My new novel, finished the first time the day before yesterday, is not what writers call a rough draft. My writing process consists of doing rough draft, revision, and proofreading chapter by chapter. Or, as I call them, canto by canto.
It was written following an outline that existed first in my imagination as it was played out like a television show, dreamed up episode by episode knowing what would ultimately happen by the end of the story.
So, the process about to begin is not a second draft. It is not a revision-step either, though minor revisions may happen in the final pass before publishing. It is merely a final proofread where the story is reread as a whole, and given necessary corrections of typos and boo-boos. As a writing teacher, I have seen too many young writers skip this final, critical step. They don’t go back and read the whole thing as one piece of writing, stepping back far enough to view the work of art as a whole. How can any good writer only read the thing through as he or she writes it and figure it is good enough as it is? It may be that, but it is probably not.
Adjustments will occur for me because this new novel uses characters from a series of novels in which time passes and people change. Those adjustments are what you can safely call revisions. The character of Milt Morgan is appearing in the novel as a narrator. He has appeared in the story cycle three times now, in three different novels, and this is the first time he is ever used as a first-person narrator. He has changed and grown up a bit from novel to novel. This time he is no longer a virgin. He has freed himself from the cycle of abuse that he and his older sister both endured from alcoholic parents. He has a deeper understanding now of what magic really means and what meaning it gives to his life to call himself a wizard. But he has yet to come to terms with how lying and fantasizing about life can lead to consequences. That part of his future story will be tackled in another story that is a novel in my head, but not yet written out in novel form. That is a future writing project called The Wizard in His Keep. So, I must check this novel to be sure that all the pistons in the engine of his personal story arc firing properly in this book to ensure that it carries him forward into that new adult character he must later become. Those pistons in the engine are what revision is really all about.
Characters will die in this novel, as they do in almost every novel I write. Usually at least one bad guy, and one good guy. Of course, the doomed ones are not fated to change in this book. The story is set. I won’t be surprised by a death in this story the way I was with Snow Babies, and The Bicycle-Wheel-Genius. Of course, this story is about Immortals, and it is possible that a character dies in this book who doesn’t stay dead.
The final pass through The Boy… Forever will not be a rewrite either. Rewriting is what I am doing to AeroQuest where whole chapters (cantos) are added and left out, New characters are created. Old ones are deleted. And the plot changes in how the details come together. And though the main plot points remain, spread over four books instead of one, they are reorganized and better fleshed out.
That book is becoming books. The original and the rewritten are quite different from each other. For one thing, the new versions will make use of my cartooning skill and allow the books to be far more illustration-filled. Rewriting is a total do-over.
So, my baby book is still not quite ready to be born. But it is a complete book. Only the messy business of giving birth remains.