The First Year as a Teacher

My proudest achievement of my thirty-one year years as a public school teacher was the fact that I survived my whole first year. That doesn’t sound like much to you unless you are a teacher. But it sounds even more amazing if you knew what South Texas junior high schools were like in 1981. I mean, my school, Frank Newman Junior High had practically been destroyed the year before I started teaching there by the seventh graders I would be teaching as eighth graders.

You see some of my favorites in the painting I did during my third year as a teacher. From front to back they are Dottie, Teresa, Ruben, Fabian, and Javier. Of course, in these essays about being a teacher, I usually don’t use real names to protect the privacy of my former students, both the innocent and the guilty. So, I leave it to you to decide whether, even though I love these kids, those aren’t probably their real names. Unless… they are.

But not all Texas eighth graders are loveable people. In fact, they are hard on first-year rookie teachers. Especially the ones with a Midwestern faith that they can step in and change the world with their idealistically pure and golden teaching methods. Those teachers they will try to eat alive.

I followed the seventh grade English teacher in the same classroom with the same kids. They made her scream daily, had classroom fist fights weekly, exploded firecrackers under her chair twice during the year, and made her run away to the San Antonio airport and leave teaching behind forever. As ninth graders, they made their English I teacher leave teaching forever even though she was a three-year veteran. And believe me, they tried to do the same to me.

I foiled them constantly by being an on-your-feet-all-day teacher rather than a sit-behind-the-desk-and-yell teacher like my predecessor. After I had a chance to sit during planning period, I always had to clean thumbtacks, tape, and smeared chocolate bars off the seat of my little wooden teacher chair. Paper airplanes were the least gross things that flew through the air. Boogers, spit-wads, spit-wet pieces of chalk, and brown things you had to hope were chewed chocolate flew constantly whenever you had your back turned to them. And if there was only one kid behind you and you turned on him and asked pointedly, “Who threw that?” The kid, of course, saw nothing, has no idea, you can torture him, and he still won’t know anything because you are a lousy teacher and didn’t make him learn anything.

And lessons were mostly about talking over the malevolent tongue-wigglers. They didn’t listen. Not even to each other. One kid would be talking about monster trucks that shoot fire out of their exhaust pipes while the kid next to him was talking at the same time about whether Flipper is properly called a dolphin or a porpoise, or like his older brother says, “a giant penis-fish.” And the girls behind them are actually hearing each other, but only because they are speculating which boy in the classroom has the cutest butt.

I broke up three fights by myself that year, one of which I got slugged in the back of the head by the aggressor during, teaching me to always get between them facing the aggressor and never being wrong about who the aggressor is.

They don’t let you do much teaching at all your first year. They force you to practice discipline by keeping them all seated at the same time with their books open in front of them. “I don’t do literature,” Ernie Lozano told me. Well, to be accurate, none of them actually did literature that year. But they taught me to survive long enough to learn how to actually teach them something.

On the last day of school that year we gave them all extended time on the playground, using the outdoor basketball court to keep them occupied for long enough for a terrible school year to finally run its course. They didn’t set the school on fire that year. They didn’t break into the office that year and steal all the cash. We did well enough at keeping them under control that year that I got rehired and our principal got promoted to high school principal. I had a decision to make that year. Would I keep teaching? Or find another job? Sixty percent of all first-year teachers in Texas in 1982 quit teaching. I only earned $11,000 that year. Did I really want to continue down that dark path for another school year?

Ruben walked up to stand beside me and watch the bigger eighth graders foul each other on the basketball court. “You know, Mr. Beyer, you were my favorite teacher this year.”

“Thank you, Ruben. I needed to hear that.” I bit my lip to keep from crying.

That was when I made the decision. I stuck it out in that same school and district for the next 23 years. I became the head of the Cotulla Middle School English Department. I moved to the Dallas area for family reasons in 2004, but I would teach for eight more years in two more districts and in three more schools. But all of that is Ruben’s fault. Because that was the most important thing anyone ever said to me as a teacher. And I did hear it more than once. But he was the first.

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What I am Thankful For

I am grateful for the fact that I have never killed anyone in my life so far. When I turned 18 in 1974, I signed up for the draft as was required by the law, and I received a draft number that had a high likelihood of being called up. I had to think about joining the Navy as my father did in the 1950s during the Korean Conflict. Or possibly resign myself to going to jail for refusing to be called up. I was a confirmed pacifist from early on in my life (a result of the trauma caused by being secretly a victim of a sexual assault at the age of ten.) So, I lucked out and the draft was suspended before the government would’ve decided to draft me in 1975.

I also did not ever cause the death of anyone by a traffic accident, household accident, or any other accidental way. As long as I am still driving, I have to use the caveat that I have not killed anyone yet.

I am also grateful for pessimism. I have been accused of being optimistic about many things. But I would argue it is a tactical advantage to be firmly pessimistic. I look at every possible outcome of any and all undertakings. I plan on things going wrong, including serious thought being given to how I will deal with huge roadblocks to my goals, concocting workable plans B, C, D, and even all the way to Z. Being a pessimist means you will not put all the Easter eggs in one basket, especially the basket the drunken Easter bunny plans on hiding at the bottom of the river in a bag full of stones. I am not deterred in my quests by the first, second, or third obstacle. I am willing to rent scuba equipment to deal with the drunken bunny thing. I do not get downhearted because I expected the worst to happen. And I deal with it for as long as it is possible. Persistence and preparedness are worth far more than luck and chance. And this is where I have to endure the inevitable claim that I am secretly an optimist. I confess. I do believe I can wear down and conquer anything. If that’s optimism, then I have to insist that I have renamed it the “Fruits of Pessimism.”

And I am also grateful for the chance to become a nudist, even though not until late in life because it represents a victory over the monster that abused me when I was ten. He left me with a lifelong fear of being naked in the presence of others, extreme difficulty with having a sex life, including self-harm to my private parts, a fear of becoming a homosexual or a child molester, and deep depression about all this stuff I felt I had to keep secret. My mother and father both died without knowing it happened. But my wife and children know. My sisters both know. And I was able to spend last Memorial Day weekend with nudists at the Bluebonnet Nudist Park. I am now liberated of all the things that once made me feel like a monster and made me hate myself. His ghost has no further power over me. And I am grateful.

I know I am probably the only person in the US grateful for these three things all at the same time. But I think the most important things to be grateful for in life are the things you have overcome, and the means you have for overcoming them.

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Thinking About Thinking with a Thought-free Thinker

Yes, today is another in a long, tepid series of Art-Day posts, but it is also about metacognitive thinking. Specifically thinking about thinking using pictures to think with. (Maybe that title should say, “Free-Thought Thinker” rather than, “Thought-Free.”)

To start with, what does a person actually see when they close their eyes? My brain does not color everything on the inside of my eyelids black. Even in the dark of night with no nightlight so that nothing shines through my eyelids, my brain interprets the dark as shapes, patterns, and colors. Hence the inspiration for this picture.

But my brain is never satisfied with raw shapes, colors, and patterns. It has to interpret ideas into them. The mass of yellow and black resolves into a butterfly, or a sunflower, or an etude by J.S. Bach. The pink mass becomes a blond girl playing the music in my head…. a girl from piano-lesson days in the early 70’s. But naked. The way I always thought about her while sitting and waiting for my piano lesson and listening to hers. How else does a boy think about a pretty girl when he is fourteen?

And as the items in the picture take shape, they do also begin to tell a story. Who is this Dr. Seabreez? Is he a shaman of the Republic of Lakotah People? Is he a white man? Seabreez is not a Native American name. The naked boy by the tent flap has a crutch, and there is a mouse silhouetted nearby. Does that make him a medical doctor? A veterinarian? A professor of Native-American Studies? The mind begins to piece together a script.

But here we see that Dr. Seabreez has set up a new practice in Japan. Again the boy near the door has a crutch and there is a silhouetted mouse near him. But now the other boy has horns on his forehead. Why horns? And pointed ears? Is he a Doctor of Magic and Wizardry? Demonology perhaps? And what is an anthropomorphized panda doing in Japan? That’s clearly a Japanese castle in the distance. The collar Kanji is definitely Japanese in character.

And now there are horns again. Three of them by my count. And another naked character. But a Grecian background. The mind is here making connections between the pictures, noticing patterns. Appreciating colors. And turning every detail over in the mind’s eye, evaluating and analyzing.

Art, especially on Saturdays, totally engages the mind. That is one of the reasons we keep art around to look at again and again. It is the purpose of art to make us see something. And not just once, superfluously. We must see it in depth, looking beyond the surface.

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Not Treading Water Well

I am not a leper, but parts are wearing out and falling off.

I am thinking more and more about death and dying and the end of the world often enough to become a depressing person to be around.

The only novel I seem to be able to make regular progress on is The Haunted Toy Store. And it’s full of ghosts.

My books are beginning to sell occasionally on Amazon. But my blog views, Twitter followers, and author friends willing to talk about writing have all gone downhill.

I have an overall sinking feeling, and it is getting worse.

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Toons Are Easy

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People in My Head at the Moment

Anita Jones

As a writer seriously immersed in a particular work in progress, I find myself talking more and more to certain people who exist only in my head. They are the characters in my novel, The Boy… Forever.

The novel is itself an epistolary novel. That means, like Bram Stoker’s Dracula, it is made up of letters, notes, diary and journal entries, and other personal writing of the central characters. It also means that I have to become the different people who write these things. At least while I create each individual artifact that goes into the mosaic of first-person narratives.

Anita Jones, pictured here, is the letter-writer who starts the plot in motion when she gets a very disturbing letter from her cousin, Icarus Jones.

Icarus writes about his problem with becoming a midget, and his response to it being a plan to kill himself. It seems that he simply stopped growing at the age of ten. Now, being a fifteen-year-old in the body of a ten-year-old, he writes a suicide note in the form of a letter, and then goes to jump off a bridge into the Mississippi River. But when he does, he survives. Or, rather, he succeeds, but cannot remain dead. He doesn’t know it, yet, but he has become a human mutation known in the secret world of unknown things as an Immortal.

Tian Long, the Celestial Dragon

Icky’s problem becomes worse when it is discovered he is being pursued by another immortal, a sort of vampiric immortal who needs to consume the essence of other immortals to stay alive. He is a three-thousand-year-old Chinese Celestial Dragon who is able to assume a human form.

Neither Icky Jones nor Tian Long the dragon, though, really needs to be in my head. Icarus himself only writes the first and last letters of the book. Tian Long, the villain, does not have a say at all in telling the story. The only part of it he writes are the wizard spells he uses to confound everyone, and most of those are in Chinese.

Milton John Morgan, the Wizard of the Norwall Pirates

Besides the letters that Anita Jones writes to her cousin in Dallas, Dot Jones, the story is also advanced in the journal entries of Milt Morgan, one of the leaders of the boys’ gang in rural Iowa known as the Norwall Pirates. He has been asked by the Freshman English teacher to keep a daily journal and write every day in 1976. This he struggles to do, but gains writing and typing skills as he goes along, especially when he befriends Icarus and learns about the dragon pursuing Icky.

Milt is full of imagination and a sense of adventure, a thing that makes him an unreliable narrator, not above embellishing the truth as he writes his not-so-much- daily-as-infrequent journal entries.

Brent “the Cat” Clarke

The story is also taken up by Brent Clarke, the leader of the Norwall Pirates. Brent wants to be a policeman or a detective or something like that when he grows up. He takes careful investigation notes on everything, and he is the first one to become suspicious of the Chinese man and his step-daughter who pick a house in the town of Norwall that they want to live in right before the actual owner and occupant of the house mysteriously dies in a falling accident. Brent befriends the local Sheriff’s Deputy and sets out on a serious possible murder investigation that yields some very disturbing results. His notes are very detail-oriented and generally fact-based. He carefully records his own eye-witness accounts of everything.

Sherry Cobble, the nudist, calls herself the smarter and more beautiful twin.

Sherry Cobble, the more outgoing of the identical twins known as the Cobble Sisters, is a happy nudist with a very positive body image for herself and her twin sister. She is a very positive person over-all. She and her sister Shelly had started out keeping a “Lovely Nudist’s Diary” between them, but Shelly is not nearly as interested in writing and storytelling as her sister. So, Sherry takes over the diarist duties with the same sort of glee and enthusiasm she has for promoting nudism to her friends, especially the Norwall Pirates. It is her goal to eventually see all of the kids in Norwall naked and happy just as she and her sister Shelly always are.

Those four different character voices are the main voices I have to work with in telling this fantasy adventure story in much the same way as Stoker tells the story of Dracula.

So, if I begin to seem like I have a disordered mind full of multiple personalities, it’s because I am a novelist, not a mental patient or a vampire or even a Chinese dragon in human form. I am simply trying to tell a story by allowing four distinctly different characters to live inside my head.

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AeroQuest 5… Canto 155

Canto 155 – The Killer Clowns of Mingo

“Let me introduce myself.  I am Smiley Creaturefeature, Imperial Harlequin of the Triumvirate now present on Mingo!”

A second Harlequin also stepped through the ruined doorway.  “And I am Sharpwhistle Crackplatter, his second in command.”

The two costumed cyborgs both switched on a feature of their armor simultaneously and immediately sent the entire hallway into chaos.  Flashing and strobing colored lights along with barely audible sonic waves warped the senses of all the Psions the cyborgs faced, and Emperor Mong even couldn’t get his pants pulled back up.

Phoenix and Rocket both ignited their fire forms, but neither was able to see through their own flames because of the constant color-changing lights.

Jackie was unable to concentrate enough to teleport. The sonic waves kept her from using her inner eye.

Shu could pick up rocks and debris, but his telekinetic senses were fooled enough by the lights that he couldn’t accurately target anything.

Ged’s senses also were overwhelmed.  But he took a moment to think, letting Smiley and Sharpwhatsit cartwheel around him and his distressed students.  He didn’t particularly care what they maybe wanted to do to Mong.

Now, the Blind Kraken of Jargoon was a creature with no sense of sight or capability of hearing.  It’s tentacles were guided by a superb heat-sensory organ that could identify shapes and locations of both hot and cool things  And the amphibious creature had no problem being completely out of the water for long periods of time.  And Ged had both hunted and eaten one more than an Earth decade ago.

“What is that blobby white thing?” Smiley said to Sharpwhatsit.

“Dunno… but it don’t look bullet-proof.”

Both Harlequins whipped out slug-throwing weapons called machine guns and filled the air with projectiles.  Ged used several of his twenty tentacles to shift his writhing students out of harm’s way while his gelatinous body absorbed and digested all the slugs that hit him.

“It seems to like that!” shouted Sharpwhatsit as he did a handspring and cast the machine gun aside.

“Lasers, then?” asked Smiley.

“Lasers, yes!” answered the other clown.

The medium-laser pistols they both pulled out fired hot laser light at Ged’s shape-changing body.  He not only absorbed the attacks, the extra heat energy he absorbed made his tentacles quicker.

The first catch was Smiley Creaturefeature’s right ankle.  The second catch was Smiley’s gun hand.  Then he poured megajoules of heat energy into Smiley’s limbs, completely melting his muscle-control circuits. He was completely immobilized though he was still alive in the way that cyborgs are alive, He was out of the battle.

“I will avenge you, Smiley,” hollered Sharpwhatsit.  He cast away the laser and pulled out a vibro-sword.  Each tentacle that Ged reached out with was immediately lopped off and rendered useless.

But the Electric Coil Monster of New Spain had once been hunted by Ged and his brother, and then dissected for the scientist that hired them.  Ged knew it inside out.

When Sharpwhistle Crackplatter’s blade embedded itself in Ged’s coil, he sent a lightning charge of electricity coursing through the surprised dancing clown.  He fell writhing to the floor, all his circuits shorting out, making him as dead as an undead cyborg can technically be.

The students, no longer incapacitated by the Harlequins, stood around Ged as he transformed back into his human form.

“I hope we don’t have to overcome any more of those things,” said Phoenix.

“You should go after the Triumvirs that have your girlfriend right now before they call up any more of those terrible monsters,” whined Mong, still sniveling.

“Lead us there,” Ged commanded.

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Of Hatred…

Another mass shooting is in the news again. This time against LGBTQ people. But recently against Jewish people, black people, trans people, and liberal people.

Love makes the world go round.

Hate tears it down.

Hate and fear make politics go.

I know people who are offended if you ask them if they are racist. But if they are asked to say that black lives matter, they will only say, “ALL lives matter.” And that doesn’t adequately explain why they can’t say the words, “Black lives matter.”

Fox News tells people what they must never say.

“Socialism can be good.”

“Gay people are born that way.”

“Liberals don’t eat babies.”

“All people, including the ones you don’t think are good people, have rights and should be treated fairly.”

Think for a moment… what are you unable to say? Who controls your puppet strings?

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Mickian Fantasy Art

There is a reason why anything in my artwork starting with a rabbit is assumed to be autobiographical. I raised rabbits as a 4-H project from about the age of 10 and we kept rabbits in pens until I was finishing my undergraduate degree. (Rabbit chores fell to my little brother when I was away from home.) In many ways, I was a rabbit-man. My personal avatar as a school teacher was Reluctant Rabbit.

The panda known as Mandy in my cartoon world is an avatar of my wife, an immigrant from the Pandalore Islands.

There is often an exaggerated sense of adventure in my cartoonally weird Paffoonies, the very name of which is a fantasy word.

I have been known to actually believe gingerbread can be magical enough for gingerbread men to come to life once baked. It is the reason I bite the legs off first, so they can’t run away.

I have been known to see elves, fairies, and numerous other things that aren’t really there. In fact, a whole secret hidden kingdom of them inhabited the schoolyard in Iowa where I attended grades K through 6. They were all mostly three inches tall. The biggest ones, like dragons reaching only about six inches tall at their largest.

Of course I am afraid of death, evil, and… (shudder) mummies.
I think of art and story-telling as a form of music. I am a troubadour whose songs (like this one) are often completely silent.
My fantasy art tends to be more “comic book” than “art gallery”.

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Solving the World’s Problems

When I was in college I had the idea that a writer could change the world through his or her writing. There is precedent. William Shakespeare (or whoever actually wrote his plays and poetry) forever altered how literature in English is carried out, adding words and phrases to everything that comes after and changing how we understand the depths of character and dialogue. Charles Dickens and Sinclair Lewis and John Steinbeck all wrote fiction that exposed the horrors and crimes against the common man, and all three caused changes to their society to at least be begun. Albert Camus and Eugene Ionesco both wrote fiction that changed fundamental understanding in the worlds of philosophy and religion. J.R.R. Tolkein and C.S. Lewis established Fantasy Fiction as a thing worthy of having its name in capital letters.

It was always my hope to become a writer who did similar things with my fictional abilities to tell a good story with a good lesson for life embedded within it.

But when I was young and most capable of establishing my writer’s life as something other people would see and recognize for what it was supposed to be, I decided to teach writing to a next generation of writers instead of doing the thing myself.

So, have I given up the dream?

Never!!!

But, realistically, there are barriers to my success in this endeavor that constitute a mountain range of unclimbable mountains.

  1. The publishing industry has devolved into a massive self-publishing ocean of writers who think they can actually write without editors and with practically no remaining Aquaman or Prince Namor to rule the oceans as the gatekeepers of good published writing. Major publishers now rely mostly on established writers like Stephen King, James Patterson, and other aging fiction-factories who guarantee their profits, occasionally skimming popular stuff off the top of the ocean waves to republish and make money on, though not investing much in promotion because that investment takes away from profits.
  2. I am no good at self-promotion and marketing, so no matter how good my writing is…
  3. I am nearing the end of my own life with seven incurable diseases and conditions. I don’t imagine myself lasting more than a couple more years.
  4. Climate change is coming for us all. The societal collapse will come first during waves of climate-caused disasters, waves of climate refugees, and the inevitable loss of the means to feed eight billion people. And after most human beings are dead, the out-of-control warming processes will cook to death everything else that lives on the planet as it turns into the twin of Venus.

I hope I am wrong, but it is probably impossible to change the world now. But there will be no problems when there is no longer anyone left to have problems.

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