarily come from the characters taking their clothes off. And not all of Mickey’s books have nudist characters in them. Most do not.
Mickey is not a real person. That is not the author’s real name.
But Mark Twain is not a real person either.
Neither is William Shakespeare. (You are welcome to argue that if you like.)
Mark Twain is on Mickey’s side about Shakespeare not being real.
Mickey believes there is real magic in the world. Of course, Mickey is pretty much crazy and claims to be a wizard. But he defines magic as, “”The use of undiscovered science or uncommon artifice by individuals who are gifted with possession of arcane and rare knowledge.”
But being fundamentally Mickey is not something I would recommend as a life course for anybody else in this world. Mickey is stuck with being Mickey in the same way that you are probably stuck being you. And we simply try to be the best Mickey or the best you that we can be because we don’t have any choice but to be the best of whatever we are stuck with being.

My writing life has not been going well of late. A book reviewer from the Pubby book-review exchange recently gave me a review with nothing but very positive words for the book Cissy Moonskipper’s Travels, and yet, he only gave it three stars out of five. It seems dishonest. Four stars mean you liked the book. Three is a tepid response. I would never give a three without explaining why I didn’t like the book. I prefer honest reviews to weaselly wording and tepid responses. I’d rather be told why it is not good enough flat out. I suppose, as someone who dabbles with being a nudist, I would prefer naked honesty.

Naked honesty to me is a metaphor. An important metaphor. It stands for not hiding anything, whether it is something embarrassing, something to be ashamed of, something to be proud of, or something you hide because society tells you that you must. Just like when you are standing in front of a crowd of people, some who know you, and some who don’t, and you are completely naked so that they can see everything. Warts, tattoos, scars where you burned yourself on purpose, bulges of fat, birthmarks… everything. That happens in real life in gym dressing rooms, public showers in campgrounds, and other situations like that that people who aren’t me take for granted as being innocent.
I use naked honesty in this blog a lot. Also in my novels, and in my artwork. As a survivor of a sexual assault when I was ten, committed by an older teenage boy, dealing with naked truth is a critical thing to me that I need to talk about. I found comfort and healing in contact and conversation with nudists. I was deprived of the ability to be comfortably naked from the age of ten to the age of 35. That deprivation interfered with being in the shower room with other boys during P.E. classes and after sports practice and competitions. It also interfered with my ability to befriend others and confidently talk to girls. I had to struggle to identify myself as a heterosexual male. I narrowly avoided meltdowns and anxiety attacks in numerous situations like those seemingly innocent ones I was just now describing. It made me a bit of a social outcast. And it definitely interfered with my love life until I was 38 and finally able to marry.
So, basically, I healed myself with explorations of nudity. I thought about it. I found ways to expose myself to it without risking any crimes or mortal sins. I associated to a limited degree with naked people. (I had a nudist roommate for a year in grad school. And a former girlfriend was a big help in that her sister lived in a clothing-optional apartment complex in Austin, Texas. I never was myself naked when she dragged me there. But I learned a lot about nudists from nudists there.) I began drawing nudes.
You may have noticed that my drawings of nudes tend to be either children or child-like young adults. I can assure you that they are never intended to be any sort of child pornography. They are innocent nudes. I never drew a child nude from a live model without clothing. I have done portraits of nude children from photographs, but only with parental consent forms somewhere in the process. Live nude models I have drawn were consenting adults posing in an art class, except for one case when the request was from the boyfriend and the young lady herself while she was doing the posing. That was awkward, but that boyfriend was my efficiency-apartment roommate who had previously explained to me about being a nudist. I never drew him, but he was naked most of the time within the apartment. I also drew nudes from photographs in nudist publications. I don’t draw genitals very often, and never in a way that is inviting the viewer to think “pornography.” I can draw adult nudes, and have done so, but it is less comfortable because of the sexual aspect and how it tugs at that old traumatic fear.

It is psychologically very freeing to be socially nude around other nudists who simply desire that same naked honesty from me that they are presenting me with. Nudists look at each other eye to eye rather than staring in ways that are only appropriate in certain more private situations. It is not about sex. And lewd behavior in public is always against the rules in the places and situations that nudists share together. After a while, seeing naked people around you seems perfectly normal.
There is also a downside. If you spend all your time dealing in naked honesty, you become overexposed… even if you never show off your own penis, and nobody ever seems to be paying attention to anything you write, draw, say, and do. Your deepest, darkest secrets are out there. Everything is exposed. If you read this far in this essay, you already know my darkest secret… being the victim of a sexual assault.
I worry that someone will read my work and put together who he was, this person who did a horrible thing to me and made me fear that he would kill me if I told anybody what he did to me. And his life ended a few years ago, and I was finally free to talk about it and begin to make peace with it… and forgive him. (not for him… I forgive him for me… I need to be able to get past it… and be naked without fearing what his ghost will do.) And I hope no one ever learns his name. I have forgiven him. And his family doesn’t deserve to have to know about this thing he did. As far as I know, I am his only victim. He has a good family, that I know don’t deserve to be linked to something he only made the mistake of doing once while he was alive. No matter how terrible that all may seem to you.

I am not a pedophile, even though I am a Democrat because of how I vote (and I won’t believe that Joe Biden is one either, no matter what they say on FOX News.) I am in no danger of becoming one (I was never one when I was a teacher with access to underage people who looked up to me, and I certainly can’t be one now as a retired teacher without even any grandchildren around me.) So, my obsession with nudism and innocent nudity really should not be a problem.
But I know I have been focussing on it too much. Other writers have stopped following me on Facebook and Twitter once they discovered I was associated with nudists and nudism. I have gotten criticism on some of my novels because of nudity in the story and nudist characters. But that doesn’t really represent even half of my books. I do write about many other themes as well. Still, viewership by potential readers is down on WordPress since they removed ads from my blog for too much adult content. I need to focus on other things more to get a healthier balance.
But I still stand before you metaphorically naked. What you see is what I am. I say what I have to say in all honesty, naked honesty. I conceal no secrets from anyone that aren’t secrets that belong to someone else to tell. And it is freeing, this kind of truth. It makes you naked. But it feels right.








: lacking courage and resolution: marked by contemptible timidity

Most of my novel stories have lived in my head since the 1970’s. I began recording the ideas in a notebook that I called the libretto. I drew illustrations to solidify the characters and some of the plot elements in my mind. But the basic natures of the characters and the style of my artwork grew from these original artistical notations.

I got better at art over time. And the characters benefited from my teaching experience in that I was able to depict numerous characters with nuances and details gained from students and other people I hadn’t met yet when I drew these pictures. Dorin Dobbs, for instance, is based in large part on my eldest son, who wouldn’t be born for another 18 years when I drew these pictures (He’s the yellow-haired boy in both of the first two pictures.)

Francois, the singing sad clown from my book Sing Sad Songs, is based on a student from the 80’s who was actually Spanish speaking and of Mexican-American descent.
I drew this picture of him in 1976.
I taught the boy in 1983.
I wrote and published the book in 2018.

The inter-dimensional traveler, the Man-Cat, is an idea from a story I have not written yet, and probably never will.

Disney-Michael Stewart and his gang of Milk-Lovers is another story I haven’t written yet, and though more likely, is still probably a novel I will never get to.

Invisible Captain Dettbarn and Francois ended up in separate stories from this picture. The other three boys in the picture were babies or not yet born when their stories happen.
So, today was a chance to look at and re-evaluate the past. All of these drawings were done in the 1970’s. All I did was scan them with a good scanner and crop them a little to make them better compositions. And they allow me to keep track of where my mind has already been, that I might successfully chart the future of where it is going.
Filed under artwork, autobiography, humor, old art, Paffooney






Would you buy insurance from this man?
Why did you make this man a Texas Senator?


A simple, black-and-white drawing done in pen and ink. Elegant. Easy to understand. At least, if you can get past the weird little kid inside a birdhouse who has apparently saddled a mutant pigeon-sparrow. The black and white is the essential underpinning. The bones of the idea.

So, adding color makes things a little more complex. I started with the girl’s face. Here is where I establish the basic color-theme. And give more character to the surprised face peering through the portal of the bird house.

Much of the work in coloring this little articus projecticus is a matter of pattern. I like doing wood-grain patterns in colored pencil. It looks good when it’s finished. But it also takes time to do line after line.

The last step is to color the bird-riding fairy-kid. Here I am completing the color-echoes and the pattern-making. More lines. More care with giving the shapes volume by using light and shadow. And now we are at the final destination. The picture is complete.
Filed under art editing, artwork, colored pencil, coloring, drawing, humor
Pen and ink is the first art needed if you want to be a cartoonist.
Why would anybody want to be that?
I don’t know.
I was in love with comics page in the daily newspaper when I was a child.
I copied the treasures I found there constantly.
Did I get any good at it?
Well, that’s kinda the point of this Saturday Art Day post.











Filed under artwork, humor, Paffooney, pen and ink










Filed under artwork, humor, Paffooney, photo paffoonies
Sunday Silly Artistical Posts
I like to dig through old piles of artwork I have done to re-purpose things and mash things together to make weird art salad.
I used to play a Dungeons-and-Dragons-like game called Talislanta with groups of adolescent boys, most of whom had previously been my students in middle school. It was a weird world where weird things made artistical challenges for me that taught me to be a better and more imaginative artist.
Xeribeth was a member of an almost-human race that had yellow skin and wore colorful face tattoos. She also had to be somewhat alluring to trick adolescent boys into undertaking dangerous and possibly suicidal adventures (meaning characters who only lived on paper might die and have to be re-rolled with dungeon dice.)
Zoric, being a green Cymrillian wizard, gave me numerous opportunities to create Kermit-the-frog-colored portraits. And he was a player character, so his greed and penchant for unwise actions decided on in the heat of battle (like turning himself into a fish-man while adventuring in the waterless desert) didn’t come from me.
Playing those games gave me training as a story-teller as well.
My efforts to see color with gradually worsening color-blindness led me to create eye-bashing color compositions that attempt to portray realistically things and feelings that can’t possibly be physically real. Thus I gradually became, over time, a surrealist (a juxtaposer of unlike and jarring things to deliver a visionary picture of reality) (How’s that for surrealistic gobbeldegook in definition form?)
I often solve the problems of my life by drawing something and making cartoonish comments with serious consequences.
Ultimately, it boils down to the fact that the world on the inside of me is decidedly different than the world on the outside of me. But I have to live in both. And I can do that by drawing my colored-pencil Paffooney stuff, posting it, and writing about it on a silly Sunday.
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Filed under art editing, artwork, cartoons, commentary, goofy thoughts, humor, Paffooney