Category Archives: Paffooney

Dawn in Iowa, Sunset in Texas

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The recent Iowa trip has been more or less a metaphor for my life as a whole.  I don’t mean to be funny but… wait just a minute!  Yes I do.  This is corn-shucking humor blog, after all!  But the metaphor is still there.  I was born in Iowa.

Dawn broke over the farm yesterday where Uncle Harry used to live with his wife, Aunt Jean, and their three kids, Karen, Bob, and Tom.  Bob was in my class at school.  We got into a fight once over who should be Robin Hood when we were playing with all the cousins in the old brooder house on Grandpa Aldrich’s farm, the farm where mom and dad now live.  It was a fight that got so intense that we were throwing broke flower-pot shards at each other in anger.  Bob’s hand got cut so badly that he had to go to Belmond and get stitches.  Dang, was I in trouble after that.  Bob’s version, the shard I threw hit him right in the hand, directly between his thumb and pointer finger and cut him.  My version, he cut himself as he threw a pot shard at me, and it cut him leaving his hand.  Everyone believed Bob, of course.  I’m the nutty kid that always told the stories that gave the girls nightmares.  And those stories were never true… mostly.  So they couldn’t believe my version.

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Mom and my sister Nancy designed and executed the painted barn quilt on the work shed that used to be the chicken house.

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Bucolic farm scene to represent my Iowegian past.

But life, like days and car trips, moves on.  We had to pack up the little Ford Escort that brought me home and take off once more for Texas.  I was a little bit worried about the dog.  She didn’t poop as much in Iowa as she normally does in Texas.  Well, we figured that out on the way back.  She pooped a lot of funny colors at every rest-stop dog park on the way back to Texas because of all the people food she had eaten.  She got fed better in Iowa apparently.  And it was stuff like stolen Doritos and other stuff that is so not-good-for-her.

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But going back to Texas with two kids and a dog is a lot like me after college, moving to Texas via Trailways bus in order to become a teacher.  I got a job in Cotulla, Texas, the place where LBJ taught way back when he was a young Texan and still working at being good at telling the REALLY BIG LIES.  I think I mentioned this before, but all the kids in the painting above were real kids I taught in my first year teaching (except for the kid sleeping.,, nobody did anything but hop around and yell at me my first year as a teacher… including the principal).  Oh, and the window is imaginary.  I taught for three years in a windowless concrete box with only buzzing fluorescent lights to keep the monsters from killing and eating me… or each other.  Within a decade of that first class, two of the boys had been to prison, three were already dead, and one became a star lineman for the Texas A&M football team.

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And over time I got closer and closer to my goal.  My skills became bigger and better as a teacher.  I grew in wisdom and power.  Honestly, the grass in the picture was closer to the camera than I was, so I am looming in the sky above the photographer, not tiny and smaller than the grass.  So maybe I better claim the picture was taken by fairies.  Yeah, that’s it.  Down there in the grass.  Iowegian fairies got a hold of my camera and took the picture.  That’s my story and I’m sticking to it.  (See.  I never really learned to get away with the REALLY BIG LIES.  A teacher, as a storyteller, has to also be a truth-teller.)

fulldance  So we returned to Texas, and that is probably where the sunset of my life will take place.  I am retired from teaching now.  I am blogging and telling lies instead… well, writing fiction.  I should have another book published soon.  And it has fairies in it.  So maybe there is still time to pull off the REALLY BIG LIES.

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Stardusters… Canto 53

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Canto Fifty-Three – The Morrells’ Assigned Sleeping Nest

Alden was bone weary as he and Gracie finally found the nest that Sizzahl had assigned to the two of them.  It was a weird little alcove made of artificial stone, with what appeared at first glance to be a huge pile of sticks and leaves in the middle of the central depression of the floor.   The bedding materials were also artificial, however, made from some sort of foamy material and quite comfortable to recline on.

“Oh, Gracie,” said Alden, “I am so relieved to be able to wear clothes again.  I really couldn’t stand being naked around the children all the time.”

“I actually liked being naked, Alden.  It made me feel nice and so very free.”

“It’s like being totally vulnerable, like someone or something could take a bite out of you at any moment.”

Gracie looked suddenly concerned.  “Do you think our poor Brekka is safe with that awful man-eating plant thing?”

“Yes, I do.  It actually seems to take care of her.  I worry more about Sizzahl being safe with this uncle of hers.  Makkhain doesn’t seem very trustworthy to me.”

“You are such an old poop sometimes.”  Gracie looked a little put out.  “He’s her uncle.  He’s family.  Surely we can trust Sizzahl in his care.”

“But what about the rest of us?  Are we safe from Makkhain?  To him, we are the invading aliens.  And it’s no secret that the Galtorrian lizard-people will gladly eat human and Telleron flesh.”

“Well… yeah.   I don’t completely trust him either.  His weird, snaky eyes are creepy.  He’s not quite as human-like as dear little Sizzahl.”

“Gracie, I kinda like Sizzahl too, but you have to remember that she has no regrets about using us for her own purposes.  As soon as she learned we were Earth humans, she wanted to use us for her little Galtorrian/Human crock-pot experiment.  She’s cooking up ten children already, made from our… I mean, my DNA.”

“But when you stop and think about it, Alden, those ten little test-tube babies are your sons and daughters… your actual flesh and blood.  Doesn’t it excite you, at least a little bit, that you are finally going to be someone’s Daddy?”

The thought actually hadn’t hit Alden quite as hard as it did at that moment.  He almost swooned as he lay down on the soft nest-bedding.  “They are half mine and half Sizzahl’s,” He said.  “And they are going to be born from glass jars!”

“Cloning vats for warm-blooded children,” said Gracie.  “And since they are your children, doesn’t that make them mine too?”

Alden knew that back on Earth, not being able to have children had practically killed Gracie.  It was the reason she had been so anxious to adopt Davalon when they found him on that country highway, alone and left behind by his space ship and his people.

“Gracie, how do we do this?  We are living on an alien world now, possibly permanently.  We are two grown-up people from Earth trapped in the bodies of children.  You can never grow up.  And if I grow up without you, I…  Well, I simply can’t do that.   So how do we raise ten children all the same age?  And not just any children, half-lizard children!”

“They’re your children, Alden.  And I will love them as my own until the day I die.”

“The day you die may never come.  And I may have to keep making myself younger every year by Telleron technology to stay even with you.  I may be alive forever too.”

Gracie smiled as she crawled on top of Alden in the middle of the Galtorrian nest.  “Love me tonight.  You haven’t loved me since we became like this.”

“Gracie, you have the body of a little girl.”

“But I am an adult, no matter how young my flesh is.  And I love you.  We have a family now.  Don’t you feel young and alive again too?  Like I do?  Love me.”

There was no arguing with Gracie.   How could he do anything but love her?

*****

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Followed by a Moon Shadow

Moonshadow by Cat Stevens

I first heard this song as a freshman in coll20160424_181349ege.  It struck me that it was hauntingly beautiful… but maybe I wasn’t entirely sure what it meant.

The song is about losing body parts and being okay with that.

That can actually be kinda creepy, right?

It is probably a song about gradually dying.

But that’s not really what it’s about.

I am there now.  Peeling, cracking, drying out… my life has reached the downhill run toward the finish line.  But I am not worried and not afraid.  Life is so much more than hands and eyes and legs and feet.  I can lose those things and have no regrets.  I am so much more than merely the sum of those physical things.

My spirit soars.  And my life is bound up in words and meanings that are now written down, and are at least as imperishable as paper.  And may, in fact, be written on a few human hearts here and there.

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Wizards on Ice

I need a quick and cold post for today, so I will turn to the ice wizards of Talislanta.

Ice Alchemist

Viktor, the ice-alchemist, and his son Zoran-viktor are Mirin, a sort of ice-elves who live in the frozen ice-world of the far north.  Viktor’s people are cold-resistant enough to wear bikinis in freezing weather (but smart enough not to).   So Viktor managed to become the Mirins’ most powerful user of the magic of chemistry by developing hot stuff. In the picture he is brewing a bit of the really, really hot explodie stuff that melts a Mirin bad guy.

Juan Ruy

Juan Ruy, the Mirin prince,  built many ice castles out of his magical substance known as iron-ice.  It was far harder to pierce than steel and impossible to melt with fires less hot than dragon’s breath.  With it he built frozen castles vertically to the highest heights.  And they still stand, primarily because I haven’t played that particular D & D game for more than two decades.

But this is what I love most about the Dungeons and Dragons game.  It is a never-ending game played in worlds of shared imagination where every person at the table adds something to the story.  It is interactive, and it retains the unique twists and turns created by the players.  I created the scenario.  The player behind the character Juan Ruy created the idea of iron-ice that completely changed the story.

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The Secret Gallery in Grandma’s Closet

After years of being stored away, I discovered that my mother had hidden a hoard of my old artworks in the upstairs closet in Grandma Aldrich’s house (now my parents’ house).

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This oil painting was done on an old saw blade at the request of my Grandpa Aldrich.  He wanted a farm painting on it, like the one he’d seen in a restaurant during a fishing trip in Minnesota.  I chose as the subject Sally the pig.  Sally was a hairlip piglet that had to be bottle fed and raised in a box by the stove until later in life she became a favorite pet.  Believe it or not, pigs are smarter than the family dog.  She became a pig you could ride.  And Grandma had taken a precious old photo of my mother and Uncle Larry riding the pig.  I used that photo to make this painting.  It was also the painting I wanted to find on this trip to Iowa.  Searching for it led to finding all the others.

These two are among the earliest paintings I did.  They were both done on canvases that I stretched over the frame myself in high school art class.  The purple one is a scene from Shakespeare’s Midsummer Night’s Dream.  The blue one doesn’t have a title, but you can see what it is.  It is an ancient shibboleth water monster lurking under a dock, fishing for young boys to eat.

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This drawing was done on the front porch in the house in Rowan.  It would be years before mom framed it.  It is another example of what I could do as a high school kid.  In fact, I composed it from art-class sketches I did my senior year in school.

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The Boy in the Barn was painted on the remains of an old chalkboard that my sisters, brother, and I had used in grade school.

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Grandma Aldrich asked for this picture to hang over the sofa in the farmhouse living room.  It stayed there for many years.

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Great Grandma Hinckley passed away in 1980.  I created this portrait from a combination of photos and memory.  It was too good.  It was never hung anywhere because it always made her daughter, my Grandma Aldrich, tear up.

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This pencil drawing won a blue ribbon at the Wright County Fair in the late 70’s.

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This picture is called First Years are Hard Years.  It was painted in 1982 after my first year of teaching at the junior high school in Cotulla, Texas.   I painted mostly the good kids.  The girl on the lower right would later go on to become a teacher for our school district.  I can’t claim to be the one who inspired her, but she did make straight A’s in my class.

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This is called Beauty.  It is done in oil crayon on canvas.  I did it for my mother to hang in the hallway in the house in Taylor, Texas.

So, it turns out, I unearthed art treasures by searching for the one painting.

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The Care and Feeding of a REALLY BIG DOG

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My neighbor, Wendy Wackyname, is the owner of a really big dog.  I asked her how she managed a dog that was bigger than a moose and weighed more than an elephant.

“You have to be able to solve problems you never thought you could have,” she said.

“Problems like what?” I stupidly asked.

“Well, a dog that big not only chases cars, he often catches the littler ones like yours.  It became a real problem when he finished chewing on them and wanted to bury them in the back yard.  When we lived in Oklahoma, our back yard just wasn’t big enough, and the local police kept wondering about what might be buried there.  I guess they had a lot of missing persons cases.”

“Oh, that does sound bad.”

“Yeah, but moving here solved that problem.  We now live next to this nice big park with lots of room for a dog to bury stuff.”

“So he isn’t cured of chasing cars?” I asked nervously.

“No.  But that isn’t the worst problem.  Feeding him is really expensive.  We have to buy a truckload of dog food every week.  That problem has gotten worse since we left Oklahoma.  There used to be a cattle ranch nearby.  At least until the last of their stock mysteriously disappeared.”

I decided I should probably change the subject a bit.

“How do you walk a dog that big?”  I asked.

“Oh, I don’t.  I climb up on his neck and hang on to the collar as hard as I can, and we go for a run.  We ended up in Waxahachie, Texas last week.”

“Does your mother ever let the dog in the house?”

“Oh, no.  Foozy is an outside dog.  If he wags his tail indoors, he breaks all the furniture in the room.  Besides, the doors in this new house aren’t big enough for him to fit through.”

“Wendy, did you ever read those kids’ books about Clifford the Big Red Dog?”

“Oh, sure.  But life with Foozy is nothing like that.  Giant dogs are a much harder pet to take care of than people think.”

I remembered then how my little dog somehow managed to make five poops a day.  Did Foozy do that too?  And how did poor little Wendy go about bagging it and depositing it in the trash?  I finally decided I didn’t want to know.

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Stardusters… Canto 52

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Canto Fifty-Two – In the Flower Garden

Shalar was amazed at the tadpoles’ reactions to Harmony Castille when they saw she had come to rescue them.  First Davalon and Tanith had hugged her and kissed her and then obediently put on clothing as Harmony directed, so that they might cover their sinful and shameful nakedness in the sight of God and everybody.  Then Menolly and George Jetson had done exactly the same when Harmony and Shalar wandered into the Arboretum to find them.  Only Brekka whined.

“I like being naked with my friends and family,” Brekka complained.  “You haven’t made Sizzahl get dressed!”  Brekka was lounging on a large leaf of a plant that seemed almost animated, and seemed to be cradling her like a loved one.

“I can’t get dressed,” said Sizzahl.  “I no longer have any clothing in the whole complex that fits me.  My clothing was destroyed by scabbies and the soldiers Gohmurt brought with him when he slew my father.”

The Galtorrian Makkhain was looking rather perturbed when Sizzahl mentioned her father’s death again.  At least, that was what Shalar thought as she looked at his inscrutable lizard-face.

“I will use my sewing skills to make you some, child,” Harmony said.  “We don’t want to have your soul lost to Christ either.”

Sizzahl frowned.  “I feel a lot the way Brekka does, human.  I have gone without clothing long enough that it doesn’t feel natural anymore.”

“How it feels is not the point,” seethed Harmony.  “Christian souls can’t be saved if they are still in a state of unforgiven sin just as naked Adam and naked Eve were.”

“I don’t see how your silly Earther superstitions apply to me,” Sizzahl replied heatedly.

“They apply to anyone whose soul I can save through Christian love and concern.  That is how you recognize a Christian… by their love.  Race, sex, creed… or species… makes no difference.  I love everyone and want everyone to be saved in Christ.  I can beat that notion into stubborn heads if necessary.”

“I think I see now what makes a church lady such a formidable warrior on your world,” interjected Makkhain.  “You have a single-mindedness of purpose that brooks no argument.  All great leaders can bend the masses to a single, over-riding purpose.”

Harmony looked at him with doubting eyes.  Shalar knew the old church lady, turned beautiful young woman, had no idea what the Galtorrian was talking about.  Harmony didn’t realize he was, in his own lizardy way, complimenting her.

Alden and Gracie Morrell had finished dressing themselves, and Gracie offered, “I can help you with the sewing, Harmony.”

“It isn’t really necessary,” Shalar pointed out.  “Studpopper is carrying a portable material synthesizer.  We can make clothing with any fibrous material you can gather.  There are lot of things in the rubble around here that will transform into cloth.”

“You can make clothing out of rubble?” Makkhain asked, surprised.

“Of course,” said Studpopper, putting the small portable synthesizer down on the potting bench where numerous withered flowers in flower pots were arranged.

“Two bad you can’t make food.  You could save a lot of Galtorrians.”

“Oh, we can make food.  If we round up all those dead scabbies, bones and all, and the dead plants, that will give us enough organic molecules to make good food for years.”

“Lester has volunteered to make plant shoots and runners for food too,” offered Brekka.  “George and Menolly were supposed to tell you all of that.”

“Who is Lester?” asked Shalar.

“My friend the man-eating plant,” said Brekka with a huge grin.

“We will definitely be making a lot of food, Makkhain,” said Shalar.  “And we will freely share it with your people if it will help your planet.”

“It really won’t make a difference,” said Makkhain.  “The atmosphere of Galtorr Prime is degrading at an alarming rate.  Soon we won’t have any air to breathe.”

“This Bio-Dome and the five thousand other sites that my father helped set up have working air-scrubbers that will convert the carbon dioxide and poisons into carbon blocks and trees,” said Sizzahl.  “My instruments have been showing that they are winning the air war since you war-guys destroyed all the factories and energy-making facilities.  We will have a fully restored atmosphere in five years.”

“Okay,” said Makkhain, “but we can’t solve the disease problem that turns us into scabbies.”

“That one is no problem,” said Sizzahl with a shrug.  “Any Galtorrian who is still alive is immune.  All the people susceptible to the virus have already succumbed to it.  I saw that in the genes we used to make the Human/Galtorrian fusions.  We have the same gene to battle the disease that the Tellerons and Humans have, otherwise we would be scabbies already.”

The old warrior seemed somehow deeply shaken by what he had just learned, which didn’t really make sense to Shalar.  It sounded to her like the evidence proved that Galtorr Prime and its people would survive after all.

“We… we can still save the planet!” gasped the old warrior.  “I… I have made a very grave mistake!”

All the others looked at Makkhain in wonder.  All but Brekka.  Shalar noticed the little naked tadpole had cuddled up against the plant-thing called Lester and fallen asleep.

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Saturday Night D & D on Sunday

Yesterday I forgot that it was Saturday.  But that doesn’t matter much in a D & D campaign.  You may not play at regular times… or at all, like this week.  But you do what you can when you can.  Just like in real life.  So let me share a character gallery, in order to give me my weekly dose of fantasy sword and sorcery nonsense.

These illustrations all come out of my D & D notebook.  They are done in colored pencil on colored paper.  Many are copied from models in catalogs, action movie stills, comic books, and illustrated Dungeons and Dragons products, but always interpreted in my own style and costumes.

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Stardusters… Canto 51

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Canto Fifty-One – On the Operations Deck of the Star Ship Bone Head

The forty-two Galtorrian soldiers stood at parade rest.  Tedhkruhz in his ghastly purple robes stood quietly watching as two more soldiers led Farbick, Starbright, Stabharh, and Bahbahr out into the operations deck in manacles.

“Ah, Bahbahr, my friend, we meet again… but for the last time,” said Tedhkruhz in an oily voice that was so oily you could lubricate six Earther car engines with the vowels alone.

“You have won…  I don’t deny it,” said a defeated Bahbahr with tears still rolling down his fat cheeks.

“Yes.  I have won.  And as the victor, it is my privilege to execute you now.”

Bahbahr hung his fat head and cried more freely.

“You know, it is my prerogative as his security chief,” said Stabharh, “to be executed before my master.”

“Oh, yes.  We will be quite happy to oblige,” said Tedhkruhz while swinging the gun around to point at Stabharh.

“Wait a minute,” said Stabharh.  “It is my prerogative.  Doesn’t that mean that I can also choose to not be executed first?”

“Well, now, maybe you have a point there, Stabharh,” said Tedhkruhz, leaking more oil out of his corrupted personality.  “What do you think men?  Do we let the security lizard make that particularly disloyal sort of choice?”

“Of course not, sir,” replied a junior officer.  “Execute him first.”

“Even though Stabharh is scrawny with far less meat on his bones?” wheedled Tedhkruhz.  “Remember, Bahbahr alone has enough bulk to feed us all for a few days before we have to kill and eat anybody else.”

“Okay, Farbick, help me out here,” said Stabharh.  “Surely there is something in all of that which you can use to start something brewing.”

Farbick was surprised.  Stabharh was throwing the figurative basketball to him now?  What did the lizard man expect him to do?  Talk the oily Grandpa Munster-lizard into killing himself?

“I, uh…”

“Surely you can point out to these warriors that Tedhkruhz once had a crew of hundreds aboard his flag ship, the Bone Head.  And then you could ask them what happened to all the rest?  Why are there only forty-four of them left?”

“Yes, what did happen to all the rest?” asked Farbick nervously.

“Some of them died in battle…” said a young warrior.

“And we ate them after they died,” said another lizard warrior.

“And we ate some of the rest because we were starving,” said a third.

“But who picked the ones to be eaten?” asked Farbick, beginning to form a plan.  “Did they volunteer?”

“Of course not,” answered another lizard-warrior.  “Tedhkruhz always selected them.”

The Senator’s dimpled smile had disappeared completely.  He grabbed a warrior’s weapon and fired a shot directly into Bahbahr’s head.  “I truly believe that that is enough thinking for one day.  You troopers do not want to tax your brains over-much.   Look at all the meat we now have.”

“Let’s cook him immediately,” said a lizard-warrior in an ugly hat that Farbick assumed must be a cook’s hat.

“Yes, let’s,” said Tedhkruhz, smiling again.  “And put the three prisoners back in the pit until the meat runs out.  No sense in letting anything spoil before we get to it.”

The lizard warriors dragged the no-longer blubbering mound of carcass that had been Bahbahr away.  He was obviously headed to the cook pots.

“That didn’t go like I thought,” said Stabharh to Farbick as the soldiers grabbed the manacles of all three prisoners.

“What were you actually thinking?” asked Farbick.  But before the small lizard-man could answer, Farbick noticed Tedhkruhz looking at him.  The Grandpa Munster grin was definitely gone.  And was that a look of fear in his eyes?  Fear as he looked at Farbick?

*****

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Why Do You Think That? Part 4

I had to think long and hard about this.  I don’t know how to go about it because I myself am really the opposite of a nudist or a naturist.  I cover up parts of me in public that most people don’t because of psoriasis and unsightly sores on my arms, hands, neck, and jawline.  But I used to know naturists.  I have walked among them, even though I was never brave enough to actually walk naked among them.  But I have this goofy thought that has been nagging me from a back corner of the upstairs filing rooms of my stupid old head.  All people are actually nudists under their clothes.

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Now, if a doofus is trying to argue something as crazily goofy as this, he better have some good main points backed up by real research.  I, of course, am probably not as sensible as that, so let me go with these three main points;

  1. Public nudity is not an invasion of privacy since the person pretty much has to be intentionally nude, and they are not revealing anything that isn’t true of all of us.
  2. Artists really need to draw and paint nudes because one can’t create realistic figures without discovering how to do it by practice.
  3. Naked people are generally happier and more sane than the rest of us.

 

Eden

When I was visiting my girlfriend in the 1980’s at the clothing-optional apartment complex in Austin, Texas, I did not option for naked.  And I really couldn’t protest naked hairy guys strutting in front of me by the pool because I knew what was inside the gate when I knocked the first time.  Nudists are not really suffering from invasion of privacy.  They choose to be naked and choose to be in these places like nude beaches where other people are naked too.

You don’t accidentally become a nudist.  (Even though I wrote a novel about a boy accidentally becoming a nudist in Iowa in the 70’s.)  Even the nudists I have posted in these pictures are not having their privacy violated.  These images originate with old naturist publications purchased in the 80’s.   That means they intended them to be seen.  In fact, I am able to find ample nudism seeking an audience on Facebook and Twitter.

Twitter link to NeoNudist

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BBC Why All Artists Should Have Naked Ambition

And either drawing nude models is an essential part of art training, or all people who learn to draw are perverts and just make art so they can ogle nude models.  I wrote in this crazy blog before about my experience with college-level nude drawing class.  I got a “C+”, not because I wasn’t any good at drawing the naked female art students and naked exhibitionist hairy guys that posed for us, but because the teacher was hyper critical and probably anal-retentive just the way all really exceptional art teachers probably are.

creativity

I am quite capable of drawing the delicate and exquisite nude figure without becoming a gynecological illustrator or even a crude, rude dude.  And there is art to it.  It is not meaningless.

But in the final analysis, we all have a bit of the nudist instinct in us.  We all secretly enjoy those times when we were able to be naked, however briefly, in the warm enfolding light of the sun.  If you have not experienced that and don’t know what I’m talking about, then why have you read this far through the post?  Why have my posts about drawing nudes and being around naturists been my most popular posts?

We have that urge to go naked because that is how God made us.  Being naked in the company of other naked people is actually good for you.  At least, Scientific American thinks so.

Benefits of Nudity from Scientific American

Daily Mail Being naked makes us happier with our bodies

In truth, my time among the naturists helped me recover from the trauma of being sexually assaulted by another boy when I was ten.  That was a long, painful journey that deprived me for a while of being able to be naked.  For a while I was too damaged to be a happy naturist.  But I have come so far now; I can even make this admission in writing.  I would like to be a nudist, even if only for a very brief while.  In fact, I think we are all at least a bit like that.  Now, if only my skin would stop flaking and peeling off.

Naked Wanderings

 

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