
Every writer, whether he or she writes fiction or non-fiction, is really writing about themselves. The product originates within the self. So, that self has to gaze into the mirror from time to time.
So, the question for today is, who, or possibly what, is Mickey?
I have been posting stuff every day for a few years now, and in that time, I have been much-visited on WordPress. Maybe not much-read, but then, you cannot actually tell if somebody read it or not. Most probably look only at the pictures. And, since I am also an artist of sorts, that can also be a good thing. Though, just like most artists, my nude studies are more popular than the pieces I value the most. But unless the looker makes a comment or leaves a “like”, you really have no idea if they read or understood any of the words I wrote. And you have no idea what they feel about the art. Maybe they just happened to click on one of my nudes while surfing for porn.



I rarely get below 50 views of something in my blog every day. The last three days were 86 views, 124 views yesterday, and 88 views already today. My blog has definitely picked up pace over the length of the coronavirus quarantine. But no definable reason seems obvious. Some of my posts are polished work, but Robin is right when he says today’s post is merely fishing with the process, which is true almost every day.

As a person I am quirky and filled with flaws, pearls of wisdom that result from clam-like dealing with flaws, strange metaphors that shine the pearls, and obsessions like the one I have with nudism that leaves me properly dressed for diving for pearls.
I have demonstrated throughout my life that I have an interest in and experience with nudism, though not the boldness to parade my naked self before the world outside of the writing that I do. I also spent most of my bachelorhood dating reading teachers and teachers’ aides, finally settling down and marrying another English teacher. I completed a thirty-one year career as an English teacher, which means I spent a lot of time teaching writing and reading to kids who were ages 12 to 18. Twenty-four of those years were spent in the middle school monkey house. And all of that led to being so mentally damaged that I wasn’t good for much beyond becoming a writer of YA novels or possibly subbing for other mentally-damaged teachers in middle schools around our house.

A real telling feature of what I have become is the fact that most of the characters I write about in my fiction are somehow a reflection of me. Milt Morgan, seen to the left, is illustrated here with a picture of me as a ten-year-old wearing a purple derby. Yes, I was that kind of geeky nerd.
And most of the plots are based around things that happened to me as a child, a youth, or a young teacher. Many of the events in the stories actually happened to me, though the telling and retelling of them are largely twisted around and reshaped. And I am aware of all the fairies, aliens, werewolves, and clowns that inhabit my stories. Though I would argue that they were real too in an imaginative and metaphorical way.
So, here now is a finished post of Mickey staring into the metaphorical mirror and trying in vain to define the real Michael, an impossible, but not unworthy task.









































Vonnegut
My experience of the works of Kurt Vonnegut is limited to the reading of three books; Cat’s Cradle, Breakfast of Champions, and Slaughterhouse Five. But it was enough to make me love him and use him as a shaper of my soul.
I deeply apologize for the fact that even though he only wrote 14 books and a bunch of short stories, I have not read everything I could get my hands on by Kurt. Three novels and one short story (Harrison Bergeron) is not really enough to compare to the many, many things that I have read by Mark Twain, Terry Pratchett, Louis L’Amour, and Michael Crichton. I can’t begin to count how many books of each of those four I have read and reread. But it is enough that I read those three novels and have a lifelong regret of never buying and reading Slapstick when I had the chance. Vonnegut writes black humor. The ideas are painful, and burn away flesh from your personal body of being. And at the same time, you cannot help but laugh at the pure, clean, horrifying truths his ridiculous stories reveal.
If, in the course of telling a story, you can put the sublime, the ridiculous, and the horrendous side by side, and make the reader see how they actually fit together, then you can write like Vonnegut.
Let me give you three quick and dirty book reports of the Vonnegut I have read in the order I have read them;
I read Cat’s Cradle in college. I was young and idealistic at the time, foolishly convinced I could be a great writer and cartoonist who could use my work to change mankind for the better.
In the book, Dr. Felix Hoenikker (a fictionalized co-creator of the atomic bomb) is obsessively re-stacking cannonballs in the town square in pursuit of a new way to align water molecules that will yield ice that does not melt at room temperature. Much as he did with the A-bomb, Hoenikker invents a world-ending science-thing without any thought for the possible consequences. The narrator of the novel is trying to write a humanizing biography of the scientist, and comes to observe the inevitable destruction of the whole world when the oceans freeze into Ice-9, the un-meltable ice crystal. Before the world ends, the narrator spends time on the fictional Carribean island of San Lorenzo where he learns the fictional religion known as Bokononism, and learns to make love to a beautiful woman by pressing bare feet together sole to sole. It is a nihilistic picture of what humans are really like more savagely bleak than any portrayal Monte Python’s Flying Circus ever did on TV.
Needless to say, my ideals were eventually shattered and my faith in the world shaken.
I read Breakfast of Champions after I had been teaching long enough to buy my own house, be newly married, and a father to one son. It was probably the worst time of life to be reading a book so cynical, yet true.
In this story, the author Kilgore Trout, much published but mostly unknown, is headed to Midland City to deliver a keynote address at an arts festival. Dwayne Hoover is a wealthy business man who owns a lot of Midland City real-estate. Trout gives Hoover a book (supposedly a message from the creator of the universe) to read that suggests that all people (except for the reader of the book… meaning Hoover) are machines with no free will. Hoover takes the message to heart and tries to set the machines free by breaking them, beating up his son, his lover, and nine other people before being taken into custody.
The book contains devastating themes of suicide, free will, and social and economic cruelty. It makes you sincerely reflect on your own cog-in-the-machine reality.
Slaughterhouse Five is a book I bought and read when I missed my chance to buy Slapstick and needed something to take home from HalfPrice Books to make me feel better about what I missed. (Of the five books I had intended to buy that day, none were still on the shelves in spite of the fact that they had been there the week before.) It was fortuitous. This proved to be the best novel I had ever read by Vonnegut.
Like most of his work, the story of Billy Pilgrim is a fractured mosaic of small story pieces not presented in chronological order. It details Billy’s safe, ordinary marriage to a wife who gives him two children, but it is ironically cluttered with death, accidents, being stalked by an assassin, and being kidnapped by aliens. It also details his experiences in World War II where he is captured by the Germans, held prisoner in Dresden, kept in an underground slaughterhouse, and ironically survives the fire-bombing of Dresden by the Allies. Further, it details his time as a zoo exhibit on the alien planet of Tralfamadore.
It explores the themes of depression, post-traumatic-stress disorder, and anti-war sentiment. Vonnegut himself was a prisoner of war in Dresden during the fire-bombing, so real-life experiences fill the book with gravitas that it might not otherwise possess. Whether the author was ever kidnapped by aliens or not, I cannot say.
But Kurt Vonnegut’s desire to be a writer and portray himself as a writer in the character of Kilgore Trout, and even as himself in his work, has an awful lot to do with my desire to be a writer myself. Dark, pithy wisdom is his thing. But that wisdom, having been wrung from the darkness is all the more brightly lit because of that wringing. It is hard to read, but not hard to love.
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