Imagination is always the place I go in times of trouble. I have a part of my silly old brain devoted to dancing the cartoon dance of the dundering doofus. It has to be there that I flee to and hide because problems and mistakes and guilt and pessimism are constantly building un-funny tiger-traps of gloom for me to rot at the bottom of. You combat the darkness with bright light. You combat hatred with love. You combat unhappiness with silly cartoonish imaginings. Well… maybe you don’t. But I do.
When reading the Sunday funnies in the newspaper on lazy Sunday afternoons, I spent years admiring Bill Watterson’s Calvin and Hobbes for its artistry and imaginative humor, believing it was about a kid who actually had a pet talking tiger. I didn’t get the notion that Hobbes was actually a toy tiger for the longest time. That’s because it was basically the story of my own boyhood. I had a stuffed tiger when I was small. He talked. He went on adventures with me. And he talked me into breaking stuff and getting into trouble with Mom and Dad. It was absolutely realistic to me.
I have always lived in my imagination. Few people see the world the way I view it. I have at least four imaginary children to go along with the three that everybody insists are real. There’s Radasha, the boy faun, my novel characters Tim Kellogg and Valerie Clarke, and the ghost dog that lurks around the house, especially at night. That plus Dorin, Henry, and the Princess (the three fake names that I use in this blog for my three real children).
Have you noticed how Watterson’s water-color backgrounds fade into white nothingness the way daydreams do? Calvin and Hobbes were always a cartoon about turning the unreal into the real, turning ideas upside down and looking at them through the filter-glasses of Spaceman Spiff.
Unique and wonderful solutions to life’s problems can come about that way. I mean, I can’t actually use a bloggular raygun to vaporize city pool inspectors, but I can put ideas together in unusual ways to overcome challenges. I almost got the pool running again by problem-solving and repairing cracks myself.
So, I am now facing the tasks of working out a chapter 13 bankruptcy and having a swimming pool removed. The Princess will need to be driven to and from school each day. I will need to help Henry find another after-school job. And the cool thing is, my imaginary friends will all be along for the ride. Thank you, Calvin. Thank you, Hobbes. You made it all possible. So, please, keep dancing the dance of the dundering doofus.
Naked Innocence
To be clear, I will have to write a post called Naked Experience to go with this post. It is a William Blake style of thing. You know, that English Romantic Poet guy who was into drawing naked people even more than me? The writer of Songs of Innocence and Experience? You know, this stuff;
Well, maybe you don’t know. But Blake gave the world the metaphor of the innocent lamb and the tyger of experience (tyger is his spelling, not mine, and it didn’t blow up the spell checker, even though it made the thing unhappy with me again). There is a certain something I have learned about nakedness that I mean to innocently convey. I learned it from anatomy drawing class and spending time with nudists. Naked is not evil. Naked is not pornography. Nakedness, itself, is a very good thing.
At this point the avid clothing-wearers among you are probably saying to yourself, “This guy is nuts! If God had wanted us to be nude, then we wouldn’t have been born with clothes on.” And I must admit, I cannot argue with logic like that.
But on a more serious note, I believe nudity is a fundamentally essential part of the nature of art. After all, pictures of naked people are a central part of what people have been drawing since they first started etching them with charcoal on cavern walls. And all art, including this blog, is about the human experience. What it means to be human. What it feels like to be alive on this Earth and able to feel.
And there is nothing sinister and immoral in drawing nudes to portray that fact. I am trying to show metaphorically the music of existence, the pace, the symmetry, the musical score… It isn’t focused on the private bits, what some call the naughty parts, even when those things are present in the picture. “How dare that naughty Mickey show the naked back end of that butterfly! It ought to have pants on at least!” Yes, I am making a mockery of that outrage itself. I am not a pornographer. These pictures were not created to engender any prurient interests. These pictures are part of Blake’s lamb. They will not bite you. Though blue-nosed people who wish to control what others think may very well bite me for daring to say so.
I have posted a lot of writing and artwork on this blog that I held for the longest time to be completely private and personal. I hardly ever showed any of it to anybody before I posted it here. But I am old. I no longer have secrets. I am capable of telling you everything even though I have never met most of you in real life. And I have no shame. I have become comfortable with emotional and intellectual nudity. And when I am dead, the body I have kept hidden from the world for so long will be no more. It’s just a thought. It’s a naked thought. And it is completely innocent.
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Filed under artists I admire, artwork, commentary, humor, nudes, Paffooney, strange and wonderful ideas about life
Tagged as nudes, William Blake