
What does it mean to be fundamentally Mickey?
Whew! What a hard question to answer.
Mickey is a nickname, a cartoonist’s pen name, a wererat from Tellosia, the secret kingdom of fairies hidden in a willow tree in Rowan, Iowa, called Norwall in Mickey’s Hometown Novels.

Mickey is a cartoon mouse with purple fur who talks too much in writing and not enough in real life.
The difference between a John Green, author of The Fault in Our Stars, and a Mickey is that John Green became a recognizable personality on YouTube before becoming a published novelist. And he is younger with more opportunity to go and do what an author has to go and do to market a best-selling novel. Mickey markets worst-selling novels. But their writing styles and writing goals are remarkably similar. (Do you feel the urge to argue that point? You may have to buy and read a worst-selling novel or two to prove me wrong.)

Mickey thinks of himself as a nudist. He plans to revisit a nudist park this Saturday if his body doesn’t fail him again and prevents him from making that long drive. He essentially makes himself spiritually naked by revealing all his inner secrets and emotions by writing them all in this blog and his silly books. Some readers find that the naked people in his stories wreck their enjoyment of the books. But those readers generally have bad things in their imaginations that don’t necessarily come from the characters taking their clothes off. And not all of Mickey’s books have nudist characters in them. Most do not.
Mickey is not a real person. That is not the author’s real name.
But Mark Twain is not a real person either.
Neither is William Shakespeare. (You are welcome to argue that if you like.)
Mark Twain is on Mickey’s side about Shakespeare not being real.
Mickey believes there is real magic in the world. Of course, Mickey is pretty much crazy and claims to be a wizard. But he defines magic as, “”The use of undiscovered science or uncommon artifice by individuals who are gifted with possession of arcane and rare knowledge.”
But being fundamentally Mickey is not something I would recommend as a life course for anybody else in this world. Mickey is stuck with being Mickey in the same way that you are probably stuck being you. And we simply try to be the best Mickey or the best you that we can be because we don’t have any choice but to be the best of whatever we are stuck with being.


































Sunday Silly Artistical Posts
I like to dig through old piles of artwork I have done to re-purpose things and mash things together to make weird art salad.
I used to play a Dungeons-and-Dragons-like game called Talislanta with groups of adolescent boys, most of whom had previously been my students in middle school. It was a weird world where weird things made artistical challenges for me that taught me to be a better and more imaginative artist.
Xeribeth was a member of an almost-human race that had yellow skin and wore colorful face tattoos. She also had to be somewhat alluring to trick adolescent boys into undertaking dangerous and possibly suicidal adventures (meaning characters who only lived on paper might die and have to be re-rolled with dungeon dice.)
Zoric, being a green Cymrillian wizard, gave me numerous opportunities to create Kermit-the-frog-colored portraits. And he was a player character, so his greed and penchant for unwise actions decided on in the heat of battle (like turning himself into a fish-man while adventuring in the waterless desert) didn’t come from me.
Playing those games gave me training as a story-teller as well.
My efforts to see color with gradually worsening color-blindness led me to create eye-bashing color compositions that attempt to portray realistically things and feelings that can’t possibly be physically real. Thus I gradually became, over time, a surrealist (a juxtaposer of unlike and jarring things to deliver a visionary picture of reality) (How’s that for surrealistic gobbeldegook in definition form?)
I often solve the problems of my life by drawing something and making cartoonish comments with serious consequences.
Ultimately, it boils down to the fact that the world on the inside of me is decidedly different than the world on the outside of me. But I have to live in both. And I can do that by drawing my colored-pencil Paffooney stuff, posting it, and writing about it on a silly Sunday.
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