Category Archives: artwork

D&D the Robert E. Howard Way

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The idea for this post is to illustrate with covers from my own collection of books and comics.

Robert E. Howard, for those of you who like the stories but never look for the name of the author, is the young Texan who created Conan the Barbarian.  I say “young” because, although he was born in 1906, he died in 1936 at the age of 30.  And this young man created not only the iconic hero of the epic sword and sorcery genre of fiction, but basically founded the genre itself.  He definitely laid down the basics of it as a pattern for all others to follow.  Including the players of the sword and sorcery Dungeons and Dragons game.

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For D & D players the primary influence of all this is the Conan method of problem-solving.  “If you are confronted with a complex problem, a life and death problem, whack it with a sword until the problem is solved.”  This is the source of fascination for players with the fighter character; the warrior, the paladin, the knight, or the barbarian.  Superior physical prowess gives the individual control over so much more than he or she could ever be in control of in real life.  (And stop making that face while reading this.  Girls do play Dungeons and Dragons too.  I’ve seen it happen in school and with my own daughter.)

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And for the story-teller, also known as the game master or dungeon master, this can be a very good thing.  The sense of power  extremely high strength and endurance scores provide get the character strongly addicted to the hack and slash style of play, allowing you to teach all kinds of timely morals to the story about the need to use your brain and your creativity once in a while as well.

Conan was a brute and a slayer.  But he is perceived as a good guy because he was also capable of standing up for the little guy, righting wrongs and protecting others from powerful evils.  Conan had empathy, if not love, for others, and exhibited truly magnificent levels of the power to sacrifice self for the good of others and the general well-being of the weak.   As game master, all you need to do is add a vulnerable character to the party that needs some protecting in the fantasy game world.  It helps if that character has a good sense of humor, useful knowledge to offer, or cuteness to offer in return for the protection.  But even that is not required.  D & D players learn to wield power in ways that benefit others.  The Spiderman thing, you know; “With great power comes great responsibility.”  It is a lesson about life that many non-D & D players also really need to learn in their youth.

The Robert E. Howard way does not always work out so well for wizards.  Conan hated magic and wizards.  He whacked wizards even harder than he did other bad guys.  But that is generally assumed to apply to evil wizards.  Conan sometimes appreciated having a wizard on his side.

But the basic conclusion is this; there is a brutal, barbarian way to handle problems in real life as well as in Dungeons and Dragons life.  And it would be much better for everyone if people learned the right way and the wrong way to use it in the game world before the choice has to be made in the real world.

 

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Mickey Being Mickey

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A new day dawns.  It leaves me wondering.  Who am I today?  Who will I be tomorrow?

The opportunity to have any sort of control over who and what I am is coming to a close.  I don’t really know how much longer I have before pain and illness dissolve me into nothingness.  But death is not the end of existence. I may be forgotten totally by the day after next Thursday, but my existence will still have become a permanent fact.  Yes, I am one of those dopey-derfy-think-too-much types known as an existentialist.

I am feeling ill again.  Any time that happens may be the last time.  But that doesn’t worry me.

 

 

The important thing is that the dance continues.  It doesn’t matter who the dancers are, or who supplies the music.

We can be clowns if we choose to be.

We can safely be fools if we really can’t help it.

An awful lot of awful things go into who and what we are.  Those things make us full of awe.  They make us awesome.  Aw, shucks.  What an awful thing to say.

 

But what is all this stuff and nonsense really about today?

It’s just Mickey being Mickey… Mickey for another day.

It’s not really poetry.  It certainly isn’t wisdom.  It’s a little bit funny, and only mildly depressing… for a change.

It’s just Mickey being Mickey.  And a partially Paffooney gallery.

…To fill some space today.

And wonder about tomorrow.

And just be Mickey a little bit more.

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Dvorák’s Scherzo in the Nude

Another opportunity to visit the nudist park has passed without me being able to seize the day and do what I really wanted to do this weekend.  It was, however, a different set of reasons than last time.  Last time I was determined to go on a Saturday when more nudists would actually be present.  I got sick and it rained that Saturday.  So I set my sights on Labor Day weekend.

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This weekend the hurricane that ravaged Houston changed my plans.  You see, the storm also ravaged Port Arthur and the distribution points that local gas stations rely on for new shipments on a weekly basis.  I did not see the gas shortage coming in time.  The lines at gas stations and two hour waits for gas mostly all happened before I was ready to cope with it.  So I was not prepared to make the trip when the time came.  Gas stations are limited to selling chewing gum and promising that more gas would be available by the middle of next week.

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Yes, the boy in the picture is me naked as I might’ve been in a more sylvan youth than the one I actually had.

So I am left to sit here in my bedroom studio in the nude writing this and listening to Dvorák’s Scherzo Capriccioso on YouTube.

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A scherzo is, perhaps, the perfect metaphor for an essay like this one.  Most of what I write are really scherziplay (or scherzi if I hadn’t goofed on that typo in the definition) if you analyze them closely.  Sprightly and humorous idea flows (at least, they make me laugh) that wax thoughtful and slightly serious at certain points.  This one, the capriccioso, the capricious and mercurial idea that I have somehow turned into a nudist, is my attempt to make sense of the nonsensical, the whims and flimsy that led me to be a naked old man.

You may have noticed in my artwork a tendency to associate nudity with childlike innocence.  (At least, you should have noticed if I have any ability at all as a writer and artist to guide your perceptions.)   There is no sense at the nudist park that it is about sexuality and impending orgies.  Those things are completely against the rules and have no place among actual nudists.  You go to a nudist park and it is just you and your towel for sitting on talking to a bunch of naked people who just as fat and old and saggy and baggy as you are, each with their own towels for sitting on.  Nobody uses more than their first names, and more than that is not necessary.  Nudists are more open and honest than most people you meet in social situations.  They literally are not hiding anything.  And I have discovered that I fit right in there.  It seems like the most natural thing in the world.

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Once I got past the initial embarrassment that anyone would feel in that new-nudist situation, I came to the conclusion that I have always been a nudist.  Having been born a nudist, my parents and grandparents trained me not to be one, and being sexually assaulted at ten gave added horror to being naked around others that it took a lifetime to overcome.  But naked is how we were created.  There is a reason that Adam and Eve didn’t wear clothes in Eden.

I didn’t get to go back to the nudist park this holiday weekend.  I will never convince my wife and kids to go with me either.  In fact, I myself may never have another opportunity to go back there.  But listening to Dvorak’s Scherzo has confirmed in me that I am a nudist and always have been.  Sorry if I have frightened you with my naked ideas, but maybe you should listen to a scherzo naked and test whether you are one too.

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Mickey and the Mother of Invention

Cool title, right?  No? It needs a lot of further explanation?  All right, here goes.

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“Invention, it must be humbly admitted, does not consist of creating out of void, but out of chaos”—Mary Wollstonecraft Shelley

Whether you prefer the stealer of Tesla inventions or the author of Frankenstein for invention quotes, you have to admit they are both right.  Those of us who think creatively try with all our might and mind to take the wreckage life has given us and make something new.  Preferably we make something that is good for us and improves our situation.  But sometimes it turns out that it only makes matters worse and creates monsters of the mind.

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When I was ten, I was sexually assaulted by a neighbor boy who was older and stronger and decidedly crueler than me.  It split my world into pieces.  I retreated into fantasy worlds and lived in my imagination far more than the real world.  The monster in my memory was locked away in a tightly sealed forget-me box.  I repressed the memory successfully until I was twenty-two.  My creativity and inventiveness turned to fantasy art and fanciful fiction.  I worked at having a good sense of humor, being a tough athlete on the high school football field, and trying to force people to accept me as the brainiac weird kid who always knew the answers in science class and could do practically anything except successfully talk to girls.

Surprisingly my greatest invention would turn out to be me.  I reinvented myself.

I would’ve never believed when I was young that I was made to be a teacher.  I lived inside my own head.  How could I be a teacher and control a classroom and make people listen to the various shards of nonsense that I was completely full of?  But, through gradual problem-solving, I learned to be an effective public speaker.  I learned how to be an engaging presenter.  I did a few magic tricks.  I told more than a few jokes.  Some of them were even funny.  I learned how to put ideas in front of children in visual displays and organization charts.  I learned how to teach people to read.  And more than that, I learned how to teach people to learn.

I honestly don’t think I would’ve learned to do all of that if my childhood psyche hadn’t been broken and hidden away in brain boxes when I was ten.  I might still have been an artist.  But not the teacher and story-teller I ultimately became.  Without the mountain to climb, a boy can never become a mountain-climber.  Without a star to see and study, he can never be an astrophysicist.  And without a brain filled with broken brain bits, a man can never learn how to put himself back together again, let alone teach others how to do it.  All the king’s horses and all the king’s men are no help with this endeavor.

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Have I now explained my terribly tilted title?  Does this help you see how I have sung the songs taught to me by the Mother of Invention?  Probably not.  I am a rather dense little goof and the work of making me into me is not yet finished.  I crashed and burned again a couple of years ago when I had to retire from teaching.  I had to invent myself again as something new.  I am certainly not done hitting the metal work with a big black hammer.  But, perhaps, you can see the tool-marks on this blog and learn something from it too.

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D & D Action Pictures

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I finished my fantasy battle scene started over a week ago.  In many ways it was just like a D & D battle fought on the table top with miniatures, a battlefield grid, and dice.  It had to happen in steps.

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Remember this step?  The pen and ink step?  That isn’t even the first step.  But pencil drawings don’t photograph and reproduce as well as pen and ink.

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And then the colored pencil work had to proceed a section at a time.

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I basically went character by character, starting with the good guys.

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And that is the same way the combat occurs.  Shandra the Unicorn Maiden rolled an 18 for initiative on the twenty-sided dice.  So she attacked first.  She only got a 15 on the attack roll, however, so her wand of silver-fire only did five points of damage, depriving the kobold of one claw arm.  The shadow archer (not pictured because he was invisible at the time) had a 16 on initiative and an 18 on attack, so he wounded Sammy the Satyr with a two-point damage from his crossbow bolt to Sammy’s left arm, preventing the young satyr from attacking during the round.  Turkoman the Wizard was next, using his wand of fire-bolts to attack the skeleton-ghost, igniting its death shroud and making it drop its magic +2 long sword.  You can see both Greebo the Half-orc and the evil beast-thing have not yet taken their turns in the combat.  Seriously, a three-round combat seems to take forever in the D & D game.

So. there you have it.  My Dungeons and Dragons post for this week is simply an excuse to show off the newest silly drawing I did, brag a little bit, and play silly word-games even more.  I hope I didn’t stretch your patience to the breaking point yet again.

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Dragon Paffoonies

Part of the joy I find in the family Dungeons and Dragons game is in making Paffoonies, the story-based pictures that illustrate and elucidate the characters and other things that enter spontaneously into the game.

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I don’t invent every part of the image and concept myself.  Some inspiration comes from the game books and published adventures, while others come directly from the players and the way their imaginations shape characters and events.

Many of the Dungeons and Dragons Paffoonies began life as character sheets.  That’s why there are numbers, strength numbers, intelligence numbers, character levels, dexterity, skill sets, and magic items listed all around the character image. They more or less morphed over time into illustrations done in colored pencil on colored paper.

I enjoy drawing wizards and apprentices, warriors in action, castles, and dragons.  I have used the game as an extended excuse to draw vast quantities of them.  And now I have a resource to mine for Paffoonies to lace my blog with.  They provide a sort of sugary spice that I love the taste of, and I will continue to share them until the end, even if they disagree with you and give you reading indigestion.

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I am working on a new piece that is D & D Paffooney- related. I will keep you apprised of the the progress here until it is finished or until you get fed up with it.  Whichever comes first.

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Paffoonies are my own thing… pictures and stories melted together… loony, cartoony, balloony, pink baboon buffoons brewed together in a big pot.  And I will continue to use them for acts of Dungeons and Dragons nonsense.

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When the Old Mind Wanders…

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When the old mind wanders…

They tell you you’re just too slow.

But thoughts like mine drift everywhere,

And the edges of the universe… are a place to go.

 

Maybe I should write in red.

And argue with the voices

That rhyme inside my head.

And break the rhyme scheme 

Here and there

Because of what they said.

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Or maybe I should write in blue

Because I’ve been thinking in the nude

And laying all my secrets bare

Which really might be rude.

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But the old mind wanders…

In the form of a poem,

And breaks and squanders

Tallest waves in mere foam.

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Imaginary Friends

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When you know someone has an imaginary friend, something like Elwood’s six-foot invisible rabbit called Harvey, don’t you immediately think that person is crazy?  I do.  But I have imaginary people as friends. I think most writers do.  So am I crazy?  Probably. But hopefully it is a good kind of crazy.

It began with imaginary friends from books.  The Cat in the Hat was my friend.  Jim Hawkins was my friend, as was Mowgli and all the members of the Swiss Family Robinson.  They entered my dreams and my daydreams.  I told them my troubles the same way I listened to theirs through their stories.

I began to have imaginary friends that came from my own imagination too.

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I used to tell my mere human friends about my friend Davalon from outer space.  I told them that he was real and secretly visited me at night to talk about being able to learn about humans on earth by walking around invisibly and watching them.  I got so involved with these stories that my sixth grade class began saying, “Michael is from Mars.”

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When I was a teenager, I began having conversations with a faun.  His name was Radasha.  He was a creature from Greek Myth, a sensual Dionysian creature who, in his child body, was both younger than me and way older than me.  I didn’t realize until much later in life that he was the result of my repressed memories of a childhood sexual assault that I was the victim of.  I could talk to him about my fear of nakedness.  I could tell him about my blossoming interests in naked girls and their bodies.  I could talk to him about all the things I was somehow too terrified to talk to my male friends about, even though none of them had the same reluctance to discuss sex.  Ra was imaginary.  But he helped me heal.

Then the story-telling seriously began.  I used Davalon as one of the main characters in my novel Catch a Falling Star.  I created Torrie Brownfield, the baby werewolf to express the feelings I had as a boy about being a monster and secretly terrible and deformed.  Torrie is a normal boy with a condition called hypertrichosis.  I am working on The Baby Werewolf now.  And then there’s lovely Valerie Clarke.  She is the main character of Snow Babies which is a finished novel, edited and proofread and ready to publish.  It is I book I will have to find another way to publish since the recent death of PDMI Publishing.  She is not a me-character, based on my own thoughts and feelings.  She is based on former classmates and students who told me things that express the sadness and isolation of growing up female.  So she is even more imaginary than my other characters.

They become real people to me.  They have their own point of view. They talk to me and I learn things from them.  But they are imaginary.  So am I crazy?   Yes… as a loon.  And happy as Elwood P. Dowd to be that way.

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Theme Songs for Living Life

You know how in movies and on TV they play a soundtrack behind the action of the show?  And how, sometimes, if the movie or TV show is any good, it enhances and underscores whatever is happening to the main theme of story and the action that expresses it on the screen?  Yeah, that.  A complex idea that lies just under the surface of consciousness, a something that somebody sometime thought up that actually works and can work quite well.  But why does it work?

Put as simply as I can say an idea that is so layered and complex, it is because that is how real life works.  Yeah, there is music in the background of every life.  It plays almost unnoticed until that point where you suddenly realize how it defines your very soul.

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Through childhood and junior high and high school, I used to joke with my two sisters that every song that came on the radio was my favorite song, my theme song.  Every new Beatles’ song, or Paul Revere and the Raiders’ song, or Elton John musical fantasy was the song that defined my entire life.  Yes, I really was that fickle.  But I was also responding to a sense that who I was had to change into something new as often as you heard a new song on the radio or bought a new record album.  (Yes, I know some of you have no idea what that is, but I am a child of the 60’s and 70’s, and I make no excuse for that.  So deal with it.)

I hope you have listened to some of the YouTube song-thingies I have added to this post.  They are not picked at random.  They are some of the key theme songs of my goofy, pointless, and fantastical life.

The Astroboy opening theme is here to represent my early childhood.  When I had the courage of the irrepressible imagination of childhood.  I soared with Astroboy through every black-and-white episode I could get hold of in the 60’s.  At times it met getting out of bed early to catch it at 6:00 am, just after Channel 3 came on the air in the morning.  At times it meant rushing home as soon as school let out because it came on only half an hour after the last bell, and the school was on the north end of Rowan, while home was as far south as the town went.Astroboy

I really used to believe that I would grow up to lead a heroic life and make a name for myself that would inspire others to greatness too.  We are uncommonly stupidly when we are children, and we need simplistic theme songs to wake us up to life gradually.

The Eagles provided the theme songs of my high school and college young manhood.  Trying out life, at times boldly, and at most times timidly, I had to “Take It to the Limit” as often as I could manage.  It turned out that due to irrepressible social awkwardness, my greatest presses against the walls of my existence were all academic in nature.  We learn by doing… and failing… and trying again.  The songs become more complex as they weave themselves into the background of your life story.

As a young teacher, shy and soft-spoken, it was impressed on me that discipline was about controlling behavior which you had to do by being stern and unyielding, good at rule-setting and handing down punishments.  But with my goofy temperament and non-threatening clown face, I soon learned that that road only led to misery and heartache for both me and, more importantly, the students.  In the 80’s I learned that you had to follow Bobby McFerrin’s philosophy of “Don’t Worry, Be Happy”.  I learned that you don’t teach someone lasting lessons by pushing them from behind with paddles and switches, but by leading them forward with jokes and obvious joy in the lessons you are teaching.

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Now that I have grown old and awful in the winter of my life, the songs that express my personal themes are classical music and complex with snowflakian symmetry and stark, cold beauty.  I would talk about a few more particulars, but I am now well past 500 words, and if you don’t have the idea yet, I’m sorry, you are probably never going to hear that music yourself.  But don’t worry… be happy.

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Becoming

The classic line from the visionary poet Theodore Roethke;

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But the truth is, before you can BE you must first BECOME.

I know what you are probably thinking.  “What is this idiot rambling on about now?”

Well, sometimes you simply have to spout a lot of love and hoo-haw and just pretend it means something.  That is the core, I think, of what philosophy is all about.

But maybe a list of what I have already become will get the idea knitting itself together.  You know, a list of the things I can already just BE.

I have already become college educated.  I have a BA in English and an MAT in Education (Master of the Art of Teaching).  Those letters my college years bestowed upon me are only an “N” short of being an anagram for BATMAN.  So I have almost become BATMAN.

I have also finished becoming a teacher.  In fact, I have spent 31 years becoming a teacher.  I have gotten so teacherfied over the years that I am actually now becoming a retired teacher.  I haven’t learned the art of retired teacher yet.  It is still gonna take a bit of practice to start getting it right.  But I can get a kid to sit down and shut up with just a look.  I can read the mind of a glum-faced student and know we are about to have a bad day.  And I always know when to tell a really awful joke so that the students know their only hope of keeping their lunch down and retaining their sanity is to ask me to please get back to today’s lesson.  So I can BE that, at least in theory.  I am still BECOMING retired.

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Why-ever would I draw myself as a naked boy?  I have inexplicably weird urges sometimes.

I am a living, breathing human being.  I have been that now for sixty years and eight months.  I have practiced it enough that I can BE that without even thinking about it.  Well, not now, just most of the time I don’t have to think about it.

But I did make a huge mistake fairly recently in applying for a chance to be a blogger for an AANR-affiliated website.  Yes, that’s right, the American Association for Nude Recreation.  I signed on to write about being a nudist.

I am asked to write a review of the nearest naturist park, the Bluebonnet Naturist Park in Alvord, Texas.  I am hoping to find a day for a day-visit that won’t find a lot of people there.  Ummm.  How did I get roped into BECOMING a nudist?  Is it too late to back out now?  Or would that be UNBECOMING?

But most of all, I have labored long and hard at BECOMING a real writer.  I have two books already published.  Aeroquest and Catch a Falling Star.    You can find them both on Amazon or Barnes and Noble.  But don’t buy Aeroquest.  Those cheap burgle-binkies don’t deserve to make any more money off of me.  I have another book coming out soon from Page Publishing, Magical Miss Morgan.  It is a book I am really proud of, though these foofy publishers have done nothing to help it and a lot to mess it up for me.
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But, I must admit, I have just finished reading Mitch Albom’s masterpiece, The Magic Strings of Frankie Pesto.  It is a miraculous, engaging read that made me laugh and made me cry and made me fall in love with the story.  And it is so far beyond what I can do that I must write a review on it, maybe tomorrow, and gush praises all over it.  I can only dream of BEING a writer like that.  It proves to me that I have a lot more BECOMING to work on.  Sorry, Ted, I am just not there yet.

 

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