I do not claim to be prescient. But like any overly smart and perceptive person, I often see what’s going to happen before it happens. Sometimes it is almost as eerie as a Vincent Price movie. Sometimes eerier. After all, on the 60’s Batman TV show, Price played the ridiculous villain Egghead, and was completely creepy while doing it, but still, you know… Egghead.
One thing that I have to predict about the coming darkness is about politics. I mean, the current Republican administration, where it is decisions by all Republicans all the time, has become nothing more than a monster movie. Not merely a bad monster movie, but a super-creepy-bad monster movie with a gigantic orange rubber rooster as the main monster.
This is what the great orange rooster looks like in black and white.
The reason it is bad is because, basically, to become a member of the Republican Party’s elected elite, you basically have to have your heart removed. Heartless, soulless monsters have a tendency to do things like take away Meals on Wheels for invalid seniors, health-care services from Planned Parenthood, and any hope of ever having affordable health insurance that actually pays for health care.
Senator Ted Cruz grinning about taking away Obamacare
And now, the monsters who have taken control of the theater are pulling out of the Paris Climate Agreement because… well, apparently clean air isn’t good for decaying, desiccated monster skin and shriveled monster lungs that don’t breathe air anyway.
So here are my predictions for the coming darkness.
What people like me will look like in the future. That’s me in the middle.
I won’t live to see it. My body is breaking down at age 60. My lungs are compromised by years of bronchitis and flu. I am diabetic, so my very body chemistry is betraying me. There is a family history of heart disease. And I have already gone broke once on health care bills that the health insurance people really don’t pay for. (They are in the business of collecting premiums, after all, not making people well.)
What a lovely oxygen-free environment we will have!
As the climate changes take away large parts of our food production and resources, and the sea rises to take away land and major cities, people will be at war increasingly over diminishing resources vital to a population of seven billion souls. Graveyards and unburied bodies will become a part of every monster-movie scene.
Kiss me, Baby!
Love will become more complicated, because people who are selfless and put others before even their own life will die out first. The heartless, selfish, and often stupid ones will have the best chance for survival because they put themselves ahead of everyone else, and so have an unfair advantage over those who are not content with mere survival and exhibit self-sacrificing love.
You’ve never had a friend like me. And I can always eat you later if need be.
So, if you find my black-and-white monster movie post upsetting with the darknesses I am sincerely predicting, please remember, this is a satire post in a humor blog. The way it is supposed to work is that you wake up to the factors that make it upsetting and decide to do something for yourself to change them. Everybody doing a lot of the same little thing to make the world better can move mountains and fly to the moon. Big things don’t happen without everybody taking a hand. Maybe we can dream dreams once again and make some good things come true.
The field on which I have printed these supposedly poetic words is part of the farm that I and my two sisters have inherited. The land belonged first to my great grandfather, Friend Aldrich. His son, Raymond Aldrich, was my grandfather, the father of my mother. Now that my parents are both gone, one-third of this farm is now mine. But I don’t own the land. The land owns me.
I have endured with my roots in this land for more than 65 years. The old cottonwood tree on the corner has been there longer than that. You see the cottonwood in both of the pictures so far used in this post. They say that the total root system of this old tree is just as large and spread out as the part of it you see above ground.
Ironically, my roots are here where the ancestors who came before me planted them in the 1800s. Ironic because my life now blooms in the Dallas, Texas suburbs, almost 750 miles away from my roots. That is a deeper and larger root-connection than the cottonwood has.
I don’t farm the land myself. Another local farm-owner rents the land and farms it for us, increasing his yield and profits in order to keep his own farm producing food for the world. My own crop consists not of corn or soybeans, but rather words, memories, statements, stories, and meanings distilled from more than 65 years of brewing them from the things that formed me, the things that came from farm and family, and resulted in the poetry that is my life.
Yes, it is poetry written by a fool and a notable terrible poet. But it makes people laugh and sometimes cry and reaches out from the center of my soul to communicate the wisdom of a life that has been lived and is now almost done. How is that not poetry? A poem written by a fool.
I managed to finally return to Bluebonnet Nudist Park on Saturday. It was a Memorial Day weekend crowd, so I got to meet a lot of naked people. Of course, I only saw one kid the whole time I was there, and he looked to be high-school-aged. So, don’t let the first picture in this post fool you. Most nudists at the park were closer to my age than the girls in the picture.
But it was freeing of spirit to actually gather around a swimming pool and have an all-you-can-eat hot-dog lunch with 50-plus other naked people. I can’t explain why that strange alchemy can work. But it does.
Having been around nudists at different times for the majority of my life, I can honestly say I have observed nudists to be happier people than the rest of us. Of course, that is a generalization, and not true of every individual nudist. But they are comfortable in their own skin and connected to the natural world the way most of us are not. I found that most of these people knew they were nudists since childhood. Like me, if their families did not already embrace being nudists, they sneaked off to the woods when they could to get naked in nature.
Am I alone in thinking that this is not a mental aberration, but rather, a natural instinct that was trained out of us (or in my case, almost trained out of us,) in childhood?
I don’t have any pictures from the nudist park to post, so I use the usual collection of innocent-seeming illustrations and pictures to add a sense of beauty and youthfulness to the idea of going to a nudist park for recreation. You know its not really the way the pictures show it. I am not the exhibitionist-sort of nudist whose whole desire is to be seen by the world naked. I, for the most part, am a solitary nudist. Not too proud of my lumpy, wrinkled, and sore-covered carcass so that I am obsessed with others seeing me, but also not ashamed of my corporeal self to the point of not allowing myself to be seen nude by other like-minded nude people. Most of my nudism occurs when I am alone in private places where only peeping Toms and computer-camera hackers can see me. I am, however, proud that I have now been to Bluebonnet twice and have a membership in AANR (American Association for Nude Recreation.)
While I was there, a journalist who writes books on American culture used in sociology research at the college level, was there taking pictures and interviewing folks. He spoke to us, confessing that it was the first time speaking to a group of naked people, and also his first time speaking to a group while naked. He explained that he was recording and documenting interesting and important social organizations in an area only 100 miles wide, but stretching from the Mexican border to the Canadian border through the middle of the US. He felt that there were important things to learn about American life from the Bluebonnet Nudist Park just as there were to learn from the Dallas Police Department which he had scheduled for the upcoming week (and he specified he would be wearing clothes for that next part.) Even though I was there for his research, I did not get asked to sign any consent forms for photographs or interviews, so I will not be in that book of his in any way.
I am definitely more confident now in identifying myself as a nudist. I never embraced the idea of actually being one while I was a school teacher in Texas. Texans are suspicious of even letting a Democrat be a public school teacher, let alone someone who purposely goes to a public place with no pants on. I know I have lost Twitter followers and Facebook friends who found out I was actually a nudist. And I feel like I may have lost some of my WordPress followers over it as well. They can’t take seriously someone who walks around with no clothes on.
But my answer to that is… Who in the heck takes Mickey seriously anyway? Get real!
I remember when Scooby Doo, Where Are You? premiered on Saturday Morning Cartoons in 1969. I was thirteen and in the 7th grade. I had been six during the Cuban Missile Crisis of 1962, seven when Kennedy was assassinated in 1963, ten when I was sexually assaulted in 1966, and still twelve when Neil Armstrong walked on the Moon in the Summer of 1969. I was obsessed with monsters, horror comics, 20,000 Leagues Under the Sea, and the Pirates threatening Jim Hawkins in Treasure Island. I knew what fear was. And I was mad to find ways to combat the monsters I feared.
Don’t get me wrong. I was under no illusions that Fred, Daphne, Velma, Norville “Shaggy” Rogers and Scooby Doo were the answer to all my fears as viable heroes and heroines. They were goofballs, all of them, based on the characters I vaguely remembered from The Many Loves of Dobie Gillis. I was aware that Shaggy was just Maynard Krebs in cartoon form (the hippie character portrayed by Gilligan’s Island actor Bob Denver.)
One of the critical things about the show for me was the fact that there was a rational explanation for the monsters. They were men in masks, special effects and projector tricks, or remote-controlled mechanical things.
And the way you overcame them and saved the day was by having Shaggy and Scooby act as bait, cause the traps to get sprung at the wrong time, and then fall on the villains, trapping them under the butt of the talking dog.
Villains and horror could be overcome by laughing at them. They were more likely to be clowns than carnivores. And even if they were carnivores, the teeth were not real.
There was a universal truth in that. Danger and horror and fear were easier to handle when you could laugh in spite of those things.
And to top it all off, those meddling kids and their stupid talking dog were with me my whole life. Those cartoons got remade and spun off so many times that my kids learned to love them as much as I did. And those four meddling kids and that talking dog are still making new stories even now.
I like to dig through old piles of artwork I have done to re-purpose things and mash things together to make weird art salad.
Xeribeth the Sorceress and her parrot Herkimer
I used to play a Dungeons-and-Dragons-like game called Talislanta with groups of adolescent boys, most of whom had previously been my students in middle school. It was a weird world where weird things made artistical challenges for me that taught me to be a better and more imaginative artist.
Xeribeth was a member of an almost-human race that had yellow skin and wore colorful face tattoos. She also had to be somewhat alluring to trick adolescent boys into undertaking dangerous and possibly suicidal adventures (meaning characters who only lived on paper might die and have to be re-rolled with dungeon dice.)
Zoric, being a green Cymrillian wizard, gave me numerous opportunities to create Kermit-the-frog-colored portraits. And he was a player character, so his greed and penchant for unwise actions decided on in the heat of battle (like turning himself into a fish-man while adventuring in the waterless desert) didn’t come from me.
Playing those games gave me training as a story-teller as well.
My efforts to see color with gradually worsening color-blindness led me to create eye-bashing color compositions that attempt to portray realistically things and feelings that can’t possibly be physically real. Thus I gradually became, over time, a surrealist (a juxtaposer of unlike and jarring things to deliver a visionary picture of reality) (How’s that for surrealistic gobbeldegook in definition form?)
Rabbit castles are the obvious answer
I often solve the problems of my life by drawing something and making cartoonish comments with serious consequences.
Little people and Slow Ones like us have different problems but share the same world.
Ultimately, it boils down to the fact that the world on the inside of me is decidedly different than the world on the outside of me. But I have to live in both. And I can do that by drawing my colored-pencil Paffooney stuff, posting it, and writing about it on a silly Sunday.
I was spending time with a certain cynical youth who likes to insult me and argue about every one of my faults as a human being, telling me that such treatment is meant to improve me to meet a standard that only he thinks I need to live up to when it occurred to me; Crab Apple has two meanings.
Crab apples (which ominously come up on Wikipedia as genus Malus) are generally mistrusted as eating apples. Alternatively known as “wild apples”, they are often bitter to the taste. Hence, the association with the chronic complainer, the dyspeptic dude, and the hen-pecky female. Crab apples are the fruits of unpleasant people-trees.
So, how does one deal with crab apples? I always tend to fall back on the homily, “When you are given any kind of fruit, make it into pie.” And yes, the links under the pictures will actually yield recipes. I know it is a metaphorical over-simplification. But, if I do not enjoy being critiqued for the hair in my ears and the werewolf hair sprouting under my eyes, or the way I say, “I’m sorry!” too much, I am going to use those fruits to make a pie of surreal comedy in a WordPress post.
I saw a guy on the highway speeding around me at well-over the speed limit, turning around to give me a look at his middle finger, probably trying to predict how many IQ points he will have left when he crashes into whatever is ahead of him that he can’t see because he’s grinning and glaring at me behind him. There’s an apple for this pie.
The impatient clerk in the tax office gives me the “Are you really that stupid” glare and attendant sigh as she suggests that I step to the side and correct the mistakes in my paperwork so she can mistreat the next person in the incredibly long line that she wants me to return to the back of. There’s another apple.
In today’s world, it really doesn’t take long to have enough apples for your pie. In fact, I am looking at a huge pie now with loads and loads of crab apples in it.
If you’ve read any of the crap that Mickey wrote about before in this goofy blog, you probably already suspect that Mickey’s mind does not work like a normal mind. The road map above is just one indicator of the weirdness of the wiring that propels Mickey on the yellow brick road to Oz and back. He just isn’t a normal thinker.
But having a few bats in the old belfry doesn’t prevent the man from having a plan. If you read all of Mickey’s hometown novels, you will discover he hasn’t written them in time order. Main characters in my 2016 novel weren’t even born yet in my 2017 books. If you look at them in chronological order rather than the order written, you will see characters growing and changing over time. A shy kid in one novel grows into a werewolf hunter in the next. A girl who loses her father to suicide in a novel not yet completed, learns how to love again in another novel.
Multiple Mickian stories are totally infected with fairies. The magic little buggers are harder to get rid of than mosquitoes and are far and away more dangerous. And there are disturbing levels of science-fiction-ness radiating through all of the stories. How dare he think like that? In undulating spirals instead of straight lines! He doesn’t even use complete sentences all the time. And they used to let that odd bird teach English to middle school kids.
But there is a method to his utter madness. He started with the simpler stories of growing up and learning about the terrors of kissing girls when you are only twelve. And then he moved on into the darker realms of dealing with death and loss of love, the tragedy of finding true love and losing it again almost as soon as you recognize its reality. Simple moves on to complex. Order is restored with imagination, only to be broken down again and then restored yet again,.
And, of course, we always listen to Mr. Gaiman. He is a powerful wizard after all. The Sandman and creator of good dreams. So Mickey will completely ignore the fact that nobody reads his books no matter what he does or says. And he will write another story.
It is called Sing Sad Songs, and it is the most complex and difficult story that Mickey has ever written. And it will be glorious. It also rips Mickey’s heart out. And I will put that ripped-out heart back in place and make Mickey keep writing it, no matter how many times I have to wash, rinse, and repeat. The continued work is called Fools and Their Toys. It solves the murder mystery begun in Sing Sad Songs. This re-post of an updated statement of goals is the very spell that will made that magic happen. So, weird little head-map in hand, here we go on the writer’s journey once again and further along the trail.
I admit it. I am prosaic. I think in sentences. I speak in paragraphs. I write in 5-paragraph essays. I should stop with the repetition of forms and the parallel structures, because that could easily be seen as poetic and defeat my argument in this post. I write prose. Simple. Direct. Declarative. But those last three are sentence fragments. Does that fit the model of prose? How about asking a question in the middle of a paragraph full of statements? Is that all simple enough to be truly prosaic?
Prose is focused on the everyday tasks of writing. It seems like the world thinks that the mechanical delivery of information in words and sentences should be boring, should be functional, should be simple and easy to understand.
I don’t mean to be pulling your reader’s mind in two directions at once, however. I need to stop confusing you with my onslaught of sentences full of contradictory and complex ideas. I should be more clear, more direct, and more to the point.
So here is my thesis, finally clearly stated; The magic of writing prose, it turns out, makes you the opposite of prosaic.
Ah, irony again! It ends up being anything but simple. You can write in simple, adjective-and-adverb-free sentences as Hemingway did, and still manage to convey deeply complicated and thoughtful ideas. One might even suggest that you can create poetic ideas in mere prose, dripping with layers of emotion, conflict, theme, and deeper implied meaning. You can also write prose in the intensely descriptive and convoluted style of a Charles Dickens with many complex sentences and pages-long paragraphs of detail, using comic juxtapositions of things, artfully revealing character development, and idiosyncratic dialogue all for comedic effect. Prose is a powerful and infinitely variable tool for creating meaning in words. Even when it is in the form of Mickian purple paisley prose that employs extra-wiggly sentence structure, pretzel-twisted ideas, and hyperbolically big words.
Simply stated; I am a writer of prose. I am too dumb about what makes something poetry to really write anything but prose. But I do know how to make a word-pile like this one that might just accidentally make you think a little more deeply about your writing… that is, if you didn’t give up on reading this three paragraphs ago. I find it useful to examine in writing how I go about writing and what I can do with it. I try to push the boundaries in directions they haven’t been pushed before. And hopefully, I learn something from every new essay I write. What I learned here is that I am prosaic. And that is not always a bad thing.
Because of weather, depression, and dealing with a wounded automobile, I have been having trouble getting writing done lately. I mean, me, the goof who writes every day and claims to never have writer’s block, is having trouble with being motivated enough the write things.
It is entirely possible that it is due to an improper diet. I mean, I haven’t been eating well this week. Having to squeeze the food budget to be able to pay all the bills this month is a part of the problem. The effect intermittent rain and heat have on my appetite could also be at least partly to blame. I stress eat, and am not always smart enough to depend on peanuts and peanut butter to get me through the problem.
I realize I need to eat protein to aid my brain, and fruits and vegetables so that my diabetes will slow itself down in the process of eating my brain. That process can make you a bit stupid.
I am also quite aware that eating food that has eyeballs and mouths and occasionally cat ears is also a bad idea for dietary propriety. Especially if it can also talk to me. Do non-cartoonists also have this problem?
Eating right with Ramen noodles as seen in the movie Ponyo.
All right, I admit it. My writing problems probably don’t stem from eating cartoon food. Or eating food in a cartoon for that matter, a thing I haven’t tried in real life. But the whole cartoon food allusion has gotten me halfway to 500 words today. So it is worth something. And the real solution to the problem has been to just sit down and clack away at the keyboard, even if the only thing it yields is foofy nonsense. (And I know “foofy” isn’t even a real word, but WordPress counted it anyway.) I managed to write today simply by doing it.
In my short, sweet sixty years of life, I have probably seen more than my share of movies. I have seen classic movies, black-and-white movies, cartoon movies, Humphrey Bogart movies, epic movies, science fiction movies, PeeWee Herman movies, Disney movies, Oscar-winning movies, and endless box-office stinkers. But in all of that, one of the most undeniable threads of all is that movies make me cry. In fact they make me cry so often it is a miracle that even a drop of moisture remains in my body. I should be a dried-out husk by now.
I wept horribly during this scene. Did you?
And the thing is, people make fun of you when you cry at movies. Especially cartoon movies like Scooby Doo on Zombie Island. (But I claim I was laughing so hard it brought tears to my eyes. That’s the truth, dear sister. So stop laughing at me.) But I would like to put forth another “Why do you think that?” notion. People who cry while watching a movie are stronger and more powerful than the people who laugh at them for crying. A self-serving thesis if ever there was one.
Movies can make you cry if you have the ability to feel empathy. We all know this. Old Yelleris the story of a dog who endears himself to a prairie farm family, saves Travis’s life at one point, and then gets infected with rabies and has to be put down. Dang! No dry eyes at the end of that one. Because everyone has encountered a dog and loyal dog-love somewhere along the line. And a ten-year-old dog is an old dog. The dogs you knew as a child helped you deal with mortality because invariably, no matter how much you loved them, dogs demonstrate what it means to die. Trixie and Scamper were both hit by cars. Queenie, Grampa’s collie, died of old age. Jiggs the Boston Terrier died of heat stroke one summer. You remember the pain of loss, and the story brings it all back.
Only psychopaths don’t feel empathy to some degree. Think about how you would feel if you were watching Old Yeller and somebody you were watching with started laughing when Travis pulls the trigger on the shotgun. Now, there’s a Stephen King sort of character.
But I think I can defend having lots of empathy as a reason for crying a river of tears during Disney’s The Hunchback of Notre Dame. You see, identifying with Quasimodo as the main character, hoping for what he hopes for, feeling like a monster and completely unloved, and fearing what he fears connect you to the story in ways that completely immerses you in the experience. This is basically a monster movie.
But the film puts you inside the head of the malformed man, and you realize that he is not the monster. Righteous Judge Frollo and the people who mistreat Quasimodo for his deformity of outward appearance are the real monsters. If you don’t cry a river of tears because of this story, then you have not learned the essential truth of Quasimodo. When we judge others harshly, we are really judging ourselves. In order to stop being monstrous, and be truly human, you must look inside the ugliness as Esmeralda does to see the heroic beauty inside others. Sometimes the ideas themselves are so powerful they make me weep. That’s when my sister and my wife look at me and shake their heads because tears are shooting out of me like a fountain, raining wetness two or three seats in every direction. But I believe I am a wiser man, a more resolved man, and ultimately a better man because I was not afraid to let a movie make me cry.
The music also helps to tell the story in ways that move my very soul to tears. Notice how the heroine walks the opposite way to the rest of the crowd. As they sing of what they desire, what they ask God to grant, she asks for nothing for herself. She shows empathy in every verse, asking only for help for others. And she alone walks to the light from the stained glass window. She alone is talking to God.
Yes, I am not embarrassed by the fact that movies make me cry. In fact, I should probably be proud that movies and stories and connections to other people, which they bring me, makes me feel it so deeply I cry. Maybe I am a sissy and a wimp. Maybe I deserved to be laughed at all those times for crying during the movie. But, hey, I’ll take the laughter. I am not above it. I am trying to be a humorist after all.
The Darkest of the Coming Darkness
Egghead might be slightly batty.
I do not claim to be prescient. But like any overly smart and perceptive person, I often see what’s going to happen before it happens. Sometimes it is almost as eerie as a Vincent Price movie. Sometimes eerier. After all, on the 60’s Batman TV show, Price played the ridiculous villain Egghead, and was completely creepy while doing it, but still, you know… Egghead.
One thing that I have to predict about the coming darkness is about politics. I mean, the current Republican administration, where it is decisions by all Republicans all the time, has become nothing more than a monster movie. Not merely a bad monster movie, but a super-creepy-bad monster movie with a gigantic orange rubber rooster as the main monster.
This is what the great orange rooster looks like in black and white.
The reason it is bad is because, basically, to become a member of the Republican Party’s elected elite, you basically have to have your heart removed. Heartless, soulless monsters have a tendency to do things like take away Meals on Wheels for invalid seniors, health-care services from Planned Parenthood, and any hope of ever having affordable health insurance that actually pays for health care.
Senator Ted Cruz grinning about taking away Obamacare
And now, the monsters who have taken control of the theater are pulling out of the Paris Climate Agreement because… well, apparently clean air isn’t good for decaying, desiccated monster skin and shriveled monster lungs that don’t breathe air anyway.
So here are my predictions for the coming darkness.
What people like me will look like in the future. That’s me in the middle.
I won’t live to see it. My body is breaking down at age 60. My lungs are compromised by years of bronchitis and flu. I am diabetic, so my very body chemistry is betraying me. There is a family history of heart disease. And I have already gone broke once on health care bills that the health insurance people really don’t pay for. (They are in the business of collecting premiums, after all, not making people well.)
What a lovely oxygen-free environment we will have!
As the climate changes take away large parts of our food production and resources, and the sea rises to take away land and major cities, people will be at war increasingly over diminishing resources vital to a population of seven billion souls. Graveyards and unburied bodies will become a part of every monster-movie scene.
Kiss me, Baby!
Love will become more complicated, because people who are selfless and put others before even their own life will die out first. The heartless, selfish, and often stupid ones will have the best chance for survival because they put themselves ahead of everyone else, and so have an unfair advantage over those who are not content with mere survival and exhibit self-sacrificing love.
You’ve never had a friend like me. And I can always eat you later if need be.
So, if you find my black-and-white monster movie post upsetting with the darknesses I am sincerely predicting, please remember, this is a satire post in a humor blog. The way it is supposed to work is that you wake up to the factors that make it upsetting and decide to do something for yourself to change them. Everybody doing a lot of the same little thing to make the world better can move mountains and fly to the moon. Big things don’t happen without everybody taking a hand. Maybe we can dream dreams once again and make some good things come true.
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Filed under angry rant, battling depression, commentary, feeling sorry for myself, horror movie, humor, monsters