I am no longer willing to rely on the definition of the words, “traditional publishing”, anymore. My book, Magical Miss Morgan, is now out of print because Page Publishing has a need to charge me for keeping my book on their Print-on-Demand paperback book machine and in their e-book database . I paid those parasites to edit and publish my book. They made money off a totally incompetent job of editing, trying to pass off incorrect proofreading whose corrections all had to be re-corrected by me. Their publishing consisted basically of buying me an ISBN number and providing the same level of publishing services as Amazon does for free.
The cover was basically designed by me. I did the drawings and photoshopped them onto the background. They provided the the Title/Author graphic.
So, really, I paid them close to three thousand dollars for things I had to do myself anyway.
Well, I own the rights completely to the formatted manuscript and the cover. I spent three months getting it all legally returned to me, which they could’ve done in a week if my case manager hadn’t gotten married in the middle of the process. I am obviously not entitled to special treatment of any kind, since I wasn’t willing to pay their pointless maintenance fees.
I will now republish this book on Amazon and never again publish anything where I rely on anybody but me in the process. It is a very good story about a Middle School English teacher who is a combination of me and a female colleague who was a very gifted teacher. It also tells a tale of making reading assignments such a magical experience that fairies invade your classroom. It was a contest novel that didn’t win anything but made it to the finals in the judging. Nobody reads my books because I have no means of effectively marketing them, but this is one of my best and deserves to be available for as long as I can make it so.
I went moose-bowling the other day with my good friend Doofy Fuddbugg. We don’t do this often, as the moose-bowling lanes are rarely open. (There is a distinct shortage of Bullwinkles willing to grab their ankles with their gloved hands, make themselves into a ball, and then be thrown down bowling lanes by human goofballs who’ve exercised their moose-muscles to the point that they can actually throw a moose. And, of course, as antlers often get tangled up in the moose-ball return, the moose-bowling lanes can rarely stay up and running for a whole evening.)
Doofy, as he put on his bowling shoes, was enlightening me with his philosophy of dating.
“You has ta pick an ugly girl, because ugly girls will appreciate ya more since they can’t get nobody better than you,” Doofy says with a smug smirk on his smiley old puss.
“I have seen this philosophy at work,” I confessed. “I have seen your girlfriend, Green Lillian. She is four-foot-two with a bright green complexion and completely bald. But does it not bother you that her house is made of gingerbread and candy canes, and she eats small children for lunch?”
Doofy Fuddbugg
“Gingerbread-fed brats can be quite tasty with lots of catsup. “
“Don’t you mean ketchup?”
“Naw, Green Lillian makes her condy-mint out of the fur of black cats which she clips off them when they is upset and the fur on ’em is all standing uppity up on their backs.”
“Oh.”
Doofy rolled the first Bullwinkle for a strike. Of course, if you can get the moose to roll all the way to the pins, it is almost always a strike because of the antlers sticking out on either side.
Then the discussion turned to politics as my first Bullwinkle rolled right into the left gutter, then just sat there scratching his moose head and chewing on a daisy he pulled off the flower-patterned wallpaper in the restroom.
“Iddennit great we has a wunnerful prexydent in the White House to do rotten stuff to all the peoples we hates?” Doofy said stupidly.
“I really don’t hate anybody, Doofy. But the current president comes close. Why do you love him now? What terrible thing has he done?”
“He done kilt an Iranian towel-head general in the Iraqi airport. Done kilt him with a drone.”
“Yeah, I heard about it. The Great Orange Face may have started another war in the Middle East in order to get us to look away from the Impeachment trial.”
Doofy bowled another Bullwinkle for a strike.
“I dun’t know why ya allus has ta talk down about the prexydunt, Mickey. He’s a good ol’ boy. And why does ya allus wanna im-peach him fer? He’s a purty peachy guy already. Ya dun’t need to put him IN a peach. Ya oughtta be X-peaching him!”
“Yeah, let’s not talk about him anymore,” I moaned as I rolled a Bullwinkle into the right gutter.
“Eeyup, I win der arguey-mint again cause I jes’ keep repeatin’ the facts until yer pointy liberal head is done ready to explode.”
“Whatever you say, Doof. You can’t argue logic like that because it simply doesn’t exist. How can you argue what doesn’t exist?”
Doofy laughed and laughed as he rolled another moose-bowling strike on his way to a 300 game. 300 to 0. God, I hate moose-bowling.
The question came up on Twitter. “What things aren’t safe to write about in a Young Adult novel?”
I have personally never questioned myself about that before. The writer asking for input was writing something science-fiction-y about a telepath using telepathy to torture someone. He was apparently worried that a younger audience would be traumatized by that.
Really? Anyone who can ask that has never spent much time talking to young readers.
I base my answer on over thirty years of trying to get kids to read things of literary quality. My very first year of teaching a male student stood up when the literature books were passed out and announced, “I don’t do literature!”
“Really, Ernie? You are going to lay that challenge before me?”
We slogged through The Adventures of Tom Sawyer that year, using and reusing 20 paperback copies of the novel purchased with my own money. Ernie maybe didn’t like it. But he did literature.
And I went on a thirty-four year quest to find out what literature kids really would do and what literature kids really neededto do.
Aquaman saves Aqualad from a shark of evilness.
Here’s a tiny bit of wisdom from Mickey’s small brain and comparatively large experience; Kids are not traumatized by literature in any form. Kids are traumatized by life. They need literature to cope with trauma.
Kids want to read about things that they fear. A book like Ender’s Game by Orson Scott Card has some graphic violence in it and a war against faceless aliens, but it does an excellent job of teaching how to empathize as well as fight against bullies, and it helps them grapple with the notion that the enemy is never clearly the thing that you thought it was to begin with.
Kids want to read the truth about subjects like love and sex. They are not looking for pornography in YA novels. They get that elsewhere and know a lot more about it than I do. They want to think about what is right and how you deal with things like teen pregnancy, abortion, matters of consent vs. rape and molestation. Judy Blume started being objectively honest with kids about topics like puberty and sex back in the 60’s with books like Are You There, God? It’s Me, Margaret. and Iggie’s House.
If you are writing for young adults, middle grade and high school kids, even kids 5th Grade and below who are high-level readers, it is more important to worry about writing well and writing honestly than it is to worry about whether they can handle the topics and trauma that you wish to present. Write from the heart and write well.
I can honestly say I know these things I have said are true about young readers from having read to them, read with them, and even taught them to read. As an author, my opinion is worth diddly-squoot since I have hardly sold any books, and no kids I know have read them (except for two of my nieces, both of whom are pretty weird and nerdy just like me.)
Once upon a time there was a geeky, nerdy hobbledehoy who liked girls pretty much, but was totally oblivious to the fact that some of them really liked him.
This problem began in junior high when the hobbledehoy was thirteen. A girl named Nikki decided to sit by him in art class even though they were assigned seats in alphabetical order, and the hobbledehoy’s last name began with a B, while Nikki’s last name began with V.
She constantly remarked about how wonderfully he drew each and every assignment, even the ones that looked like a black bird bathing in a mud puddle even though they were assigned to draw the teacher using swirl doodles, which nobody knew how to do and everybody got wrong.
By the end of the first semester, Nikki had made it known to the hobbledehoy that her greatest wish was for him to come to her house after school and draw her in the nude. “I cannot,” said the hobbledehoy. “I have to catch a bus after school. And this is Iowa. It is too cold to take my clothes off to draw somebody. I would shiver too much to draw well.”
In college, the hobbledehoy was still a little clueless and clumsy. He still didn’t see it whenever someone of the female persuasion looked at him and hoped that he would be their little huggie-bear.
A beautiful blonde girl started sitting with the guys from Ayers House whenever they went to lunch in the dorms. She always chose to sit next to the hobbledehoy. She asked him about his class times and class locations. When the guys went in Doobie’s car to MacDonald’s. She sat in the front seat and turned around to talk to the hobbledehoy in the back seat, the whole way, both going and coming.
Then one day, she sat by him at the food service table even though no other guy from Ayers House was there at the time. “Sometime you will have to show me these drawings you can do, the ones that Doobie is always talking about. You can bring them to my room when my roommate is out. Doobie can tell you where to find me over in the Maples Building.”
The hobbledehoy seriously thought he might show her some of his drawings. But he couldn’t ask Doobie where to find her, because he didn’t know what her name was.
Finally, when the hobbledehoy got through college, and he also got through remedial college to get a Master’s Degree and a Teaching Certificate, he got a job teaching middle school English in South Texas. And he had a pretty Hispanic teacher’s aide who asked him to take her places in his car. And the pretty blond Reading teacher from the classroom across the hall also liked to invite him to go places either in her car or in his. And he had a great time with each of them. But the three of them never seemed to be able to do things together without somebody getting angry. And the hobbledehoy didn’t understand it. He was never the one who got angry.
The Hispanic one had a sister who lived in an apartment complex in Austin. And the hobbledehoy’s parents lived in the suburbs of Austin at the time. So, they would travel together to Austin for weekends. The only complicated thing was… the apartment complex where the hobbledehoy dropped her off and picked her up was a clothing-optional nudist apartment complex. The hobbledehoy learned about human anatomy and nudist etiquette very quickly.
And the Reading teacher was rather aggressive. She dropped a lot of hints. And one night she arranged a card party at the hobbledehoy’s apartment. It was a small party. Just the Reading teacher and the hobbledehoy and the female Science teacher. And it turned out that the Reading teacher had bought two packs of pornographic playing cards. And she wanted to play strip poker.
So, the moral of the story is… even hobbledehoys grow up sometime. And by the time the hobbledehoy had gotten fat around the middle so that he could no longer be a hobbledehoy, he got married and had three kids.
And if you were to say to me, “Mickey, is the hobbledehoy really you?” I would say to that, “I don’t think I can answer that.”
Tron and Maggie needed the Megadeath and her crew to bolster the defense forces of Outpost. So, it was simply a matter of finding a ship they could spare to send Artran to safety with Ged on whatever planet the hunter now inhabited.
“I can’t afford to send a single Pinwheel or White Sword out of system. We lost too many to defend our planet already. And we have to assume this base is no longer a secret to Grand Admiral Tang.” Tron glared at his difficult wife.
“This is our only son we are talking about,” argued Maggie. “He is a cargo worth protecting. That’s why we are bothering to send him to Ged Aero in the first place.”
“Perhaps I can be of assistance, sir,” offered Bill the Postman (secretly Scarpigo Snarcs). “Your wife is going to win this argument, or I don’t know anything about wives.”
“Have you been married before?” asked Tron, fixing the clown with a laser-eyed look from both his artificial eye and his natural one.
“Of course not! I told you I knew all about wives didn’t I?”
“So, what’s your worthless advice, then?”
“I am disguised as a competent member of the Imperial Scout Service. So, I can take him to his destination without being fired upon in any X-boat that is delivering mail.”
“How is that secure enough for my precious boy?” asked Maggie.
“Well, I will be delivering the Imperial mail. You know the Imperial Space Navy does not shoot down its own mail service, even on the frontier.”
“He has a good point, Maggie,” said an exasperated Tron.
“What about Star Dogs? They do attack Scout ships of all kinds.”
“That’s true, dogs does chase postmen,” offered Quintillius Blorghoffer (secretly Cinco Snarcs disguised as a Scout Service Postman), “But me brudder an’ I is two of de bestest secret-type agent-men going, an’ our X-boat is secretly armed with a meson cannon, don’t ya know. Ain’t that right, Pontoffel Poggs?”
Zero Snarcs (disguised as the above-mentioned Poggs the Postman) vigorously shook his head.
“He says you don’t?” asked Maggie angrily.
“Oh, he don’t know no better. He shakes his head like that when he means ta say yes. He’s just too stupid to talk.”
“Okay, I have my doubts now, too,” said Tron.
“Please, sir,” said Tiki Astro, “I am fully programmed to problem-solve and defend Artran. Who better to send along with him as he travels in secret than I?”
Tron looked at the artificial child. With his new skin covering his metalloid body, he was completely indistinguishable from a real child. He would indeed be the perfect travelling companion to keep Artran safe.
“Yes. That settles it. Artran goes in the X-boat with the three idiots to be with Ged Aero in relative safety.”
Maggie sighed and nodded agreement.
Happy Jack sighed and then hugged his artificial son goodbye.
The three idiot postmen and the two children boarded the balloon-shaped X-boat and immediately took off from Outpost.
Once they reached the orbital jump point, Bill the Postman turned to Pontoffel Poggs (which was actually Scarpigo Snarcs turning to Zero Snarcs) and said, “Okay, boy, spin the directional dial and then spin the distance dial.”
Poggs (who was actually Snarcs) spun both dials like he was playing Intergalactic Wheel of Fortune.
“It says we are jumping a hundred and twelve parsecs into the middle of unknown space,” warned Blorghoffer (who was also secretly Snarcs).
“That’s perfect!” said Bill (secretly… well, you know). He then smashed the jump button and folded space to a distance that would normally destroy an X-boat.
After an undeterminable amount of time they exited jump space into a black void. But at it’s center glittered a multitude of artificial lights from a construct seemingly sewn together with steel beams and made from junk spaceship fuselages, broken satellites, abandoned space stations, and unidentifiable metal things from unknown space.
“Ah, I didn’t actually think that would work,” said Bill.
“Where are we?” asked Artran and Tiki at almost the same moment.
“This, my boys, is Nomad. This is the home of the Star Nomads.”
“An’ I always thinked that Star Nomads be Myths,” said Blorghoffer.
“Just because something is a myth doesn’t mean it’s not true,” said Bill.
I am past the 50,000 word mark. It is almost finished. Here I wish to show you the main characters of the novel through illustrations I have created over the years..
Milt Morgan is one of the four main narrators of the novel.
He is a fifteen-year-old Belle City High School freshman in 1976. He is the most imaginative of the Norwall Pirates softball team and liars’ club.
He tells his portion of the story in the form of journal entries.
Anita Jones and her boyfriend the Superchicken (Edward Campbell)
Anita Jones is the most central of the four narrators in that she is the cousin of Icarus Jones, the character at the center of the whole plot.
She is a fifteen-year-old freshman girl who has had a steady boyfriend since the spring of 1975. She tells her part of the story by writing letters about Icarus and the things happening in the little town of Norwall in the summer of 1976. She is writing to her cousin Dot who is much more interested at the start about Anita’s boyfriend Eddie than she is about cousin Icky.
Brent Clarke is the high school freshman athlete and leader of the Norwall Pirates. He is interested in becoming a policeman or detective, and as one of the four narrators, he tells his part of the story through his investigator’s notes which he takes religiously on practically everything.
He feels responsible for all the Pirates, especially Icarus when he comes under attack during the adventure in the summer of the Bicentennial year.
The fourth narrator is Sherry Cobble who has a twin sister named Shelly and is dedicated to being a nudist. In fact, she very much wants to convince all the Pirates to be comfortable with their own naked bodies. Realizing that dream, though, is complicated.
Especially because it’s Bible Belt Iowa and her nudist family is looked at as being the somewhat crazy hippie-type kind of people that are barely tolerated by the law.
She writes about it all in her Lovely Nudist’s Diary where she can write about her naturist beliefs, successes and failures, and her boyfriend, Brent.
Icarus Jones is the central character of The Boy… Forever. He tries to kill himself early in the year of 1976 and finds out by jumping off the MacArthur Bridge in St. Louis that he cannot die naturally. And worse is in store. Beyond the fact that he is an immortal, he is being pursued by an undead Chinese wizard who is a dragon in human form.
Fiona Long, usually called Fi, convinced her stepfather to move to Norwall, following Icarus as he moves to Norwall from St. Louis. She tells everyone in her freshman class that Fi is really short for Firefang, and she is a red dragon in human form.
She becomes friends with the Pirates. She learns to trust and like Anita and Sherry. And she is mightily attracted to Brent who is actually Sherry’s boyfriend.
Fi’s stepfather, Tien Long, is the villain. He is in reality a Chinese Celestial Dragon in human form. He also needs Icarus’s blood to continue to live his long, nearly-immortal life.
It is almost done, this novel. And as you can probably tell from the character pictures, this is not the first novel about the Norwall Pirates. So, it is a pirate novel with dragons and immortals in it. It has been fun to write. And soon it will be complete.
Life seems to be getting harder and harder. And I realize that a big part of that perception is the fact that my health is deteriorating quickly. This is a humor blog, but it has been getting more and more serious and more and more grim as the grim reaper becomes more and more a central character in my own personal story.
My perception of reality, however, is best explained by a passage in a novel that spoke to me in college. It comes from the novel, the Bildungsroman by Thomas Mann called Der Zauberberg, in English, The Magic Mountain. In the scene, Hans Castorp is possibly freezing to death, and he hallucinates a pastoral mountainside scene where children are happily playing in the sunshine. Possibly Heaven? But maybe not. As he goes into a stone building and finds a passage down into the ground, he sees wrinkled, ugly, horrible hags gathered around a child’s corpse, eating it. And this vision explains the duality at the center of the meaning of life.
For every good thing, there is an equal and opposite bad thing that balances it our. There is no understanding what perfection and goodness mean without knowing profanity and evil. Just as you can’t understand hot without cold nor light without darkness. And you don’t get to overturn the way it is. You try your hardest to stay on the heads side of the coin knowing that half the time life falls to tails.
So, what good does it do me to think about and write about things like this? Well, it makes for me a sort of philosophical gyroscope that spins and dances and helps me keep my balance in the stormy sea of daily life. I deal with hard things with humor and a sense of literary irony. I make complex metaphors that help me throw a rope around the things that hurt me.
We are living now in the Spider Kingdom. Hard times are here again. The corrupt and corpulent corporate spiders are spinning the many webs we are trapped in. As metaphorical as it is, we wouldn’t have the government we currently have and be suffering the way we are if that weren’t true.
But no bad thing nor no good thing lasts forever. The wheel goes round and round. The top of the wheel reaches the bottom just as often as the bottom returns to the top. So, it will all pass if we can only hold out long enough.
I respond to dreaming in ways that make sense in my stupid head, though the responses probably seem crazy to others.
The picture above was painted in oils in the early 1990’s before I met my wife. It was in response to a Bambi dream that seemed to be about my family as a family of deer. This was not about my family from childhood. It was, at the time, about my family in the future. Somehow I got it right. Two boys and a girl. Together for 25 years next month.
This picture is called, “The Boy Who Saw the Colors”,
Some pictures are dream images that can only be interpreted metaphorically. This one is about me being creative and artistical… or autistical as the case may be. It is also about being a synesthete with pronounced synesthesia.
This dream was a dream about being a Native American during a thunderstorm. It is called “the Magic-Man’s Daughter” because the Dakota Sioux tribe held the belief that dreams about lightning reveal you as a Shaman or Magic Man. Wakȟáŋ Tȟáŋka is the Lakotah word for “the Great Mystery”. That was a dream that sent me to the library to look things up.
I have dreams with clowns in them that are not nightmares. Here the clown known as Mr. Disney is encouraging me to sing sad songs.
I wrote and entire novel about that whopper of a dream.
This dream had me trapped in a tomb with a Mummy who wouldn’t stay in his nice warm sarcophagus.
It is not uncommon to dream about death and mortality. More than once I have dreamed about my own death. None of them have yet proved prophetic, but you never know.
I dreamed about my eldest son 14 years before he was born.
I think dreams can be prophetic because they are not bound by our perceptions of time in the physical universe. You can look ahead in a dream to that which has not yet happened. You can also look backwards into the past beyond the boundary of your own birth. I often think some of my most vivid dreams are about peering into past lives and a very different me.
I know I sound crazy when I talk about my dreams. But they are a significant source for my artwork and creative endeavors. And dreams have a logic that doesn’t work by the rules of the world we know. Rather, it is a world of wonder.
As a novelist in poor health, every time I start a new story, already worked out in my head or not, it becomes a race to finish. My time is limited because I simply cannot last for very much longer. My body is failing, and each step on the path of life hurts and is hard to take. Like Icarus above, I am flying dangerously high and possibly too near the Sun. The novel The Boy… Forever, in which Icarus Jones is the key character, is swiftly coming to a close. The villain has already died the first time, and the hero is approaching the orb of the Sun. I am hoping to have it published within a month of right now, and hopefully long enough before my own rendezvous with the Son comes to pass.
This will be book number fourteen that I have published. It is already four novels more than I had realistically believed I could publish before six incurable diseases and the prospect of cancer, heart attack, and stroke that I have lived with since 2000 all does me in.
Ironically, this book that I am racing to finish before I die is about characters who are immortal, or make themselves immortal by consuming the essence of other immortals. And, of course, it is also another Pirate novel, feature the Norwall, Iowa 4H softball team and liars’ club that has a part in most of my other novels whether they are set in the 70’s, 80’s, or 90’s.
Brent Clarke is the leader of the Norwall Pirates.Anita Jones, Icarus’s cousin, is one of the novel’s four narrators.
The novel is currently 49,685 words in 160 formatted pages. It will be finished by about 52,000 words. I hope to have it complete by the middle of next week.
Further I figure to start another novel project immediately afterwards. Who knows how many more I can achieve before the end shall come.
Every Christmas break for the last four years has seen us put together a decorated gingerbread house. It was always a way to spend quality time with my kids and come up with a semi-artistical product that I could take pictures of and then eat. But this year, in addition to the gingerbread house kit purchased at Walmart, my fancy was struck by the gingerbread ninja cookie kit for sale cheaply at Aldi’s.
Because our cook-stove is gradually dying of electrical-baking-cancer, we had to move the cookie baking to my son’s apartment with a brand new oven and range. While gingerbread house kits come pre-baked and assembly-ready, gingerbread ninjas tested my limited cookie-baking skills. And believe me, though the Princess gamely tried to help, we did not bake ninjas like pros.
So, due to our negative levels of baking skill, the cookies came out looking not so much like dangerous ninjas as they did like seriously deformed mutants and bomb-blast victims. And it didn’t help that we could not make the white outliner frosting. It came in powder form and you were supposed to add powdered sugar and water to it. Powdered sugar was the one ingredient totally forgotten. Saving the beauty of artlessly-created cookies was left up to our skills applying cherry and chocolate frosting with butter knives and decorating with colored sugar beads. The cherry frosting made the cookie people into nudists rather than ninjas. And trying to make frowny faces with beads led to gingerbread men looking like they had multi-eyed spider heads instead of angry expressions. The chocolate ninjas turned out to look like forest-fire-blackened wilted Christmas trees. So, I ornamented most of them accordingly.
The cookie-ninja factory produces nudist cookies and mud-pile cookies.I was the only one who made more cookies than I ate. Of course, I’m diabetic.The Princess, my cookie-making cohort, ate her fair share and thoroughly enjoyed them.
I had intended to end this article by interviewing one of the surviving chocolate-covered gingerbread ninjas. But when we started talking, he just got angrier and angrier about my lack of cookie-making skills. It started with insults and devolved into threats.
Catch a Falling Star 
Directions to Be Worried About
The question came up on Twitter. “What things aren’t safe to write about in a Young Adult novel?”
I have personally never questioned myself about that before. The writer asking for input was writing something science-fiction-y about a telepath using telepathy to torture someone. He was apparently worried that a younger audience would be traumatized by that.
Really? Anyone who can ask that has never spent much time talking to young readers.
I base my answer on over thirty years of trying to get kids to read things of literary quality. My very first year of teaching a male student stood up when the literature books were passed out and announced, “I don’t do literature!”
“Really, Ernie? You are going to lay that challenge before me?”
We slogged through The Adventures of Tom Sawyer that year, using and reusing 20 paperback copies of the novel purchased with my own money. Ernie maybe didn’t like it. But he did literature.
And I went on a thirty-four year quest to find out what literature kids really would do and what literature kids really needed to do.
Here’s a tiny bit of wisdom from Mickey’s small brain and comparatively large experience; Kids are not traumatized by literature in any form. Kids are traumatized by life. They need literature to cope with trauma.
Kids want to read about things that they fear. A book like Ender’s Game by Orson Scott Card has some graphic violence in it and a war against faceless aliens, but it does an excellent job of teaching how to empathize as well as fight against bullies, and it helps them grapple with the notion that the enemy is never clearly the thing that you thought it was to begin with.
Kids want to read the truth about subjects like love and sex. They are not looking for pornography in YA novels. They get that elsewhere and know a lot more about it than I do. They want to think about what is right and how you deal with things like teen pregnancy, abortion, matters of consent vs. rape and molestation. Judy Blume started being objectively honest with kids about topics like puberty and sex back in the 60’s with books like Are You There, God? It’s Me, Margaret. and Iggie’s House.
If you are writing for young adults, middle grade and high school kids, even kids 5th Grade and below who are high-level readers, it is more important to worry about writing well and writing honestly than it is to worry about whether they can handle the topics and trauma that you wish to present. Write from the heart and write well.
I can honestly say I know these things I have said are true about young readers from having read to them, read with them, and even taught them to read. As an author, my opinion is worth diddly-squoot since I have hardly sold any books, and no kids I know have read them (except for two of my nieces, both of whom are pretty weird and nerdy just like me.)
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