The weather, amazingly, is more than fifty degrees Fahrenheit better than it was a week ago today in Texas.
The sun is now out.
“Shall I compare thee to a Summer’s day...?”
‘Of course not. It is not Sonnet 18 out there.
It… “art NOT more lovely and more temperate.”
And William Shakespeare is just a pen name.
But I saw a pair of Robins in the park while walking the dog.
And I don’t mean Robin Williams and Robin Hood.
I mean the red-breasted birds that herald the arrival of Spring.
Though it is not Spring. And I have trouble sitting here and writing this due to painful hemorrhoids.
Still, it seems like something new is starting.
It has now been an entire three years since the start of the pandemic. More than a million people have died. Including my cousin Karen and my high school friend Tim.
It is definitely time for something new, something better, to begin.
It is, of course, one of the most powerful, masterful, and best-known pieces of music ever written.
Mozart completed the “little serenade” in Vienna in 1787, but it wasn’t published until 1827, long after Mozart’s untimely death.
The Serenade is incorrectly translated into English as “A Little Night Music”. But this is and always has been the way I prefer to think of it. A creation of Mozart written shortly before he hopped aboard the ferryman’s boat and rode off into the eternal night. It is the artifact that proves the art of the master who even has the word “art” as a part of his name. A little music to play on after the master is gone to prove his universal connection to the great silent symphony that is everything in the universe singing silently together.
It is basically what I myself am laboring now to do. I have been dancing along the edge of the abyss of poverty, suffering, and death since I left my teaching job in 2014. I will soon be taking my own trip into night aboard the ferryman’s dreaded boat. And I feel the need to put my own art out there in novel and cartoon form before that happens.
I am not saying that I am a master on the level of a Mozart. My name is not Mickart. But I do have a “key’ in the name Mickey. And it will hopefully unlock something worthwhile for my family and all those I loved and leave behind me. And hopefully, it will provide a little night music to help soothe the next in line behind me at the ferryman’s dock.
I believe one of the primary reasons that art exists at all is because we are thinking creatures with a need to spend serious time in deep minding of the consequences of existence. We need to question everything. And art helps us do that by depicting the thoughts that existed first in the mind of the artist, and then must be translated through experiencing into the mind of the viewer.
Landscapes are very useful for contemplation. They present an interpretation of the real world you can mentally walk around in.If you are walking around mentally in a work of art, you are seeing more than just a place. You are walking mentally through the mind and the perceptions of the artist. You see what he or she has seen, even if you see it differently. Even if it is a photo the artist took. The people, places, and things your viewer-eyes encounter when mentally walking around in a work of art have to have some overall meaning. Some purpose. Some reason for being.What do you suppose the picture above means? I can’t tell you, even though I drew it. You, the viewer, must give it meaning.
I am not well again after a couple of weeks of rain and cold working on my arthritis. So I am going to merely post a few past Paffoonies to make up today’s post. If you would like to see what Paffoonies are all about, then go to Google picture search “Beyer Paffooney”. It will basically give you a Mickian art gallery, peppered with other pictures that I used in posts that aren’t actually Paffoonies (but the algorithm doesn’t know that).
I have completed work on a novel called A Field Guide to Fauns. In it, I will make use of one of the most central metaphors in all of my art and writing. The mythological figure of the faun is usually portrayed as a young boy or youth, nude, and potentially having goat horns, goat legs, a deer’s tail, and/or pointed ears. It represents sensuality, connections to nature, and a willingness to partake in enjoyments without hiding anything.
Fauns were defined in art long before I came along. The Marble Faun was a book by Nathaniel Hawthorne that I read in college. I looked endlessly in libraries after that for pictures of Praxiteles’s masterpiece from all angles. I would eventually be inspired to make the picture above by a picture made in print by Maxfield Parrish printed in Collier’s Magazine. I have been fascinated for years by fauns. And I began drawing them repeatedly.
As a teenager, I had a faun as an imaginary friend. His name was Radasha. He made it his business to lecture me about sex and nudity, morals, religion, and what was wrong with me. At the time I was repressing the memory of being the victim of a sexual assault, a very painful and traumatic experience that I did not allow myself to remember and admit was real until I was twenty-two. Radasha turned out to be a coping method who helped me heal, and helped me realize that just because it was a homosexual assault, that did not make me a homosexual.
Fauns would come to dominate my artwork through the eighties. I drew Radasha multiple times. I would use the image to express things I feared and fought with and won victories over .
I would come to learn that there were fauns in real life to be found. The portrait above is of Fernando, a favorite student from my first two years as a teacher. He is portrayed as a faun. The cardinal on his shoulder is a symbol of courage and endurance, a bright red bird that never flies away when the winter comes.
Devon Martinez is the main character of my novel in progress. He is an artist like I am. He is fifteen at the time of the novel, and faced with living the rest of his childhood in a nudist community. He doesn’t consider himself a faun to begin with. But that changes during the course of the novel.
Here is the first illustration done for the novel. It is supposed to be a picture drawn by Devon himself.
So, as always with Saturday artwork, there is more to come.
Although I was fond of being naked outdoors before that came to an end with the assault I endured at age ten, in my youth I had my doubts about nudists. It was not a thing that happened anywhere I was aware of in Iowa. All I knew about it was the jokes they made about it in TV comedies like the sole nudist park episode of the Brian Kieth Show. And my psyche and personal body image were extremely fragile due to the trauma. I was in no way willing to risk the kind of exposure to ridicule that association with nudism would have for me.
When the twins who claimed to be nudists teased me in my classroom with details about it, I was keenly aware that there were bright red lines involved in that issue that cannot be crossed. Especially since I was a school teacher in charge of vulnerable pubescent boys and girls who obviously had their own issues in terms of nudity, sexuality, and personal body image. There was danger involved in being connected to ideas like nudism right along with communism, liberalism, and any suggestion that a teacher might be behaving toward students in an inappropriate way. I was fully aware that merely being accused of something could destroy my career, whether there was any relationship to the truth behind the accusation or not.
Drawings like this one existed in my portfolio at home while I was teaching, but only my girlfriends, my parents, and my sisters knew they existed.
My career as a school teacher was a sacred trust as far as I was concerned. My first teaching job was in a poor, rural school district in deep South Texas. I vowed that not only would I never be a threat to molest or assault a child or a teenager, but I would also actively try to prevent every child entrusted to me from being victimized in that way. It was crucial to my own belief in myself as well as my belief in the goodness of mankind that my plan would work out for the best.
There were a number of young boys, fatherless, raised by grandparents or aunts, and exposed to abusive adults, that needed a male mentor enough to show up at my door. I never let them in without the windows open and a clear view for every passerby that nothing wrong or inappropriate was going on. They came to talk, to get help with homework, to play role-playing games, or sometimes to just hang out. The County Sheriff, the Baptist Preacher, and the head of the high school Science department were all aware of what I was doing because their sons all came to participate in role-playing games, computer games, and discussions. I underwent training to become qualified as a foster parent for anyone who needed that (though it was specified by me that I couldn’t be a foster parent for girls while still being single for obvious reasons. And the city had no social workers at all in residence, so I was never called upon for actual parenting experience.) I was supported in that effort by my principal during the third year I was teaching. He saw how effective I was teaching problem-child boys. He sent a couple of troubled kids my way for mentoring.
My girlfriend in the early 80s was a teacher’s aide who worked both in my classroom and in the classrooms of the two other English teachers on campus. Ysandra was a divorcee and a much more world-wise person than I was. She had been through some trauma too. In fact, she was the first person I was able to tell about the sexual assault I had endured because she had been abused too and also endured the kind of moment where the traumatic event comes back to haunt you, complete in every horrible detail. And she and I planned dates together in the Austin area because my parents were living in Taylor, Texas, an Austin suburb, and her sister lived with a husband and child in an apartment complex in downtown Austin. That apartment complex, however, was a clothing-optional apartment complex that was destined to push nudism right up in my face once again.
That, of course, will be the completely embarrassing topic of the third part of this essay.
It is normal for the world we live in to inspire us to draw pictures of it. But architects do the opposite. They imagine a world we could live in, and then build it.
David and Me in Cotulla
Sometimes, like in the picture above, I draw real people in imaginary places. Other times I draw imaginary people and put them in real places.
Gyro and Billy on the planet Pan Galactica A
Sometimes I put imaginary people in imaginary places. (I photo-shopped this planet myself.)
Superchicken and Sherry before school
In fiction, I am re-casting my real past as something fictional, so the places I draw with words in descriptions need to be as real as my amber-colored memory can manage.
Valerie and her skateboard in front of the Congregational Church
When I use photos, though, I have to deal with the fact that over time, places change. The church does not look exactly like it did in the 1980s when this drawing is set.
Drawing things I once saw, and by “drawing” I mean “making pictures,” is how I recreate myself to give my own life meaning.
Yes, among my most disturbing artistical habits is my obsession with handcrafting paper dolls out of images that were not meant to be paper dolls. And if you look carefully you can see at least three that look like they were taken from one of those cardboard books of antique paper dolls that you used to be able to buy from Dover Press. But, in truth, I took those three (Actually four, but one got knocked on the floor and stepped on in the night) from a digital ad online, blew them up, modified the images with colored pencil and scissors, and then used both the scanner and my printer to turn them into paper dolls put together with scissors, cardboard, and glue.
There are also three in the back row, Annette with mouse ears, the boy on the bicycle, and the fairy-faun thing, which I made with my own original drawings. There’s also cowgirl Annette made from scans from a vintage Cheerios box and a little anthropomorphic puppy-boy thing that was made from a scrapbook piece that my mother cut out of one of my beginning reader books from the 1950s.
These three that were in front in the previous picture were images stolen from a fellow artist on Instagram whose name forgetful me lost in the creation of the paper dolls. I swear I meant to give her proper credit, and I will add her to the comments here when I can find her again on Instagram or Twitter. In the meantime, I contend I am not violating her copyright because I make no money from my blog, and the art project they are a part of will never be sold. When I die, my wife will either give them away or destroy them. She doesn’t tend to value my artwork. The paper dolls especially. The nudist ones especially specially.
I admit that the paper doll thing is only a part of my greater doll-collecting mania. They have taken over the upstairs of the house. And that is a large part of why my wife hates them, although she enjoyed about a decade’s worth of collecting Barbie dolls before our daughter was old enough to dismember and eat so many of them.
But I also have plans to make more. Truly evil plans.
“The Wings of Imagination”Bird-brains speak outYes, this is in the air. See? No space suits.Travel by “airship”If we cannot fly, at least our spirits doTravel by bubble-blowing, gum-chewing goldfish.We all have wings… sometimes.
Because I have glaucoma and am probably losing my eyesight during this pandemic, I am going to show you drawings of eyes today. These are Mickey’s boy-eyes.These are Davalon’s eyes, the alien star child of Catch a Falling Star.Dilsey’s eyes. I’ve always had a thing for brown-eyed girls.Dilby’s foolish cartoon eyesFirefang’s eyes. She claims to be a red dragon in human form.Fox eyesThe eyes of Gilchrist the BlacksmithGrampy eyes (Dilsey’s Grampy)Angry duck eyesBeast eyesIsland girl and shipwrecked boy eyesMike and Blueberry’s eyesRadasha’s faun eyes
Into the Spring
The weather, amazingly, is more than fifty degrees Fahrenheit better than it was a week ago today in Texas.
The sun is now out.
“Shall I compare thee to a Summer’s day...?”
‘Of course not. It is not Sonnet 18 out there.
It… “art NOT more lovely and more temperate.”
And William Shakespeare is just a pen name.
But I saw a pair of Robins in the park while walking the dog.
And I don’t mean Robin Williams and Robin Hood.
I mean the red-breasted birds that herald the arrival of Spring.
Though it is not Spring. And I have trouble sitting here and writing this due to painful hemorrhoids.
Still, it seems like something new is starting.
It has now been an entire three years since the start of the pandemic. More than a million people have died. Including my cousin Karen and my high school friend Tim.
It is definitely time for something new, something better, to begin.
Leave a comment
Filed under artwork, autobiography, birds, commentary, healing, humor, Paffooney