Rowan Atkinson is a genius comedian, and the character of Mr. Bean is the greatest work he has done, the best proof of his genius. As someone who works at humor and tries to get it right, I have to analyze and carefully study the work of the master. How does he do it? What does it all mean? And what can I learn from it?

Atkinson not only created the character, he co-wrote the entire television series and controls every aspect of the performance as the central character. Mr. Bean is the bumbling every-man, going through horrific troubles because of the cascade effect of simple little errors. We laugh at him because we have all been there. Tasting the hot sauce leads to a meltdown that causes chaos and disaster for the entire store. Overcoming fear of heights makes him the center of attention for the entire pool-house when can’t overcome the urge to use the diving board, and yet, can’t make himself jump off. We have all lived the nightmare of being trapped naked in the hotel hallway, locked out of our room, just when the hallway becomes crowded.
There is a certain charm to Mr. Bean. He is a childlike character, blissfully unaware of how much he doesn’t know about the complex society around him. He has a teddy bear that sleeps with him and comforts him. He lays out his supplies for the big exam, and he’s thought of practically everything he will possibly need, but basic physics fails him and makes the pencils keep rolling out of place.
Rowan Atkinson is a master of the art form because he has such tremendous control of his rubberized goofy face and manic body. He can drive his goofy little yellow car from a sofa mounted on top. He can change clothes while driving. Just watching him shave with an electric razor is a total hoot.

It is mostly physical comedy, almost slapstick, and yet it is not the broad unfeeling poke-in-the-eye you get with the Three Stooges. Most of the real damage is done to himself, though pompous and deserving people are often near enough to get a helping of it smack in the face. A lot of it is practically pantomime, with hardly any real dialogue. Much of it, like the sword fight with the bumblebee using a butter knife, is simply silly.

The movie, Mr. Bean’s Holiday, extends the character by making him actually interact with other characters, though in his own inimitable Mr. Bean way. The limited dialogue thing is amplified by the fact that he is traveling in France and does not speak French. Still, he interacts with the boy he accidentally kidnaps, the girl who wants to be a movie star whom he helps in her quest by an accident at the Cannes Film Festival, and the movie director whom he almost kills but ends up saving his career with a hit home movie.

By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=24105997
Mr. Bean makes the ridiculous an art form by helping us to laugh at ourselves as we are beset by all the little troubles of life that Bean magically floats through.
So, now I have told you why I love Rowan Atkinson as a comedian. He is a comedic genius. Of course, you knew that already, right?






































The Case for the Clown
The criminal was led into the courtroom in chains and forced to sit in a box made of metal bars so his influence would not reach out and harm anyone by drawing their sympathy in.
“Mr. Prosecutor,” said the learned judge, “what terrible crime has the perpetrator been charged with?”
“The alleged perpetrator!” objected the defense attorney, a mousy old man who looked like a cross between Santa Clause and Robert E.Lee because of his white beard, stern face, and a twinkle in his eye.
“Shut up please, Mr. Badweather. You will have your turn to speak.” The judge banged his gavel smartly to emphasize the shut-up-ness of his overruling.
“Your honor,” said the prosecutor, “Mister Pennysnatcher Goodlaughs stands accused of being a clown.”
“The people of the State of Texas, home of the free, land of the brave, and place where cowboys can hang their hat on the antlers of a moose they shot in Canada, will prove that Mr. Goodlaughs did willfully, and with malice of forethought, commit acts of supposed humor in order to make people laugh. And we will further prove that in a time of very serious things, he intentionally made light of very serious matters and the very serious men who try to turn those serious things to their exclusive… err, sorry, I mean… everyone’s benefit.”
“Your honor,” said the defense attorney, looking like a cross between Mark Twain and Colonel Sanders, “I would like to request a new venue for this trial. My client will not get a fair trial here.”
“Sir, your stupid request is rejected on the grounds that Mr. Goodlaughs cannot get a fair trial anywhere. We are all conservatives, and are therefore incapable of having a sense of humor. Continue, Mr. Prosecutor.”
“We will show numerous instances of Mr. Goodlaughs putting paint on his face to hide his true features or assume the identity of a character not his own. He has repeatedly used false noses, large shoes, and floppy hats to exaggerate his flaws and scare young children. He repeatedly wears polka-dotted clothing to simulate terrible taste and ridiculous lack of fashion-sense. He employs pratfalls and slapstick humor in his performances, things that, if any school-age child would imitate the behavior, might lead to serious injury or even death. And he has even dared to make fun of our glorious leaders, implying that they make mistakes and may even have hurt people. That they act without thinking about anything but their own pocketbooks. In other words, this clown has knowingly made jokes in order to get people to not take things seriously.”
“Your honor, I object to this jury. I object to the fact that it is made up of fifty percent rednecks and fifty percent kangaroos! My client demands a new, more impartial jury!” cried the defense attorney, looking like a cross between Captain Kangaroo and Ronald Reagan.
“Has anybody noticed?” asked the judge, “that this attorney looks like he could influence this jury unfairly? He looks like two people who could lead the two halves of this jury to the wrong conclusion. Bailiff! Take the defense attorney out back and execute him by firing squad.”
After the entire courtroom heard the gunshots go off, the judge then turned to the prisoner.
“It seems, Mr. Goodlaughs, that the defense’s opening statement is now entirely up to you. Do you have anything to say in your own defense?
“I do, your honor. Ladies and gentlemen, kangaroos and Reagan Republicans of the jury, I submit to you that I have never actually been a circus clown, or wore face paint. Not that I wouldn’t if the opportunity presented itself. I merely claim the right to laugh at anything I think is funny… or can be made funny. Whether I am being what you call a clown, a humorist, a cartoonist, a comedian, a fool, a village idiot, or a witty fellow, I believe I have the right to make light of anything. Life is always better when you can laugh. Especially if you can laugh at yourself.”
“I’ve heard enough,” said the judge. “What say you, jury?”
“Guilty!”
“Yes. And I preemptively waive the prisoner’s right to appeal. Sir, you are guilty, and you shall be executed immediately.”
Everyone in the courtroom breathed a long-awaited sigh of relief.
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