Monthly Archives: October 2021

Mickian Fantasy Art

There is a reason why anything in my artwork starting with a rabbit is assumed to be autobiographical. I raised rabbits as a 4-H project from about the age of 10 and we kept rabbits in pens until I was finishing my undergraduate degree. (Rabbit chores fell to my little brother when I was away from home.) In many ways, I was a rabbit-man. My personal avatar as a school teacher was Reluctant Rabbit.

The panda known as Mandy in my cartoon world is an avatar of my wife, an immigrant from the Pandalore Islands.

There is often an exaggerated sense of adventure in my cartoonally weird Paffoonies, the very name of which is a fantasy word.

I have been known to actually believe gingerbread can be magical enough for gingerbread men to come to life once baked. It is the reason I bite the legs off first, so they can’t run away.

I have been known to see elves, fairies, and numerous other things that aren’t really there. In fact, a whole secret hidden kingdom of them inhabited the schoolyard in Iowa where I attended grades K through 6. They were all mostly three inches tall. The biggest ones, like dragons reaching only about six inches tall at their largest.

Of course I am afraid of death, evil, and… (shudder) mummies.
I think of art and story-telling as a form of music. I am a troubadour whose songs (like this one) are often completely silent.
My fantasy art tends to be more “comic book” than “art gallery”.

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Filed under artwork, autobiography, cartoons, cartoony Paffooney, colored pencil, humor, Paffooney, strange and wonderful ideas about life, surrealism

Building a Life from Memory

I write some science fiction, but I am a lot more about bringing the past to life in this day and age.

And I confess, I used to long to see Annette Funicello naked, at about the age of eleven or twelve. And she is closer to my mother’s age than she is to mine. But when I lusted after her in secret, she was always falling in love with Frankie Avalon and Kurt Russel in the movies.

The music of my life back then, in the 1960’s, was the Monkees singing, “I’m a Believer” and “Last Train to Clarksville.”

My heroes were astronauts like Neil Armstrong, Buzz Aldrin, and Michael Collins.

And yet, I wanted to grow up to be just like Red Skelton, Danny Kaye, or Jerry Lewis.

Too often I am tempted to look back on a 60’s childhood and see a golden age, as if it were the best time of my life. But wait. The pain and fear and darkness of that time was certainly no better than now. I was sexually assaulted in 1966. JFK was assassinated in 1963. Martin Luther King Jr. and Bobby Kennedy were soon to follow. Grissom, White, and Chaffee burned up in an Apollo training accident. My Grandpa Beyer died young of heart failure in the 60’s. There was enough trauma in my life to make me want to kill myself in the early 70’s.

I believe I may have learned how to tame a fox for myself. It takes patience and understanding. Thank God for the people who helped me tame my monsters and keep myself alive. The Methodist Minister who taught me the facts of life on a chalkboard and assured me that I was not evil for what had happened to me. And the boy who was my friend in P.E. class where we were both bullied, because he was willing to listen on that dark day when I was planning to kill myself and all I could say was confusing nonsense, but he listened and was willing to be my friend anyway.

The point is, I learned hard lessons in my early life that gave me the insight into how to solve problems and overcome the darkness now when our government is flirting with fascism. People I used to know and trusted now want to punish me for being a liberal and wanting to help the poor and minorities rather than go to war against them. There never seems to be enough money. Climate change threatens our very existence. And people seem to care only about themselves and generally hate others.

There are reasons to believe we can solve our current set of horrific difficulties. There are good people doing good things, even if no one seems to notice. We have done similar difficult things before. We survived a Cold War, avoided nuclear war so far. We are probably on the other side of the Covid pandemic now And life can be a good thing again if we only let it.

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Filed under battling depression, commentary, compassion, feeling sorry for myself, healing, humor, Liberal ideas

Life Can Be Goofy Sometimes

Well, the lab said it was not Covid. It was not even the flu. Apparently Number Two Son just had a very bad cold. And I am pretty sure I have only got what he has. Same symptoms, but started two days later. So, I don’t even have to worry about going in for a Covid test.

This post, it turns out, is number 3,002 on this blog. The milestone post is the second one from yesterday.

I am juggling three books at once. I am writing another novella, Horatio T. Dogg, Super Sleuth which I am now using for Tuesday posts. I am editing AeroQuest 4 : The Amazing Aero Brothers, getting it ready for publication. And my main work in progress is He Rose on a Golden Wing, in which I am on rough draft chapter… er, Canto 6, though I’m not dead certain since I stopped numbering them and am simply citing classical music pieces to signal each new section of the story. The idea being that the reader should listen to that specific music while reading that section, just as I listened to it while writing the first draft.

That’s basically what all of life is… random silliness… God being Goofy… “Hyuck!”

But it is not really totally random. Rather, Goofy is off-kilter and meandering, but blessed with an overall pattern. And when he is a clock-cleaner and gets bonged on the noggin by a construction beam, he doesn’t step off the edge and fall to his death; he magically steps from suspended beam hanging from the construction crane to the next one and the next one hanging forever in mid-air.

We merely tumble endlessly through life as if it were a screwball slapstick comedy with moments of real grief and real pain and real love sandwiched in between the slices of your daily bread that you have probably prayed for… at least at some point in your life.

This illness that struck while wife and daughter were away had the side effect of preventing me from visiting the nudist park on Saturday where I had hoped to meet more nudists and do a bit of research for future nudist tales. So, I guess that was probably the reason God struck us with Apollo’s Arrow of Illness. The whims of Heaven are ever inscrutable. At least until I figure out how to responsibly “scrute.”

But however life proceeds from this particular place in time and space, it has turned out better than it might have otherwise. I am not saddened or forlorn due to this outcome.

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The Necromancer’s Apprentice… Canto 2

An Ordinary Day at Bob’s Place

Eli Tragedy, my master, was busy writing on a parchment with a quill pen.  He did a lot of writing, that one.  He claimed that he didn’t like writing magical script, especially with a quill pen made from pigeon pin feathers.  Yet, he was writing morning, noon, and night whether he really needed to or not.  And he wouldn’t use any pen but a pigeon quill.

“Bob, be a dear and pour me more of that head-straightening potion,” Eli said as he held out his mug made from an acorn shell.

“Master, the slow ones you stole that from call it coffee.”

“Of course, they do.  The giant piffle-brains never name a thing for its actual usefulness, now do they?”

“No, sir.  Of course, they don’t, sir.”

“Bob, you call me sir way too much.  You need to vary it up some.”

“What else will I call you, sir?”

“How about Gloriously Majestic Magic-Master Tragedy?  Or the Most Powerful Mage of Tellosia?”

“Yes, sir.  I shall try, sir.”

“I guess that’s the best I can hope for, isn’t it?” the master said in the grumpy voice he always used before he had enough of his stolen head-straightening potion.

The master, of course, told me regularly that I was not very smart.  And being the master, he was, of course, right about that.  But I thought it best not to contradict him in any case.  After all, I was only a stupid Sylph boy that had to be reminded to wear pants every day.  I never actually forgot my pants before being reminded by the master.  But I regularly took his wise directions anyway.  He was a wise and famous Elf Sorcerer known far and wide amongst the Fey Children throughout the countryside.  And I was his apprentice.  He was going to teach me real magic one day.

“When will you teach us real magic?” complained Mickey the Wererat.  He was in the tub near the stove, bathing himself by the master’s orders, trying to remove at least some of the stench of being a wererat.

“I am teaching you real magic now.  Use that magical stink-removing potion on yourself.  Every bit of your furry little stink-factory body needs to be covered with the magical lavatory potion.”

“The slow ones you stole that potion from call it soap, master.”

“Of course, they do, Bob.  You are so good at reminding me of the English name for all the little things we borrow.  Now if only you were not so dumb all the time…”

“Yes, master.”

It didn’t pay to argue with a sorcerer.  Especially not one who could turn you into a frog, newt, or grasshopper.  I had been a grasshopper for a week once.  Once is enough.

“I just wish you would teach me a spell to allow me to control my were-form so I wouldn’t always be a half-rat boy all the time,” complained Mickey, scrubbing furiously at black rat-fur.  His body always seemed to naturally morph into the form he was trapped in at the moment.  He had a mouse-like face, the naked body of a regular Sylph boy covered in black-and-white fur, a rat’s tail, and paws instead of feet.  We would’ve called him a “weremouse” if it weren’t for the fact that he got lycanthropy from the rat-bite of Augustus the Gut, wererat from Suchretown.

“So, when are you actually going to teach us real magic?”  That question was a central theme to Mickey.  I wanted to learn magic as badly as he did, but I had also learned that asking annoying questions only got you one of two answers.

“Stop complaining.  Magic is a volatile thing and must be handled with great care.  You should be grateful that I am making you master slow-one magics like coffee and soap first.  It keeps you from blowing yourself up with a fireball or freezing yourself with a winter-wind spell.”

So, there was one of the two answers.

“Or shall I turn you into a newt?  Newts smell better than wererats.”

That was the other possible answer.

At that moment, Anneliese the Storybook came in through the castle passage into our tower rooms.  Now she was a fine-looking young Sylph.  But, of course, she was way out of my league.  Storybooks are immortal Fey magically created when a human storyteller writes down actual stories that happened to the actual fairy.

“Hello, Eli.  Hello, boys.”

She had a rare Germanic beauty about her.  I was told that she had once been a human girl, put to death by evil Nazi humans in the slow ones’ years of the 1940’s.  And her mother brought her back to life with human witch-magic.  Her mother. Gretel, was also a Storybook Sylph now, and served as our castle cook-witch.

“You have gingerbread for us, Anneliese?” asked Eli while slyly looking over her bare-bodied beauty.  Some Storybooks wear clothes.  Anneliese and Gretel did not.

“You know I do.  Mutter knows you have a taste for it.  And it is fortified with magic to make you healthy, strong, and wise.”  She put the basket she had brought for us down on the table.

“Bob, can you bring me my pants?” begged Mickey from the tub.  Mickey was shy. He was like a tree with no bark on it when he was naked in his rat form, and he didn’t want the beautiful girl to see his naked personal twig.  I grabbed his little blue lederhosen from the chair where he left it.  I looked briefly at the two yellow buttons he always wore on the front of his pants.  No suspenders to attach, but buttons there anyway. He snatched the pants from me and put them on while still wet.  Then he was out and greedily sorting through the basket to find his favorites before I might take one.

“You are very kind to your brother apprentice, Bob,” Anneliese said to me.  “And I am amazed at the way you always seem to notice everything,”

“I am teaching him that.  One must be very observant if one is to succeed at the ancient arts of Sorcery.”

“Yes, I see you are teaching him by example, Eli.”

She had him there.  She was fully aware of the parts of her that the old Elf was looking at.  Probably aware that I was trying not to look at those parts as well.

My master wasn’t evil or anything.  But he did appreciate girl Sylphs and fairy beauties.

I liked the fact that Anneliese came by at least twice a week.  I wanted to see her even more often.  But I could not for the world summon up the magic it took to talk to her on purpose and tell her how I felt.

But the moment ended with a gingerbread boy coming through the door.

“Ah, Pavel, what brings you to my tower, cookie-man?” the Master said to him in a joking manner, managing to hide any embarrassment he might’ve felt in front of Anneliese.

“You are to come right away!  The castle is under attack by a second bone-walker!” said the animated cookie.

That, of course, immediately had us rumbling out of the tower door to do our magical duty.  Necessary implements of magical firepower were all well in hand.

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Filed under fairies, gingerbread, humor, novel, NOVEL WRITING, Paffooney

Upside Down and Inside Out

Ideally a writer must not become stuck in a rut, thinking about things in print from only one angle. If you fall into that trap you are doomed to be Tucker Carlson on FOX News, an evil, greedy, and anal-retentive soulless propagandist. Instead you need to have many eyes and notice things from up and down and all around.

As a writer of fiction I use the magic of observation, perception, and imagination together as three very different eyes. You use the observation eye, the one that sees naked Little Mickey in the center for what he really is, a naked, sometimes stinky, immature little brat who thinks he’s funny, to ground your thoughts in reality. You use the perception eye, the eye that discerns the things under the surface, like the presence of a happiness fairy and a sadness fairy in the picture, to determine what lies underneath everything, thoughts that may not be true, but are based on evidence and represent your best thinking. And you use the imagination eye to realize that you can take old pictures and paste them together in a new way to be creative and think a thought you totally never even thought about before.

And as a writer, you have to realize that everybody has a point of view that is uniquely their own. So, if you use the first-person narrative as much as I do, you have to learn to enter the character’s head and figure out how to be that person. I have become a small-town boy obsessed with monster movies. That one was easy. I became a somewhat dyspeptic and grumpy older man who owned a failing business. That was easier. Also I became a seventh-grade girl who lost her father and has to discover what post-trauma love is all about. Dang! That one was really hard. And I became a sentient sock puppet whose actual memories, perceptions, and personality reside in the head of his autistic puppeteer. Wow! Just wow!

So, what am I saying in this silly, unfocussed blog post? That you need to practice using your many eyes, and look at things from upside down and inside out, and finally see it’s not so unfocussed after all.

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Filed under artwork, autobiography, fairies, humor, insight, Paffooney

The Artist Who Masters the Darkness

Do you know who Bernie Wrightson is?

Bernie Wrightson in 1972, when I was a freshman and sophomore in high school, created for D.C. comics the character known as The Swamp Thing.

Of course,

being a stupid kid at the time, I totally ignored his genius with pen and ink, ink and brush, and fascinatingly dense forests of intricate detail.

I didn’t really get it until he joined The Studio with Jeffery C. Jones, Michael Kaluta, and Barry Windsor-Smith (whom I idolized for his work on Conan.)

And while in college, consuming everything available by The Studio that I could find and afford, I fell in love with his deeply dark and brooding illustration work for a new edition of Mary Shelley’s Frankenstein.

Frankenstein had 50 illustrations by Wrightson that firmly established the fact that by drawing with black ink you could show in startlingly real ways the qualities of white light. That appealed to me both literally as a way to make beautiful art and metaphorically, as that last thing was what I was doing with my own life, drawing the darkness to get to the beautiful light.

Most of his work

was drawing monsters; werewolves, zombies, the creatures of H.P. Lovecraft, and numerous things from nightmares.

But it has a definite beauty of its own. Darkness, evil, and corruption brings out the quality of what is light, righteous, and pure. There is truth in approaching reality from the dark side of the equation.

Of course, he would also do work on heroes like Batman, because the darkness breeds its own defenders of justice.

I am not so much a fan of monsters as I am a believer of taming the monsters who beset us as we try to make a worthy life for ourselves. But I can definitely see where Bernie Wrightson has been doing exactly that with his brilliant pen-and-ink artwork. Sadly, he will be doing no more of it since we lost him in 2017. But it is a legacy he left behind that will make his light continue to shine forth from dark places for a long time to come.

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Filed under artists I admire, artwork, heroes

Complaining for the Sake of Complaining

Sometimes you just need to vent for the relief you get from releasing all that extra fart-gas that builds up in the brain from too much politics and environmental stress.

Have you noticed that there seem to be certain pests that you just can’t seem to get rid of? Mosquitoes? Rats in the attic? Fairies in the garden? In-laws who need money?

The St. Louis Cardinals seemed to be poised, based on late-season improvements, to make a bid for a World-Series surge in the playoffs. But they were taken out by the Los Angeles Dodgers in a one-game wild-card playoff. Wait till next year again.

We find out more and more bad stuff and crimes from Trump’s Presidential Administration (Prexydental Apeynation?) every single week. And the criminal is still not in prison yet? If this were a true banana republic, he would’ve been executed after the coup failed.

I keep taking careful steps to improve my health and become physically fit enough to stay alive. And yet, I can’t seem to get healthy enough to visit the Bluebonnet Nudist Park for a second time. I called them and found out that they are very willing to take Covid precautions and help me out. But blood sugar balance and a number of small wounds that won’t heal keep me from going au naturel.

I am too old and irritated to go for very long without ranting about the general unfairness of the universe. I am mindful that people like me can easily become annoying and are no fun to be around. So, I try hard to limit the Mr. Grumpy vibes I give off in this blog to only a day or two per week. But I often fail. So, dang it! I just have to spout out a little more today. That fart-gas in the old brain cavity really builds up fast.

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Filed under angry rant, baseball, cardinals, humor, illness, nudes, Paffooney, politics

Contradictions

You know what a contradiction is, don’t you? It is whatever comes out of your wife’s mouth whenever you make a statement asserting that whatever you said is factually true. She will promptly and always explain to you how wrong you are… loudly… and in great detail. No matter if you happen to be provably right or not.

What’s that, you say? I’m wrong about that too? Of course, I am, dear. I only deserve the catfood cookies.

The fact is, if you raise your hand and give the teacher the correct answer often enough, you get a certain reputation amongst your classmates. Instead of continuing to call you, “dumbhead,” or “stupidhead,” or the simplified form of “caca-poo-poo-head” like they endearingly call everybody else, they begin calling you pejoratives like “Einstein,” or “Brainiac,” or “Supernerd, taah tah taaah!” And they begin pointing out in detail everything that is wrong about you. How you dress… how you talk… especially how you laugh. You have become the enemy. You must be contradicted.

“You are wrong, Mickey!”

“So, I get to be Dumbhead again?”

“No. you are still “Supernerd, taah tah taaah!” But you are wrong. We all think so, so that must be right.”

The truth is, Life itself is a contradiction. Considering the violence and hostility of the physical universe towards life, it is a miracle that anything at all is alive in the universe. The chaos of everything guarantees that if you are born into the miracle of life, then at some point, caused by a nearly infinite variety of possible aids to chaos, you will die. Order is whittled away into chaos. Civilizations fall eventually. Things die all the time.

But if all order must, by physical laws of the universe, be broken down into chaos, then, how is it that we have any order at all in the first place? Where does order come from? I’d give you a possible answer. But I would just be contradicted by the majority

Except for fundamentalist Christians who would say, “Let me think for a moment about why you are still wrong… and then I’ll tell you what I think the Bible says about why you are actually still wrong.”

One thing about being “only book-smart, but without common sense” that makes being contradicted all the time worth it, is that the more challenged the answers you come up with are, the more deeply you dig into them, and the more of a real-world understanding of why I am wrong about everything begins to make a bit more sense. Or not. Because I’m probably wrong in your estimation anyway.

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Filed under commentary, humor, inspiration, Paffooney, philosophy

The Art of Fall 2016

Brekka the female Telleron Tadpole is accidentally eaten by the flesh-eating flower from outer space known as Lester (both heads seen here are actually Lester,) But Brekka’s species of amphibianoid alien is poisonous to him/her/or it. so he vomits her out again, having juiced her just enough to grant her telepathy with the plant and all its buds. They become best of friends. This scene comes from the novel Stardusters and Space Lizards.

Filch is a Dungeons and Dragons character from the 1980’s. He is a Gypsy, pickpocket, thief, trap-master, and all around disgusting twelve-year-old boy. (A sixth-grader if he ever went to school.)

He was a D&D rogue used as a character by a 16-year-old band nerd who went on to attend undergraduate college at Notre Dame.

This was the title banner first used on my novel-writing Tuesday posts.
My illustration of psoriasis/arthritis/eczema suffering.
October 2016

I told teacher stories in the fall of 2016, the second start of a school year after I retired. Randy was a pain in the posterior, extremely smart, and my biggest classroom clown. He saw the fins on the back of my Ford Torino and decided he would call me “Batman” my second year of teaching, 1982. In October he wore a Batman Halloween Mask (a cheap plastic one,) and before he could call me Batman, I addressed him in front of everyone, “I’m so glad you could attend my class today, Battyman, but you will need to go by your secret identity during class.” After that, Battyman was what the other 8th graders called him for the rest of the year.

Me as a teacher, holding the big pencil in front of ESL beasties.
September 2016
Mary Ann and Gilligan
Tackling Twitter for the first time. @mbeyer51

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Dallas, Texas

Dallas…

The city of evil wizards

Think T. Boone Pickens

Think H. Ross Perot

A Red Neon Pegasus

Flies among the high-rise tops

Downtown

The Medieval Times Castle

Holds jousting tournaments

Alongside Interstate 35E

The Once and Future King

Was slain in Dealy Plaza

And Camelot was no more

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