If you have come to my blog in hopes of gleaning some key advice about how to write novels or tell a story, then the wisest advice I can give you is, “Do not take any advice Mickey gives seriously.” He used to be a writing teacher in public schools. That is true. But he is also the writer of weird surrealistic novels full of purple paisley prose. And he is not a successful novelist like Steven King or J.K. Rowling. His writing advice is probably only worth ca-ca poo-poo.
So, let me tell you how NOT to write a novel.
Each of the novels I have written and displayed here took me more than twenty years from the moment I conceived of the idea, through plotting, rough drafts, revisions, re-plotting, expanding the story, to finally publishing them in 2017, 2018, and 2019. I developed the stories from real people, real events, and real themes that were a part of my life and added to each of the stories as time passed. So, obviously, you should never take too long a time writing a story. It is true that Snow Babies is the best novel I have ever written, and I count Sing Sad Songs, The Baby Werewolf, and When the Captain Came Calling among my best work. And I only spent one year in the writing of Aeroquest, which is, ironically, the worst thing I have ever written. So, you can see that following any advice Mickey might give you about taking your time with writing is obviously worthless. I took too long writing and publishing my best books, and that is why I will die a penniless, unknown writer.
But I admit to having even more bad advice to warn you not to take. More, I think, than I can put into this one post. So, I will Part-Two this particular essay and take up the topic again in the very near future. Or forget all about it completely. It has to be one of those.
Sometimes a good historical tale requires the right story-teller to really explain it correctly. Sorry, you are stuck with me, Professor Googol Marou. I am an astronomer and physicist, not the kind of story-teller I knew so well when the events I will try to relate to you actually happened.
I am not calling
this bit “Chapter Two” like an ordinary writer with writing sense would.
No, I am following the unscientific metaphors that Ged Aero himself always used
when telling a story. He talked about the universe as if it were a
symphony played by musical instruments that don’t make sounds. Their musical
notes are actually lights and energies, physics, if you will, or some such
nonsense as that. So, the first chapter was called a “Canto”, a section
of poetry or lyrics, intended to be sung out loud. This little
pile of narrative nonsense is primarily exposition, a part that is probably
good to know about, but it won’t kill you if you skip it. It won’t kill
the story either… hopefully. I may also use “Nocturnes” in the course of
this tale, classical movements of romance and sensual beauty. And I am looking
forward to the “Scherzos”, the short interludes of comic musicality and brief
relief from the heavier fare.
My over-all plan for this tale is to tell you how a group of teachers were able to make history and change the Galtorr Imperium of a Thousand Worlds, turning it into the New Star League, even though the stars in it were billions of years old.
Now, you might
wonder how it is that a group of teachers were able to conquer and
realign the very stars, especially since they didn’t know they were teachers at
the outset, but I swear it is true. I’m not the liar Trav Dalgoda
was. And, even though I didn’t personally witness everything I intend to
tell you, I did participate a bit. And, I was able to learn even more
through my special telescope.
Space in the era
of this history was already partially colonized by human beings who originated
on Earth. Four branches of Earthers had reached out to the stars and planets of
the Orion Spur of the Sagittarius Spiral Arm of the Milky Way Galaxy. The
Texans had created the Coreward Union of Inhabited Worlds, also known as the
Pan Galactican Union. Those fools in their plasticized cowboy hats had a
way of running roughshod over the galaxy until they met forces more determined
and self reliant than they were. I don’t apologize for Space Cowboys,
there really is no excuse for them, but they were a necessary part of the
cultural mix that preceded the New Star League.
The Japanese had
reached out to the Trailing Area of the Spur and their colonies disappeared
from known space. Many thought they had run afoul of a powerful alien
menace. In some ways, it was probably the truth. Still, the
inscrutable Space Samurai would come back to haunt us in a new
incarnation. It would prove to be the right thing at the right time.
The Southern
European Union had branched out towards the Nebulas of the Leading Edge of the
Orion Spur. There they founded an exclusive humans-only Empire called the
Classical Worlds. They were so pig-headedly convinced of their own
perfection and superiority, that they took to living everywhere as Space
Nudists, shaping the environment to accommodate the human form rather than
making any adaptations themselves. These descendants of the French,
Italians, and Greeks adopted Greco-Roman dress and culture, and I mean the
Ancient form that had served the original Greeks and Romans back on Earth, the
culture of social nudity and reverence for the naked human form. They
were very enlightened about philosophy and science, but as buck-naked people,
they had absolutely no fashion sense. They were also unusually prejudiced
towards any intelligent being that wasn’t human. They never seemed to
figure out that most humans weren’t really intelligent beings. Still, in
the long run, we needed them too. Good thing we didn’t have to look at
them often… well, unless we really wanted to.
And finally, the
Eastern European Space Initiative had made maximum use of their discovery of
the humanoid lizard Galtorrians found in the Delta Pavonis Star System on a planet
known as Galtorr Prime. They established their Imperium in the center of
the Orion Spur. Something about the Germans and Russians just naturally
dove-tailed with the lizard peoples of Galtorr. The Galtorrian lizard-men
and humans became the first genetically altered, melded race in known
space. They were able to take advantage of the many genetic similarities
between humans and reptiloids for the purposes of making the two species into
one, the Galtorrian Imperial Lizard Race. They were like humans in every
way, even mostly blond-haired and blue-eyed, but their snake-like eyes had
vertically slitted pupils. They discovered they could thrive in Earth-like
worlds and hostile Galtorr Prime-like worlds equally well. They
used their supposedly superior breeding to field vast space armies and navies
of powerful starships and began conquering their neighbors. This, of
course, included the conquest and devastation of the Earth itself.
The Galtorr
Imperium had been established almost 500 years before Ged and Ham Aero started
the Great Outworld Expansion of 5526 C.E. People would come to call the
Imperium the “Thousand Planets” because of the 1,212 inhabited worlds in the
882 stellar systems it had conquered or colonized. It was not the
securely settled Orion Spur that I am sure you enjoy now. It was
necessary to keep an active scout service even in the heavily populated center
of the Imperium. Information traveled only as fast as the fastest
starships, and one end of the Imperium rarely knew what was happening in the other
end. There had been a need for the Galtorrians to fight three Jihads and
five Unification Wars. Pirates and Privateers were everywhere.
No merchant
traveled safely. New colonies often disappeared without a murmur.
Delivering goods meant risking life and limb. Of course, some of my
best friends were pirates at one time. You shouldn’t really hold that
against them. But it is no wonder that an outworld expansion required
someone of great courage and character to step out of the general darkness.
Now, I’m sure you
are wondering, “Who are you, Professor Googol Marou, to be telling us about the
distant past over so many light years of space?” Well, that would be a
good question. I’ve been described as a “total nut-job” on many occasions.
I know what I’m talking about, though, because I’ve studied history in action
through the Marou Ancient Light Holo-Assembler Telescope (the MALHAT). It
takes the collected light from the stars and planets we see, and reassembles it
in a holo-recording that shows what happened at the moment those light
particles reflected off the event. The true genius, of course, was in
finding the quantum shape-memory in photon particles and building a
re-assembler. That means that to view the past as it was 500 years ago,
all you have to do is look at it from 500 light years away and gather 500 year
old light. This I could do from the relative safety of a space platform
or space ship. I mostly preferred a scientifically-oriented lab ship, but
also found Ham Aero’s quaint little hunting ship serviceable as well.
And, I invented this wonderful thing.
I won’t lecture
you now on the fierce repressions of the Galtorr Imperium. Most of that
goes without saying, and if you’ve heard of them at all, you know it is true.
I know you are
probably still marveling over the simple brilliance of the Marou Ancient Light
Holo-Assembler Telescope! I can’t blame you. I’m still amazed that
I invented it. It makes me have to stop in the middle of my thesis just
to marvel at myself. Wow! Aren’t I wonderful?
What I will tell
you, though, is that the Aero brothers left known space because Ged was slowly
transforming into a rare form of Psion known as a Shape-Changer. Like the
telepaths, pyros, savants, teleporters, and telekinetics who made up the usual
run of Psions, shape-changers could make use of their entire brain system in a
conscious way to control the universe around them by mind power alone.
That is not to say that they were any smarter, wiser, or more moral that the
rest of us, just unusually gifted with special brain powers.
The Imperium
hated Psions because they were so much harder to control. They actively
hunted, persecuted, and, often, even executed Psions. I, myself, am not a
Psion, but you will note in the course of this history, when I come into the
picture to play a key role, that I have a real affinity for Psions and their
way of life. So, as the story continues, please don’t doubt the veracity
and mental stability of my observations. I’m a genius, after all.
My inventions prove it.
The Amazon rain forest is burning. It filters our atmosphere, removing carbon, and producing about 20 percent of our breathable air. The Latin Trump, newly elected leader of Brazil, wants it to burn to make arable land for growing soybeans to sell to China and profit over the Pumpkinhead President’s stupid trade war.
I already worry about having a heart attack at any moment. I can’t afford insulin for my diabetes, or another trip to the emergency room. The next concerning chest pain may well be the onset of the end of everything for me. If it is just another mystery pain caused by the inflamed joints in my rib cage, or the arthritic bones pressing on my spinal chord, I will not be able to pay for the inevitable surgery I discussed with doctors before. Better for my heart to go boom and the suffering to end.
But I believe in the Dylan Thomas solution. “Do not go gentle into that good night, rather, Rage! Rage! Against the dying of the light!”
So, how do I do that? How do I rage against the end of days? Whether for the entire planet facing heat death and a destroyed environment, or just for myself?
I will write the next home-town novel about the boy who cannot die. I am calling it A Boy Forever… at least for now. That’s a working title.
The Paffooney for today pictures Firefang, a girl who comes to the little town of Norwall, Iowa, against her will with her adoptive oriental father. She is not the protagonist. Young Icarus Jones is that. Rather, she is the antagonist, the fire-breathing troubled teen dissatisfied with life and longing for chaos and escape.
This will not be a teen romantic comedy. Well, not only that, anyway. It will be a book about an imprisoned dragon, the undying, and the undead. It will be about murder and the quest for immortality. I am working on the plot of it as an epistolary novel, made up of letters, interviews, and first-person accounts. And it will be both funny and sad, both an allegory and a farce, a parody and a prose poem.
Okay, I know it’s a tall order. But when faced with imminent death, you gotta do something, right? I intend to write another novel.
The picture is modeled after a girl from Brazil that I met over the internet, on Twitter. The character is not based on her. I barely know her. But I used her internet selfie to draw the picture portrait of Firefang.
The Texas heat is putting stress on me in more ways than one. Economically, I can’t make ends meet if I don’t earn extra money each month. And it is too hot for me to survive driving in the heat with passengers and food deliveries for Uber. My household air conditioning is laboring hard to keep the house livable. It could give out from old age. And if the electricity goes out during peak electrical usage hours, that could bring about the end for me.
I have, in the past, found some relief by being a nudist inside the house and behind drawn window curtains. But it is illegal to go outside that way. And if I do get a job at either the school district as a substitute, or at Walmart, I will most likely have to put on clothes to go to work and earn money. Unless, of course, the whole society decides to go clothing-free due to the oppressive heat effects of climate change in Texas. It could happen.
But when I joke about naked truth, I am not merely punning around about physical nakedness. I am talking about exposing what’s underneath, revealing the truth that was previously cloaked under something artificial. That’s why the truth underlying my 1990’s monster-movie poster above reveals a hidden thing that is truth about me as an artist and a writer. I am not only the mad scientist (admittedly a much younger version of me) creating a robot girl in my evil castle laboratory, but I am figuratively also showing you how I write or draw a character, using an underlying mechanical structure to give a semblance of life to an un-living thing, namely, a fictional character.
Unfortunately, there are others in this world who have used their own technical expertise to create the heat-extinction scenario we now have to live in. And that is not merely a figurative exaggeration of a very real truth.
Fossil-fuel profiteers like the Koch Brothers and Exxon Corporation have known what the consequences of their unbridled exploitation of a natural resource were going to be since studies were done by their own researchers back in the 1970’s. They made the conscious decision to take maximum profits from their non-renewable resource knowing that their own grandchildren would have to face the fire-breathing dragon they created after their own lives of obscene wealth and comfort were already over. (I do hope those evil people’s grandchildren at least taste good when the poor and deceived people eat them.) So, we face a world of flooded lowlands, intense heat, fires like the one burning out of control in the Amazon today, crop failures, food shortages, and societal.collapse a few short years from right now. Thank you, Charles and David Koch.
The naked truth is, like my backyard sunflower, we are all soon going to be collapsing in the unrelenting heat. But I have lovingly watered the root every other day since I got back from Iowa. And it has yielded far more blossoms than any other single sunflower I have ever seen. It grows and thrives horizontally instead of growing upwards. Just like when a nudist wears ugly clothes to work. He can take the clothes off again at the end of the work day. When the day is ending, there is beauty underneath. And that is also a naked truth.
When you look out
the portal of a space craft, especially a large portal like the main view-port
of the Leaping Shadowcat, you get a glimpse of the great orchestra of light and
silence that has been playing its music in space since the dawn of time.
The diamond-bright stars glow with an electric melody in a great sea of black,
littered with the silent notes of the Galactic Symphony written on the face of
the universe, and being conducted by God himself.
Ged Aero stared
at this silent music as he contemplated his brother’s plan. Ham Aero had
proposed the impossible. How could it be the only solution?
“You can’t deny
it any more, Ged. The Galtorr Imperium is no place for a man like you.”
“…but the
unknown, Hamfast? How can you expect to get by beyond the edges of known
space?”
“Others have done
it in the past. You know that civilization still has not absorbed even
half the worlds that Martin Faulkner visited five hundred years ago.”
“Yes,” said Ged,
pulling at the front brim of his dirty brown fedora as if to hide his eyes and
the doubt that was in them, “but he was an explorer. He knew how to live
in space without any human contact for years on end.”
“What he can do,
we can do.” Ham pushed a fall of thick yellow hair out of his eyes.
It had been far too long since he had had a haircut, but only their mother had
been allowed to do it, and she was now gone. “We have to. Prejudice
against you has reached the point that it will be fatal.”
“Okay, I know that. But I’m learning to control it. I don’t have to change all the time. I can stop it when I need to, and maybe even start it myself. I don’t know why it happens, but I think I can make it work for me instead of against me.”
“Yes, well, mutations
like yours are almost always fatal in the end. You’ll slip at the wrong
moment, and the Imperials will have your head on a platter. What did they
call your disease?”
“Lycanthropy.
Werewolf disease.”
“That’s my point
exactly. We both know it’s really something else, but the torches will
come out to burn you the next time they see you change even a little bit.”
“Unknown space,
Ham? Does it have to be unknown space?”
“Yes, Ged.
Unknown space. It’s my spaceship. The decision is ultimately mine.”
It was a
beautiful space ship. It was a safari cruiser of the Xenomorph Class, a
smooth airfoil shape with silver skin and a photon drive that could leap across
parsecs of space in practically no time. It could land on planets with
atmosphere as easily as it could glide through the electric sparkle of
space. It had a good, sturdy ground ATV and accommodations for as many as
twenty-five people.
“So how do you
plan to navigate the unknown?” Ged knew Ham was a capable starship
captain, but they had no reliable navigator. And the third member of
their minimum crew of three, the engineer, was not even aboard.
“Goofy can do
it. He’s more gifted than you believe.”
“Don’t tell me
your friend Trav Dalgoda is the engineer we’re waiting for!”
“Okay. I
won’t tell you.”
“Are you
insane? You’re going to jump out into unknown space with that Lunar Tick
as our only means to fix the ship and set our course?”
“Yeah,” said Ham,
grinning. “It doesn’t sound too smart when you put it that way. But
he is an original thinker and a good problem-solver.”
“He’s also wanted
on four planets and owes ten million Galtorrian credits to the biggest Vice
Lord in the Thousand Planets.”
“Yeah. It
was easy to talk him into jumping out with us.”
“Oh, I’m so glad
it was easy.”
The two brothers
had started calling their boyhood friend, Travis R. Dalgoda, “Goofy” when, as
an academy graduate, he started wearing an eye patch over his left eye even
though he could see through it perfectly. It didn’t hurt that he always
wore that silly Donald Duck sailor’s hat that he got on his one and only leave
on the Disney planet. He also had a thing for ties with weird pictures or
sayings on them. Trav was one of a kind.
“I guess I
understand your plan finally,” Ged said morosely to Ham. “You’re going to
bring an end to my suffering by committing suicide in deep unknown space.”
“Yeah,” said Ham
staring out the view port at the silent music of the stars, “Something like
that…”
At that moment, a
blazing piece of space junk trailing sparking debris came fluttering toward
them like a wounded sparrow.
“Oh, gawd!
Get to the co-pilot console, Ged!”
Whatever it was,
it was maneuvering, using powered flight. It was apparently seeking them
out.
“Any bets that
this burning space-ball is Goofy?” Ham asked as he strapped himself into the
pilot chair.
As if in answer,
Trav’s voice came over the ship-to-ship commo. “Ham-boy! You gotta
help me. I picked up a band of followers on my way out of system!”
“Yep. That’s
Goofy,” moaned Ged.
“I’m pickin’ up
bad guys!” shouted Ham. He flipped on the commo. “Goof? You
got six of them on your tail?”
“Oh, is that
all? My sensors are out. I figured it was more like fifty.
Pinwheel Corsairs, ain’t they?”
“Yes. I
make them to be Tron Blastarr and Maggie the Knife. What’s your beef with
them?”
“Oh, they’re
friends of mine. I helped them loot a cargo out of Mingo Downport.
They just didn’t like the ninety-ten split I left them with.”
“Typical,”
muttered Ged. “They got the ten, right?”
“Could I split it
any less fair than that?” Trav answered.
Ham launched the
Leaping Shadowcat into an arching intercept course. Ham had never done a
high-speed docking maneuver before, that Ged knew of, but the young pilot was
about to learn fast.
So, now that I have finished another novel that I have been working on for more than twenty years, I have decided to turn away from the hometown novels and take up some science fiction/humor again.
And I, of course, am not smart enough by any stretch of the imagination to avoid choosing my disastrous first novel from 2007, AeroQuest. This particular novel is spectacularly in need of a serious overhaul and re-write.
First of all, it has too large of a cast with new characters introduced in almost every Canto (what I inexplicably re-name chapters). Likewise they are interacting in too many different settings and planets and spaceships without enough individual explication of each. It screams out in agony to be divided into smaller chunks and both expanded and simplified.
The first book, Stars and Stones, will be centered on the planet Don’t Go Here. That, of course, is a bizarre world populated entirely by sentient beings who were marooned on the planet by pirates and space wolves. Even more bizarre, the populous has responded to a growing population with limited resources by adopting a caveman culture based on a lone cartoon holovid of The Flintstones.
The characters and the plot-lines will be pared down and simplified.
And, having done some work on AeroQuest 1 already, I also got a headstart on AeroQuest 2 by creating a cover for it.
My daughter, the Princess, created this space background for me.
So, you can clearly see that my daft plan is to re-write that simply awful book as a trilogy. A Sci-Fi trilogy? Wherever did I get a foolish idea like that?
Well, I always claimed that the original was half-inspired by Frank Herbert’s Dune trilogy, and half-inspired by Douglas Adams’ Hitchhiker’s Guide to the Galaxy. So, that should make for one seriously off-kilter mutant amalgamation of a book series.
Here is a brief and very surrealistic comic story that I have published before… but a long time ago.
I know it is a bit bizarre, and hard to tell what the theme really is… but isn’t that what art is really for? Telling highly personal stories that make you think hard about seeing things through the eyes of an artist.
Jade Beyer, eater of trash, table scraps, and anybody fool enough to break into our house.
While the family dog was watching me intently as I was cooking the breakfast sausages, she decided to strike up a conversation with me.
“You know, beloved father and giver of people food, a lot of other dogs tell me that they get table scraps at meal time.”
“That’s a self-serving comment. And when do you ever talk to other dogs? You’re a house dog that stays inside all the time.”
“I listen to news on the nightly howl, and it’s been a fool moon lately.”
“You mean full moon, not fool moon.”
“That’s not what other dogs call it. It makes their people act like fools.”
“It doesn’t take a phase of the moon to make that happen.”
“So, you will give me table scraps more often?”
“Dogs who eat table scraps get fat and unhealthy and die of heart attacks.”
“Sausages would be worth it.”
“You get enough fat and cholesterol in your diet from eating the burglars that come into the house at night.”
“No burglars came in last night, or any other night that I can remember.”
“Well, that’s probably because in Texas, we elect our burglars to office, especially in the Senate.”
“Euw! I could never eat Cruz or Cornyn. I don’t like the taste of oil mixed with hairspray and arthritis cream. But I could eat Trump, probably. Of all the politicians, he’s probably the only one that looks like he’s made of cheddar cheese.”
“You’d never survive the fat content in the head. Instant myocardial infarction. “
“Well, I don’t know what those last two words mean, but I’ll bet I could survive it. So, when are you gonna start substitute teaching? You get rushed when you have stuff like that to do, and you drop more food on the floor.”
“Well, the school districts are in no hurry to hire me. They seem to have enough subs for the start of this semester, so I have to wait for them to schedule another sub orientation. We could be facing some tough economic times.”
“Oh, that’s not good. No money for even dog food?”
“If things get really bad, we may have to eat table scraps from the floor. And when those are gone, we might even have to eat the family dog.”
“What?! Even if she’s a talking dog and a valuable member of the family?”
“Dogs get eaten before the children do.”
“Oh, I get it. That’s supposed to be black humor. Not funny!”
“It got you to stop thinking about table scraps while I finished cooking the sausages.”
“We’ll see who gets what. I can still give the Princess the beg-eye and make her pity me enough to give me some.”
Table Scraps
While the family dog was watching me intently as I was cooking the breakfast sausages, she decided to strike up a conversation with me.
“You know, beloved father and giver of people food, a lot of other dogs tell me that they get table scraps at meal time.”
“That’s a self-serving comment. And when do you ever talk to other dogs? You’re a house dog that stays inside all the time.”
“I listen to news on the nightly howl, and it’s been a fool moon lately.”
“You mean full moon, not fool moon.”
“That’s not what other dogs call it. It makes their people act like fools.”
“It doesn’t take a phase of the moon to make that happen.”
“So, you will give me table scraps more often?”
“Dogs who eat table scraps get fat and unhealthy and die of heart attacks.”
“Sausages would be worth it.”
“You get enough fat and cholesterol in your diet from eating the burglars that come into the house at night.”
“No burglars came in last night, or any other night that I can remember.”
“Well, that’s probably because in Texas, we elect our burglars to office, especially in the Senate.”
“Euw! I could never eat Cruz or Cornyn. I don’t like the taste of oil mixed with hairspray and arthritis cream. But I could eat Trump, probably. Of all the politicians, he’s probably the only one that looks like he’s made of cheddar cheese.”
“You’d never survive the fat content in the head. Instant myocardial infarction. “
“Well, I don’t know what those last two words mean, but I’ll bet I could survive it. So, when are you gonna start substitute teaching? You get rushed when you have stuff like that to do, and you drop more food on the floor.”
“Well, the school districts are in no hurry to hire me. They seem to have enough subs for the start of this semester, so I have to wait for them to schedule another sub orientation. We could be facing some tough economic times.”
“Oh, that’s not good. No money for even dog food?”
“If things get really bad, we may have to eat table scraps from the floor. And when those are gone, we might even have to eat the family dog.”
“What?! Even if she’s a talking dog and a valuable member of the family?”
“Dogs get eaten before the children do.”
“Oh, I get it. That’s supposed to be black humor. Not funny!”
“It got you to stop thinking about table scraps while I finished cooking the sausages.”
“We’ll see who gets what. I can still give the Princess the beg-eye and make her pity me enough to give me some.”
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Filed under autobiography, commentary, family dog, humor, Paffooney, politics, self pity